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A brown tortoise shell coloured guitar plectrum that was formerly owned by one of The Beatles. The plectrum measures 2.25cm x 3cm (1 inch x 1.25 inches). The condition is excellent. Provenance: from the collection of Freda Kelly, Beatles National Fan Club Secretary 1962 to 1972. Accompanied by a signed letter of provenance from Freda Kelly. The plectrum was sent to The Beatles Fan Club secretary Freda Kelly by the group’s then road manager Neil Aspinall in the sixties. Freda recalls: ‘Neil would send me plectrums, broken drumsticks, snapped guitar strings etc. that had been used by The Beatles to send out to members of the fan club. This is one of the very few things that Neil gave me that I kept. Unfortunately, I can’t recall which of The Beatles the plectrum belonged to.’. Also comes with a Tracks Ltd. certificate of authenticity.
A copy of Motley Crue - Smokin'... (EKR33T) signed to front of sleeve by Nikki Sixx, Mick Mars, Vince Neil, Tommy Lee. Signatures obtained in person by the vendor's sister, a dedicated music fan and an active autograph collector in the 1980s. Also with original c 1990s plectrum, two 8x10" promo photos.
PRINCE PACKAGE - Extremely sought after Guitar played by Prince plus memorabilia starting from the tour in 1990. This is an original Prince played Blue Schecter Cloud guitar. Played by Prince at Paisley Park in 2002 before being gifted to one of his crew whilst on tour. Also included is the Guitar Plectrum that Prince used on the day.Including in this amazing lot is a 1990 concept stage design for Prince`s `Nude` Tour. Measuring 4ft x 3ft this is the original stage design by Roy Burnett. Accompanying that is this uncut pass sheet for the ‘Nude’ Tour in 1990 and a crew pass for the tour. There’s also two crew shirts for Prince’s 2004 Musicology tour Plus a promo CD and Promo VHS Video Tape for Musicology. (Viewing for this lot is not available at Hansons at this time. Please call 01283733988 to make a future appointment)
JIMMY PAGE - Amazing collection of memorabilie and SIGNED `96 Signature Les Paul Guitar owned and played by Jimmy Page and gifted to a crew member. Along with a large collection of ephemera including Jimmy Page`s guitar plectrum a signed note - Signed display of Page and Plant - Crew t-shirts and Leather Tour Jacket - Tour Itinearies and backstage passes. Items were accumulated between 1995 and 1998. Hard Rock Cafe Page and Plant Glass.
Beatles and others Music memorabilia, large collection of Beatles and Other Music memorabilia including: Beatles - Books (Anthology, Paul McCartney - The Lyrics (2 book box set), Unseen Archives, Rock-Ups and more), Past Masters Volume One and Volume Two CD Box Sets, Beatles Plectrum pack and more; Other items include Eric Clapton Programme and Tickets, Music For Montserrat Programme, large collection of sheet music, Michael Jackson and Rolling Stones songbooks and more - various conditions
A D'Andrea guitar plectrum which was used by Marc Bolan. The end of the pick has been broken off. The condition is very good minus. Provenance: obtained backstage at a concert in Glasgow and is accompanied by a letter of authenticity from the recipient which reads, 'We had been sitting on the floor of Glasgow's Electric Garden, very near the low stage. During the concert it struck me that Marc Bolan was giving his guitar a really punishing treatment and thought he must go thru [sic] many plectrums and guitar strings. When the concert finished my girlfriend and I thought we'd attempt to go backstage to meet the band. Luckily the security were quite relaxed and asked at the band's dressing room door if they wouldn't mind meeting us for autographs. Mickey Finn invited us in but on meeting Marc Bolan we were kind've struck dumb. Couldn't think of anything to say. I remembered his treatment of his guitar and asked if he went thru [sic] many plectrums. If he had, could I have one as a souvenir of the show? Unfortunately he couldn't remember breaking one recently but said "Hold on", went over to his guitar case, lifted out his guitar and said, "Hey, you're in luck!" And there is was, a broken plectrum, which he was pleased to give me.'
A white Dunlop guitar plectrum which was used on stage by David Bowie during a performance at the Scottish Exhibition and Conference Centre, Glasgow on the 28th November 2008. David's name is printed on the plectrum in black. The condition is very good plus. Provenance: obtained at the performance and accompanied by a letter of authenticity from the recipient which reads: 'I'd often seen guitarists at concerts, like Keith Richards, fire their plectrums into an audience, like bullets! I'd wondered if anyone ever actually managed to catch them, or would they just end up as litter on the dark crowded floor. I was very near the stage at David Bowie's concert in Glasgow's S.E.C.C. Hall. I remember the moment - like slow motion! The plectrum was thrown above himself and not AT the audience. It seemed to float down. Slowly. Like a leaf. I could see it, almost hovering in my direction. I remember thinking, in that moment... I'm going to be shoved aside by a sea of arms, stretching up to catch it. But NO! It was as though No one had noticed. It headed straight towards me. I caught it!! And I couldn't believe my luck!!'
BLACK SABBATH - Tony Iommi Ephemera along with a Postcard sent from Australia, Guitar Plectrum and even his first Rolls Keyring. Starting off with a band photo labelled on the reverse Black Sabbath left to right Geezer Butler, Tony Iommi, Bill Ward, John Osbourne. A bank letter, a Birmingham Municiple Bank cheque from A F Iommi unsigned for £10,000. This was when Norman used to do the banking for the lads when they first toured America he mistakingly made a check out to him --- it was a joke amount then but now perhaps now it`s only petty cash! A guitar plectrum c 1971 used by Tony, Tonys First Rolls Key Ring ( slightly chewed by Puddles the Agency Dog ! ) an indemnity policy document and a lovely postcard addressed to our vendor from Australia in 1973 stating `i`ve met a good contact over here for some gigs ( good A ! ) see you soon Tony. Some of these items were displayed at the Black Sabbath Exhibition in 2019. Provenance from the collection of Norman Hood promoter, agency for Black Sabbath in the late 1960s and 70s.
A BANJO AND HARD CASE, comprising 'The New Windsor' patent Zither Banjo made by A.O Windsor of Birmingham, early 20th century rosewood four-string banjo, 'The New Windsor, Birmingham' plaque (75.5 cm long) 'Ideal Model 8', together with a hard case and a 1920s 'First Step' how to play the plectrum G banjo by Lew Stern (1) (Condition Report: signs of medium to heavy use, a few scratches to the case)
Octavian as Augustus AR Denarius Octavian as Augustus AR Denarius. Circa 21 B.C. - 14 A.D. AVGVSTVS DIVI F. Bare head right / IMP X Apollo Citharoedus of Actium holding plectrum and lyre standing left, ACT in exergue. 18mm. 3.5g.Octavian defeated the combined forces of Mark Antony and Cleopatra in a naval battle in the Ionian Sea in 31 B.C., effectively securing the leadership of the Roman state after more than a decade of civil war.
Early 14th century A.D.. Roundel with painted image of a winged and nimbate angel playing a gittern; left hand supporting the neck of the instrument and right hand manipulating a pointed plectrum; pegbox carved with a beast's head finial; silvered and deep red panels to complete the circular shape. 452 grams, 19 cm (7 1/2 in.). French private collection.Private collection, Suffolk.Exhibited at Harwich Museum, Harwich, Essex, UK, 3rd February-9th March 2024; accompanied by a copy of a photograph of the artefact on display. [No Reserve]
BEATLES AUTOGRAPHS, An Autograph Book containing the signatures of John Lennon, Paul McCartney, George Harrison and Ringo Starr with a fragment of Paul McCartney's broken plectrum and a souvenir matchstick, on the page signed by George Harrison, other signatures include a personalised message 'To Louisa with love and best wishes' Malcolm Evans (Beatles Road Manager), Motown singer Mary Wells, three signatures of Gerry (Marsden), Cliff Richard, Hank Marvin and others. The Beatles autographs were obtained on the 10th October 1964 at The De Montfort Hall, Leicester
SEIYA: A PATINATED BRONZE OKIMONO OF A GEISHA, MEIJIBy the Seiya Workshop, signed Seiya Japan, Meiji period (1868-1912) Well cast as a lady standing on a naturalistically executed base, wearing a kimono with well-carved folds, and geta sandals, holding a hairpin, a bachi (plectrum), and a biwa, the hair arranged in an elaborate coiffure. The top of the base signed SEIYA. Fine reddish-brown patination. Condition: Good condition, minor wear, and few small nicks. The neck of the biwa lost. Provenance: Danish private collection. Weight: 1,200 g Dimensions: Height 20.5 cm
A SANCAI GLAZED POTTERY FIGURE OF A FEMALE MUSICIAN PLAYING THE PIPA, TANG DYNASTY 唐代三彩琵琶陶俑China, 618-907. Well modeled standing and strumming a pipa held upside-down with one hand positioned to cradle the head. Dressed in a long pleated robe secured at the chest with a sash falling below her knees, the unglazed face well detailed with heavy-lidded eyes and full lips, her parted hair arranged in an elaborate flowing coiffure, her robe and instrument covered in green, amber, and straw glazes.Provenance: English trade.Condition: Good condition, commensurate with age. Extensive wear, losses, firing cracks, glaze flakes, small chips, old repairs, all exactly as expected from authentic Tang dynasty excavations.Weight: 364.4 gDimensions: Height 26.5 cm The pipa is one of the most popular Chinese instruments and has been played for almost two thousand years in China, migrating slowly from Central Asia into China during the Han and Sui dynasties. It is held in a vertical or near-vertical position during performance, although in earlier times the instrument was held in a variety of ways including upside down and horizontally (like a guitar), and its twisted silk strings were plucked with a large triangular plectrum. Toward the end of the Tang dynasty, musicians began using their fingernails to execute the exuberant and programmatic repertory that was gaining popularity and eventually became the national style. To facilitate the use of the fingers, the instrument began to be held in a more upright position. Through time, the neck was raised and by the Qing Dynasty, the instrument was mostly played upright.Auction result comparison: Type: RelatedAuction: Christie's London, 21 June 2001, lot 96Price: GBP 4,935 or approx. EUR 12,500 converted and adjusted for inflation at the time of writingDescription: A sancai-glazed figure of a standing court lady, Tang dynasty, 8th centuryExpert remark: Compare the related modeling and glaze. Note the size (33.8 cm) and the lack of an instrument. 唐代三彩琵琶陶俑中國,618-907年。陶俑造型優美,雙手托住琵琶。身著一件長袍,繫在胸前,腰帶垂至膝蓋以下,無釉的臉龐,雙眼微閉,嘴唇豐滿,髮型高雅。施三彩釉。 來源:英國古玩交易。 品相:品相良好,大面積磨損、缺損、燒製裂紋、釉片剝落、小缺口、小修。 重量:364.4 克 尺寸:高 26.5 厘米拍賣結果比較: 形制:相近 拍賣:倫敦佳士得,2001年6月21日,lot 96 價格:GBP 4,935(相當於今日EUR 12,500) 描述:唐代八世紀三彩宮廷婦女陶像 專家評論:比較相近的模型和釉面。請注意尺寸(33.8厘米) ,但沒有樂器。
A LACQUERED WOOD SHAMISENJapan, late 19th century, Meiji period (1868-1912)The lacquered wood ground of the body, neck, and headstock all finely decorated in gold and iro-e takamaki-e and hiramaki-e with leafy flowering chrysanthemums, many of the blossoms with inlays of bone to the center. The base of the body mounted with a copper foot fitted with a gilt-copper bird carrying a cross in its beak. LENGTH 65.4 cmCondition: Good condition with some wear, light scratches, minuscule nicks, minor flaking to lacquer, the catskin covering the front with a repaired tear. Provenance: From an old French private collection. The shamisen (lit. 'three strings'), known as samisen in Kyoto and Osaka, is a three-stringed traditional Japanese musical instrument derived from the Chinese instrument sanxian. It is played with a plectrum called a bachi. The construction of the shamisen varies in shape, depending on the genre in which it is used. The instrument used to accompany kabuki has a thin neck, facilitating the agile and virtuosic requirements of that genre. The one used to accompany puppet plays and folk songs has a longer and thicker neck instead, to match the more robust music of those genres.Museum comparison:Compare a closely related wood shamisen decorated with similarly lacquered chrysanthemums, made by Takechi Matsukawa for the Wakamura workshop, dated 1891, in the Metropolitan Museum of Art, accession number 69.271.2.
A RARE BLACK LACQUER AND MOTHER-OF-PEARL-INLAID DOCUMENTARY PIPA17th centuryThe musical instrument of elongated tear-drop shape, the finely-grained wooden belly decorated in gilt with a pair of birds and gnarled branches of prunus and bamboo, rising to a long shaft with four strings leading to four tuning pegs on the sides of the bent-back pegbox inlaid in mother-of-pearl with a rooster on a rock with crashing waves, the reverse of the body lacquered black and decorated in mother-of-pearl with two figures gazing at three tall rocks across the sea, a large cartouche with long calligraphic inscription below, Japanese wood box and cover. 91cm (36in) long. (3).Footnotes:十七世紀 黑漆嵌螺鈿花鳥人物紋詩文琵琶Provenance: R.H.van Gulik (1910-1967), and thence by descent來源:高羅佩(1910-1967)舊藏,並由後人保存迄今Robert Hans van Gulik (1910-1967), also known as Gao Luopei (高罗佩) was a famous Dutch diplomat, musician, writer and sinologist. He was a great admirer of traditional Chinese literati culture and apart from practicing Chinese calligraphy everyday, he also learnt to play the guqin. The guqin was often played by van Gulik at diplomatic events, helping him to forge close ties with China's elite; and his book The Lore of the Lute was the first academic study of the instrument and its role in Chinese culture, introducing it to a Western audience for the first time. Van Gulik was one of the rare and great sinologists at the time who embodied the literati ideal and through his rigorous study and translations of classical Chinese texts allowed Chinese culture to speak for itself, acting as a bridge of understanding between East and West.Van Gulik was born in Zutphen in the Netherlands, but from the age of three he lived in Jakarta, with his father who was a medical officer in the Dutch East Indies. While there, he learned Indonesian and Chinese as well as other languages. In 1935, van Gulik earned his PhD from Utrecht University with a dissertation on Hayagriva, the Mantrayanic aspect of Horse-cult in China and Japan. His linguistic skills allowed him to have a position in the Dutch Foreign Service from 1935 where he was largely based in Japan and China. During the Second World War he was with the Dutch mission in Chongqing. While in Chongqing, he married Shui Shifang (1912-2005), the daughter of a Qing dynasty official.Van Gulik was a polymath with broad interests and expertise. Aside from his interests in the guqin and traditional Chinese culture, van Gulik was a writer of Detective fiction. His 'Celebrated Cases of Judge Dee' (first published in Tokyo in 1949, with illustrations by himself) was based on the 7th century statesman and detective Di Renjie. Based on this, his earned a reputation as an expert on Imperial Chinese jurisprudence. His other pioneering scholarly works were in sexuality and his Sexual Life in Ancient China and Erotic Colour Prints of the Ming Period are still major reference works in the field. Van Gulik was also an enthusiast of gibbons and kept them as pets as well as writing a study of them: The Gibbon in China.Although van Gulik is most well known as a musician of the guqin, he was interested in Chinese music and musical instruments in general. The pipa, or Chinese lute, was introduced from Central Asia during the Han dynasty, and gradually evolved within different areas of China since the Tang dynasty. The term 'pipa' describes two original playing motions of the plectrum held in the performer's right hand: pi is 'to play forwards' (towards the left), and pa, 'to play backwards' (towards the right). The pipa was originally held horizontally, and its twisted silk strings were plucked with a large triangular plectrum until the end of the Tang dynasty when musicians began using their fingernails to perform the more exuberant music; see for example, the painting The Night Revels of Minister Han Xizai, attributed to Gu Hongzhong (10th century), in the Palace Museum, Beijing, which shows a lady holding the instrument horizontally with a plectrum. To make it easier to use fingers, the instrument began to be held in an upright position which slowly became the beipa (northern pipa).However, the concept of early horizontally-held pipa was preserved in Nanyin music. Nanyin, also Nanguan, literally 'southern pipe' music, is popular in the Minnan area (southern Fujian Province) from whence it spread to Taiwan and other Southeast Asian countries. Minnan musicians are tempted to assign the origins of Nanyin music to the Tang and Song dynasties, which to a certain degree can be supported by the the survival of many archaic features, such as the tradition of horizontally held pipa. The music today is seen by academics as primarily part of an amateur tradition with ancient historical roots, that is played both for the musicians' own entertainment and occasionally for ritual practice and storytelling. the present lot's relatively small size may indicate that it is a Nanyin pipa. Pipa is the leading instrument in Nanyin music, accompanied by pai (wood clapper), erxian (two-stringed fiddle), sanxian (three-stringed lute), and xiao (vertical flute, also called dongxiao). Although a Nanyin pipa preserves some features of types of pipa from the Tang dynasty, its modern form appears to have been finalised no later than the Ming dynasty. Compare with a pipa in the Metropolitan Museum of Art, New York, late 16th/early 17th century, illustrated by J.K.Moore, J.K.Dobney and B.Strauchen-Scherer, Musical Instruments: Highlights of the Metropolitan Museum of Art, New York, 2015, pp.48-49, fig.II. The backs of pipa are usually plain since it is unseen by an audience, but the extraordinary pipa in this lot is decorated and has an inscription, which reads as:予家小築小溪灣,漁父村西指顧間。竹槿編篱依綠水,柴荊成戶對青山。有時□釣歸明月,盡□看雲坐翠鬟。倘肯杖藜過曲徑,新茶堪煮荀堪刪。吳趨陳衷並書Which may be translated as:My little hut is built on the bay of the creek, the fishermen live only a stone-throw away to the west. The bamboo and hibiscus woven into the fence is by the green waters, the gate formed by firewood trees faces the green hills. Occasionally, I come back from fishing accompanied by the moon, and watch the clouds curling up on the verdant hills like ladies' hair buns. If you could walk through the winding road on a crutch (to my home), the fresh tea could be boiled, and bamboo sprouts could be chopped for you.Written by Chen Zhong of the land of WuThe seal reads: 字能坦, 'Courtesy name Nengtan.'Chen Zhong (陳衷), courtesy name Nengtan (能坦), was a scholar active in the late Ming and early Qing dynasties. Very little is known about him. However, the inscription alludes to many of the eremitic ideals of the literati including a life away from the perils of the Court and dedicated to fishing, tea, and meeting with friends.Compare with a related black lacquer and mother-of-pearl-inlaid pipa, late Ming/early Qing dynasty, which was sold at China Guardian, Beijing, 7 June 2021, lot 5184.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A limited edition box set 'Paul McCartney - Flaming Pie' numbered 0504/3000. All housed in original card mailing box. To inc: -Remastered original album -32 bonus audio tracks featuring unheard home recordings, rough mixes, and B-sides including selections from Oobu Joobu part 1-6 -Flaming Pie At The Mill, Paul's hour-long tour at the studio -Remastered album cut at half speed across 2LPs -Home recordings -'The Ballad Of The Skeletons' single with etching -In The World Tonight documentary -Music videos, EPKs, interviews, performances and behind-the-scenes material -128-page book containing previously unpublished images by Linda McCartney, expanded album artwork from the archives and the story behind the album; including track-by-track information, recipes and newinterviews with Paul McCartney, Ringo Starr, Jeff Lynne, Steve Miller and key album personnel, written by Chris Heath -Facsimile of John Hammel studio notebook -6 Linda McCartney art prints housed in a marbled folio -Club Sandwich Magazine -Envelope with hand-written lyrics and The Flame newspaper -Flaming Pie plectrum -Downloadable 24 bit 96kHz HD audio Stock image used for reference only.
An envelope (date stamped 17th May 1973) on the reverse of which a signature and inscription from Paul McCartney 'All the best! Paul McCartney Here's a plec.'. Also a Fender HEAVY plectrum.As per included (laminated) letter of provenance the signature and Fender 'Heavy' plectrum were sent to the vendor following his writing to McCartney (CO the Liverpool Empire) after a Wings performance. McCartney returned him the signature which he has signed on an envelope sent by another fan to him (also curiously CO the Liverpool Empire).Envelope 22x11cm. Authenticated by Roger Epperson prior to this sale.
Seiko - a Brian May Sport five limited edition steel cased automatic wristwatch, 5873/9000, red special two tone dial, dot and triangle baton markers, centre seconds, bold arrow hands, date aperture, unidirectional bezel, automatic 4R36 cal movement, display window stainless steel case signed and numbered verso, fabric strap, cased with replica sixpenny coin which Brian has used as a plectrum, the box as a guitar flight case, complete with purchase card and instructions, dated 19/2/2021, ref no SRPE-83K1
Beatles New Beat Toy acoustic Guitar by Selcol (England). Approx 80cm long complete with four strings and tuning pegs. Generally very good with very little sign of play-wear, some surface scuffing and scratching to rear. Labels all complete including maker label. Lacks plectrum In excellent original outer box with inner packing piece.
A 1930s oak cased long case clock, the musical movement with square silvered dial and Roman numerals, 56.5 cm wide x 27.5 cm deep x 190.3 cm high, together with an early 20th Century oak veneered record cabinet "The Lifeguard Cabinet", 57 cm wide x 54 cm deep x 77 cm high, together with a collection of various 78s, a Voco Pro Mk 18 Pro microphone (x 2), an AKG microphone, a Goodmans Magic Mic with special effects, Newmark WM200 microphone, Kwik Tune guitar tuner, Roberts plectrum press, music stand, two microphone stands, etc
Punk: A Group Of Fanzines, Autographed, and Printed Memorabilia,1970s/80s,comprising: a ticket stub, Ramones + Rezillos, Glasgow Apollo, 19th December 1977, the reverse signed by Joey and Johnny Ramone; a single by The Only Ones, Lovers Of Today/Peter And The Pets, the front p/s signed by all members of the band in blue and black ink; a ticket stub for The Stranglers, City Hall Glasgow, 22nd June 1977, pasted onto a piece of paper with Hugh Cornwell's plectrum; five further ticket stubs for The Stranglers, The Runaways, Magazine and Sham 69 and a ticket for Simple Minds; and thirteen various badges from the period, including I Want Complete Control, I Am A Damned Disciple, Gabba Gabba Hey and Anti Nazi League; Fanzines include ZigZag, Nos.90-92, 1978-79; Next Big Thing, December 1977; Strangled, 1977; Trouser Press, No.35, January 1979; Bomp!, November 1977; four fold-out poster magazines, 1977, featuring the Clash, Sex Pistols, Damned and Stranglers; a Sounds article on the New York Dolls, June 1974; a single-sheet fanzine published by Tony Dryden of Ripped 'n' Torn fanzine and Step Forward Records, together with a handwritten letter from him to the vendor; two flyers for bootleg live Sex Pistols/Clash albums; Prefab Sprout magazine, The Militia Have Arrived, 1983; and a double-sided poster, Sounds All-Time Top 100 Albums, with the Clash on reverse; together with a David Bowie The Man Who Sold The World poster, posters approx. 22in x 32in (55.8cm x 81.3cm), (Qty)For further information on this lot please visit Bonhams.com
A 2011 Gretsch Custom Shop George Harrison 'Tribute' Duo-Jet electric guitar, model number G6128-GHT, the single cutaway body with a black finish and chrome hardware, complete with tweed fitted case, certificate, book, CD, plectrum etcDescribed by Harrison as his 'first good guitar', this model was used, extensively, live and appeared on the recordings of 'Please Please Me', 'I Saw Her Standing There' and 'Twist and Shout' before being retired in 1963. It also appeared on the cover of his solo album 'Cloud Nine'.Condition ReportThis guitar was an accurate recreation of George's and as such the body has scratches, chips and knocks and the metalwork is rusted and corroded.
CD’s - Small collection of mainly Rock CD’s including Box Sets to include Grateful Dead – Live At The Cow Palace, New Year's Eve, 1976 (3 CD Box Set), Grateful Dead – Steppin' Out With The Grateful Dead England ’72 (4 CD Box Set), The Grateful Dead – Dozin' At The Knick (3 CD box set), David Gilmour – Rattle That Lock (Limited Edition Box set, including CD, Blue Ray DVD, Book, poster, postcard and plectrum), Dire Straits – The Studio Albums 1978 - 1991 (6 CD box set), Various – The Concert For Bangladesh (2 CD Box set), Kevin Ayers – Songs For Insane Times - An Anthology 1969-1980 (4 CD Box set), Nick Lowe – The Doings (The Solo Years) (4 CD Box set), Eric Clapton (2 CD Box set), Global Village Trucking Company – Smiling Revolution (2 CD box set) and others
THIRTEEN KOZUKA (KNIFE HANDLES)Edo period (1615-1868), 18th to 19th centuryAll chiselled and inlaid with gold, silver, shakudo, or shibuichi, the first four copper; the first with a flying crane and moon; the second with a shakujo (Buddhist priest's staff with jingles) and a bell (inlaid in shell); the third with a biwa (Japanese lute), plectrum, and hagi (bush clover), signed Toshiyuki/Nagayuki and with a kao; the fourth with a Chinese man holding a large flageolet; the next two brass or sentoku; the fifth with a gourd vine; the sixth with Chinese heroes, signed Gyokuunsai; the next four shibuichi; the seventh with an egret in a willow tree, signed Jochu with a kao (see Haynes 02107); the eighth with a fishing boat, swallow, and moon, signed Nara saku; the ninth with a hiogi fan, a suehiro, an eboshi (courtier's cap) and writing equipment; the tenth with zodiac animals; the eleventh with a shakudo plate within a shibuichi frame depicting a tiger and bamboo; the twelfth shakudo with a gold nashiji pommel and collar, the ground with a mokume (wood-grain) texture, inlaid in gold with a shishi (Chinese mythical lion) and paulownia; the thirteenth iron, with egrets and a willow tree. (13).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
BLACK SABBATH; two black and white photographs bearing the band's signatures, a programme signed Ronnie James Deo, and a set of 'Black Sabbath' branded drumstick and plectrum set.We have not authenticated these signatures, please satisfy yourself as to the veracity of the item prior to bidding.
A late 19th century French patinated bronze and marble figural mantel, the figure after Jean-Jacques, called James, Pradier (Swiss, 1790-1852)the movement stamped Richond F. A. Paristhe rectangular black and variegated marble case surmounted by a figure of Terpsichore holding her lyre & plectrum before a wellhead signed J PRADIER, on naturalistic base, the 3.5' enamel dial with Roman numerals, on plinth base, the brass twin train movement with outside countwheel striking on a bell, with pendulum, 52.5cm high This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Roman Provincial Coinage, PHRYGIA, Hierapolis, Hadrian, Cistophoric Tetradrachm, after 128, bare-headed, draped and cuirassed bust right, rev. Apollo standing right holding lyre and plectrum, 10.68g (Metcalf type 53; RPC 1395; BMCRE 1054; RSC 285). Overstruck on a coin of Augustus, very fine or better £150-£200 --- Provenance: CNG Mailbid Sale 73, 13 September 2006 (905); CNG eAuction 274, 22 February 2012, lot 359
A Fender DG60CE with a black finish single cutaway acoustic guitar with fishman pre-amp and equaliser in a hard shell case together with TGI 4 speaker amplifier TAA-30RC complete with lead, strap etc. Condition - Typical minor dinks and plectrum scratches from normal use, electrics okay, amp in excellent condition, good working order.
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220 item(s)/page