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Lot 2
A group of patch and trinket boxes, comprising an 18th century South Staffordshire or Bilston 'Cheltenham Wells' oval patchbox, two French faience quimper type boxes, 19th century, a miniature Royal Worcester circular pot and cover painted with flowers, and a group of modern boxes and one dish (group)
Lot 108
* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004), TWO BOATS gouache on paper, signedmounted, framed and under glassimage size 62cm x 88cm, overall size 86cm x 109cm Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject-matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, wrote: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.
Lot 49
A large collection of French faience glazed Quimper ware - early to late 20th century, the majority of pieces by Henriot, all with classic figural or floral painted decoration, to include a covered preserve pot; a butter dish; a shaped covered box; a figural table bell (unmarked); three jugs; two-handled bowls; a pair of egg cups, four cream jugs; a pair of candlesticks (one chipped); small plates and saucers; etc. (approx. 35), a few pieces a/f.
Lot 30
A collection of Quimper faience pottery to include lozenge shaped dish decorated with Breton woman with posy of flowers, 36 cm x 23 cm, fish dish decorated with Breton woman amongst flowers, 26.5 cm x 12.8 cm, two lug handled bowls decorated with Breton men, 18 cm wide x 14.5 cm wide, an octagonal plate decorated with Breton woman, 20.5 cm diameter, a circular plate decorated with vase of flowers, 30.3 cm diameter, together with a French faience puzzle jug decorated with serpent and grapes, inscribed "Buvez, Je le veux bien mais sachez placer votre main", 15 cm high and a Portuguese bird posy inscribed to base, 9.5 cm high, together with one volume MARJATTA TAPURET "Quimper Faience English Edition"
Lot 291
* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004), ODALISQUE oil on canvas, signedframed image size 85cm x 120cm, overall size 104cm x 139cm Provenance: We are grateful to Lachlan Goudie, artist, writer, broadcaster and the leading authority on the work of his father, for authenticating "Odalisque" and confirming that "Yes, I know this canvas very well. It’s one of my father’s finest nude paintings, a tribute in many ways to his artistic heroes Manet and Velazquez. The subject is my mother, Marie Renee Goudie, who was a muse for my father throughout his career. It’s a supremely confident piece of virtuoso painting, designed to create an impression of sensuality and exoticism. A wonderful work". Note 1: The loose meaning of Odalisque in the world of art is “a reclining nude, female figure”. The word is French in form and Originates from the Turkish work “Odalik” meaning “Chambermaid” One of the earliest examples of a painting of this subject matter was Jean Auguste Dominique’s Ingres work painted in 1814 and titled “Grande Odalisque”. The painting was commissioned by Napoleon’s sister, and Ingres apparently drew inspiration upon the classical works of Dresden Venus by Giorgione and Titans Venus of Urbino. Since then the subject has been painted by many great artists such as Francois Boucher, Jules Joseph Lefebvre and More. Great Twentieth Century artists such as Matisse ,1926 (Metropolitan Museum) and Picasso’s “The Great Odalisque” painted in 1907 have visited this subject, as have Scottish artists, John Bellany and Goudie. Most of these artists have used their lovers or muses as the subject and Goudie’s picture is no different In Goudie’s painting the artist has used his wife as the model. Her reclining figure shown from the front looking sideways as if to tease the artist with her beauty. Her naked curves against a rich scarlet, Vermillion background arouse a strong sexuality. The flowers and drapery seek to soften the composition and create a colour contrast which clearly demonstrates a deep love between the artist and model. It has to be said that many nude painting are often rebuffed by a Traditionally Calvinistic Scottish art world, but in this picture Goudie has created a masterful work, of great passion to match the age old subject matter.Note 2 : Alexander Goudie was born in 1933 at Paisley and, as a child, showed a prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist, he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, wrote: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.
Lot 195
* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004), TWO BOATS gouache on paper, signedmounted, framed and under glassimage size 62cm x 88cm, overall size 86cm x 109cm Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject-matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, wrote: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.
Lot 69
* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004), GREEN ANGEL pastel on paper, signed, titled partial label versomounted, framed and under glassimage size 54cm x 64cm, overall size 85cm x 94cm Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject-matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, wrote: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.
Lot 73
* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004), GREEN ANGEL pastel on paper, signed, titled partial label versomounted, framed and under glassimage size 54cm x 64cm, overall size 85cm x 94cm Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject-matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, wrote: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.
Lot 1229
A collection of mainly early 20th Century French Quimper faience pottery to include: three square plates decorated with figures, six large plates decorated with figures or birds (cockerals), two small plates decorated with birds, tea cup and saucer, butter dish and cover decorated with Breton woman, a pair of knife rests, an egg cup, two small scalloped dishes, bowl with a black cat, a teapot stand and a modern large lobed jug, most with painted mark HB Quimper to underside or under paintings (1 box)
Lot 43
* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004), GREEN ANGEL pastel on paper, signed, titled partial label versomounted, framed and under glassimage size 54cm x 64cm, overall size 85cm x 94cm Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject-matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, wrote: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.
Lot 346
Box of assorted items to include; an empty bottle of Ricard 450cl on Ricard swing decanter holder, A. Montagnon French faience lidded wall pocket painted with Cathedrale de Bourges, advertising ashtrays; Cognac Courvoisier, Michelin, Dewar's Scotch whisky ice bucket, Ricard lidded pot, Quimper ware ashtray, Benson & Hedges ashtray in the shape of a cigarette packet, Ricard French pottery jugs etc . (B.P. 21% + VAT)
Lot 102
A pair of Ceramica Navia of Seville terracotta tiles polychrome decorated with bullfighters 14 cm square, an Henriot Quimper oval bowl 27 cm x 20 cm, a faience lidded inkwell of Isnik style and a set of four Drostdy ware hand painted plates with botanical study decoration 26.5 cm diameter CONDITION REPORTS The bowl only: has several hairline cracks running down from the rim. Has an incredibly dull sound when tapped. Also has several chips/losses to the glaze on the top rim not associated with the cracks. Very dirty, in need of a clean, general wear and tear conducive with age and use - see images for more details
Lot 494
Four French faience cabinet plates and chargers, comprising an early 19thC Quimper plate, decorated with a gentleman, signed, 25cm diameter, a early 19thC Faience cabinet plate inscribed SI TU VEUX EMPEETIER, 20cm diameter, a 19thC Porquier Beau Bretonne Bannalec cabinet plate, with crest to border, 30cm diameter, and a 19thC unmarked Quimper Breton plate, 32cm diameter.
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485 item(s)/page