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François Léopold Flameng (French, 1853-1923) A young woman holding a parasol on a beachsigned 'Francois Flameng' (lower left)pastel30 x 27cmA larger version of this composition by the artist was offered at Christie's, London, 20th October 1989, Lot 467.

Two original pastel studies of border terriers and three limited edition prints of the same subject matter

Anthony Orme, pastel, two life studies of female nudes, signed, framed, mounted and under glass, the largest measures 25cm x 75cm overall

Brian Bradshaw (born 1923-2016), a pastel mountainous landscape. 36 x 50 cm, framed and mounted.

Jane Lewis (born 1953)., a pastel "Miss Garnet's Angel" with winged figure and Dalmation. 72 x 54 cm, signed and dated '05, in an oak frame with gilt slip and label to rear Portall Gallery dover Street London (see illustration).The picture is in very good order and is nicely presented in an oak frame.  There are a couple of specks to the background between the puppet and the angel which are visible with the naked eye and there is also some speckling above the dalmatians head and to the background above its rear end.  We am unsure whether this pastel or if it was intended to be there. 

Ron Gribbons, a pastel "Miner With Pickaxe".  60 x 60 cm, signed and dated 1958, together with another "Blasting" and another "Minor With Pit Pony".

Edmund Blampied RBA, RE (Jersey, 1886-1966), "Vraicing Scene, St Ouens Jersey", watercolour, ink, pastel & charcoal, signed lower centre, framed, 33 x 48cm. Provenance: Label on reverse for the Selective Eye Gallery, St Helier, Jersey. Exhibited: Centenary Exhibition of Edmund Blampied, 1986.

After Pompeo Batoni (Italian, 1708-1787), 'The Virgin of the Annunciation', pastel, 17½ x 14in. (44.5cm x 35.5cm).

Anthony Fry, British 1927-2016 - Provence, 1986; oil pastel on paper, 19.5 x 24.7 cm (ARR) (VAT Charged on the Hammer Price) Provenance: Browse & Darby, London (according to the label attached to the reverse); Bernard Jacobson Gallery, London, purchased from the above, October 1986 (according to the label attached to the reverse); private collection, London Note: Fry was a cousin of the Bloomsbury Group painter and critic Roger Fry, and a cousin of Howard Hodgkin. 

Philip Kelly, Irish 1950-2010 - Untitled, 1990; pastel on paper, signed and dated lower right 'Kelly 90', 71.7 x 57.2 cm (ARR) 

Lélia Pissarro, French b.1963 - L'Arbre Bleu; pastel on paper, signed lower right 'Lélia Pissarro', also signed, titled and dedicated on the reverse 'Lélia Pissarro L'Arbre Bleu', 15.5 x 12.5 cm (ARR) Note:the Artist is the great-granddaughter of Camille Pissarro.

Diana Maxwell Armfield RA RWA, British b.1920 - The Straw Hat at Fortnums, Lunch Time; pastel on paper, signed with initials lower left 'DMA', 17.8 x 17.8 cm (ARR)Provenance:with New Grafton Gallery, London; Mr. & Mrs. D.H. Rooney, London, purchased from the above (according to the label on the reverse);private collection, UK

Tacita Dean CBE RA,  British b.1965 -  And Those Who Drink Me Will Thirst for More, 1988;  pastel and masking tape on paper, signed lower right, 53.5 x 45 cm (ARR)  Note: the present lot is an early work by the artist, gifted to the present owner when she was a student at the RCA.Dean is interested in the concept of navigation both in space and in time, primarily working with film and photography. Dean was the 12th artist commissioned for the prestigious Tate Turbine Hall commission in 2011 and was a Turner Prize nominee in 1998.She was the subject of a solo exhibition at The Menil Collection, Houston, Texas, later in 2024 entitled 'Tacita Dean: Blind Folly',

Eileen Cooper RA, British b.1953 - Starting Out Again II, 1994-95; acrylic and pastel on paper, signed and dated lower right 'Eileen Cooper 94' and signed, titled and dated '95' on the reverse of the frame, 29 x 38 cm (ARR) Provenance:with Jason Rhodes Gallery, London (according to the label attached to the reverse of the frame); private collection 

Tacita Dean CBE RA,  British b.1965 -  Itea, 9.20 am, 1988;  pastel and pencil on postcard, titled in pencil along lower edge 'Itea 9.20 am', 13.5 x 18.5 cm (ARR)Note: the present lot is an early work by the artist, gifted to the present owner.  Dean is interested in the concept of navigation both in space and in time, primarily working with film and photography. Dean was the 12th artist commissioned for the prestigious Tate Turbine Hall commission in 2011 and was a Turner Prize nominee in 1998.She was the subject of a solo exhibition at The Menil Collection, Houston, Texas, later in 2024 entitled 'Tacita Dean: Blind Folly',

Peter Howson OBE, Scottish b.1958 - Rosie, 1986; pastel on paper, signed lower right 'Howson', 40.5 x 30.5 cm (ARR) Provenance:Angela Flowers Gallery, London; private collection, purchased from the above, 10th October 1987 (according to a copy of the original invoice) 

Arthur Berry, British 1925-1994 - Window; pastel on paper, signed lower left 'A Berry', 80 x 64.8 cm (ARR)

Charles Newington,  British b.1950 -  White Horse - Red Shadow; pastel on Nepalese paper, signed with initials lower right 'CN', also signed and titled on the reverse of the frame 'Charles Newington White Horse - Red Shadow', 52 x 65 cm (ARR)   

Malvina Cheek, British 1915-2016 - Trees; pastel and pencil on paper, 34.5 x 42.5 cm (ARR) Provenance: The Estate of the Artist Note: Cheek demonstrates a strong sense of structure and form, whilst cultivating an atmosphere of mysticism. The arboreal and botanical were central themes in her later works. Heavily influenced by the work of Carl Jung and Sigmund Freud, she explored a spirituality rooted in nature. 

Alberto Morrocco OBE RSA RSW RP RGI, Scottish 1917-1998 - Man with doves and moon, 1980; pastel on paper, signed and dated lower left 'Morocco 80', 34 x 27 cm (ARR) Provenance: private collection and thence by descent Note: one of the most important Scottish artists of the mid-20th century, this is a brilliant example of his mature work, with its depth of colour and semi-surreal subject matter. A similar work 'Boys at a Bathing Place, 1963' is now in the collection of Aberdeen Art Gallery & Museums. Many of his works are in public collections across the UK and he exhibited at important galleries and museums, including Compass Gallery, Dundee Art Gallery in 1981, and The Scottish Gallery. 

Thomas Nathaniel Davies, British 1922–1996 - Harlequin, 1947; ink, watercolour and pastel on paper, with Estate stamp and label on the reverse of the frame, 18.8 x 14 cm (ARR) Provenance: the Estate of the Artist Note: born in Wales, Davies was a vital figure in Post-War British painting, studying under Ceri Richards and part of a generation of modern artists that included Patrick Heron and Robert Colquhoun. Inspired by the post-Cubist style of Picasso and Braque, the present work demonstrates his brilliance and originality as a draughtsman. His works are in the collection of the National Museum, Cardiff, The Ruth Borchand Collection and the National Library of Wales. 

Richard Finny, British 1909-1987 - Portrait of a man; pastel, gouache and collage on paper, signed upper right 'Richard Finny', 35.5 x 26.5 cm: together with a mounted and unframed work on paper by the same artist 'Mortehoe, N. Devon' of a similar size and medium (2) (ARR) Provenance: from the Studio of Oswell Blakeston and Max Chapman. 

Paule Vézelay, British 1892-1984 - Five Forms: Orange, Brown, Red and Grey on White, 1959; pastel on paper, signed and dated lower right 'Paule Vezelay 59', 45 x 53.2 cm (ARR) Provenance: the Estate of the Artist; England & Co., London (label attached to the reverse of the frame); private collection Note: this work is a variation on the painting 'Yellow Circle, 1956' in the Arts Council Collection, London. A pioneering artist of British abstraction, this work was made when Vezelay was living in Paris, after moving there in 1926. Vezelay was a central figure in the French avant-garde, exhibiting at the 'Salon des Superindepedants', where her work was praised by Christian Zervos, and was a member of the seminal Abstraction-Creation, alongside her friends Jean Arp and Marlow Moss. The 1950s was an important time for the artist, when she was invited by Andre Bloc to form a London branch of the constructivist abstract movement 'Groupe Espace', demonstrating her importance as a figure in Modernist European art. Despite some tensions between her and a younger generation of artists, Vézelay eventually succeeded in organising an exhibition at the Royal Festival Hall in 1955, alongside Marlow Moss, Ithell Colquhoun and Sonia Delaunay. In the 1950s the artist also found success designing textiles for Heals. 

Thomas Nathaniel Davies,  British 1922–1996 -  Sphinx, c.1946;  ink and pastel on paper, with Estate stamp and label on the reverse of the frame, 18.2 x 26.8 cm (ARR) Provenance:  the Estate of the Artist  Note:  born in Wales, Davies was a vital figure in Post-War British painting, studying under Ceri Richards and part of a generation of modern artists that included Patrick Heron and Robert Colquhoun. Inspired by the post-Cubist style of Picasso and Braque, the present work demonstrates his brilliance and originality as a draughtsman. His works are in the collection of the National Museum, Cardiff, The Ruth Borchand Collection and the National Library of Wales. 

A vintage Welsh blanket or throw with all-over geometric designs in pastel shades of orange & red, the reverse of cream ground, 237cm x 231cm; & a modern Welsh blanket by Melin Tregwynt of plum ground with all-over repeating geometric pattern, 180cm x 240cm.

JACKIE HARDING (b. 1944) Study of a palm tree signed & dated ’83, pastel/acrylic on paper, 55.5cm x 42.5cm, framed & glazed (58cm x 46cm overall).

ENGLISH SCHOOL (20th century) A pastel study of a nude couple, signed with initials, RJH, 16.5cm x 12cm, framed & glazed (35.5cm x 30.5cm overall).

BERNARD DUNSTAN, R.A. (b. 1920) “Nude, Dark Morning – The Cottage”, signed with initials, inscribed 1983’ verso, pastel: 30cm x 27cm, framed & glazed (49cm x 45.5cm overall).

LES BENSON (Contemporary) Reclining female nude, signed & dated 2012, Pastel: 45 x 65cm, framed & glazed (67 x 87cm overall).

EMANNUEL LEVY (British 1900-1986) pastel drawing - seated figure in cowl, signed lower left, 48 x 38cmsProvenance: private collection ConwyComments: framed and glazed

GEORGE CAMPBELL RHA (Irish, 1917-1979) pastel - entitled verso 'Warriors' on Ritchie Hendriks Gallery label, signed lower left, 42 x 32cmsProvenance: private collection DenbighshireComments: framed and glazed

Eduard Chimot (French, 1880-1959),Nude on a terrace,pastel, signed,32x23cm,framed with engraving of the same work, on the reverse, impression 28x22cm.

Two artworks to include a contemporary Impressionist style pastel on paper, view of a country house, signed and dated to the lower left in a glazed frame along with a 20th century oil on canvas, rural autumnal landscape, signed to the lower right, unframed. H.41.5 W.52cm

JOSÉ JÚLIO DE SOUSA PINTO - 1856-1939, A countryside path, pastel on paper, unsigned. Notes: belonging to the set of works by Laurent Barberon, inherited from his mother who obtained them from Marguerite de Souza-Pinto, the painter's only daughter, according to the former's written statement. They were identified by art historian Professor Jorge Costa., Dim. - 30,8 x 46,8 cm

JOSÉ JÚLIO DE SOUSA PINTO - 1856-1939, A countryside path, pastel on paper, unsigned. Notes: belonging to the set of works by Laurent Barberon, inherited from his mother who obtained them from Marguerite de Souza-Pinto, the painter's only daughter, according to the former's written statement. They were identified by art historian Professor Jorge Costa., Dim. - 30 x 46,5 cm

JOSÉ JÚLIO DE SOUSA PINTO - 1856-1939, Landscape - End of the day in the field, pastel on paper, unsigned. Notes: belonging to the set of works by Laurent Barberon, inherited from his mother who obtained them from Marguerite de Souza-Pinto, the painter's only daughter, according to the former's written statement. They were identified by art historian Professor Jorge Costa., Dim. - 30,5 x 48 cm

JOSÉ JÚLIO DE SOUSA PINTO - 1856-1939, Street section with figures, pastel on paper, signed and dated 1913, Dim. - 30,5 x 24 cm

GIOVANNI ALICO PASTEL OF A WOMAN 68.5CMS (H) X 48.5CMS (W) APPROX INNER FRAME 

Set of three Royal Worcester porcelain figurines, including "My Little Butterfly." Each figurine depicts sentimental moments with soft pastel tones and delicate detailing.

D. Hillman, pastel on card, Head and shoulders portrait of a mid 20th century woman, ‘Mrs Rosenbaum’, 1942, 47 x 36cm, ornate gilt frame. Condition - fair, some minor chipping to the board

A framed watercolour of sheep in a wintery landscape by Susan Mitchell. 61cm x 69cm frame inclusive.A framed pastel landscape of a house amongst trees by D.J.Goostrey. 56cm x 71cm frame inclusive

A vintage pastel mink coat, 3/4 length C1960s with notched collar and set in pockets, s-m (1) good, supple condition. Lining does have some marks some marks to lining along the bottom 

FOUR ASSORTED BAGS, comprising a blue leather 'Gianni Conti' handbag that converts into a back pack or shoulder bag, silver tone hardware with dust bag, a large pastel pink plaited leather tote bag by Cole Haan with dust bag, a blue leather Picard tote bag with detachable shoulder strap, dust bag, white stitching and silver tone hardware, together with a black and red shoulder bag with bow detail to front, made in Italy, height 28cm x width 30cm (4) (Condition Report: some marks to the black and red bag, most in overall good condition)

TED BAKER: a pastel pink floral laser cut bucket bag, with original tissue and shop label and Ted Baker dust bag, height 21.5cm x width 19cm, original price £195. (1) (Condition Report: very good condition)

MANOLO BLAHNIK: KURSK PORC VELOUR NOIR, Continental size 39.5, an Art Deco style design with pastel blue leather geometric trim on T- bar contrast with black suede ground, together with Manolo Blahnik dust bag and original box (1+box+ bag) (Condition Report: good overall condition, shoes appear unworn, sticker on right sole, box has a few light marks)

LANCASTER OF PARIS: six handbags and one purse, comprising a black patent and grey suede bag, one white handbag, one pastel pink handbag, a turquoise blue leather 'Tulip' shaped bag white draw string bag with pink, blue and lime green trim, together with a red leather bag and matching purse, all with silver tone hardware and iconic Lancaster Heart logo (7 + 4 dust bags) (Condition Report: a few marks on some bags, most appear in good overall condition)

SURI FREY AND FULL SPOT 'O' BAGS, four handbags comprising two grey O bag bucket bags and two Suri Frey shoulder bags, one pastel pink, the other pastel blue suede and leather bags with detachable shoulder straps (4) (Condition Report: no obvious damage, a few light marks, good overall condition)

A SMALL SELECTION OF PICTURES, comprising two unsigned portrait miniatures depicting a soldier in a 18th / 19th century uniform and a female figure wearing a blue dress and scarf - some damage to both, a Caverswall limited edition porcelain plaque of a Jersey Bull painted by R.A. Shuttlebotham, a pastel of two terriers after Arthur Wardel signed F. Smith, an unsigned oil on board depicting Loch Fyne in Scotland, a painting of Irises initialled E.W.K (6)

BRIGHTON: TWO WOVEN RAFFIA HANDBAGS, comprising a pastel multi-coloured floral design bag with nude leather trim and handle, height 18cm x width 26cm, together with a dusky pink faux croc leather trim bag with leather covered handle with silver tone hearts and charm, height 24cm x width 32cm, each bag has original 'Brighton' dust bag (2) (Condition Report: the one flower on front of smaller bag has some damage to the leather petals)

MANOLO BLAHNIK: HESTA-CLO pastel blue strappy sandals with T-bar and lace up ankle straps, Continental size 39.5, together with Manolo Blahnik dust bag and original box (1+box+ bag) (Condition Report: fair overall condition, shoes appear unworn, some light marks to heels and backs of sandals, box has a few light marks)

RADLEY: two bags comprising a black and white leather grab bag with shoulder strap, silver tone hardware and Scottie dog charm, together with a pastel blue leather tote bag with two handles and white stich detail, height 26cm x width 29cm, each with original dust bags (2 + 2 dust bags) (Condition Report: appear unused, overall good condition)

CHRISTIAN LOUBOUTIN: pastel blue suede, peep toe, fringed shoes, strap with fringed T-bar, iconic red leather sole and red dust bag, Continental size 39 (1 + bag) (Condition Report: overall good condition, no signs of wear)

Steven Spurrier RA (1878-1961) crayon and pastel - 'Olympia' circus, signed and titled, 19cm x 24cm, in glazed frame

Donald Maxwell (1877-1936) pastel - Farmhouse, Lexden Heath, signed and dated 1902, 29cm x 42cm, in glazed gilt frame

Early 20th century, pastel drawing on paper, a young boy seated at a table drawing. Indistinctly signed and inscribed. 34.5 x 26cm excluding frame

Pre-Raphaelite style painting of a young woman, pencil, watercolour and pastel. Unframed. 66cm x 49.5cm.It has not been torn completely across three middle, the tears are basically where all the repairing tape areas are. Losses to the paper lower left corner. Some areas of foxing. The images best illustrate the overall condition.

Elegant antique Bavarian porcelain covered tureen, measuring 11"L x 7.5"W, adorned with delicate floral motifs and intricate gold accents. The piece features an ornately sculpted lid handle and gracefully curved side handles, all enhanced with gilded detailing. The tureen’s scalloped edges and soft pastel floral patterns add to its refined aesthetic. Marked on the underside with a Bavarian porcelain backstamp, confirming its authenticity and craftsmanship.Dimensions: See DescriptionCondition: Age related wear.

Elegant porcelain ewer featuring a sculpted and gilded lizard handle wrapping around the neck. The body is adorned with hand-painted floral motifs in soft pastel hues on an ivory ground, accented with delicate gold detailing. The base is impressed with the number 226. A beautifully crafted piece showcasing fine artistry and intricate detailing, likely from the late 19th century.Issued: Late 19th century to early 20th centuryDimensions: 9.5"HCondition: Age related wear.

A charming set of 3 Oscar & Edgar Gutherz porcelain punch cups, each hand painted with unique fruit motifs. The designs include vibrant depictions of grapes, cherries, and lemons, accented with detailed foliage. The cups feature a soft pastel base with gilded rims and stems, adding elegance to their craftsmanship. Each cup is artist-initialed, highlighting its authenticity and artistry. A delightful addition for collectors of fine porcelain or hand-painted decor. O&E.G. Austria backstamps.Artist: E.H.G. Issued: 1910sDimensions: 3"HCountry of Origin: AustriaCondition: Age related wear.

A stunning framed hand painted porcelain plate featuring an exquisite depiction of pink and white roses in a soft, pastel palette. This beautifully detailed piece is signed "I. Wingate" and showcases the artist's mastery of delicate floral compositions. The plate is set within an ornate, openwork frame that enhances its elegance and charm. An exceptional decorative piece for collectors and admirers of hand painted porcelain. Dimensions and frame details available upon request. The plate can be unframed. Frame size: 17" dia.; sight size: 11.5" dia. Plate size only: 12.25" dia.Artist: I. WingateDimensions: See DescriptionCondition: Age related wear.