* ALLY THOMPSON (SCOTTISH 1955 - 2016), MEDUSA SERPENTICUS pastel and conte on paper, signed, titled and dated 2011 versoframed and under glassimage size 85cm x 60cm, overall size 114cm x 89cm Note: Ally (Alasdair Neil Renwick) Thompson, was a Scottish painter of the New Glasgow Boys generation alongside Peter Howson, Ken Currie, Adrian Wisniewski and the late Steven Campbell. Born in Glasgow, he studied at Glasgow School of Art from 1975 to 1980, gaining a B.A. First Class Honours in Fine Art, and a diploma in postgraduate studies with high commendation and a travelling scholarship. In 1989, a solo exhibition of his work at the Barbizon Gallery (Glasgow) was visited by the international art promoter Norbert Binotti, who then brought Thompson to international prominence with a one-man show in New York and major exhibitions in Paris. Ally lived and worked periodically in Provence in the 1990s. He subsequently steadily consolidated his international reputation with exhibitions in Britain, Europe and North America, appearing in galleries such as Flowers East in London and Gallery Albert 1er in Paris. A close friend of Peter Howson, with whom he was a fellow student at the Glasgow School of Art, both men and their work were almost equally unknown when they shared one of their first exhibitions, a two-man show at the Art School itself in 1984. Ally Thompson was naturally shy in new company rather than a bold and forthright salesman of his own work. He painted in several distinctly different styles, from surrealist to abstract to expressionist landscape and much in between, making him hard to categorise and package for promoters and critics. Visiting his studio in the early 1980s Alec Mather, a successful Lanarkshire businessman, was one of the first of several almost surrogate father figures in Thompson's life. He offered to pay Ally twice what he was asking for one his paintings on condition that the young artist gave up his day job as a school teacher. Thompson never looked back creatively. Alec Mather remained a friend, patron and supporter for the rest of the artist's life. Outside of Scotland, through the friendship and support of Norbert Binotti and (after his untimely death) Norbert's brother Claude, Thompson found an invigorating new audience for his work in New York, Paris and the South of France. For all his non-materialist philosophy, Thompson was not above a bit of name-dropping on occasion, and like any Glaswegian boy Ally was suitably astonished to sometimes find himself in the company (and painting collections of) the likes of Bob Geldof, Petula Clark, Richard Jobson, Picasso's son Claude and even France's President Mitterand.
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* PETER HOWSON OBE (SCOTTISH b. 1958), PATRIOT pastel on paper, signedmounted, framed and under glassimage size 60cm x 45cm, overall size 85cm x 73cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* PETER HOWSON OBE (SCOTTISH b. 1958), YOUNG PATRIOTS pastel on paper, signedmounted, framed and under glassimage size 45cm x 59cm, overall size 74cm x 85cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* ALLY THOMPSON (SCOTTISH 1955 - 2016), SEATED WOMAN pastel on paper, signedframed and under glassimage size 82cm x 58cm, overall size 115cm x 90cm Note: Ally (Alasdair Neil Renwick) Thompson, was a Scottish painter of the New Glasgow Boys generation alongside Peter Howson, Ken Currie, Adrian Wisniewski and the late Steven Campbell. Born in Glasgow, he studied at Glasgow School of Art from 1975 to 1980, gaining a B.A. First Class Honours in Fine Art, and a diploma in postgraduate studies with high commendation and a travelling scholarship. In 1989, a solo exhibition of his work at the Barbizon Gallery (Glasgow) was visited by the international art promoter Norbert Binotti, who then brought Thompson to international prominence with a one-man show in New York and major exhibitions in Paris. Ally lived and worked periodically in Provence in the 1990s. He subsequently steadily consolidated his international reputation with exhibitions in Britain, Europe and North America, appearing in galleries such as Flowers East in London and Gallery Albert 1er in Paris. A close friend of Peter Howson, with whom he was a fellow student at the Glasgow School of Art, both men and their work were almost equally unknown when they shared one of their first exhibitions, a two-man show at the Art School itself in 1984. Ally Thompson was naturally shy in new company rather than a bold and forthright salesman of his own work. He painted in several distinctly different styles, from surrealist to abstract to expressionist landscape and much in between, making him hard to categorise and package for promoters and critics. Visiting his studio in the early 1980s Alec Mather, a successful Lanarkshire businessman, was one of the first of several almost surrogate father figures in Thompson's life. He offered to pay Ally twice what he was asking for one his paintings on condition that the young artist gave up his day job as a school teacher. Thompson never looked back creatively. Alec Mather remained a friend, patron and supporter for the rest of the artist's life. Outside of Scotland, through the friendship and support of Norbert Binotti and (after his untimely death) Norbert's brother Claude, Thompson found an invigorating new audience for his work in New York, Paris and the South of France. For all his non-materialist philosophy, Thompson was not above a bit of name-dropping on occasion, and like any Glaswegian boy Ally was suitably astonished to sometimes find himself in the company (and painting collections of) the likes of Bob Geldof, Petula Clark, Richard Jobson, Picasso's son Claude and even France's President Mitterand.
* PETER HOWSON OBE (SCOTTISH b. 1958), OUTCAST pastel on paper, signedmounted, framed and under glassimage size 61cm x 44cm, overall size 85cm x 72cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* ANTHONY ORME (BRITISH b. 1945), CAFE, PARIS pastel on paper, signed mounted, framed and under glass image size 29cm x 79cm, overall size 74cm x 122cm Note: Anthony Orme was born in Manchester in 1945, to an extensive family of eight. On leaving school, he was apprenticed as a copper plate and steel die hand engraver. To gain this position, he had to prove his artistic ability and produced many sketches at that time to qualify. Later on in life, he decided that the art side of his work had a greater pull and he became a full time, professional painter. Over the years, Anthony pursued his art with passion and determination, which has come to typify this self-belief that a combination of talent, hard-work and a modicum of luck, will in the end, produce a very positive driving force. When not travelling abroad to paint, Anthony works from his Manchester studio producing paintings from live models. His paintings are held in private and corporate collections throughout the UK and abroad.
* DONALD MANSON (SCOTTISH b. 1948), WINDOW BY THE ROAD pastel and gouache on paper, signed, titled label versomounted, framed and under glassimage size 24cm x 24cm, overall size 46cm x 44cm Artist's label versoLabel verso: The Fine Art Society, London, Edinburgh, Glasgow.Note: Donald Manson was born in Ayr in 1948. He attended the Glasgow School of Art from 1966-1971. He was taught drawing and painting by David Donaldson RSA, RP, RGI, James D Robertson MBE, D Litt, RSA, RSW, RGI, PAI, Duncan Shanks RSA, RSW, RGI and Alexander Goudie RP, RGI. In 1969, Manson was awarded a scholarship to attend Hospitalfield College, Arbroath under the tutorship of Jack Knox RSA, RSW, RGI. He was awarded the Diploma of Art in 1970 together with the Royal Scottish Academy Diploma Show Prize. He was awarded a Postgraduate Scholarship at the Glasgow School of Art, 1970-1971. Donald Manson attended Jordanhill College from 1971 – 1972 where he obtained a Degree in Teaching. He taught Art & Design for many years in schools in Ayrshire, Glasgow and Renfrewshire. Solo exhibitions include – Fine Art Society, Glasgow, Roger Billcliffe Gallery, Glasgow and the Open Eye Gallery, Edinburgh. Group exhibitions – Fine Art Society Glasgow, Roger Billcliffe Gallery, Glasgow and the Open Eye Gallery, Edinburgh and other galleries in the UK. The artist has shown at the RSA, RSW, RGI and PAI. He has been represented at many art fairs in Scotland and England. His paintings can be found in many private and corporate collections both in the UK and abroad.
* STEPHEN CONROY (SCOTTISH b. 1964), STUDY - ABSTRACT PAINTING pastel on paper, titled and dated 1992 label versomounted, framed and under glassimage size 61cm x 31cm, overall size 91cm x 68cm Artist's label versoLabels verso: Marlborough Fine Art, London.Note: Born in 1964, Stephen Conroy studied at the Glasgow School of Art between 1982-7. He quickly gained recognition and achieved considerable success before beginning his postgraduate study. In 1986 his degree show sold out and he also won the first prize for painting at the Royal Academy’s British Institute Fund Awards. Conroy was the youngest artist included in the notable Vigorous Imagination exhibition Edinburgh in 1987. Two years later he also held a solo exhibition at Marlborough Fine Art in London. His work appears in a number of public collections around Britain and abroad, including the Metropolitan Museum of Art in New York and the National Portrait Gallery in London and Edinburgh.
* PETER HOWSON OBE (SCOTTISH b. 1958), UNTITLED pastel on paper, signedmounted, framed and under glassimage size 28cm x 20cm, overall size 68cm x 57cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), EAST COAST WITH BASS ROCK IN THE DISTANCE pastel on paper, signedmounted, framed and under glassimage size 37cm x 55cm, overall size 71cm x 86cm Note: Collector demand has never been higher for the work of John Bellany and numerous examples have been sold in recent months by both McTear's and others at ever more impressive prices. In The Scottish Contemporary Art Auction of 29th May 2022 "The Finnon Smoker" by Bellany sold for £80,000 (hammer) and in the same sale, "Bass Rock Fable" (a 76 x 61cm unframed oil) sold for £12,000 (hammer). In our 21st August 2022 auction, lot 137 "The Newspaper Hat" (a 61 x 51cm oil) sold for £9500 (hammer). "Like-for-like" auction prices for original paintings are usually difficult to assess, but in The Scottish Contemporary Art Auction of April 2023, two Bellany paintings which had been acquired in our auctions in September and November 2014 were consigned for sale by the same owner. The original 2014 selling prices were £1800 and £4000 and the same paintings sold in April for £3800 and £7000 (all hammer prices). This equates to a growth in value of 86.2% in fewer than nine years. In The Scottish Contemporary Art Auction of 25th May 2023, lot 282, "Restless Wave" a 90 x 90cm oil (by Bellany) sold for £9000 (hammer) and in our auction of 9th November, lot 92, "Harbour" a 90 x 120cm oil by Bellany sold for £11000 (hammer). Most recently, "The Players" lot 50 in our auction of 28th March 2024 sold for £30000 (hammer).
* PETER HOWSON OBE (SCOTTISH b. 1958), FORLORN pastel on paper, signedmounted, framed and under glassimage size 29cm x 22cm, overall size 60cm x 50cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* FRANK MCFADDEN (SCOTTISH b. 1972), PARTY pastel on paper, signedmounted, framed and under glassimage size 60cm x 45cm, overall size 92cm x 78cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.
Wiltshaw & Robinson - Carlton Ware - A pair of Anemone pattern vases, circa 1900, of shouldered flared form with frilled trumpet collar, and twin foliate moulded handles, decorated with gilt heightened flowering stems in pastel yellow and dusty pink over blush ground, the collar with gilt over blue floral pattern, pattern no.1749, printed blue marks, height 16cm. (2)
S. Elliot - After Clarice Cliff - A contemporary gouache and watercolour on paper titled Fantasque depicting a Clarice Cliff shape 358 vase painted in Gibraltar over a cloud effect ground, together with the partner pair titled Bizarre painted as a Lotus Jug in Pastel Autumn, framed and glazed, 35cm x 24cm. (2)
Wiltshaw & Robinson - Carlton Ware - A 'Peony' pattern strawberry set, circa 1900, square form dish with frilled rim in silver plated stand with tramline and circular handle, housing plated jug and sugar bowl, the dish decorated with pastel glazed flower heads over blush ivory ground, pattern no.1639, overall height 20cm.
Wiltshaw & Robinson - Carlton Ware - A pair of Dahlia pattern vases, tapered shouldered form on circular fluted foot, the high drawn fluted collar flanked by ribbon scroll handles, decorated with gilt heightened pastel pink and yellow flowerheads within blue scroll cartouche, printed blue marks, height 33cm. (2)
Thomas Dean - Watcombe Pottery Torquay - An Art Pottery vase circa 1886, of ovoid collared form, impasto slip decorated with Wild Orchids over black and pastel blue mottled ground, signed to body, painted '925' mark to base, height 16cm. NB - Item no.154 in The Flowering of British Ceramics, the Ninth Exhibition by The Northern Ceramic Society 2022.
This charming Lladro figurine, titled Clean Up Time (1004838), depicts a young girl washing her hands at a pedestal sink, capturing a playful yet delicate moment. The piece showcases Lladro's signature soft pastel hues and high-gloss finish, enhancing the intricate details of the girl's expression and clothing. Designed with exquisite craftsmanship, this collectible is marked with the Lladro backstamp on the base, certifying its authenticity. A delightful addition to any Lladro collection. Measures 7.5"H.Issued: 20th century Dimensions: See DescriptionCountry of Origin: SpainCondition: Age related wear.
Handcrafted Elliot Hall Enamels bowl featuring a detailed hand-painted nuthatch perched on a tree amid autumn foliage. This limited edition piece is number 4 of 20, signed by the artist. The bowl is adorned with gold trim and showcases a soft pastel background that enhances the intricate artistry. Marked Elliot Hall Enamels, Made in England, and includes the original presentation box and certificate of authenticity.Artist: Peter GravesIssued: 20th centuryDimensions: 4.25" dia. Country of Origin: EnglandCondition: Age related wear.
Lladro porcelain figurine 1004849, titled Feeding the Ducks, portrays a young girl kneeling to feed two ducks from a basket. Designed by Alfredo Ruiz, this piece exemplifies Lladro's craftsmanship with its soft pastel colors and intricate detailing. The figurine bears the official Lladro backstamp on the base, confirming its authenticity.Issued: 1973Dimensions: 6.5"HCountry of Origin: SpainCondition: Age related wear. Ducks have minor chips on their tails.
This Lladro figurine, titled Girl with Milk Pail (1004682), depicts a young girl in a bonnet and apron standing beside a wooden pail with a curious goose peering in. Sculpted in Lladro’s signature soft pastel tones with a delicate glazed finish, this piece embodies the brand’s renowned craftsmanship and expressive detailing. Marked with the Lladro backstamp on the base, it is a charming addition to any porcelain collection. Measures 9.25"H.Issued: 20th century Dimensions: See DescriptionCountry of Origin: SpainCondition: Age related wear.
A fine porcelain figurine from Wedgwood's Classical Collection, titled Tenderness. Designed by Jenny Oliver, this beautifully hand-decorated piece captures a serene and intimate moment between a mother and child. Rendered in soft pastel hues, the composition exudes warmth and affection, with graceful flowing drapery that enhances the classical aesthetic. The delicate facial expressions and intricate detailing exemplify Wedgwood's longstanding commitment to craftsmanship and elegance.Artist: Jenny OliverIssued: 1996Dimensions: 6.25"H Country of Origin: EnglandCondition: Age related wear.
Lladro porcelain figurine titled Girl with Lamb, model number 1004584, sculpted by Alfredo Ruiz. This delicate piece, introduced in 1969 and retired in 1993, depicts a young girl gently holding a lamb, rendered in Lladro’s signature soft pastel hues with a glossy finish. The figurine bears the official Lladro backstamp, ensuring authenticity.Issued: 1969Dimensions: 10.75"HCountry of Origin: SpainCondition: Age related wear.
Hand-painted porcelain plate featuring an elegant Art Deco floral motif, crafted in soft pastel tones with gold accents. The plate displays a central blue background with stylized floral sprays and geometric patterns typical of early 20th-century design. The handle is adorned with gold gilding, showcasing fine craftsmanship.Issued: c. 1910Dimensions: 7.75" dia. Condition: Age related wear.
Austrian-Hungarian/American, 1884-1953Central Park Zoo: Monkey Cage DesignCharcoal and pastel on paper30 1/4 x 20 3/4 inches (76.8 x 52.7 cm)(Framed 40 3/4 x 31 1/2 inches)Paper is toned. Vertical and horizontal faint folding creases along center. Smaller creases near the edges. A few small notches and tears along edges. Two areas of discoloration at lower left and lower center.Paper is toned. Vertical and horizontal faint folding creases along center. Smaller creases near the edges. A few small notches and tears along edges. Two areas of discoloration at lower left and lower center.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
American, b. 1952Untitled, 1978Graphite, airbrush, and pastel on paper 14 1/8 x 10 5/8 inches (35.9 x 27 cm)(Framed 17 3/4 x 14 1/4 inches)A few tiny tears to paper in the lower left corner. Otherwise in overall good condition.A few tiny tears to paper in the lower left corner. Otherwise in overall good condition.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
ROSE HILTON (BRITISH 1931-2019) ⊕ STUDIO NUDEwith the estate stamp lower leftpastel on coloured paper40 x 26cm; 15 3/4 x 10 1/4in57 x 42cm; 22 1/2 x 16 1/2in (framed)The sheet is slightly undulated, deemed inherent to the mounting method. The work is attached to its backing in places from the reverse. There is a minor tear to the upper right corner, visible only under very close inspection. Otherwise this work is in very good original condition. This work is framed under UV glass and has not been examined out of frame.
HANS FEIBUSCH (GERMAN-BRITISH 1898-1998) ⊕ STILL LIFE OF ROSES AND FRUIT WITH SCULPTED FIGURES EMBRACINGsigned with intials and dated 90 lower rightpastel on paper47.5 x 63cm; 18 3/4 x 24 3/4in61 x 75cm; 24 x 29 1/2in (framed)Held behind glass, not examined out of frame. In good fresh condition.
LESLIE MARR (BRITISH 1922-2021) ⊕ IRISESsigned Marr lower left; dated 26/06/01 lower rightwatercolour and pastel on paper76 x 56cm; 30 x 22in108 x 85.5cm; 42 1/2 x 33 3/4in (framed)ExhibitedNewcastle, Northumbria University Gallery, 2001Newcastle, Northumbria University Gallery, Leslie Marr: Into the 21st Century: Paintings, 2007, no. 35London, Portland Gallery, Leslie Marr: A Centenary Exhibition, 2022
λ WILLIAM RUSSELL FLINT (BRITISH 1880-1969) PORTRAIT STUDY OF MRS M. SEUTER, THE ARTIST'S SISTER-IN-LAW Pastel Signed and dated Dec 8-1907 (lower right) 29 x 20cm (11¼ x 7¾ in.)The study was executed by Flint on a piece of torn brown paper whilst Seuter was waiting to attend a garden party at Buckingham Palace. Mrs Seuter's husband, Robert Purves Flint, was in the diplomatic service in Ceylon. Condition Report: Unexamined out of glazed frame. Slight undulation to the upper half of the sheet. A horizotal crease approx. 4cm to the upper right quadrant. A smaller horizontal crease to the upper right corner approx. 2cm. Condition Report Disclaimer
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