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Lot 50

Hermes, Chevre Le Vin Quatre coin purse

Lot 178

Two silver dishes and a silver lid 67gm; a silver handled button hook and a silver mounted purse

Lot 159

A beadwork and seed pearl decorated purse

Lot 48

White metal chain mail purse

Lot 227

A box of assorted costume jewellery and accessories to include necklaces, rings, earrings, bracelets, etc. Along with a boxed Moda Accessories purse.

Lot 542

A 'HESTER VAN EEGHEN' PURSE AND A 'LAUREN G ADAMS' BANGLE, Fishy Ray Grey-Light purse with additional long length strap, box, dust bag and information sheet, approximate length 18cm x height 11cm, together with an enamel hinged bangle fitted with a push button clasp and two figure of eight safety clasps, signed 'Lauren G Adams' with pouch (condition report: light wear to the purse almost new like condition, general light wear to the bangle also new like)

Lot 241

A 19th-century French silver mounted tortoiseshell purse. Fitted purple silk interior, French hallmark, 8 x 5.5cm.Light surface scratches to the tortoiseshell. The silver cartouche has an engraved monogram. Some discolouration to the silk interior. Generally good overall antique condition.

Lot 463

A silver and engraved lady's purse together with a cased set of four engine turned bridge markers and a modern silver ballpoint pen

Lot 2265

A Wade gold lustre six setting coffee set, a cased set of six plated goblets, three resin models of cheetah, glove box, gloves, compacts and a purse, a ‘Danger’ sign, and two boxes of glass and glass bottles

Lot 7115

A Favre-Leuba lady's wristwatch, a white metal mounted mussel pot, an alpaca chainmail purse, a rolled gold locket, a silver handled manicure implement and an amber bracelet

Lot 7250

Two silver napkin rings, 22g, two silver rimmed salts, an atomiser with silver collar, and a beadwork purse

Lot 1181

A small quantity of miscellaneous to include: vintage purse, chain mail purse, sterling silver folding button hook, Epns rattle in the form of a little boy (as found), cocktail sticks, etc.

Lot 1051

A small quantity of accessories to include: a leather black purse, a nylon Radley London purse. a pair of boxed Vera Tucci red leather gloves, a boxed gentleman's Fraas German scarf, and a B Soul black bicycle bag with tags.

Lot 5005

STELLA McCARTNEY Falabella black vegan suede zipped purse with silver coloured hardware (H12cm x W18cm x D.5cm)Condition Report: Good condition

Lot 5045

LOUIS VUITTON Porte Monnaie Billets Tresor. Style Number: M61730. Zipped wallet purse in LV packet with original receipt from New Bond Street store dated October 2002Condition Report: Very good condition with very light wear to inside edge that coloured wax polish would cover. Corners are intact with a couple of missing stitches on left side.

Lot 469

Two Crates of collectables; chain mail purse, Pair of elephant book ends, Horn items, porcelain & other items

Lot 37

An Edwardian Birmingham silver shaped evening purse with engraved scrolling leaf design and original chain and ring with three blue silk lined sections and snap ball fastening to top: total length x 19.5cm Birmingham 1918 66.9g

Lot 84

Edwardian silver purse with scrolling and foliate repousse decoration, monogrammed cartouche, leather interior with three compartments by G Loveridge & Co, Birmingham 1903, W11.5cm, and a George V silver purse decorated with engraved scrolling design and vacant circular cartouche, leather interior with two compartments by Boots Pure Company, Birmingham 1913, W8.5cm, 5.2ozt

Lot 25

A Victorian Chatelaine coin purse, 8 cm (h), approx 26 gm, good [b]

Lot 31

SILVER CIGARETTE CASES & BAGS, engine turned/floral engraved decoration, one initialled, the Continental white metal evening bag lined in kid leather (6)Provenance: deceased estate CardiffComments: purse slightly dented closure, one case with lining missing and glue residue inside.

Lot 868

A group of vintage costume, dressing, grooming and laundry collectables, including a "Sensible" smoothing iron, a Pandora "Modern Girl" powder "beauty box", safety razors, a Penn's "Eezit" shoe stretcher in its original box with documents, Carola hairclips, a mesh evening purse, etc

Lot 1053

A contemporary silver purse perfume atomiser, Sheffield, 33 g

Lot 1163

Anita Harris 'Deco Dog' (Scottie Dog) Purse Vase, gold signed, 12.5cm high.

Lot 1406

A Brass Microscope Cloth Counting Glass, in original box. Patinated bronze finish gladiator figure, reproduction plaque of classical figures, spelter jewellery casket and a capstan inkwell, shell purse:- One Tray

Lot 1383

Brass Postal Scales, 1951 Five Shilling Crown, desk calendar/ paperweight, treen boxes, Parker 'Komatsu UK' pen, Chinese Style glass scent bottles, Big Ben money box, beaded purse etc :- One Tray

Lot 1164

Anita Haris 'Panda' Purse Vase, gold signed, 12cm high.

Lot 1165

Anita Harris 'Yacht' Purse Vase, gold signed, 12.5cms high.

Lot 1166

Anita Harris 'Deco Dog' Purse Vase, gold signed, 12.5cm high.

Lot 414

Vintage Handbags & Purses Inc Leather Purse, Beadwork, Etc In previously owned condition Signs of age & wear Please see photographs

Lot 139

19th century Dutch white-metal tobacco box with typical engraved decoration, 14cm long, 135g approx, and a 19th century tortoiseshell and white-metal inlaid purse (2)

Lot 28

* BILL WRIGHT RSW RGI DA (SCOTTISH 1931 - 2016), SHORE FARM watercolour on paper, signed, titled label versomounted, framed and under glassimage size 40cm x 59cm, overall size 61cm x 81cmNote: Bill Wright's talent first became evident when he was a boy, drawing endlessly for amusement while bedbound with illness. He went on to study painting at Glasgow School of Art and became an award-winning watercolourist, constantly inspired by was seascape and ever-changing sky on the Kintyre peninsula where he had a second home. Glasgow-born Wright, the son of a shipyard plater, was brought up in Partick and started his schooling at the city’s Dowanhill Primary before being evacuated to Dunoon during the Second World War. After returning home he attended Hyndland Senior Secondary and despite being discouraged by his parents, who would have preferred him to have a “proper job”, in 1949 he began his studies at Glasgow School of Art. They were interrupted by national service – a duty he felt hindered the progression of his art career. He served at Catterick army garrison but was a pacifist who abhorred war and dismissed the opportunity to be promoted to Sergeant as an army career held no interest. His first teaching post was at East Park School in Glasgow’s Maryhill. He then moved in 1965 to St Patrick’s High School in Dumbarton where he spent two years before becoming art adviser for the area at the age of 36. Over the next two decades he fostered the idea of instilling a cultural interest in art among pupils. He formed working groups to reform teaching of first and second-year students, encouraged forward-looking principal teachers and recruited many young teachers. His ethos was that teachers were not just there to create artists but to give all children a good art experience. He also established a residential art course for school children, at the Pirniehall residential educational facility at Croftamie in Dunbartonshire, where youngsters from different backgrounds could investigate the idea of furthering an art career through experiencing a range of different mediums in an art camp environment. And he is said to have been instrumental in encouraging the implementation of Scotland’s Standard Grade art and design qualification. However, he suffered from the chronic arthritic condition ankylosing spondylitis which, by the age of 55, forced him to take early retirement from his post in the education department of Strathclyde Regional Council. Meanwhile, as he had strived to enthuse youngsters with his own passion for art, he had been elected, in 1977, to the Royal Scottish Society of Painters in Watercolour. A member of the Glasgow Arts Club for many years, he was also an elected member of the Glasgow Institute of Fine Arts and Paisley Art Institute, served as president of the Scottish Artists’ Benevolent Association for 14 years and was a Scottish Arts Council lecturer, touring the country discussing art. But perhaps his own greatest inspiration was the view from a cottage he stumbled upon half a century ago, seven miles from Campbeltown on the Mull of Kintyre. He rented the property at Bellochantuy and set up a studio there where he drew on the vistas stretching 180 degrees, encompassing sea, beach, rocks and sky. He was utterly smitten by the area and was ultimately bequeathed the cottage by the owner who had become a close family friend. Over the years he came to know the area intimately and was fascinated by the constantly changing moods of the sea and light of the sky which formed the majority of his output. One large body of work, "Towards Islay", focused on the view from the back of the cottage. He captured the patterns and waves of the sea, sometimes adding a bird, limpit, mermaid’s purse, rock lines or some seaweed. But at times his works were very abstract and symbolic, concentrating on themes of nature and transience. He was hung in all the major shows in Scotland and in galleries across the country from Aberdeenshire to Edinburgh, Glasgow and south of the border. His work also features in public collections of Stirling and Strathclyde Universities, HRH The Duke of Edinburgh and the Educational Institute of Scotland. And he was recognised with The Laing Prize for Landscape and Seascape and the RSW’s Sir William Gillies Award.

Lot 2

* BILL WRIGHT RSW RGI DA (SCOTTISH 1931 - 2016), CHANGING NIGHT SKY watercolour on paper, signedmounted, framed and under glassimage size 30cm x 43cm, overall size 54cm x 66cm Note: Bill Wright's talent first became evident when he was a boy, drawing endlessly for amusement while bedbound with illness. He went on to study painting at Glasgow School of Art and became an award-winning watercolourist, constantly inspired by was seascape and ever-changing sky on the Kintyre peninsula where he had a second home. Glasgow-born Wright, the son of a shipyard plater, was brought up in Partick and started his schooling at the city’s Dowanhill Primary before being evacuated to Dunoon during the Second World War. After returning home he attended Hyndland Senior Secondary and despite being discouraged by his parents, who would have preferred him to have a “proper job”, in 1949 he began his studies at Glasgow School of Art. They were interrupted by national service – a duty he felt hindered the progression of his art career. He served at Catterick army garrison but was a pacifist who abhorred war and dismissed the opportunity to be promoted to Sergeant as an army career held no interest. His first teaching post was at East Park School in Glasgow’s Maryhill. He then moved in 1965 to St Patrick’s High School in Dumbarton where he spent two years before becoming art adviser for the area at the age of 36. Over the next two decades he fostered the idea of instilling a cultural interest in art among pupils. He formed working groups to reform teaching of first and second-year students, encouraged forward-looking principal teachers and recruited many young teachers. His ethos was that teachers were not just there to create artists but to give all children a good art experience. He also established a residential art course for school children, at the Pirniehall residential educational facility at Croftamie in Dunbartonshire, where youngsters from different backgrounds could investigate the idea of furthering an art career through experiencing a range of different mediums in an art camp environment. And he is said to have been instrumental in encouraging the implementation of Scotland’s Standard Grade art and design qualification. However, he suffered from the chronic arthritic condition ankylosing spondylitis which, by the age of 55, forced him to take early retirement from his post in the education department of Strathclyde Regional Council. Meanwhile, as he had strived to enthuse youngsters with his own passion for art, he had been elected, in 1977, to the Royal Scottish Society of Painters in Watercolour. A member of the Glasgow Arts Club for many years, he was also an elected member of the Glasgow Institute of Fine Arts and Paisley Art Institute, served as president of the Scottish Artists’ Benevolent Association for 14 years and was a Scottish Arts Council lecturer, touring the country discussing art. But perhaps his own greatest inspiration was the view from a cottage he stumbled upon half a century ago, seven miles from Campbeltown on the Mull of Kintyre. He rented the property at Bellochantuy and set up a studio there where he drew on the vistas stretching 180 degrees, encompassing sea, beach, rocks and sky. He was utterly smitten by the area and was ultimately bequeathed the cottage by the owner who had become a close family friend. Over the years he came to know the area intimately and was fascinated by the constantly changing moods of the sea and light of the sky which formed the majority of his output. One large body of work, "Towards Islay", focused on the view from the back of the cottage. He captured the patterns and waves of the sea, sometimes adding a bird, limpit, mermaid’s purse, rock lines or some seaweed. But at times his works were very abstract and symbolic, concentrating on themes of nature and transience. He was hung in all the major shows in Scotland and in galleries across the country from Aberdeenshire to Edinburgh, Glasgow and south of the border. His work also features in public collections of Stirling and Strathclyde Universities, HRH The Duke of Edinburgh and the Educational Institute of Scotland. And he was recognised with The Laing Prize for Landscape and Seascape and the RSW’s Sir William Gillies Award.

Lot 130

Slim and elegant with a mesh gold design, this amazing wallet has a coin purse in the middle, and snaps open on either side for access to three more compartments. When closed measures 4.5"L x 1"W x 4"H. When opened wallet measures 7.75"L x 0.5"W x 4"H. Issued: 20th centuryDimensions: See DescriptionManufacturer: Whiting and DavisCondition: Age related wear.

Lot 217

Pair of Oriental metal figures with gilt highlights, indistinct signature to reverse, H 15cm, D 5cm; Also two lighters, taller marked 'Casablanca brass', 8.3cm high, smaller ladies purse lighter indistinctly marked to top only, 5.3cm high. (4)

Lot 115

Mixed Lot: A hallmarked silver serviette ring, a George V silver framed pin dish, a French enamel spirit label (Port) (a/f), vintage silver plated meshwork purse together with an EPNS serviette ring

Lot 184

A vintage embroidered evening purse with ornate yellow metal clasp and handle decorated with red and white enamel, in good condition with working clasp / T45

Lot 183

A vintage silk evening purse embroidered with flowers and butterfly design, filigree brass clasp with green and pink stones / T45

Lot 674

A red bead bracelet, with a gold clasp, and a gilt metal purse (2)

Lot 123

A small collection of coinage and banknotes. The lot to include a Victorian 1838 4 pence coin, a Victorian 1838 1 1/2 pence coin, a Vcitorian 1887 1pence, 11 pieces 1884-1932 3 pence comes with a mini coin purse, a set of Britain's First Deimal coins, 10p, 5p, 2p, 1p and 1/2p, a cased of Coinage of Great Britain (Crown to farthing), a cased George VI coins (Halfcrown, Shilling and six pence are missing), two States of Jersey one pound notes and a Deutschland 1/2mark.Banknote measeures approx. 6cm x 13cm

Lot 354

South African Coin Bracelet, Filigree Necklace, Mourning Brooch, Reticulated Purse and a Military Badge

Lot 125

Mother of Pearl Purse, Manicure Set, Evening Bag and 2 Purses

Lot 391

A Victorian beadwork banner, embroidered with stylised flowers on a red ground,  49cm x 42cm, c.1870;  another, 47cm wide, c.1880;  a beadwork purse;  another;   hat pins;  etc

Lot 38

A Leica Visoflex 18767, black, VG, in maker's box with instructions and documents, case and soft purse.

Lot 12

Miscellaneous items to include: Hatpin fork 3 thimbles penknife 5 cigarette holders leather purse 1 belt buckle Glove stretcher (14)

Lot 961

Alinari Women's Devisa Purse, Crocco Red. Box damaged

Lot 962

Alinari Women's Devisa Purse, Crocco Red

Lot 963

Alinari Women's Devisa Purse, Crocco Red. Box damaged

Lot 108

Two boxes and a purse containing various costume jewellery; a railway service badge; a medallion; cufflinks; a wrist watch; enamel signs etc.

Lot 1917

A quantity of assorted mainly costume jewellery including paste set brooches, necklaces, 925 items including pill box pendant, bracelet and coin set jewellery, a lacquer cigarette case and two evening purse, etc. Condition - poor to fair to good

Lot 60

Miscellaneous horse racing books, publication dates between the 1930s and 2000s, annuals & yearbooks, also directories, plus some biographies, general writing etc., a little duplication,  a full inventory is viewable in images for this lot (89 vols), sold together with a trio of photographic souvenirs relating to Australian horse racing between 1939 and 1941, all using a similar process to button badges with the images printed on plastic film mounted on metal, the larger example, 25.5 by 35.5cm., commemorating the victory of "Hero" winning the two-year-old handicap at Victoria Park on 29th March 1941, owned & trained by Mrs P Lonsdale and ridden by C Leesue, the two smaller examples 15 by 20cm., commemorating the wins of "Celeris" in the Juvenile Handicap at Morphettville 4th March 1939, owned & trained by J E Bond and ridden by R Medhurst; and "Morkool" winning the Jervois Purse Handicap at Tailem Bend 19th July 1939, owned by C H Pritchard, trained by A Mitch and ridden by G Wallace, all published by Walker & Atkins, Adelaide, all with metal easel supports, surface cracking to the Celeris example, others good, (qty).

Lot 50K

A Versace Fashion Purse w/ Dust Bag, Boxed

Lot 235

This vintage collection includes ten Chanel-inspired gold-tone buttons with black enamel centers, each measuring 1" in diameter, featuring double-C style motifs surrounded by laurel wreath designs. Also featured is a Salvador Dali-inspired pendant shaped like a perfume bottle with lips, suspended on a 17"H black cord necklace, blending surrealist artistry with timeless elegance. Completing the lot is a small gold-tone lattice coin holder/purse with an expanding opening and a detailed fox terrier figurine adorning the hinged top, offering charm and functionality. A versatile and collectible set, ideal for vintage jewelry enthusiasts and accessory collectors. Dimensions: See DescriptionCondition: Age related wear.

Lot 147

Includes a silver-plated hinged purse featuring daffodils and a sterling silver cheese pick shaped like a small mouse. Victor Sterling Co. marking on purse. 925 marking on cheese pick. Largest item: 4"L x 3"W x 2.25"H. Dimensions: See DescriptionCondition: Age related wear. Plating loss and small dent on purse.

Lot 56

A brown leather Gucci web pattern purse, 7.5" across - worn, a small unmarked brown leather web pattern purse, a Hermes style blue leather handbag (missing strap) and an Italian black leather purse. (4)

Lot 85

Cartier Black Leather Purse made in Paris with gilded buckle

Lot 77

Box of Bygones to include Cased sew of Chemical weights, Fluted Ladle, Shell Purse etc

Lot 254

Two ladies Radley hand bags and a boxed Radley purse

Lot 133

Selection of collectables includes Gilt necklace, clock, purse etc

Lot 1

A late Victorian silver vesta case, Chester 900, a silver stamps case and a miniature silver purse / bag, both stamped 925 (3)

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