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Click here to subscribeA late 19th century French patinated bronze and marble figural mantel, the figure after Jean-Jacques, called James, Pradier (Swiss, 1790-1852)the movement stamped Richond F. A. Paristhe rectangular black and variegated marble case surmounted by a figure of Terpsichore holding her lyre & plectrum before a wellhead signed J PRADIER, on naturalistic base, the 3.5' enamel dial with Roman numerals, on plinth base, the brass twin train movement with outside countwheel striking on a bell, with pendulum, 52.5cm high This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Roman Provincial Coinage, PHRYGIA, Hierapolis, Hadrian, Cistophoric Tetradrachm, after 128, bare-headed, draped and cuirassed bust right, rev. Apollo standing right holding lyre and plectrum, 10.68g (Metcalf type 53; RPC 1395; BMCRE 1054; RSC 285). Overstruck on a coin of Augustus, very fine or better £150-£200 --- Provenance: CNG Mailbid Sale 73, 13 September 2006 (905); CNG eAuction 274, 22 February 2012, lot 359
A Fender DG60CE with a black finish single cutaway acoustic guitar with fishman pre-amp and equaliser in a hard shell case together with TGI 4 speaker amplifier TAA-30RC complete with lead, strap etc. Condition - Typical minor dinks and plectrum scratches from normal use, electrics okay, amp in excellent condition, good working order.
Tenor Banjo, Weymann & Son, Philadelphia Pennsylvania, Modell Style No.7, USA 1928, Seriennummer 44816, vergoldete Hardware, direkte Stimmwirbel, geschnitzte Ferse, Resonator mit Marqueterie, Kunststoff-Fell, Holz Armrest, Plectrum-Halter, spielbereit mit Koffer und Kunstlederhülle, L. 88cm, Mensur 58,2cm, Ø Kessel 28cm, Alters- und GebrauchsspurenVideo Link: https://youtu.be/w3I5wzYWRK8
KITAGAWA UTAMARO (1753-1806) AND UTAMARO SCHOOLEdo period (1615-1868), late 18th/early 19th centurySix oban yoko-e shunga (erotic picture) prints depicting different couples making love: three from the album Ehon Komachi biki (Picture Book: Pulling Komachi) by Utamaro, comprising: a shinzo (apprentice courtesan) and her lover; a courtesan and her secret lover; a woman combing her hair in front of a mirror stand and her lover behind; three by the Utamaro School, consisting of: a couple beside a hibachi (brazier); a young girl and a man beside a discarded shamisen and plectrum; a woman and a young lover; all unsigned; each framed and glazed. The smallest: 24.6cm x 37.5cm (9 11/16in x 14¾in); the largest: 25cm x 37.7cm (9 13/16in x 14 13/16in). (6).For further information on this lot please visit Bonhams.com
*A BOXWOOD SHAMISEN PLECTRUM (BACHI), JAPAN, 19TH CENTURY of typical flared form, with pierced palmette finial and two columns of Japanese script on one side 19cm long The shamisen ('three strings') is a stringed instrument similar to a mandolin, used to accompany Kabuki and folk song performances. ++Minor surface scratches otherwise good
Fender Pink Paisley Stratocaster electric guitar signed by Elvis Presley’s band members: Reggie Young - Guitar, Ronnie Tutt - Drummer, Glen D Hardin - Piano, Estelle Brown - Background Singer, James Burton (does not sign guitars, added on large plectrum) - Guitar. Guitar comes in beautiful black Gator case and is like brand new. Made in Japan. Condition: Excellent. Location: Switzerland.
A Manny's 'medium' plectrum used by George Harrison during the concert for Bangladesh in 1971. Provenance: from the collection of Kevin Harrington, who worked with the Beatles from 1968 - 1970. Kevin worked mostly as a road/equipment manager and was present during the famous 'Get Back' rooftop concert.
A large collection of Records and Music Memorabilia predominantly Heavy Metal and mostly Iron Maiden. Also included in this lot are two gig used Drum sticks one by Anthrax and the other by Megadeth drummer. A small Drum Skin Nicko McBain ( Iron Maiden ) used and with black sharpie written on the front skin - `Nicko`s Ta - 5-11-95 GLASGOW. `A large near mint box set of Iron Maidens the First Ten Years. 6 x Gig Used Guitar Plectrums. Zoltan plectrum - 2 x Anthrax Scott Ian pics - Kael 2020 Butler ( Obituary ) pic and Dick. 5 x Iron Maiden postcard In concert Photo of Blaze Bayley a collection of gig tickets from Motorhead to Iron Maiden with Helloween, Napalm Death, Slayer, Metallica and More. Records in one large box With 25 x Iron Maiden 7 inch singles including picture discs and colour vinyl and picture sleeve singles - Run to the Hills,Out of the Silent Planet, Wildest Dreams, Angel and the Gambler, Rainmaker, Can I play with madness with transfer, Infinate Dreams with patch, Purgatory, Running Free, Women in Uniform and many more all original all excellent plus condition. Shapes and picture discs of The Trooper, Wasted Years, The Clairvoyant, Can I play with Madness, Flight of Icarus, Running Free, Holy Smoke, 2 mins, Infinate Dreams, 4 x tour programmes World Piece Tour 83, X Factor, World Slavery 84-85, and 86/87 tour. 8 x 12 inches including Dutch plus Lps including Live after Death, Iron Maiden Number - Somewhere - Seventh Son - No Prayer - etc - plus lps by AC/DCX 4 including High Volatage - Testament - Slayer - Marilion - Motorhead - Manowar and Megadeth, In excellent condition.
Steve Hillage Box Set, Searching For The Spark - 22 CD Box Set released 2016 on Madfish (SMABX 1045) - with hardback coffee-table book, large booklet of press cuttings, two lyric books, three promotional posters, art print signed by Steve Hillage and Miquette Giraudy, badge and plectrum - All in Superb EX+ condition
A sterling silver ear cuff in the shape of a moon with star pendant, made and date stamped (1994) by Marty Magic and issue to Prince and band, with printed Marty Magic card reading 'created for Prince symbol by Marty Magic'. With 'Rev' Mike Scott plectrum and an after-show pass for the 1998 Wembley concert - affixed to box used to store the piece. This example was given to the vendor by Mike Scott at an after-event party following the Wembley concert.
A gilt-bronze figure of a torioi (travelling female singer and shamisen player)By Miyao Eisuke of Yokohama, Meiji era (1868-1912), late 19th/early 20th centuryStanding in high geta (clogs), wearing the characteristic torioi amigasa, a woven reed hat shaped like a half moon partially concealing her face, plucking her shamisen with a plectrum, her kimono carved with stylised flowers, fixed on a rectangular stand decorated with karakusa ('Chinese grasses'); signed Miyao Ei on the obi within a rectangular reserve. Overall height: 23cm (9in) high.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A late 19th century French patinated bronze and marble figural mantel, the figure after Jean-Jacques, called James, Pradier (Swiss, 1790-1852)the movement stamped Richond F. A. Paristhe rectangular black and variegated marble case surmounted by a figure of Terpsichore holding her lyre & plectrum before a wellhead signed J PRADIER, on naturalistic base, the 3.5' enamel dial with Roman numerals, on plinth base, the brass twin train movement with outside countwheel striking on a bell, with pendulum, 52.5cm high This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
*MUSIC SHOP STOCK - large mixed quantity of instrument strings and accessories including flute and clarinet stands, violin tuner, pitch pipe sets, clarinet reeds, earphones, hundreds of plectrums and plectrum holders, guitar and ukulele straps, Stagg string winders, guitar polish, valve oil, ETC, ETC along with a modern clarinet case N.B. This lot is subject to VAT on the hammer price
A Paramount Style C Tenor Plectrum Banjo, by William Llange, mother of pearl inlaid headstock with birds and banner logo inscribed 'Paramount Style C Wm Llange' mahogany and maple laminated neck, carved at the heel and back of headstock, ebony fretboard with bird and cherub inlays, bound mahogany resonator, chromium-plated tone ring, Grover patent tuners, plush-lined Grafton hard case.
A Paramount Style C Tenor Plectrum Banjo by William Llange, with mother of pearl inlaid banner headstock inscribed 'Paramount Style C, Wm Llange', laminated mahogany neck carved at the heal and rear of headstock, rosewood fretboard inlaid with birds and cherub, mahogany resonator, nickel-plated tone ring.
A Paramount Style D Plectrum Banjo by William Llange, with mother of pearl inlaid banner headstock inscribed 'Paramount Style D Wm Llange', maple laminated neck and resonator, mother of pearl bird inlaid rosewood fretboard, carved heel and reverse headstock, nickel and gold plated tone ring, plush lined Grafton hard case.
Wizard of New York 1920s plectrum chevron banded banjo, the detachable resonator transfer printed with a sailing ship to the centre, with 11" skin and a Pearloid veneered shaped head, original case *This banjo has been professionally converted from a tenor banjo with the original neck being extended and the original case adapted
OGAWA HARITSU (RITSUO): A FINE CERAMIC AND LACQUER INLAID KIRI WOOD RYOSHIBAKO (DOCUMENT BOX) AND COVER WITH BUGAKU ACCOUTREMENTSAttributed to Ogawa Haritsu (Ritsuo, 1663-1747), probably by Michizuki Hanzan (1743-1790), sealed KanJapan, 18th century, Edo period (1615-1868)Of rectangular form, carved from kiri (paulownia) wood of an attractive grain and color, the rounded edges with gold lacquer, the sides and cover inlaid with glazed ceramic, polychrome lacquer, and mother-of-pearl, depicting the various elements needed to perform the bugaku dance, including a fierce mask with phoenix headdress, a drum with beaters, a biwa and plectrum, a torikabuto, a flute and cymbals, a sho and a koto, the interior with a small ceramic inlay and the inlaid ceramic seal KAN – a seal used by Ogawa Haritsu and his followers. This type of pink seal was used by Michizuki Hanzan (1743-1790), a direct pupil of Ogawa Haritsu.HEIGHT 17.3 cm, WIDTH 28.6 cm, DEPTH 23 cmCondition: Good condition with minor wear, scattered losses (some of them likely intended), natural age cracks, few minuscule chips to edges, some nicks and scratches, one small ceramic inlay to the interior of the cover is lost. All as is to be expected from a Ritsuo box.Provenance: Christie’s, 27 October 1981, London, sale 2232, lot 371, purchased by William R. Appleby (1915-2007) and Elinor Appleby (1920-2020), longtime donors to the Metropolitan Museum of Art in New York. Mrs. Appleby had a particular interest in Asian art, and she and her husband supported the Department of Asian Art as well as the Fund for The Met, providing for important acquisitions and institutional initiatives.Ogawa Haritsu (formerly often referred to outside Japan by his alternative name of Ritsuo) was among the first Japanese lacquer artists to establish an independent reputation outside of the hereditary craft dynasties of Kyoto, Edo, and Kanazawa. Following an early career as a haiku poet, he is thought to have first turned his attention to lacquer design in middle age and soon attracted a wide following thanks to his novel choice of subject matter and pioneering and imaginative use of unusual materials; at some point after 1710 he was hired by Tsugaru Nobuhisa (1669-1747), lord of a domain in northern Japan, for whom he worked until 1731.Auction comparison:Compare a related but smaller inlaid wood box and cover signed Ritsuo and with the same pink seal Kan, but depicting a different subject, at Van Ham, Asiatische Kunst, 9 June 2016, Cologne, lot 2263 (sold for 10,320 EUR). Also compare to a similar ryoshibako featuring a biwa very similar to the one on the present box, sold at Zacke, Fine Japanese Art, 29 November 2019, Vienna, lot 83 (sold for 11,430 EUR). Also compare to a related wood document box recently sold at Bonhams, Fine Japanese and Korean Art, 17 March 2021, New York, lot 594 (sold for 27,812 USD).
Roman Imperial Coinage, Augustus, Denarius, Lugdunum, 15-3, avgvstvs divi f, bare head right, rev. imp x act, Apollo standing left, holding plectrum and lyre, 3.80g (RIC 171a; RSC 14; BMCRR 173-4; BMCRE 461). Reverse struck slightly off-centre, otherwise better than extremely fine, light tone £1,200-£1,500
Two gold ojimeOne by Katsuo and one by Shuraku, Meiji era (1868-1912), late 19th/early 20th centuryThe first Daikoku, standing, brandishing his mallet, signed Katsuo, 2.2cm (7/8in) high; the second Benten, kneeling, holding a biwa (lute) and bachi (plectrum), signed Shuraku, 1.7cm (11/16in) high. (2).Footnotes:Provenance:Sold at Christie's, London, 4 July 1984, lots 550 and 569.For further information on this lot please visit Bonhams.com
AN EARLY STAG ANTLER NETSUKE OF AN ONI PLAYING THE SAMISEN UnsignedJapan, 18th century, Edo period (1615-1868)The oni seated cross-legged and holding a bachi (plectrum), strumming on a samisen with a fierce, concentrated expression. The stunning color and patina are indicative of an early piece. Large, generously excavated himotoshi through the back and underside.HEIGHT 3. 4 cmCondition: Good condition with ‘natural flaws’ to the material.Provenance: British private collection.The Samisen (Shamisen) is a traditional three-stringed instrument. Oni are frequently depicted playing it, usually next to Emma-O, the king of hell. This oni plays his instrument with an impressive vigor, almost appearing like a rock star.
Gibson Robert Johnson L-1 signature guitar, with inlaid name to the 18 fret fingerboard, serial number 11801040, in case with warrantee cards, slide, and picks.25 inch scale length.Condition report: The neck is original and in good order and is straight with a good action. There is virtually no wear to the frets. The guitar has some very minor light plectrum scratches and other minor marks from clothing to the back and sides.
Collection of David Bowie ephemera to include: 1974 Bijoux Ziggy promotional pendant on chain, Diamond Dog promotional dog tag on original chain, 'Heathen' plectrum. Provenance: from the collection of renowned Bowie super fan and collector Ton Van Der Horst who ran a popular Dutch fanzine 'The Voyeur'.
Status Quo: Alan Lancaster's Fender Mustang Bass Guitar,1968,serial no. 245188 stamped on F-series neckplate, shaped, twin cutaway offset body in mauve finish, single active pickup with two rotary controls, three-ply laminated scratchplate, Indian rosewood fingerboard with white dot markers, headstock with Fender decal and machineheads, in hard, faux-skin rectangular plush-lined case with Status Quo and other stickers, the chrome scratchplate, original pickups, strap and packet of strings within, guitar 41 1/2in (105.5cm) longFootnotes:Provenance: Lots 117-127 are from the Alan Lancaster Collection.Best known as a founding member of the rock band Status Quo, Lancaster contributed to songwriting, and vocals on albums and live concerts, taking the lead on tracks such as 'Backwater', 'Is There A Better Way', 'Bye Bye Johnny', 'High Flyer' and 'Roadhouse Blues' etc. Having formed the band in 1962 with schoolmate, Francis Rossi, his final performance as a full-time member of Status Quo was at Wembley Stadium on 13 July 1985 for the opening of Live Aid. Alan joined the original line-up of the band for reunion concerts in 2013 and 2014.This guitar was used on virtually all Quo's live and studio work by Alan from 1968 to 1978. Originally white, it was stripped back to a natural wood finish in the early '70s, with a chrome scratchplate added later. In the late '70s it was sprayed mauve and the scratchplate changed back to the white laminate version, with replacement EMG active pickup. The lead pieces attached to the back of the body are weights to enable the guitar to hang at the correct angle when Alan was standing and strapped. The piece of felt at the bridge end was to dampen any hard hits from the plectrum that might make unwanted 'thumps'. As Alan has remarked, It's a powerful axe.Sharing duties with the Travis Bean and Kramer guitars also offered in this auction, the guitar was finally played on the 2013 and 2014 Status Quo reunion concert tours and recordings.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Fender Stratocaster Paisley Guitar Signed By Elvis Presley's Band MembersFender Paisley guitar in beautiful pink signed by Elvis Presley's band members: - Reggie Young - Guitar, - Ronnie Tutt - Drummer, - Glen D Hardin - Piano, - Estelle Brown - Background Singer, - James Burton (does not sign guitars, added on large plectrum) - Guitar. Guitar comes in beautiful black case and is like brand new.
A Martin 000-18 acoustic guitar, serial number 149021, dater project lists as 1956 with Martin hard case, CITES Article 10 certificate number 592455/01 Lovely aged patina, with lots of play wear (plectrum or finger nail scratches etc around the sound hole, staining all around, varnish bubbling on on the body, sounds beautiful all the way up the fretboard even with old strings on
15-13 BC. Lugdunum mint. Obv: AVGVSTS DIVI F legend with bare head right. Rev: Actian Apollo standing left holding plectrum and lyre; IMP - X in fields, ACT in exergue. RIC 171; BMC 461; RSC 144a; Sear 1611. 3.32 grams. . Found Cambridgeshire, UK. This type refers to the victory of Augustus over Antony and Cleopatra on 2 September 31 BC, at the battle of Actium. [No Reserve] Near very fine.
An incredible condition rare vintage 1960's (1964) Selcol made The Beatles ' New Beat ' plastic acoustic model guitar. Burgundy, red and orange plastic construction, with four strings and all tuning pegs present. Features facsimile autographs to the corner and a printed sticker of all four Beatles to the top. ' New Beat ' silver coloured emblem also to body. Selcol makers label to sound hole. Also still retains one original burgundy guitar plectrum / pick. Appears in very good condition, with no cracks splits or visible damage -(one string missing). Survives within its rare original cardboard box, which still retains the original paper label to top, and generally appears mint. Original tissue paper still remains. A rare and great example of early Beatles merchandise. Guitar measures approx; 80cm tall.
JAM/WELLER BOOKS INC. SIGNED. 16 books relating to Paul Weller and The Jam with titles to include: Porcelain God (x3), Paul Weller Selection (Japanese songbook), Days Lose Their Names And Time Slips Away (x3, inc. 1 ltd. hardback edition), Suburban 100 (signed to inner page by Paul Weller), My Ever Changing Moods (4, different copies inc hardback), The Complete Guide To The Music Of Paul Weller And The Jam, The Changing Man (x2, inc hardback), The Modfather.. Also to include a plectrum and Sunday Express newspaper including free Paul Weller CD.