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Three Pieces of French Faience to Comprise Dish with Maidens Head Design, Shaped Quimper Ware Dish and a Small Vase

* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004), MAINEE AT THE MIRROR mixed media on paper, signed mounted, framed and under glassimage size 50cm x 54cm, overall size 88cm x 92cm Provenance: We are grateful to Lachlan Goudie, artist, writer, broadcaster and the leading authority on the work of his father for authenticating this work and confirming that the lady is Alexander Goudie's wife (Lachlan's mother) Marie-Renee Dorval who was known as "Mainee". Lachlan believes this work is likely to be from the late 1970s.Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject-matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, wrote: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.

A Cantagalli style twin goat mask moon shaped mounted vase decorated with portrait to centre enclosed within a bird and animal border, (32cm x 18cm) unmarked verso, a Quimper two handled dish and a Rouen style faience octagonal ink well with pierced holes, complete with cover and liner, (4cm x 9cm) unmarked

An assortment of mixed porcelain to include two 19th century Chinese Export painted circular plates, a Chinese Export porcelain shaped plated painted with flowers, a 20th century Dresden porcelain floral encrusted basket, a Quimper faience pottery heart shaped dish. Diam.25cm (largest)

Three various faience candlesticks, decoratively painted, tallest 25cm, together with Henriot Quimper, a faience Madonna and child, polychrome painted decoration, the base inscribed "Vierge", painted marks to underneath of base, include "Henriot Quimper", 14cm highCondition: chip to handle, minor glaze loss, to rim of the tallest.

A collection of British and Continental ceramics, 19th century and later, to include: two Staffordshire flatback figures of 'Home' and 'Harvest', each modelled as a figure on horseback with agricultural attributes, each 30cm high; two pairs of Staffordshire spaniels, each modelled sitting with yellow eyes and iron red patches to the coats, one pair 23cm high, the other 17cm high; a pair of Dalmatian dogs, each modelled sitting, gold dagger mark to reverse, each 15.5cm high; a pair of Volkstedt white glazed porcelain figures of young boys with leaf-shaped wheelbarrows, each wheelbarrow with articulated wheel and moulded vine and grape decoration, each figure 14cm high, 17cm long; a pair of French faience salts modelled as resting doves, each 8cm high, 15cm long; and a Quimper faience double figural salt with painted floral decoration, 18cm high (13)

A French faience plate in the Quimper style, late 19th century. Grey HB mark, painted with a figure of a man standing in a wide brimmed hat in landscape, within a flower-spray border, 20.5cm wide

Continental Faience Pottery Water flask, with floral decoration on blue ground, five hoops to border, J.J.J to inner neck, 15cm long. A Quimper wall posy (2).

A PORTUGESE FAIENCE DISH with other ceramics including a dressing table set, Quimper tankards and Susie Cooper cups

A French polychrome faience plate, 18th century, decorated with a vase of flowers, dia.23.5cm, together with a pair of Quimper polychrome faience side plates, dia.16.5cm, a near pair of French polychrome faience dishes, largest dia.16.5cm, and five further French faience plates, largest dia.24cm (10)

A French polychrome faience vase, probably Rouen or Desvres, probably 18th century, of baluster form, decorated with birds amongst flowers, h.23cm, together with a Norman polychrome armorial dish, w.23cm, a Quimper polychrome stand, w.14cm, a Rouen polychrome vase, h.11cm, and a similar jug, h.10cm (5)Twin handled tray – one handle off.Quimper circular pot with twin blue handles – badly cracked.Large vase – crazed and with a couple of hairlines, minor losses to the rim.Small tapered Rouen vase – cracked.Milk jug – minor chips.Pinched square inkwell – chipped to the lid.The remaining items have only minor chips and nibbles.

A Set of Six Quimper Faience Mugs, each painted with a cockerill in the landscape, 11.5cm high

France Faience Pottery. 2 x Henriot Quimper marked items and a further plate possibly 18th or 19th century but unmarked. Condition - Shell Dish loop holder has been broken and re-glued, the older plate has edge age related hairlines, no restoration detected. Unmarked plate is 22cm Diameter

A 19th Century French Faience teapot by Henriot Quimper. Moonflask shape with hand painted decoration to the tin glazed earthenware. The underside signed HB and with retailers label. Measures approx; 27cm tall.

A group of French faience/quimper, to include a large open bowl, a covered tureen, and four cups. Marks to the undersides. Bowl 26 cm wide. (6)

A group of 19th century French faience wares, to include two sponge-decorated bowls, a flower holder, two shallow bowls, a quimper marked two-handled bowl and a lidded vessel. Some damage. (7)

Collection of vintage and antique continental pottery: French Faience ware 'Aladin' inkwell with floral decoration, collection of Quimper ware including plates, cups, jugs etc. large Italian bowl with yellow scenic decoration 'Aladin' style soup bowl (unmarked) with two handles, large unmarked 'Quimper' ware style jug, pair of small 'Salvini' Italian faience, hand-painted plates with scalloped rims etc. (2) (B.P. 21% + VAT)

Small selection of Quimper, Delft and other faience glazed pottery to include a Delft tankard with metal cover, signed inscribed to the underside also factory stamped JT & L (Joost Thooft & Labouchere)

A Quimper faience part dinner service

A Collection of Quimper and other Faience, including conical wall pockets a candlestick (three trays)

A Collection of Faience, Rouen and Quimper etc, including a royalist inscribed moulded dish "Vive Le Roy" etc (qty)

18 Fachbuecher: Franzoesische Fayencemanufakturen u.a Nevers, Moustiers, Gien, Quimper, Lille Darunter: J. Rosen, La faience de Nevers, 2 Baende, Dijon 2009 - L. Julien, L'art de la faience a  Moustiers, Edisud 1991 - P. le Stum, Encyclopedie des ceramiques de Quimper, 2 Baende, Le Mans 2003.

Collection of faience, French soup tureen ca 1800, blue/white plate Quimper 1870 and dish hand-painted GermanLot faïence, soepterrine Frans ca 1800, blauw/wit bord Quimper 1870 en schaaltje handbeschilderd Duits23 x 23, 30.5 x 22 & 32 x 20 x 20 cm

Henriot Quimper, France. Group of three hand-painted faience porcelain plates depicting pairs of figures surrounded by floral motifs and crests along the scalloped edges. Marked along the underside.Each; diameter: 9 1/2 in.

Faience Circular Charge, probably 19th century, decorated with a Turk wearing a orange cloak accompanied by a flamingo 38cm diameter together with Majolica Twin Handled Dish with basket weave decoration 32cm long and a Pair of Small Quimper Dishes 10cm diameter

A pair of Art Deco Keller & Guerin plates, each with pierced rim, printed with a farm worker collecting vegetables in a basket, in golden yellow and black on a cream ground, two Rosenthal plates painted with fish, a Fornasetti 'Classical Busts' coffee can and saucer, two Royal Copenhagen Faience pieces and a collection of Quimper and continental ceramics, printed factory marks, 19/5cm. diam (K&G plates), (a lot) Provenance The Douglas Johnson collection. Exhibited One of the Keller & Guerin plates on loan to Bristol Museum & Art Gallery.

Collection of French faience, 19th century and later, including a pair of St. Clement plates painted with flowers, a Quimper circular dish, a shaped oval serving dish painted with bouquets of flowers and another item (8) Condition ReportSurface scratches and accretions. Some plates and bowls with chips. Bird plate with crack and old repairs. General wear and tear

A GROUP OF CERAMICS AND SALT GLAZED WARES, comprising a Royal Sphinx Maastricht Delfts charger, diameter 40cm, Copeland Spode series No1 and No2 Spode's Byron plates, five Coalport 'Tintern' pattern coffee cans with six saucers, a Staffordshire 'Hound with Children', a German 683- S.P Gerz salt glazed tobacco jar (no lid), two Coalport 'Hong Kong' pattern vases, height 22cm and 10cm, four pieces of Delft blue ware, a Royal Albert 'Country Rose' pattern bowl, a Royal Albert 'Violets' pattern cup and saucer, two Withernsea 'Fauna' jugs 95 and 96, height 20cm and 29cm (the larger one is chipped along the base), a French Henriot Quimper style plate decorated with a female farm worker and floral border (hairline crack on the back), a French Faience Luneville plate - Saint Clement (hairline crack and chips to glaze), a Coalport 'Shrewsbury' pattern cream jug, four salt glazed German beer tankards, a salt glazed jug, height 22cm, a Villeroy & Boch blue and white vase, height 20cm, etc (s.d) (Qty)

Three French faience planters, late 19th century, Quimper (Mosanic) and other factories: the first of scalloped circular form, with shell handles, painted to one side in blue and white with a windmill; the second oval, with dragon handles, painted with marine scenes on paw feet; the third of shaped oval form, with Rouen style decoration and wheatsheaf handles. (3) 18.5cm by 24cm, 13.5cm by 31cm and 10.5cm by 34cm

A 19th century French Sevres porcelain cabinet plate, with gilded Louis-Phillipe cypher flanked by cherub and putto within bleu ciel ground, Fontainbleau Chateau-mark 1846, 23 cm to/w Spode 'Regent' coffee service, Quimper chamberstick and tray, Cantonese rose-bowl and other decorative china, to/w a part set of French faience 'Demi-porcelain' dinner ware (2 boxes)

A small collection of 19th century French faience/Quimper ware, including a two-division cruet with matching 5¾” jugs & covers, a 12” diam. bowl with sponged border to the shaped rim, a set of four polychrome decorated plates (one broken & re-stuck); & five various other plates.

* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004),ODALISQUEoil on canvas, signedimage size 85cm x 120cm, overall size 104cm x 139vm Framed.Provenance: We are grateful to Lachlan Goudie, artist, writer, broadcaster and the leading authority on the work of his father, for authenticating "Odalisque" and confirming that "Yes, I know this canvas very well. It’s one of my father’s finest nude paintings, a tribute in many ways to his artistic heroes Manet and Velazquez. The subject is my mother, Marie Renee Goudie, who was a muse for my father throughout his career. It’s a supremely confident piece of virtuoso painting, designed to create an impression of sensuality and exoticism. A wonderful work". Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed a prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist, he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, wrote: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.

An 18th Century Delft blue and grey beer jug, a Delft floral decorated plate AF; a blue and white Faience type model of a rhinoceros; and a Quimper egg cup (4)

A quantity of Quimper faience ware including a shell moulded dish, jugs and lidded pots, together with a quantity of Poole pottery including Carter Stabler & Adams vase (two trays)

A Quimper French hors d'oeuvres faience set

A group of French faience including Quimper comprising: a bough pot, decorated in blue and white with an armorial; a Quimper twin-handled double spout vessel; a baluster jug; and tankard. (4) Bough pot 13cm by 23cm by 14cm

A group of Nevers, Quimper and other French faience plates, of various designs, three painted with armorials. (8) Each approximately 25cm

Four pieces of Continental pottery, comprising a Quimper tall candlestick of baluster form, painted in yellow and green with flowers and horizontal bands, height 33cm, a large circular bowl, painted in blue with a man o' war, diameter 51cm, a faience dish and a faience tureen base (faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A pair of French faience candlesticks in Quimper style (24cm high), a large Beswick mare (20.5cm high) and three Beswick foals, a cut-glass preserve jar, three glazed mallard ornaments and other ceramics 

A collection of Quimper faience ware including Henriot, candlestick, menu holder, teapot, porringer, knife rests etc, tallest 19cm

A collection of Quimper faience ware including oversized tankard, porringer, lidded casserole, jugs etc, tallest 19cm

A collection of mostly Henriot Quimper faience ware including covered dishes figurally decorated plaques etc, tallest 16cm 

A collection of Quimper faience ware including chamber sticks, one Henriot, pen stand, clog etc, tallest 9.5cm

Quimper faience wall pocket with figural decoration, W25 x D33cm

Quimper faience standish or inkwell raised on scrolling feet, W19 x D12 x H11cm

A French faience hand bell, modelled in the form of a postman riding a tortoise, polychrome hand painted in the Quimper style, inscribed red maker/painters mark inside, possibly Feraud, C.1900, 16.5cm high

[ANTIQUES & COLLECTING]. FRENCH FAIENCE Thirty-six assorted volumes, including those of Quimper interest, some with soft covers.

* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004), A CLEAR VIEW oil on canvas, signed image size 52cm x 64cm, overall size 60.5cm x 71.5cm Framed. Provenance: We are grateful to Lachlan Goudie, artist, writer, broadcaster and the leading authority on the work of his father, for authenticating this painting and confirming that "A ClearView" is likely to date to 1957 "when Dad first went there (Toledo, Spain) and spent a prolonged period staying with friends and painting." Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed a prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist, he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, said: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.

* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004), IN THE STUDIO mixed media on paper, signed image size 64cm x 49cm, overall size 82cm x 66cm Mounted, framed and under glass. Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed a prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist, he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, said: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world. In The Scottish Contemporary Art Auction of 24th October 2021 "The Baptism" a 40 x 50cm gouache by Goudie sold for £2600 (hammer).

Selection of French faience wares to include Quimper, comprising a wall pocket dated '1793', pair of Maurice Fouillen plates, Quimper dish numbered 222 and another unsigned faience plate (5)

* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004),A CLEAR VIEWoil on canvas, signedimage size 52cm x 64cm, overall size 60.5cm x 71.5cm Framed.Provenance: We are grateful to Lachlan Goudie, artist, writer, broadcaster and the leading authority on the work of his father, for authenticating this painting and confirming that "A ClearView" is likely to date to 1957 "when Dad first went there (Toledo, Spain) and spent a prolonged period staying with friends and painting."Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed a prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist, he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, said: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.

* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004),IN THE STUDIOmixed media on paper, signedimage size 64cm x 49cm, overall size 82cm x 66cm Mounted, framed and under glass.Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed a prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist, he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, said: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world. In The Scottish Contemporary Art Auction of 24th October 2021 "The Baptism" a 40 x 50cm gouache by Goudie sold for £2600 (hammer).

Miscellaneous pottery and porcelain, to include a German stein, a pewter lid inset with porcelain plaque painted with Mazepa, Quimper faience dishes and figures and an early 19th c English blue and buff sprigged stoneware tobacco jar, cover and press Condition ReportMostly damaged

A Quimper faience coffee pot, decorated with figures in traditional dress, painted mark, Victorian teawares, Royal Doulton figure of Rose, etc. (a quantity)

A group of French faience quimper ceramics

A French faience hand bell, modelled in the form of a postman riding a tortoise, polychrome hand painted in the Quimper style, inscribed red maker/painters mark inside, possibly Feraud, C.1900, 16.5cm high

A set of 3 19th century QUIMPER faience plates 24cm, a similar pair of plates and a Quimper jug

* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004),NUDE DIPTYCHcharcoal and pastel on paper, signed (both)image size 63cm x 34cm each, overall size 107.5cm x 122cm Mounted, framed and under glass together.Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject-matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, wrote: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.

A 20th Century Quimper faience trefoil dish with central swan handle and typical hand painted peasant decoration

A collection of French faience pottery to include a platter decorated with figures outside a church, verso inscribed 'sortie d'église kerfeunteun' 39cm, a Henriot Quimper figurine 10cm high, model of a clog, and an inkstand with four quill rests (a/f) Provenance: From a local Private Collection