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THE BURRELL COLLECTION, SECOND DESIGN REPORT, CIRCA APRIL 1ST, 1973 Barry Gasson and John Meurier (Architects), Felix Samuely and Partners (structural engineers), James R. Briggs and Associates (service engineers), Davis Belfield and Everest (quantity surveyors)Note: This document is an original design report submitted for the competition to design the Burrell Art Gallery at Pollock Park. It was prepared by architect Barry Gasson, who subsequently won. The only other known copy is directly owned by The Burrell Collection. 31cm wide

ENID BLYTON LETTER, addressed to Brenda Little of Battersea and sent from Enid Blyton’s home Green Hedges, Beaconsfield. The letter explains the author’s use of a pseudonym Mary Pollock

MARY POLLOCK (ENID BLYTON), FOUR TITLES comprising Smuggler Ben, ND, The Secret of Cliff Castle, 1947, Three Boys and a Circus - all 1st Editions and a second edition of The Children of Kidillin, three with original dust wrappers, one original boards Qty: 4

* COLIN BROWN, DRAGONFLY mixed media on board, signed, titled and dated 2005 versoframed and under glassimage size 60cm x 60cm, overall size 63cm x 63cmNote: Colin Brown is a fine artist and former graduate of Duncan of Jordanstone, Dundee who has lived and exhibited in Europe for several years. He is now based in Stonehaven in northeast Scotland. After graduating, a John Kinross Scholarship awarded by the Royal Scottish Academy enabled him to spend four months in Florence. In 1988 he established a studio in Glasgow, where he began practicing as a full-time artist. He also spent four years in Dusseldorf painting and exhibiting with several German galleries. Colin Brown’s practice draws upon a range of media, particularly acrylic paint and collage. His work draws upon human histories, random and specific mark-making, urban imagery, and a mix of handwriting and printed script to explore the spirit of modern society. Brown has developed a strong international profile with regular solo and group exhibitions worldwide, including major solo shows in Hanover (1998), London (2010) and Singapore (2013). His work has received a number of awards, most notably an Artists Grant from the Pollock-Krasner Foundation, New York in 1996.

* HUGH GERARD BYARS (SCOTTISH b. 1957), PORTRAIT pastel on paper, signedframed and under glassimage size 36cm x 33cm, overall size 47cm x 45cm Note: Byars trained at The Glasgow School of Art and then at The Royal College of Art in London. In 2001 he received a major award from the Pollock-Krasner Foundation (USA). Nineteen examples of his work are recorded within notable public collections including City of London Corporation, The Peoples Palace (Glasgow), MOMA (Wales), The Fleming Collection (London), Guildhall Art Gallery, Cheltenham Art Gallery and Glasgow Museums and Art Galleries. Hugh lives and works in Glasgow. He is a contemporary of Howson and of the same school as Campbell and Currie, and like them concentrates on the human form, and scenes from his local city. He often takes his inspiration from the derelicts and dossers in his native Glasgow. These are his Partick people who he paints with sympathy, graphic simplicity and powerful humanity. Hugh is one of the ''New Glasgow Boys'' school of painters.

* ERIC CRUIKSHANK, NUMBER 2 oil on board, signed, titled label versoframedimage size 39cm x 28cm, overall size 41cm x 31cmComment: a rare early work by Eric Cruikshank.Note 2: EDUCATION 1993 - 1997 BA (Hons) Painting and Drawing, Edinburgh College of Art SELECTED SOLO AND JOINT EXHIBITIONS 2024 Anmutungen (with Stephan Ehrenhofer), Galerie Albrecht, Berlin 2023 Light from a Shared Place, &Gallery, Edinburgh 2022 Point of Departure, Schacky Art & Advisory, Dusseldorf Breathing Space, Victor Lope Arte Contemporáneo (with Michael Craik), Barcelona The Skies Window, Holly Johnson Gallery, Dallas. 2019 Reductive in Nature, Schacky Art & Advisory, Dusseldorf A Stillness that Contains Movement, The Briggait, Glasgow 2018 Paper Skies, Holly Johnson Gallery, Dallas 2017 Clear Light Day – Soft Dark Night, DAS ESSZIMMER, Bonn The Relative Medium (with Michael Craik), Galleri Konstepidemin, Gothenburg Trace, Press, Bleed, Blend (with Laura Campbell), Patriothall Gallery, Edinburgh 2016 Continuum (with Ian Kane), RAUMX, London Repetition Takes Form, AIS Gallery, Shibukawa 2015 Ways of Seeing (with Michael Craik), Howden Park Centre, Livingston Plus | Minus | Repeat, Sleeper Gallery, Edinburgh 2013 Malerei (with Michael Craik), Galerie Albrecht, Berlin Colour as Subject, Patriothall Gallery, Edinburgh 2012 The Solo Project – Basel with Galerie Albrecht 2010 When I Was Small I Didn’t Work Big, Galerie Albrecht, Berlin Dalcross Project Space (with Ian Kane), Dalcross, Inverness shire The Colour of Home, Gebert Contemporary, Santa Fe Moments of Absence, Limousine Bull, Aberdeen En Forme (with Cecilia Vissers), ParisCONCRET, Paris 2009 Colour | Light | Space, Highland Institute for Contemporary Art, Inverness-shire SELECTED GROUP EXHIBITIONS AND FAIRS 2024 London Art Fair, &Gallery, London 2023 All Over Again, Patrick Heide Contemporary Art, London Annual Winter Exhibition, &Gallery, Edinburgh Perpetual Arrival, Platform-A Gallery, Middlesbrough 2022 St Nicholas, Meakin + Parsons x Hannah Payne, Oxford Anonymous Drawings, Galerie im Kornerpark, Berlin Dallas Art Fair with Schacky Art & Advisory 2021 Art Miami with Schacky Art & Advisory A Generous Space, Hasting Contemporary, Hastings Art Cologne with Schacky Art & Advisory Reencuentros, LAB ART Studio, Barcelona In Sequence, Holly Johnson Gallery, Dallas Landschaft – Abstrakt - Figuarativ, Galerie Albrecht, Berlin 2020 A Selection for Art Cologne, Schacky Art & Advisory, Dusseldorf IDENTITIES, Victor Lope Arte Contemporáneo, Barcelona Drawer Project, PHOEBUS Galerie, Rotterdam Gebert Contemporary, Santa Fe No Borders – online exhibition – curated by Art Thou Paint vs Colour, Five Walls Gallery, Melbourne Art Palm Beach with Schacky Art & Advisory 2019 Beneath the Surface, City Art Centre, Edinburgh ,,Zwischen Ausgängen - Pending Issues’’, Galerie Weisser Elefant, Berlin 2019 Summertime Blues, Holly Johnson Gallery, Dallas Hybrid Madrid with WASPS Should I Stay or Should I Go?, Patrick Heide Contemporary Art, London Anonymous Drawing Archive, Kunsthaus Kannen, Munster 2018 TWO x TWO For Aids and Art, The Rachofsky House, Dallas Anonymous Drawings, Galerie im Kornerpark, Berlin Somewhere Over the Interconnected Rainbow, Drawing Rooms, New Jersey Artists at Work, Scottish National Gallery, Edinburgh 2017 Fault Lines, EIF exhibition curated by The Drawing Works, Patriothall Gallery, Edinburgh FAR OFF Cologne with DAS ESSZIMMER Extended Process, Saturation Point Projects, London 2016 DAS ESSZIMMER goes Weltraum, Weltraum, Basel 2015 Anonymous Drawings, Kunstverein Tiergarten|Galerie Nord, Berlin - (then travelling to Galerie ARTQ13, Rome; Galerie GEYSO20, Braunschweig & Kunstverein Russelsheim) Artbox Postcard Exhibition, Fold Gallery, London 2013 Kunst Zurich with Galerie Albrecht Poste Concret2, ParisCONCRET, Paris Anonymous Drawings, Kunstverein Tiergarten|Galerie Nord, Berlin - (then travelling to Galerie Delikatessenhaus, Leipzig & Temporary Art Centre, Eindhoven) 2012 Three Gallery Artists, Galerie Albrecht, Berlin &Gallery, 3 Dundas Street, Edinburgh EH3 6QG Anonymous Drawing Archive, Sihlquaiss Offspace, Zurich Poste Concret, ParisCONCRET, Paris Dallas Art Fair with Gebert Contemporary 2010 Anonymous Drawing Archive, Uferhallen, Berlin Art Chicago with Galerie Albrecht 2009 Anonymous Drawings, Kunstraum Kreuzberg/Bethanian, Berlin Kunst Zurich with Galerie Albrecht CGP Open, Cafe Gallery Projects, London AAS, Aberdeen Art Gallery, Aberdeen AWARDS & RESIDENCIES 2020 Creative Scotland Bridging Bursary Fund 2016 Oppenheim-John Downes Memorial Trust Award 2014 Edinburgh Council Visual Artist Award 2013 Hope Scott Trust (joint award with Michael Craik) 2012 Mustarinda Residency, Finland 2010 Santa Fe Art Institute Residency, USA 2009 Pollock-Krasner Award Hi-Arts Exhibition Grant 2008 Hope Scott Trust Edinburgh Visual Arts & Crafts Artists Award 1999 art.tm Young Artists Prize PUBLIC COLLECTIONS Art in Healthcare Scotland City of Edinburgh Art Collection Maggie’s Art Collection Santa Fe Art Institute U.T. Southwestern Medical Center Dallas (USA).

The Saga of King Lir. Author Inscribed (1913) Author: George Sigerson. 1st Ed. Bound in publisher’s parchment boards with gilt vertical lines. Two page manuscript letter to Mr Pollock attached

Kaprow,A.: Assemblage, Environments & Happenings. New York, Abrams (1966). Kl.4°. Mit zahlr. Abb. 341 S., 1 Bl. Obrosch. (Vdeckel eingerissen). Broschurausgabe des wichtigen Dokuments der Happening-Bewegung, enthalt auch Beitrage zu Claes Oldenburg, Jackson Pollock, Robert Rauschenberg u.a.

TWO ALPENSTOCKS WITH CHAMOIS HORN HANDLESa shooting stick, a pair of Jokari bats and a box of Accles and Pollock 'Apollo' target arrows

Hans Bischoffshauseno.T.1960Spachtelmasse strukturiert auf Sperrholz, an allen Seiten genagelt; ungerahmt14 x 23 cmSigniert und datiert rechts unten: Bischoffshausen 60Rückseitig signiert: BISCHOFFSHAUSENdirekt vom Künstler erworben;seither österreichischer PrivatbesitzAuktionshaus im Kinsky GmbH (Hg.), Hans Bischoffshausen. Werkverzeichnis Band I, Arbeiten auf Holz und Leinwand 1946 bis 1984, Wien 2024, WV-Nr. I-261.Ursprünglich wollte Hans Bischoffshausen Architekt werden und begann daher 1947 ein Architekturstudium an der Technischen Hochschule in Graz. Doch sein dortiger Professor für Künstlerische Gestaltung, Kurt Weber, begeisterte ihn für die Malerei der Klassischen Moderne und konstatierte seinem Studenten bald: "Sie sind Maler. Sie werden immer Maler sein" . Tatsächlich brach Bischoffshausen das Architekturstudium nach 5 Semestern ab, zog zurück nach Kärnten und gab sich ganz seinem viel zitierten "Sturz in die Malerei" hin. In seiner künstlerischen Entwicklung reflektierte der junge Maler Anfang der 1950er Jahre intensiv Paul Klee und sein "spielerisches Geheimnis" . In der zweiten Hälfte des Jahrzehnts führte die Auseinandersetzung mit zeitgenössischen Tendenzen und die Suche nach dem eigenen Stil Bischoffshausen über Versuche in gestischer Malerei sowie dripping-Verfahren (à la Jackson Pollock) schließlich zu für ihn zukunftsweisenderen Methoden, in denen er zusehends mit dem Bildgrund selbst experimentierte, verschiedene Materialien auf ihn aufbrachte oder ihn durchlöcherte oder verbrannte. Besonders prägend für diese Entwicklung war für Bischoffshausen das Kennenlernen von Lucio Fontana, der ein wichtiger Förderer und Mentor für den jungen Maler wurde.Anders als andere MalerInnen seiner Generation (wie Lassnig, Staudacher, Rainer) hatte Bischoffshausen den Anschluss an die internationale Kunstszene nicht über Paris gesucht, sondern orientierte sich vorerst an den südlichen Nachbarländern Österreichs. In den Galerien von Slowenien (damals Jugoslawien) und Italien kam Bischoffshausen mit Fontana und der italienischen ZERO-Bewegung in Kontakt und konnte seinen Bekanntheitsgrad durch erste eigene Ausstellungen steigern. In der Folge kam es 1958 auch zu einer Präsentation in der renommierten Galerie nächst St. Stephan in Wien, und 1959 erhielt Bischoffshausen den 1. Joanneumspreis für zeitgenössische Kunst des Landes Steiermark.Das Preisgeld ermöglichte dem Künstler schließlich doch auch noch den Weg nach Paris. Mit seiner Frau Helene und ihren beiden Töchtern zog er 1959 in die französische Metropole. Doch die Lebensumstände der Familie waren mehr als schlecht. Das Geld war knapp und für mehrere Jahre lebten die Bischoffshausens in einem Hinterhof des Abbruchviertels "Glacière", einem aufgelassenen Kühlhaus. Auch wenn sich die Wohnsituation ab 1962 verbesserte, war die Geldknappheit Zeit Lebens prägend für Hans Bischoffshausen und seine Familie – und das, obwohl der Künstler in Paris Anerkennung und Anschluss an die Szene fand und vermehrt auch öffentliche Aufträge erhielt. Bischoffshausen war in bedeutende Avantgarde-Galerien und international anerkannte Museen vertreten, durch den Einsatz des progressiven Galeristen René Drouin war er in internationalen Gruppenausstellungen von Barcelona bis Istanbul, von Amsterdam bis Neu Delhi vertreten. In diesem für ihn "wichtigsten Abschnitt" trieb Bischoffshausen die Reduktion seiner Malerei auf die Spitze. Es entstanden ausschließlich monochrome Bilder mit aufgesetzten oder eingeprägten Strukturen die lediglich durch die Wirkung von Licht und Schatten sichtbar wurden. 1971 entschloss sich die Familie Bischoffshausen zur Rückkehr nach Österreich und ließ sich wieder in Kärnten nieder. Zwei Leiden prägten Bischoffshausens Leben und Schaffen in dieser Zeit zusehends: die allmähliche Zerstörung seines Sehnervs und damit einhergehende nachlassende Sehkraft durch die jahrelange Verwendung von Polychloräthylen, und sein schwerer Alkoholismus, der sich bereits seit den Pariser Anfangsjahren bemerkbar gemacht hatte. Hans Bischoffshausen starb am 19. Juni 1987 im Alter von 60 Jahren im Landeskrankenhaus Klagenfurt.(Clara Kaufmann)

Corgi - Lledo - Trackside - 16 boxed Trackside models, including Limited Editions Scammell Handyman Cable Reel Load in Pickfords Livery DG 175001 and ERF LV Sheeted Platform trailers in Pollock Livery DG 186003. Some boxes with "de-certificated" labels. Items generally appear mint in very good to excellent boxes, some with storage wear. (This does not constitute a guarantee) [GM]

Aubrey Williams, Guyanese/British 1926-1990 - Guiana, 1963; oil on paper, signed, dated and titled lower right 'Aubrey Williams 63 Guiana' and titled again on the reverse of the frame, 59 x 76.5 cm (ARR) Provenance: private collection and thence by descent Note: this piece is typical of Williams's style of the 1960s, combining abstract impressionist tendencies with the forms and symbols of the pre-Colombian art of the indigenous inhabitants of the Americas. Williams was strongly influenced by American artists associated with Abstract Expressionist such as Jackson Pollock, Mark Rothko and Willem de Kooning, having seen major exhibitions of their works at the Tate Gallery in London in 1956 and 1959.  After moving to the city in the 1950s, Williams became a major figure in the London art world, especially through his connection with the South African artist Denis Bowen, who founded the New Visions Gallery in London. Williams co-founded the Caribbean Artists Movement with other London-based Caribbean artists and intellectuals, such as Ronald Moody, Stuart Hall and Orlando Patterson. His artwork is currently in the collection of the Tate in London, the Arts Council, the Royal Albert Memorial Museum and the Bristol Museum and Gallery, among others. His work was central to the 2022 exhibition, 'Post-war Modern: New Art in Britain 1945-1965' at the Barbican Centre, London and other recent internationally acclaimed shows including 'Life Between Islands: Caribbean-British Art 50s – Now', 2021 at Tate Britain and 'The Gift of Art', 2018 at the Perez Art Museum, Miami. 

Aubrey Williams, Guyanese/British 1926-1990 - Kumaka, 1963; oil and mixed media on canvas, signed, dated and titled on the reverse 'Aubrey Williams 63 Kumaka', 71 x 81.3 cm (ARR) Provenance:private collection and thence by descent Note: Kumaka refers to a village in Williams's native Guyana. This piece is typical of Williams's style of the 1960s, combining abstract impressionist tendencies with the forms and symbols of the pre-Colombian art of the indigenous inhabitants of the Americas. Williams was strongly influenced by American artists associated with Abstract Expressionist such as Jackson Pollock, Mark Rothko and Willem de Kooning, having seen major exhibitions of their works at the Tate Gallery in London in 1956 and 1959. After moving to the city in the 1950s, Williams became a major figure in the London art world, especially through his connection with the South African artist Denis Bowen, who founded the New Visions Gallery in London. Williams co-founded the Caribbean Artists Movement with other London-based Caribbean artists and intellectuals, such as Ronald Moody, Stuart Hall and Orlando Patterson. His artwork is currently in the collection of the Tate in London, the Arts Council, the Royal Albert Memorial Museum and the Bristol Museum and Gallery, among others. His work was central to the 2022 exhibition, 'Post-war Modern: New Art in Britain 1945-1965' at the Barbican Centre, London and other recent internationally acclaimed shows including 'Life Between Islands: Caribbean-British Art 50s – Now', 2021 at Tate Britain and 'The Gift of Art', 2018 at the Perez Art Museum, Miami. 

POLLOCK SINCLAIR NISBET ARSA RSW (SCOTTISH 1848-1922)  MOROCCAN SOUK  Watercolour, signed lower right, 32 x 22cm Condition Report:Available upon request

A collection of boxed Corgi haulage lorries, including 1:50-scale Hauliers of Renown Pollock, Ken Abram, A.R.R. Craib, A.J. Anderson, Tennant Transport Forth, John Mitchell Grangemouth and Woody's Express examples; and a Universal Hobbies 1:32-scale Massey Ferguson 135 tractor Condition Report:Available upon request

TEN BOXED CORGI CLASSICS DIECAST COMMERCIAL TRANSPORT MODELS, to include a Scammell Highwayman Tanker 'Shell Mex/BP', no. 97840, a Atkinson Elliptical Tanker 'Pollock of Musselburgh', no. 97162, a Foden Tanker 'Regent', no. 97970, a Foden Flatbed' Scottish & Newcastle', no. 97317, a Foden 8 Wheel Rigid 'Robinson's of Carlisle', no. 97971, a Bedford O Articulated 'BRS', no. 97329, ERF Tanker 'Blue Circle', no. 97930, two ERF Elliptical Tanker 'ESSO', no. 97980, and an Atkinson 8 Wheel Rigid with Trailer and Load 'Tennant', no. 97366, each model has a certificate included, all are in like new condition, the outer cardboard boxes and inner packaging are in good condition with slight storage and handling wear mainly to corners and edges, contents have not been checked for completion

3 recent issue Corgi Limited Edition Hauliers of Renown series trucks. CC13429 MAN TGA Macfarlane Transport. CC13823 Mercedes Benz Actros container, Pulleyn Transport Ltd- Reading. Plus a CC14806 Scania 143 box trailer, Pollock (Scotrans) Ltd, Bathgate Scotland. All boxed. Mint, as new. £60-80

Five Corgi limited edition 1:50 scale lorries, comprising CC13608 M.Kettlewell DAF CF Bulk Tipper, C13518 Volvo FM Feldbinder Tanker, two CC18809 Mercedes Benz Actros Curtainside Pollock Scotrans Ltd and 75205 ERF EC Series Curtainside Pollock Scotrans Ltd, all boxed

Reichhelm, G. C. und W. Penn Shipley. (Hrsg.) Chess in Philadelphia. A brief history of the game in Philadelphia ... Nachdruck der Ausgabe Philadelphia 1898. Olmütz, Publishing House Moravian Chess, ca. 2001. 8°. Mit 5 Tafeln und Diagrammen. 158 Seiten. Orig. Pappband. (30) * Vergl. Linde - N. 245; vergl. Betts 6 – 21. Beiliegen: Rowland, F. F. (Hrsg.) Pollock Memories: A collection of chess games, problems, etc. Nachdruck der Ausgabe von 1899. Olmütz, ca. 2001. 8°. Mit Diagrammen. 1 Bl., 158 Seiten, 1 Bl., III Seiten. Orig. Pappband. / Walker, W. G. A selection of games at chess, actually played in London, by the late Alexander M'Donnell ... with his principal contemporaries ... Nachdruck der Ausgabe London 1836. Olmütz, ca. 2004. 8°. VII, 1 Bl., 280 Seiten. Orig. Pappband. Vergl. van der Linde II, 76 f. Zustand für alle Teile: Mit einigen Bleistiftnotizen. Einbände mit Gebrauchsspuren.

Turniere. Konvolut mit 35 Büchern, Nachdrucken und Kleinschriften in verschiedenen Sprachen über Turniere, die in der Zeit von 1883 – 1949 stattgefunden haben. Aus der Zeit 1947 - 2001. 8°. Mit Diagrammen. Orig. geheftet und verschiedene orig. Einbände. (60) * Enthalten sind u. a.: Minchin: Games in the London International Chess Tournament 1883 (Nachdruck); D. van Foreest / I. D. Tresling: Der internationale Schachkongress zu Amsterdam 1889 (Nachdruck); Mason / Pollock: Games in the St. Petersburg Tournament 1895 – 96 (Nachdruck); Adams: Ostende 1905; L. Eceizabarrena Gaba und R. Alvarez Cela: Hastings 1935-35; Botvinnik: Championship Chess Leningrad – Moscow 1941; Ellerman: Buenos Aires – La Plata 1947; Carl Schlechter Gedenkturnier 1949. Zustand: Innen teilweise gebräunt, vereinzelt fleckig und mit wenigen handschriftlichen Notizen. Buchschnitt weniger Bände fleckig. Einbände und Umschläge mit Gebrauchsspuren, teilweise angestaubt. Eine Einzelaufstellung liegt nicht vor. Nicht einzeln kollationiert.

Bradford 1888. The Bradford Tournament. A selection of games played in the International Masters' Tournament of the British Chess Associaton and Yorkshire Country Chess Club, held at Bradford ... 6th August, 1888. Leeds, British Chess Magazine, 1888. 8°. Mit 3 Diagrammen. 80 Seiten. Original geheftet. (30) * Linde - N. 5227; Betts 25 – 21. Mit eigenhändiger Unterschrift des schottischen Problemkomponisten und Mitarbeiters der „Christmas Series“ George Hume (1862 - 1936) auf Titel. “Contains a short introduction and 52 selected games, with annotations by Pollock, Rancken, Blake and others. (1. Gunsberg; 2. Mackenzie; 3. - 4. Bardeleben, Mason)“ (Betts) Zustand: Innen gebräunt, Titel, S. 80 und Umschlag stärker und etwas fleckig. Umschlag und Textseiten mit senkrechter Knickspur. Rückumschlag mit repariertem Defekt. Zusätzlich mit einem privaten Papierumschlag, der am Rücken festgeklebt wurde. Seltene Ausgabe.

After Jackson Pollock, American 1912-1956,Beyond the Edge, the Studio Set 1;four archival pigment prints on Hahnemühle paper with hand torn edges, hand numbered in pencil 27/125,  each bear the blind stamp of the Jackson Pollock studio, each sheet: 46 x 61 cm, (unframed) (4)Provenance: Iconic Moments in association with the Jackson Pollock studio.Note: each print comes with its own certificate of authenticity from the Jackson Pollock studio and Iconic.

Corgi & Tematoys. Four boxed 1:50 scale models, comprising Corgi Pollock (CC13809); Corgi Visbeen (CC13205); Tematoys Visbeen; Tematoys H.J. Van Bentum

Pollock Sinclair Nisbet, ARSA, RSW, (Scottish 1848-1922), Oil on Canvas, Entrance to Glen Finlas Moonrise, 44x59cm

Nameplate HUNDAY as together with it matching worksplate THE HUNSLET ENGINE Co LTD LEEDS No 2250 1940. From a 0-4-0 diesel supplied to the MOD and delivered to the Admiralty Royal Naval Armament Dept Dean Hill Wiltshire and numbered Yard 85. Sold to Pollock Brown Co Ltd Northam Hampshire in 1965 and then moved to Royle Agricultural Hadnall Shropshire in 1971 then in 1980 moved to the Hunday Tractor Museum Northumberland where it was named, then to the short lived Yafford Mill Railway Newport Isle Of Wight and lastly at the Sunshine Peat Company in Northern Ireland where it was recorded as being out of use in 2006, In 2020 the equipment of the Sunshine Peat Company was sold and the engine presumed scrapped. Nameplate rectangular cast bronze measures 23.5in x 6in, worksplate oval cast brass measures 8in x 5in. Both in as removed condition.

''Summertime'' A screen print after Jackson Pollock mounted and framed. Signed.[45x155cm]

MUIRHEAD (James Patrick): 'Winged Words on Chantrey's Woodcocks...': London, John Murray, 1857: inscribed to upper flyleaf 'W J Pollock Esq with the Editor's Kind Regards, Haseley Court, 30 July 1858', with letter from editor to same tipped-in on opposing endpaper: publishers green cloth gilt, VG with minor wear, 8vo: with 18 other volumes, largely early 20thc publications on gamekeeping, country sports and related. (19)

FOLIO SOCIETY: MILTON (John): 'Paradise Lost': London, Folio Society, 1991: illustrations by Ian Pollock: full black buckram gilt from design by Pollock, blue endpapers, black cloth slipcase lettered in gold, some external dust marking else VG, folio. (1)

ONE BOX: Various art interest, to include: ROBERT A M STERN: THE ARCHITECT'S EYE - AMERICAN ARCHITECTURAL DRAWINGS FROM 1799-1978, New York, Pantheon,1979; GENE BARO: CLAES OLDENBURG - DRAWINGS AND PRINTS, London, Chelsea House, 1969; KYNASTON McSHINE (Ed): ANDY WARHOL - A RETROSPECTIVE, New York, The Museum of Modern Art, 1989; ELLEN G LANDAU: JACKSON POLLOCK, New York, Harry N Abrahms, 1989; ROBERT SMITHSON: SCULPTURE, Ithaca, Cornell University Press, 1981 NANCY HOLT (Ed): THE WRITINGS OF ROBERT SMITHSON, New York, New York University Press, 1979; CAROLINE TISDALL: JOSEPH BEUYS, London, Thames and Hudson, 1979; PETER T FURST AND JILL L FURST: NORTH AMERICAN INDIAN ART, New York, Rizzoli / Art Press, 1982

Twelve boxed Corgi buses and commercial vehicles. Comprising a Cadbury's Dairy Milk Chocolate Foden FG Cylindrical Tanker, 12101, Cadbury Bros, Bournville Scammell Highwayman Ballast & Trailer, 16002, John Jameson Scammell Highwayman Ballast & Trailer, 16001, Tunnel Cement Scammell Highwayman Tanker, 16305, 'Whisky Collection' Ballantine's Albion Lorry, 26001, Mackeson Atkinson Cylindrical Tanker, 97372, Pollock of Musselburgh Atkinson Elliptical Tanker, 97162, Leyland Tiger Maypole, 97210, Cardiff Corporation Bristol K Utility Bus, 97875, Timpsons AEC Regal Coach, 97181, The AEC Regal, 97186 and Guy Arab Paisley & District, 97313

Private Press. The Cayme Press:- a collection of ten works printed by Philip Sainsbury at the Cayme Press in Stanhope Mews West. The lot comprising 1927 The New Bath Guide by Christopher Anstey, 1925 The Spleen and Other Poems by Matthew Green, 1928 The Interregnum, an Historical Drama in Three Plays by William H. Terry, 1924 Fritto Misto by E. S. P. Haynes, 1925 Meanderlane, Tales and Wood Engravings by Hester Sainsbury; and four Cayme Press Pamphlets comprising No. 1 The Happy Warrior by D. K. Broster, No. 2 The Strange & Striking adventures of four authors in search of a character by P. G. Lear and L. O., No. 3 Anatole France & Mrs. Grundy by John Pollock, No. 5 Much Ado About Women by E. S. P. Haynes, and No. 8 Sir John Denham by Bonamy Dobree. All limited editions in the publisher's original bindings, paper wraps & full / quarter cloth, no prior inscriptions in ink, some edgewear, otherwise a smart collection. Largest 4to.

Pollock, CharlesPhiladelphia 1930 - 2013 New York, 4 Bürosessel Modell "12E1", Entwurf: 1965, Ausführung: 1970/80er Jahre, wohl Knoll International, fünfstrahliger, verchromter Metallstand auf Kunststoffrollen, drehbar gelagerte Kunststoffsitzschale, mattschwarze Armlehnen, braun melierte Polsterung mit Polsterknöpfen, H: 87 cm. Gebrauchs- und Altersspuren/Weichmacher härtet aus, 1 Polsterknopf fehlt.

Corgi 1/50th scale limited edition truck collection, generally excellent in excellent window boxes, with Leyland DAF Curtainside Knights of Old No. 75405, ERF EC Curtainside Pollock (Scotstrans) Ltd. No. 75205, Renault Curtainside Norbert Dentressangle No. 75603 and Leyland DAF Petrol Tanker JET No. 75302. Contents appear complete but unchecked. Viewing recommended. Qty 4

Mimmo Rotella, "Lorusso Arredamenti"- Decollage, sehr großer, sign. Farbsiebdruck, gerahmtMimmo Rotella, 1918 Catanzaro als Domenico Rotella - 2006 Mailand, italienischer Künstler, der zur Pop Art zugezählt wird, hier: Decollage "Lorusso Arredamenti", Farbsiebdruck, 100 cm x 140 cm (Blatt), num. 119/150, signiert, ansprechend gerahmt, Gesamt 105 x 145 cmZum Künstler: Rotella studierte an der Kunstakademie Neapel, 1944 schloss er das Studium und zog 1945 nach Rom. In den Jahren 1951/1952 lebte er aufgrund eines Fulbright-Stipendiums in Kansas City, wo er Wandgemälde herstellte und phonetische Gedichte aufnahm. Während seines USA-Aufenthaltes lernte er die Werke der damals aktuellen amerikanischen Künstler wie Claes Oldenburg, Jackson Pollock, Robert Rauschenberg und anderen kennen.1961 trat er der Gruppe des "Nouveau Réalisme" in Paris bei, 1964 zog er ganz nach Paris und 1980 nach Mailand, wo er bis zu seinem Tod lebte und arbeitete.1953 entdeckte Mimmo Rotella den ästhetischen Reiz abgerissener Plakate. Von da an arbeitete er mit diesem Medium. Diese Plakatabrisse, Decollagen, stehen in der Tradition der Kubisten, aber auch eines Kurt Schwitters und machen den Kern seines künstlerischen Schaffens aus. Der Plakatabriss kann in dieser Form als Rotellas ‚Erfindung’ angesehen werden.

Kenneth Martin Snodgrass, Quadratur, Ölgemälde der 1980er Jahre (Collioure-Zeit), in GalerierahmungKenneth Martin Snodgrass, 1934 Denver/Colorado - 2000 Collioure, Frankreich, amerikanischer Maler, hier: Abstrakte Quadratur in pastosen Farben, Öl/Lw., 56 x 46 cm, unten signiert, in ansprechender GalerienrahmungZum Künstler. In den 1950er Jahren begann Snodgrass ein Kunststudium an der Universität von Denver und schrieb 1958 seine Dissertation über Jackson Pollock, Paul Klee und die Impressionisten. 1961 begann er mit Öl auf Leinwand und Öl auf Papier zu malen, in satten und glatten Abstraktionen des abstrakten Expressionismus. In diesen Jahren zog er nach Europa, zuerst nach Amsterdam, dann nach Spanien und in Deutschland nach Stuttgart und München. 1965 beschloss er, in Frankreich zu bleiben, wo er seine zweite Frau Françoise kennenlernte. 20 Jahre später lernte er im südfranzösischen Künstlerstädtchen Collioure Denise kennen, die seine dritte Frau wurde und mit der er 1982 eine Tochter, Mathilde, bekam. Im Land des Lichts wärmte ihn die Sonne und er fand Frieden. Die Farben seiner Leinwände wurden allmählich weicher. Die Formen wurden noch einmal abstrakter. Symbole drückten Stärke und Reichtum aus. Er malte nicht mehr sein Leben, sondern seine Seele. Er nutzte die Kraft seiner Spiritualität.

THE BURRELL COLLECTION, SECOND DESIGN REPORT, 1ST APRIL 1973 Barry Gasson and John Meurier (Architects), Felix Samuely and Partners (Structural Engineers), James R. Briggs and Associates (Service Engineers), Davis Belfield and Everest (Quantity Surveyors)Note: This document is an original design report submitted for the competition to design the Burrell Art Gallery at Pollock Park. It was prepared by architect Barry Gasson, who subsequently won. The only other known copy is directly owned by The Burrell Collection. 31cm wide

A collection of archery equipment including two Accles & Pollock Apollo Merlin steel take down bows and a Browning Challenge compound bow, all in carry bags. 

JOHN POLLOCK; a pair of George III hallmarked silver sauce boats, each with fine scroll handles on ovoid bodies, raised on three hoof feet, London 1781, 12 x 16.5cm, combined approx. 23ozt (2).Condition Report: Both have light surface scratches throughout, one has very minor dent in base pushing inward with a further minor dent below the handle, otherwise appear to be in overall good condition.

Multi signed Programme Bread 1990, Jean Boht, Carl Davis, Ron Goodwin, Ronald Forfar, Eileen Pollock and many more. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

The Richard Larn Archive Shipping History Files. Ten files A remarkable collection of ten meticulously organized files containing decades of research. Each file is filled with carefully photocopied articles, reports, appendices, and more—painstakingly collected and catalogued for Richard Larn's works. This comprehensive archive represents years of dedicated effort, making it an invaluable resource for researchers, historians, or collectors.A partial account of each folder;Shipping File No.1- Forty five resources listed and indexed, including Elder Dempster fleet History 1852-1985- fleet listed; Sea Breezes extracts; Rochester Sailing Barges by B. Childs; History of the cost of living - prices comparisons- 1790 to 1914; New Zealand Shipping Co. Haws, D. Waitara -wrecks; Nelson- his church- our heritage- All Saints Church- Norfolk; The Atlantic Ferry, Maginnis- wecks in UK in last 70 years; Alderney Wrecks- wreck list, &c. &c.Shipping File No.2- Not indexed but includes A German Naval History; Victor Young. Merchant Ships of World War II; Norman Friedman. Postwar British Mine Countermeasures- and National Strategy; Margate Surf-Boat Service Launches 1857 to 1940; Lancaster Maritime Museum - Marine Site/Wreck File; Volumes and Pages in Sea Breezes 1919-1960; James E. Cowden. The Price of Peace Elder Dempster 1939-1945, &c. &c.Shipping File No.3- Fity resources listed and indexed including Lincolnshire Coast Shipwreck Association- 1827 to 1864 - wrecks; 1st Report of Select committee Shipwrecks- 1843- wreck lists; Report on Steam Vessel Accidents- 1839 - wreck lists; Janes Fighting Ships- WWI- 'Q' Ships- list of numbers/details; Lloyd's Weekley Casualty Lists, &c. &c.Shipping File No.4- Thirty six resources listed and indexed including Shipwrecks- in the Pentland Firth, Scotland, Bremmer's List 1840-1985; Empress of Balmoral- wreck- Lundy- Sketch of wreck condition; North America- historical research addresses; Hydrographic Department- Wrecks Section- booklets and information; List of Wrecks on the coast of Portugal- 1987- list and photographs; Vesuvius, HMS. torpedo training ship, lost N.Cornwall- wreck, &c. &c.Shipping History File No.5- Seventy nine resources listed and indexed including Swedish ancestry sources; Steam Vessel accidents & incidents; Copious Lloyds Register including Records relating to shipwrecks, Record of medals, Edward Lloyd and his coffee shop, Titanic &c. &c.; HMS Pandora- lost and found- article, &c. &c.Shipping History File No.6; Not indexed but includes Admiralty- Historical Information 1914-18 War Histories; Walter Pollock. Small Vessels, 1946; David Burrell. Furness Withy. The centenary history of Furness, Withy and Company, Ltd 1891-1991; E. f. Knight and E.G. Fuller. The Union-Castle and the War 1916-1919; Melancholy Loss of the Whale-fishing Ship Oscar, of Aberdeen, On Thursday, April 1, 1813; Sunderland Public Libraries Index to Shipwrecks 1850-1859, &c. &c.Shipping History File No.7- Not indexed but includes N.R.P. Bonsor. North Atlantic Seaway; Ian Whittaker. Wrecks of 55N 04W, &c. &c.Shipping History File No.8- Not indexed but includes Salvesen of Leith by Wray Vamplew; Lloyd's Weekley Casultie Reports; List of Submarines Sunk; Reports of Inquiries into Wreks 1876-1879; J. E. B. Belt and H. S. Appleyard. A History of Franck C. Strick and his many shipping enterprises; Roy. Anderson. White Star, &c. &c.Shipping History File No. 9- Not indexed but includes First Report from the Select Committee on Shipwrecks Together with the Minutes of Evidence; Report on Steam-Vessel Accidents; Report from Select Committee on Shipwrecks of Timber Ships; Rev. Andrew W. Huckett. The Chants; Kathleen Fidler and Ian Morrison. Wrecks, Wreckers and Resuers; Marine Casualties Southwest Atlantic & Southwest Indian Ocean 1965-1981, &c. &c.Shipping History File No.10- Not indexed but includes the world's Largest Coastwise Liner Fleet by Ernest R. Reader; Duncan Haws. Merchant Fleets - Elders & Fyffes and Geest; J. A, MacRae & C. V. Waine. The Steam Collier Fleets; Robert Wall. Bristol Channel - Pleasure Steamers; D. Hollet. Fast Passage to Australia, &c. &c.

Paradise Lost, a Poem in Twelve Books by John Milton, illustrated by Ian Pollock, a Folio Society edition published 1991. Printed on Trojan Wove paper and bound in full buckram by Butler & Tanner Ltd, Frome, in a black presentation box. 36 x 27cm

Five boxed 1/50 scale Corgi heavy haulage diecast models to include 4 x Hauliers Of Renown models including CC14010 Volvo FH Curtainside Pollock Ltd, CC13911 Foden Alpha Flatbed Trailer & Peat Load - R.J & I Monkhouse Ltd, CC13615 DAF CF Curtainside - Skeldons Transport and CC13424 ERF ECT General Purpose Tanker - T.P Niven and 1 x Premier Models Heavy Haulers US55702 Kenworth W925 With Low Loader And Boiler Load, diecast all ex, boxes vg overall

19 Boxed Corgi heavy haulage diecast models to include 5 x Corgi Truckfest models including CC10308 Charles Alexander, CC11509 William Nuttall & Sons Ltd, CC11704 Frederick Ray Ltd, etc, Corgi British Road Services Premium Edition CC11405, Corgi Classics 24502 London Brick Company, CC11611 70th Anniversary Pollock, 25401 Drayman's Range, 23602 Eddie Stobart Ltd, CC13301 Eddie Stobart, CC11403 Knowles Transport Ltd, Corgi Road Transport 97327, etc, all ex, boxes vg overall

SIX CORGI CLASSICS DIECAST MODEL COMMERCIAL VEHICLES including a No.CC15309, Scania 111 2 Axle Flatbed and Load 'Pollock'; Premium No.23301, Ford Transcontinental Platform Trailer with Sheeted Load 'Pollock'; and No.CC12504, Atkinson Borderer Flatbed Trailer 'Pollock', each boxed (unchecked for detail and self-fit parts and enclosures).

THREE CORGI CLASSICS DIECAST MODEL COMMERCIAL VEHICLES comprising a No.75205, E.R.F. EC Series Curtainside 'Pollock (Scotrans) Ltd'; No.76603, Scania Refrigerated Box Trailer 'D. Steven'; and No.CC12414, Volvo FH Bulker 'Alex Anderson', each boxed (unchecked for self-fit and detail parts and enclosures).

FLORENCE M. DENHOLM (SCOTTISH CONTEMPORARY)  POLLOCK GOLF CLUB  Watercolour, signed lower left, dated 1996, 24 x 34cm  Together with a similar by the same hand (2) Condition Report:Available upon request

Carolyn Pollock for Relios, American Indian Sterling silver and turquoise three strand necklace

° ° Clifford, William Kingdon - Lectures and Essays, edited by Leslie Stephen and Frederick Pollock, 2 vols, 1st edition, engraved portrait frontispiece and mounted photographic portrait frontispiece, 8vo, cloth, Macmillan and Co., 1879, together with Mathematical Papers, with folding frontispiece facsimile plate, entitled ‘’Quantity’’, 8vo, cloth, splits to front outer joint, Macmillan and Co., 1882, (3).

Fluxus - - Alison Knowles. Great Bear Fluxus. 17 OSerigraphien (inkl. Kolophon). Ed. Conz, 1985. 17 Bll. 37 x 50 cm. Lose eingelegt in rote OLwd. Mappe mit handgeschriebenem DTitel u. einer Reproduktion einer OPhotographie montiert in den Innendeckel. Eines von 50 nummerierten Exemplaren. - Je auf Fabriano Velin (mit Wasserzeichen) gedruckt. Jede Serigraphie signiert, datiert und nummeriert. - Mit einem handschriftlichen Kolophon mit einer Widmung an Dick Higgins und sechzehn Ereignispartituren mit handschriftlichen Beschreibungen je als Serigraphie übertragen. - Alison Knowles war eine zentrale Figur des Fluxus. Ihre grafischen und malerischen Arbeiten zeichnen sich durch eine strukturierte und taktile Qualität aus, wohingegen ihre Performances von Unbestimmtheit, Wiederholung und Alltagsbezügen geprägt sind. Nach ihrem Abschluss an der Pratt University 1956 wurde sie von Künstlern wie Adolph Gottlieb, Franz Kline, Jackson Pollock, Marcel Duchamp und John Cage beeinflusst. - Sehr gut erhaltenes Exemplar. 17 orig. serigraphs (incl. imprint). Sheets loosely inserted in red orig. cloth portfolio with handwritten title on cover and a reproduction of an orig. photograph mounted on the inside cover. - One of 50 numbered copies. - Printed on Fabriano wove paper (with watermark). Each serigraph signed, dated and numbered. - With a handwritten colophon with a dedication to Dick Higgins and sixteen event scores with handwritten descriptions each transferred as a serigraph. - Alison Knowles was a central figure of Fluxus. Her graphic and painterly works are characterised by a structured and tactile quality, whereas her performances are defined by indeterminacy, repetition and references to everyday life. After graduating from Pratt University in 1956, she was influenced by artists such as Adolph Gottlieb, Franz Kline, Jackson Pollock, Marcel Duchamp and John Cage. - Very well preserved.

Trio of WWI medals awarded to 1165 Spr T Pollock RE

* HUGH GERARD BYARS (SCOTTISH b. 1957), MIDNIGHT ADMIRER oil on board, signed and dated '08framedimage size 50cm x 40cm, overall size 61cm x 51cmNote: Byars trained at The Glasgow School of Art and then at The Royal College of Art in London. In 2001 he received a major award from the Pollock-Krasner Foundation (USA). Nineteen examples of his work are recorded within notable public collections including City of London Corporation, The Peoples Palace (Glasgow), MOMA (Wales), The Fleming Collection (London), Guildhall Art Gallery, Cheltenham Art Gallery and Glasgow Museums and Art Galleries. Hugh lives and works in Glasgow. He is a contemporary of Howson and of the same school as Campbell and Currie, and like them concentrates on the human form, and scenes from his local city. He often takes his inspiration from the derelicts and dossers in his native Glasgow. These are his Partick people who he paints with sympathy, graphic simplicity and powerful humanity. Hugh is one of the ''New Glasgow Boys'' school of painters.

Carolyn Pollock, for Relios, American Indian sterling silver and turquoise three strand necklace

Collection of diecast 1/50 scale truck models from Corgi, Conrad, Tematoys, Tekno and WSI including limited edition Corgi CC12931 'Sights And Sounds' Scania Topline Curtainside Pollock Scotrans Ltd (1489/1510), CC12925 Baggeridge Scania Topline sided crane trailer with brick load (898/1700) and CC12410 Knowles Volvo FH bulk tipper (3859/5000), models generally in mint condition with following exceptions, Tekno Ken Thomas example with detached trailer side section (just needs re-gluing), Conrad Volvo FM7 with tail lift paint damage to cab roof (see photos), models with included wing mirror sets unused and still sealed, boxes from fair to excellent, generally good (10)

SMEATON (J), REPORTS OF THE LATE JOHN SMEATON FRS MADE ON VARIOUS OCCASIONS IN THE COURSE OF HIS EMPLOYMENT AS A CIVIL ENGINEER, 2nd edition, 2 vols in one, 72 plates, rebacked tan calf, M. Taylor, 1837, a presentation copy with leather dedication to the back of the front board, ‘Telford Premium. Awarded by the Council of the Institution of Civil Engineers to Frederick Pollock, Lieutenant Madras Engineers on the works and Coffre-Dam for the repairs of Westminster Bridge’ dated January 1840 (1)

Nightingale (Florence). Notes on Nursing: What it is, and what it is not, 1st edition, 2nd issue, London: Harrison, [1860], head of title inscribed by the author 'From Florence Nightingale Mar 14, 1860' and the ownership in a different hand 'A. Russell Pollock, Greenhill, Paisley', with letterpress '[The Right of Translation is reserved.]' at foot of title, original yellow endpapers with printed advertisements dated 1860, head of front free endpaper bearing the date 4 Sept 1861, original brown limp cloth covers bound in at front and rear (cup ring mark to upper cover), 20th-century cream endpapers with browning to free endpapers from turn-ins, 20th-century blue morocco binding with gilt title to spine, fading to spine, 8voQTY: (1)NOTE:Alexander Russell Pollock (1821-1884) was the son of James Pollock and Isabella Russell of Greenhill, Paisley, Scotland. Alexander was a partner in the firm James Pollock and Co., a merchant and yarn agent based in Causeyside. He married Margaret Amelia Pollock, the daughter of Matthew Pollock in Stillorgan, Dublin, on 27 April 1859 and they had 19 children in the space of 16 years. Alexander died on 23 October 1884 in Dieppe, Seine-Maritime, France, at the age of 63, and was buried in his hometown. An obituary was published in the Paisley Gazette November 1, 1884. Alexander amassed a large library and collection of coins, medals, manuscripts and other antiques which were sold in a series of auction sales in 1889.

Corgi Classics boxed diecast, 97840 Scammell Highwayman tanker Shell Mex/BP, 97319 Bas Worthington ERF cylindrical tanker, 970 Regent Foden tanker, 97951 Foden milk tanker, 97372 Mackison Atkinson tanker, 97950 Guinness Foden tanker, 97952 Hovis Foden tanker, 97162 Pollock of Musselburgh Atkinson Elliptical tanker, and 97970 Regent Foden tanker. (9)

A framed and glazed still life, flowers in a vase, signed G M G Pollock (?). H.72 W.61cm

Artist: Jackson Pollock (American, 1912 - 1956). Title: "Composition [1954 #1]". Medium: Watercolor and gouache drawing on paper. Date: Composed c.1954. Dimensions: Overall size: 5 7/16 x 8 7/16 in. (138 x 214 mm).Pricing:   Starting Price: $5,000  Reserve Price: No reserve  Auction Sale Price Estimate: $60,000/80,000Lot Note(s): Hand-signed in pencil, verso. Painted on cream wove paper. Fine condition, as painted. Provenance: The work comes from the collection of Urbano Quinto and was acquired by him directly from Jackson Pollock during a meeting with Pollock and his wife Lee Krasner in 1954. They met at the Pollock/Krasner residence in Springs, East Hampton, Long Island, New York. The Pollocks had been introduced to Urbano Quinto by Thomas Hart Benton whom Urbano Quinto had met a few years earlier in Paris, France. The noted Italian author, art dealer, and art collector Urbano Quinto acquired a number of drawings from Basquiat, Haring, and Warhol as well as other Pop, Graffiti, and Contemporary artists, directly from the artists in the 1970’s – 80’s. The original Letter of Authenticity by Urbano Quinto pertaining to this work accompanies the lot. Comment(s): Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson); Pollock image copyright © Pollock-Krasner Foundation / Artists Rights Society (ARS), New York. [30609-2-5000-NR]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Portrait of Andy Warhol [poster]". Medium: Color offset lithograph. Date: Composed 1982. Dimensions: Overall size: 22 x 20 in. (559 x 508 mm).Pricing:   Starting Price: $800  Reserve Price: N.A.  Auction Sale Price Estimate: $1,200/1,500Lot Note(s): Signed by Warhol in black marker, lower right. Edition size unspecified, presumed small. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): Warhol had a joint exhibition with the German-born photographer Hans Namuth (1915-1990) at New York’s Castelli Gallery from January 9th to the 30th, 1982. Namuth specialized in portraits and is most famous for his photographs of Jackson Pollock creating his iconic drip paintings. This portrait of Warhol is part of Namuth’s project to photograph the artists represented by Castelli. It shows Warhol standing in front of Rubens’s painting ‘Reconciliation of the Queen and her Son’, which was part of his Marie de Medici Cycle. Rubens was famous for painting the celebrities of his day, providing them with an image to bolster their power. Warhol did the same with his pop portraits; indeed Robert Rosenblum described him as “an ideal court painter”. Rubens also employed a large studio of assistants which is paralleled in Warhol’s ‘Factory.’ An impression of this work is included in the collection of the National Galleries of Scotland, accession no. AR00437. Image copyright © The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York / DACS, London; and image copyright © Estate of Hans Namuth. [29234-5-800-NA]

Murder Most Foul (1964), US One Sheet, 41.5 x 27 inches, on linen 43.5 x 29.5 inches, linen backed, NSS 64/244 Director George Pollock Stars Margaret Rutherford, Ron Moody Condition Report: Excellent condition, old fold lines