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Lot 3138
A Bank of Melli Iran banknote die proof engraver's test strike for the reverse of a 1954 issue ten rials note, in dark blue with depiction of the tomb of Ibn Sina at Hamadan to centre, values to top and bottom opposing corners, mounted stuck on old card (very good). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.
Lot 120
A QUANTITY OF STAR TREK COLLECTORS ITEMS, to include an advertisement board displaying Paramount Star Trek Voyager Charting the New Frontier approx 32 x 19 x 5 , three collectors plates, a View Master with a selection of View Master Reels, several books, four boxed glasses of Kirk, Spock, Nero and Uhura, and a boxed Old Supercar Egg Cup AP Films Ltd and ATV Ltd with a Captain Janeway First Edition Miniature Collectible, all appear in good condition
Lot 1
This Lladro porcelain figurine, titled "Rebirth," is a captivating representation of elegance and maternal beauty. Crafted from high-gloss porcelain, the sculpture features a graceful woman standing with an arch of delicate pastel-hued flowers cascading around her, embracing a serene infant cradled below. The intricate floral detailing and soft color palette exemplify Lladro's masterful artistry. Part of the esteemed Inspiration Millennium Collection, this piece bears the Lladro backstamp and retains its original box. Measuring 20.5"L x 16.25"W x 10"H, the figurine's impressive size enhances its presence as a centerpiece for any collection or decor. Lladro, founded in 1953 by brothers Juan, Jose, and Vicente Lladro in Valencia, Spain, is a world-renowned producer of fine porcelain art. Known for their meticulous attention to detail and skilled craftsmanship, Lladro pieces are celebrated for their lifelike elegance and delicate beauty. Each figurine is handcrafted by master artisans in their workshops in Spain, where centuries-old techniques are combined with innovative design. Lladro's distinctive style often blends themes of love, spirituality, and nature, and their pieces are highly sought after by collectors and enthusiasts worldwide. The Inspiration Millennium Collection, introduced to commemorate the dawn of the 21st century, embodies themes of renewal and hope, making "Rebirth" a significant and meaningful addition to their oeuvre. Artist: Joan CoderchIssued: 1999 - 2000Dimensions: 10"L x 6"W x 16.75"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.
Lot 44
History of Art & Old Masters. A collection of vintage Christies and similar auction catalogues. The lot to include Important British Art incl. Property from the London Residence of Sir Paul Getty, The Forbes Collection of Victorian Pictures and Works of Art, Works of Art from the Bute Collection, Old Master Drawings from Chatsworth, Pitchford Hall, Godmersham Park Kent, Tew Park, The Collection of Progessor Sir Albert Richardson, Simon Sainsbury the Creation of Arcadia, Old Master Paintings from the Collection of Jacques Goudstikker, Kitley House, and others. Approx. twenty-nine volumes in lot.
Lot 199
Rolex GMT Master II 116759SARU New-old-stock, 2010s18k white gold round case, n.16U5K465, 18k white gold bezel set with baguette-cut sapphires, rubies and diamonds, diamond-set lugs and crown guards.Black dial, applied luminescent indexes. Automatic movement, cal.3186.18k white gold Oyster bracelet.Size: 40 mm.Accompanied by Rolex warranty, leather holder, booklets, tag, box and outer box.New-old-stock conditions, watch with protective stickers.In 2007 Rolex introduced a series of extremely rare GMT Master II versions featuring extravagant gemstone settings; the present reference 116759SARU, thanks to its bezel set with baguette-cut sapphires, rubies and diamonds, tributes a colour layout reminiscent of the iconic GMT model.
Lot 20
Master of Delft (1480-1498 Act) -The Transfiguration of Christ / Description: Christ in the halo. At his right hand Moses with the tables of stone and on his left Elias with a book, Peter, James, and John to kneel down in front of him. This is a full page incunabula old coloured woodcut, probably used in an early edition of Ludolphus de Saxonia, "Dat Boeck vanden leven ons lief heeren Ihesu Christi"if not in an earlier work. The first edition was published in 1487 in Antwerp, followed by the 1488 edition in Delft, 1495 and 1499 in Zwolle and again in Antwerp in 1510. Amongst the earliest artist who worked at the project we mention: The Master of Haarlem, The second Gouda woodcutter and The first Antwerp woodcutter. The woodcut here on auction is attributed by the Rijksmuseum to a group of three artists (Master of Delft, Master of the Delbecq-Schreiber-Passion, Master of the Virgo inter Virgines) and dated 1480-1500. It's quality is very good. It is a real early woodcut in History and precedes the more common woodcuts from the Ludolphus editions of the turn of the century. A very rare work. / Dimensions: 17,50 x 14,20 cm / Condition: Excellent early impression with unbroken woodcut lines, mounted on a laid paper collection sheet. Very nice period hand coloring. Gothic Dutch letterpress on the backside in two columns. / Literature: Rijksmuseum RP-P-OB-2067 -----Conway (1884) and "The guilder compass" (1951). Botke, K. --- Prof. Henri Defoer, history of the woodcuts from the Ludolphus editions. ( Jaarboek voor Nederlandse boekgeschiedenis 24/2017) / Medium: Oldcoloured woodcut /Circa: 1480-1503
Lot 17
Master of the Martyrdom of the Ten Thousand, follower - Christ before Herod - C. 1470-1490 / Description: Christ before Herod; the king sits on a throne, Christ flanked by two bailiffs. This is an old colored incunabula woodcut preceding the ones used in the more common editions of Ludolphus editions of the turn of the century (1490-1503) "Dat Boeck vanden leven ons lief heeren Ihesu Christi" and preceding the one used by Pieter van Os in his edition of 1495. The design of the central woodcut on auction is very near to the one by The Master of the Martyrdom of the Ten Thousand (1460-1470 fl.) (see last image added for reference only) It is quite identically looking at the trone and hat of Herod and the two baliffs, however the background is filled in with a tile floor and brick wall with windows. The design of the woodcut of Master of the Martyrdom of the Ten Thousand goes further back to Master ES and the Master of the Berlin Passion. Our woodcut is a very early scarce woodcut in very attractive old colouring and in top condition. / Dimensions: 10,80 x 16,00 cm / Condition: Excellent early impression with unbroken woodcut lines, mounted on a laid paper collection sheet. Very nice period hand coloring. Gothic Dutch letterpress on the backside. / Literature: See: Lehrs 1908-34 / Geschichte und kritische Katalog des deutschen, niederländischen und französischen Kupferstichs im XV Jahrhundert (III.372.35) (Master of the The Thousand) ----- British Museum 1846,0709.54 / Medium: Woodcut /Circa: 1470-1490
Lot 30
Master of Antwerp (1485-1491), Attr - The calling of Mattheus / Description: This is an old colored incunabula woodcut from an early edition of Ludolphus de Saxonia, "Dat Boeck vanden leven ons lief heeren Ihesu Christi". The first edition was published in 1487 in Antwerp, followed by the 1488 edition in Delft, 1495 and 1499 in Zwolle and again in Antwerp in 1510. Amongst the earliest artist who worked at the project we mention: The Master of Haarlem, The second Gouda woodcutter and The first Antwerp woodcutter. The woodcut here on auction is identical in style as the ones attributed by the Rijksmuseum to The First Antwerp Master and dated 1485-1491. They do not have this woodcut and I did not find it elsewhere. It is a real early woodcut in History and precedes the more common woodcuts from the Ludolphus editions of the turn of the century. / Dimensions: 9,80 x 13,00 cm / Condition: Excellent impression with unbroken woodcut lines, mounted on a laid paper collection sheet. Nice period hand coloring. Gothic Dutch letterpress on the backside in two columns. / Literature: Conway (1884) and in "The guilder compass" (1951). Botke, K. --- Prof. Henri Defoer, history of the woodcuts from the Ludolphus editions. ( Jaarboek voor Nederlandse boekgeschiedenis 24/2017) / Medium: Woodcut /Circa: 1485-1491
Lot 19
Master of Delft (1480-1498 Act) - Christ healts the centurions servant. Falcony / Description: Christ heals the servant of the centurion of Capernaum. Christus speaks to the three men, one of them a falconer, the servant of the centurion of Capernaum, on the bed. This is a full page incunabula old coloured woodcut, probably used in an early edition of Ludolphus de Saxonia, "Dat Boeck vanden leven ons lief heeren Ihesu Christi" if not in an earlier work. The first edition was published in 1487 in Antwerp, followed by the 1488 edition in Delft, 1495 and 1499 in Zwolle and again in Antwerp in 1510. Amongst the earliest artist who worked at the project we mention: The Master of Haarlem, The second Gouda woodcutter and The first Antwerp woodcutter. The woodcut here on auction is attributed by the Rijksmuseum to a group of three artists (Master of Delft, Master of the Delbecq-Schreiber-Passion, Master of the Virgo inter Virgines) and dated 1480-1500. It's quality is very good. It is a real early woodcut in History and precedes the more common woodcuts from the Ludolphus editions of the turn of the century. A very rare work. / Dimensions: 17,40 x 14,50 cm / Condition: Excellent early impression with unbroken woodcut lines, mounted on a laid paper collection sheet. Very nice period hand coloring. Gothic Dutch letterpress on the backside in two columns. / Literature: Rijksmuseum RP-P-OB-2032 -----Conway (1884) and "The guilder compass" (1951). Botke, K. --- Prof. Henri Defoer, history of the woodcuts from the Ludolphus editions. ( Jaarboek voor Nederlandse boekgeschiedenis 24/2017) / Medium: Oldcoloured woodcut /Circa: 1480-1503
Lot 29
Master of Haarlem (1483-1486 Fl.), Attr. - Thomas Convinced / Description: Thomas Convinced, a rather a-typical version of the story. Upper left Saint Thomas in a cave blessed by the Lord, upper right Thomas at the door of a tower feeling the wounds of Christ, bottom part Jesus in an interior as salvator and pointing towards a table with bread and wine on it. ' This is an old colored incunabula woodcut from an early edition of Ludolphus de Saxonia, "Dat Boeck vanden leven ons lief heeren Ihesu Christi". The first edition was published in 1487 in Antwerp, followed by the 1488 edition in Delft, 1495 and 1499 in Zwolle and again in Antwerp in 1510. Amongst the earliest artist who worked at the project we mention: The Master of Haarlem, The second Gouda woodcutter and The first Antwerp woodcutter. The woodcut here on auction is identical in style as the ones attributed by the Rijksmuseum to The Master of Haarlem and dated 1483-1486. They do not have this woodcut and I did not find it elsewhere. It's quality is outstanding. It is a real early woodcut in History and precedes the more common woodcuts from the Ludolphus editions of the turn of the century. A very rare work. / Dimensions: 18,60 x 12,70 cm / Condition: Excellent early impression with unbroken woodcut lines, mounted on a laid paper collection sheet. Very nice period hand coloring. Gothic Dutch letterpress on the backside in two columns. / Literature: Conway (1884) and "The guilder compass" (1951). Botke, K. --- Prof. Henri Defoer, history of the woodcuts from the Ludolphus editions. ( Jaarboek voor Nederlandse boekgeschiedenis 24/2017) / Medium: Oldcoloured woodcut /Circa: 1483-1486
Lot 18
Master of the Martyrdom of the Ten Thousand, follower - Supper at Emmaus - C. 1470-1490 / Description: Christ invited by two of his apostles to share a meal is at first not recognized, here we see the moment he breaks the bread and they realizes their guest isin fact the resurrected Christ. This is an old colored incunabula woodcut preceding the one used in the more common editions of Ludolphus editions of the turn of the century (1490-1503) "Dat Boeck vanden leven ons lief heeren Ihesu Christi". In that more common edition the woodcut with this scene shows Christ with a hat wit a pilgrim sign on it instead ot the Halo used here (See British Museum RP-P-OB-2062) . The design of the woodcut on auction is very near to the one by The Master of the Martyrdom of the Ten Thousand (1460-1470 fl.) It is in reverse but In fact it is quite identically looking at the halo and the hat and hear dress of the apostles, also the table and the windows behind (however two instead of four). I added a mirrored image of that one. All these works go further back to Master ES and the Master of the Berlin Passion. Our woodcut is a very early scarce woodcut in very attractive old colouring and in top condition.H / Dimensions: 7,5 x 5,50 cm / Condition: Excellent early impression with unbroken woodcut lines, mounted on a laid paper collection sheet. Very nice period hand coloring. Gothic Dutch letterpress on the backside. / Literature: See: Lehrs 1908-34 / Geschichte und kritische Katalog des deutschen, niederländischen und französischen Kupferstichs im XV Jahrhundert (III.381.50) (Master of the The Thousand) ------ British Museum 1846,0709.54 / Medium: Woodcut /Circa: 1470-1490
![[Bechervaise, John]. Thirty-Six Years of a Seafaring Life. By an Old Quarter Master, 1st edition, Portsea: W. Woodward, 1839,](https://cdn.globalauctionplatform.com/dcdfb2a2-ff68-4e77-89d0-b23500e1190f/3d26e6bc-edb2-45a6-ba2d-b23701057614/468x382.jpg)
Lot 4
[Bechervaise, John]. Thirty-Six Years of a Seafaring Life. By an Old Quarter Master, 1st edition, Portsea: W. Woodward, 1839, some spotting, especially at front and rear, contemporary ink name inscription of John Nott ‘Capt[ai]n R. N.’ at head of title, additional subscribers ‘since the printing’ added in ink to upper margin of first page of 4-page subscribers’ list, the last name listed being ‘Com[mande]r Knott R. N. 2 copies’, old plain cloth, spine ends frayed, lower outer corners damp-marked, 8voQTY: (1)NOTE:Howes B294; Sabin 95361.Petty Officer John Bechervaise was aboard Captain Frederick William Beechey’s ship, HMS Blossom for the 1825-26 exploration of the Bering Strait, in concert with Franklin and Parry. This rare, privately printed, first edition includes Bechervaise’s descriptions of Rio de Janeiro, San Francisco and the Missions, Hawaii, and Kamehameha II.
Lot 476
BERNARD DE HOOG (DUTCH 1867 - 1943), COTTAGE INTERIOR oil on canvas, signedframed and under glassimage size 49cm x 39cm, overall size 76cm x 66cmNote: Dutch artist, Bernard De Hoog, produced a rich oeuvre of gentle interior scenes, which celebrated the everyday moments within family - particularly between mothers and their children. Newborns are cradled within their mother's arms while siblings read in rustic kitchens. In many respects, De Hoog’s work is comparable to the great Dutch painter, Jozef Israëls (1924-1911) and ultimately rooted within the traditions of the Dutch masters. During his time studying under the eminent Jan van Essen, he produced numerous copies of old masters while honing histechnique. It’s said that his career began through chance when working in an office for a merchant. Rather than figures in a ledger, the merchant discovered various sketches and drawings and was so impressed that he asked the young De Hoog to paint his wife. This, in turn, led to the artist’s tutelage under a drawing master and later, an academy. When we look back across his body of work, the consistent thread is a celebration of simple family life and the instinctive love between a mother and child. Misty sentimentalism majestically described with an impressionistic touch. In 1939, De Hoog’s work was shown in an exhibition at the Rijksmuseum, Amsterdam.
Lot 458
BRITISH SCHOOL (18TH CENTURY), JOHN MONTAGU, 2ND DUKE OF MONTAGU, KG, GMB, PC, FRS oil on canvasframedimage size 125cm x 105cm, overall size 160cm x 132cmProvenance: Scans of correspondence between the current vendor and Mungo Campbell on Scottish National Portrait Gallery stationery dated 8th November 1985 in which Mr Campbell asks on behalf of the SNPG "Would it be possible to order a photograph of your portrait of The Duke of Montagu(e)" are available on request and to the purchaser.Note: John Montagu, 2nd Duke of Montagu, KG, GMB, PC, FRS (1690 – 5 July 1749), styled Viscount Monthermer until 1705 and Marquess of Monthermer between 1705 and 1709, was a British peer. Montagu went on the grand tour with Pierre Sylvestre. On 17 March 1705, John was married to Lady Mary Churchill, daughter of John Churchill, 1st Duke of Marlborough, and Sarah Churchill, Duchess of Marlborough. On 23 October 1717, Montagu was admitted a Fellow of the Royal College of Physicians. He was made a Knight of the Garter in 1719, and was made Order of the Bath, a Fellow of the Royal Society in 1725, and a Grand Master of the Premier Grand Lodge of England which was the first Masonic Grand Lodge to be created. On 22 June 1722, George I appointed Montagu governor of the islands of Saint Lucia and Saint Vincent in the West Indies. He in turn appointed Nathaniel Uring, a merchant sea captain and adventurer, as deputy-governor. Uring went to the islands with a group of seven ships, and established settlement at Petit Carenage. Unable to get enough support from British warships, he and the new colonists were quickly run off by the French. In 1739, the country's first home for abandoned children, the Foundling Hospital was created in London. Montagu was a supporter of this effort and was one of the charity's founding governors. He also financed the education of two notable Black British figures of the age, Ignatius Sancho (a butler at his Blackheath home, Montagu House) and Francis Williams, allegedly sending the latter to Cambridge University (the university has no record of his having studied there). In 1745, Montagu raised a cavalry regiment known as Montagu's Carabineers, which, however, was disbanded after the Battle of Culloden. Montagu was a notorious practical joker, his mother-in-law writing of him that "All his talents lie in things only natural in boys of fifteen years old, and he is about two and fifty; to get people into his garden and wet them with squirts, and to invite people to his country houses and put things in beds to make them itch, and twenty such pretty fancies as these." Montagu is said to have once dunked the political philosopher Montesquieu in a tub of cold water as a joke. Montagu also commissioned William Hogarth to portray Chief Justice John Willes unflatteringly in a number of cartoons series Before and After (Hogarth) in which lusty amoral rakes seduce women. Montagu's country place, Boughton House, Northamptonshire, was laid out by him as a miniature Versailles, and now belonging to the Buccleuch family. After his death, his town residence, Montagu House, Bloomsbury, on the present site of the British Museum, received and for many years held the national collections, which under the name of the British Museum were first opened to the public in 1759.
Lot 186
Mining hero.- Demarest-Lamotte (M.) Goffin, ou La mine de Beaujonc, poème envoyé à l'Institut national, occasional spotting, contemporary blue wrappers, 8vo, [Moulins], [L. Desrosiers], [c.1812]. *** Rare poem celebrating the heroic efforts of master miner Hubert Goffin and his 12 year old son who led 70 miners to safety after catastrophic flooding at the Beaujonc mine, near Liège. It took the party five days and nights to free themselves. Goffin was awarded the Légion d'honneur.
Lot 10
ATTRIBUTED TO MARY BEALE (BRITISH 1632-CIRCA 1697) PORTRAIT OF PETER BEAVIS OF CLYST HOUSE (1657–1708)oil on canvas77 x 64.5cm; 30 1/4 x 25 1/2in94.5 x 82cm; 37 1/4 x 32 1/4in (framed)Property from a LadyProvenanceSale, Sotheby's London, 9 November 1994, lot 26 (as Mary Beale)Purchased at the above sale by the uncle of the present owner, thence by descentLittle is known today about the sitter in the present work, Peter Beavis. However, since the sixteenth century the senior line of the Beavis family were of the manor of Clyst Satchville, Devon. A pair of portraits attributed to Mary Beale, traditionally regarded as likenesses of the sitter's parents Richard (1621–1702) and Margarett Beavis, née Davie (1627–c. 1717) appeared in Bonhams' Old Master Paintings sale in London on 8th December 2004, lot 2. The attribution of the pair, however, is not universally accepted. But because the style and dimensions of these portraits are so comparable to the present work, particularly in their inclusion of painted stone cartouches and the use of a similar colour palette, it is very probable that all three oils relate and are likely part of the same series.
Lot 49
DALLAS DHU 1974 MISSION SELECTION NUMBER THREE 29 YEARS OLD | Distilled: 1974 | Stated age: 29 years old | ABV: 46% | Region: Speyside | Country: Scotland | Type: Single malt Scotch whisky | Volume: 700 ml | Duty stamp: CZ | Packaging: wooden box | Estimate: 10 000 - 15 000 Kc | Distillery | Dallas Dhu is a Scotch distillery located in the Speyside region, founded in 1899. It was the last distillery associated with Victorian businessman Alexander Edward, who hired the famous architect Charles Doig to build a new distillery on his estate. A year later, full production began. Dallas Dhu distillate is characterized by notes of sweet fruit, honey, oiliness and a subtle hint of peat smoke.Like many other distilleries, Dallas Dhu closed during the 1930s and was damaged by fire in 1939. It was recommissioned in 1947 and production continued until it closed in 1983.In 1986 the distillery was sold to Historic Scotland who turned it into a whiskey museum. Recently, there has been information about the resumption of operations, which could increase interest in the historic bottlings of this distillery. | Bottle | Dallas Dhu 1974 Mission Selection Number Three is a single malt whisky, distilled in 1974 and bottled in December 2003 as part of Murray McDavid's prestigious Mission Series. This series focuses on exclusive bottlings of rare whiskies, with each bottling unchill-filtered and free from added coloring, preserving an authentic flavor profile.The bottle bears the signature of Jim McEwan, the legendary master distiller who was instrumental in the restoration of the Bruichladdich distillery. His signature appears only on exceptional bottlings, prized among connoisseurs and collectors.Nose: Rich, with notes of dried fruit, vanilla, and a subtle hint of oak, creating a complex and warming aroma.Taste: Intense and complex, with flavors of raisins, oranges, dark fruits, and light chocolate, complemented by subtle spices and a creamy sherry influence.Finish: Medium-long, balanced, with lingering notes of dark fruit, oak, and spice.The auctioned bottle has a number 21/498 and comes in a luxurious wooden box, making it an attractive collector's item thanks to the unique profile of the now-closed Dallas Dhu Distillery.
Lot 75
LAGAVULIN 1979 MISSION SELECTION NUMBER ONE 23 YEARS OLD | Distilled: 1979 | Stated age: 23 years old | ABV: 46% | Region: Islay | Country: Scotland | Type: Single malt Scotch whisky | Volume: 700 ml | Duty stamp: CZ | Packaging: wooden box | Estimate: 10 000 - 20 000 Kc | Distillery | Lagavulin is an iconic distillery from the island of Islay, founded in 1816 by John Johnston, although the site had previously been illegally distilled. The distillery is located between Ardbeg and Laphroaig and is renowned for its heavily smoky, peaty character.In 1862 the distillery was bought by John Logan Mackie, whose nephew Sir Peter Mackie, creator of the famous White Horse blend, was a major figure in the whiskey industry. After losing the exclusivity of representation to Laphroaig, he built a Malt Mill on Lagavula's grounds in 1908, but although it was designed to produce a whiskey similar to that of Laphroaig, it never succeeded. Her whiskey didn't even resemble Lagavulin. A fictional cask from this distillery played a central role in Ken Loach's film 'The Angel's Share'.Lagavulin is part of the Classic Malts range from Diageo (which owns it today) and its most famous whiskey is Lagavulin 16 Year Old, which is considered one of the best peated whiskeys on the market. In addition to this regular bottling, limited editions appear on the market in the form of Distiller's Edition, Diageo Special Release or for the Feis Ile festival. | Bottle | Lagavulin 1979 is a single malt whisky, bottled by independent bottler Murray McDavid in 2002 as part of their prestigious Mission - Selection Number One range. This series focuses on limited bottlings of exceptional and rare whiskies, often from closed distilleries or very old stocks. Whiskies from this series are bottled at natural cask strength, without chill filtration or added coloring, guaranteeing an authentic and complex flavor profile, exactly as the whisky was drawn from the cask.The bottle is decorated with the signature of the legendary Jim McEwan, who played a vital role in the restoration and reopening of the Bruichladdich distillery in 2001 and served as master distiller until 2015. His signature appears only on truly exceptional bottlings, still prized by whisky connoisseurs and collectors today.Nose: Complex, with notes of lemon peel, seaweed, almonds, smoke, and subtle sweet hints.Taste: Herbal and peaty, with elements of pine, salty sea water, fireplace smoke, and dried fish. The citrus notes from the nose recede into the background here.Finish: Medium length, with lingering notes of ash, woody tannins, and a subtle hint of sea air.The auctioned bottle is no. 12/600 and is presented in a luxurious wooden box.
Lot 63
LINKWOOD 1973 MISSION SLELECTION NUMBER TWO 29 YEARS OLD | Distilled: 1973 | Stated age: 29 years old | ABV: 46% | Region: Speyside | Country: Scotland | Type: Single malt Scotch whisky | Volume: 700 ml | Duty stamp: CZ | Packaging: wooden box | Estimate: 8 000 - 12 000 Kc | Distillery | Linkwood is a Scottish distillery located in the Speyside region, known for its smooth and elegant whiskey with fruity and floral notes. It was founded in 1821 by Peter Brown and was taken over by his son William Brown after his death.In 1932 the distillery became part of DCL (Distillers Company Limited) and continued production with a number of upgrades throughout the 20th century. In 1972, a new distillery was built opposite the original building, which significantly increased the production capacity. The older part of the distillery closed in 1985 but remains used for Diageo's experimental purposes, including research into the effect of copper and reflux on the distillation process.Linkwood whiskey is prized for its smoothness and freshness, making it ideal an ingredient in blended whiskey. A significant part of its production goes into blended whiskeys, especially Johnnie Walker and White Horse. Still, some of the distillate is bottled as a single malt.Linkwood is still in Diageo's portfolio and its 12-year-old whiskey is part of the popular Flora & Fauna range, which showcases the classic Speyside style. | Bottle | Linkwood 1973 is a single malt whisky bottled by independent bottler Murray McDavid in 2003 as part of their prestigious Mission II - Cask End range. This series focuses on limited bottlings of exceptional and rare whiskies, often from closed distilleries or very old stocks. Whiskies from this series are bottled at natural cask strength, without chill filtration or added coloring, ensuring an authentic and complex flavor profile, exactly as the whisky was drawn from the cask.The bottle is decorated with the signature of the legendary Jim McEwan, who played a vital role in the restoration and reopening of the Bruichladdich distillery in 2001 and held the position of master distiller until 2015. His signature appears only on truly exceptional bottlings that remain highly prized among whisky connoisseurs and collectors.Nose: Sweet and delicate, with notes of old wood, caramelized fruit, and light spices.Taste: Rich and balanced, with flavors of ripe fruit, caramel, spice, and a subtle touch of sherry, transitioning into a slightly woody profile.Finish: Long and elegant, with lingering notes of dried fruit, oak, and subtle spice.The auctioned bottle is no. 42/153 and is delivered in a luxurious wooden box, making it a unique collector’s item.
Lot 73
BUNNAHABHAIN 1973 CELTIC HEARTLANDS 34 YEARS OLD | Distilled: 1973 | Bottled: 2008 | Stated age: 34 years old | ABV: 46,1% | Region: Islay | Country: Scotland | Type: Single malt Scotch whisky | Volume: 700 ml | Condition: cracks in the covering plastic tape | Duty stamp: CZ | Packaging: wooden box covered with leather | Estimate: 15 000 - 20 000 Kc | Distillery | Bunnahabhain is a Scottish distillery located on the remote northeast coast of Islay. It was founded in 1881 by William Robertson (of Robertson & Baxter) in partnership with Greenlees Bros on a site with access to a water source from the River Margadale, which provided ideal conditions for whiskey production. The name "Bunnahabhain" comes from the Gaelic word for "mouth of the river". Unlike other Islay distilleries that focus on single malts, Bunnahabhain's still was primarily used for blended whiskies, including Famous Grouse, Cutty Sark and later Black Bottle. The distillery was closed between 1982 and 1984, but when it reopened it launched its first official 12-year-old single malt. Bunnahabhain's distillate is smooth, malty, with a maritime influence due to its proximity to the coast.Unlike most Islay distilleries, Bunnahabhain uses unsmoked malt for its regular single malt production, setting it apart from the peaty whiskeys typical of the area. Since 2013, Bunnahabhain has been part of the Distell group. | Bottle | Bunnahabhain 1973 Celtic Heartlands is a single malt whisky, distilled in 1973 and bottled by independent bottler Murray McDavid in 2008 as part of the prestigious Celtic Heartlands series created by Jim McEwan. The whisky was matured for 34 years in oak casks, contributing to its distinctive and complex character.The bottle is decorated with the signature of the legendary Jim McEwan, who played a vital role in the restoration and reopening of the Bruichladdich distillery in 2001 and held the position of master distiller until 2015. His signature is reserved for truly exceptional bottlings, prized among whisky connoisseurs and collectors.Nose: Rich with notes of dried fruit, vanilla, caramel, and chocolate, complemented by a subtle hint of peat smoke.Taste: Intense and complex, with notes of sherry, dark fruit, caramel, and spice that blend gently with woody undertones.Finish: Long and balanced, with lingering notes of dried fruit, spice, and soft wood.The auctioned bottle has a number 488/669 and is delivered in a luxurious leather-covered box, adding to its prestige.
Lot 71
BRUICHLADDICH 12 YEARS OLD SECOND EDITION | Stated age: 12 years old | ABV: 46% | Region: Islay | Country: Scotland | Type: Single malt Scotch whisky | Volume: 700 ml | Duty stamp: CZ | Packaging: metal tube, traces of rust on the tube | Estimate: 2 000 - 3 000 Kc | Distillery | Bruichladdich is a Scottish distillery on the island of Islay, founded in 1881 by the Harvey brothers who owned the Dundashill and Yoker grain distilleries in Glasgow. Like all late Victorian distilleries, its fate was inextricably linked to the production of blended whiskey from the beginning. As a single malt, its whiskey was virtually non-existent.It was closed in 1995 due to redundancy and remained dormant until 2001, when it was acquired by Murray McDavid, led by Mark Reynier and Simon Coughlin. The team was joined by the legendary Jim McEwan who left Bowmore to become Master Distiller and help revive the distillery. McEwan played a key role in experimenting with different types of casks, local barley and levels of malt smoking. This saw the introduction of Port Charlotte peat whiskey and the revolutionary Octomore, as well as The Botanist gin, which uses Islay herbs.In 2012, the distillery was bought by Remy Cointreau, which still owns it today. | Bottle | Bruichladdich Aged 12 Years 2nd Edition is a single malt whisky, bottled in 2006. This whisky has been aged for a minimum of 12 years in bourbon casks and has been bottled without chill filtration or added coloring, giving it an authentic character. This edition is notable for its slightly peaty undertone, which is unusual for Bruichladdich today, as peated whiskies are typically released under the Port Charlotte and Octomore brands.Nose: Fresh and fruity, with subtle floral notes and hints of vanilla.Taste: Smooth and delicate, with notes of sweet fruit and a light oak influence from bourbon casks.Finish: Light, with lingering sweetness and subtle spice that creates a clean and inviting character.
Lot 6
LINLITHGOW 1975 MISSION SELECTION NUMBER FOUR 29 YEARS OLD | Distilled: 1975 | Stated age: 29 years old | ABV: 46% | Region: Lowlands | Country: Scotland | Type: Single malt Scotch whisky | Volume: 700 ml | Duty stamp: CZ | Packaging: wooden box | Estimate: 12 000 - 20 000 Kc | Distillery | Linlithgow (Saint Magdalene) was a Scottish distillery located in the Lowlands, specifically in the town of Linlithgow. The distillery was also known by the name Saint Magdalene, referring to the former monastery that was located near its headquarters. It was founded around 1798 on the site of an older distillery and underwent several expansions during the 19th century. In 1912 it was incorporated into Distillers Company Limited (DCL), which later merged with Diageo.Saint Magdalene Distillery was characterized by the production of the typical Lowland whiskey - fine, light, fresh and floral, which was often used as ingredient for blended whisky.Unfortunately in 1983, when the whiskey industry was going through a deep crisis and overproduction, the Linlithgow/Saint Magdalene Distillery was closed along with many other distilleries. After its closure, the distillery buildings were partially demolished and converted into residential premises.Today, bottles of this single malt whiskey are rare, popular among collectors and connoisseurs. They are available mostly from independent bottlers and in limited editions, which greatly increases their value and prestige in the whiskey market. | Bottle | Linlithgow 1975 is a single malt whisky, distilled at the St. Magdalene distillery (also known as Linlithgow) and bottled by independent bottler Murray McDavid in 2004 as part of their prestigious Mission - Selection Number Four range. This range focuses on limited bottlings of exceptional and rare whiskies, often from closed distilleries or very old stocks. Whiskies from this series are bottled at natural cask strength, without chill filtration or added coloring, ensuring an authentic and complex flavor profile, exactly as the whisky was drawn from the cask.The bottle is decorated with the signature of the legendary Jim McEwan, who played a vital role in the restoration and reopening of the Bruichladdich distillery in 2001 and served as master distiller until 2015. His signature appears only on truly exceptional bottlings, still prized among whisky connoisseurs and collectors.Nose: Rich notes of malt, fine cereals, and slightly floral nuances that fade into sweeter notes of pear, vanilla, and soft spice.Taste: Medium-bodied with flavors of butterscotch, fruitcake, and spice, accompanied by a hint of wood and oak tannins.Finish: Smooth and long, with gradually fading notes of sweet fruit, spice, and soft oak.The auctioned bottle is no. 35/600, making it a sought-after collector's item, particularly due to St. Magdalene’s closure in 1983. The bottle is presented in a luxurious wooden box.
Lot 47
CAPERDONICH 1968 MISSION SELECTION NUMBER TWO 35 YEARS OLD | Distilled: 1968 | Stated age: 35 years old | ABV: 46% | Region: Speyside | Country: Scotland | Type: Single malt Scotch whisky | Volume: 700 ml | Duty stamp: CZ | Packaging: wooden box | Estimate: 10 000 - 15 000 Kc | Distillery | Caperdonich was a Scottish distillery in Rothes, Speyside, originally established in 1898 as Glen Grant No. 2. It was originally intended to produce a whiskey similar to its sister distillery Glen Grant, but ended up with a different character, with notes of softer pears, creaminess and fresh mint. The distillery closed in 1902, reopened in 1965 and expanded in 1967. It produced both a lighter fruit still and later a smoked still.After closing in 2002, its equipment was sold - two stills were transferred to the Belgian Owl distillery, while the other parts ended up in the new Falkirk distillery. The distillery was demolished in 2011, but today it still has a loyal following among collectors and whiskey lovers who consider it a hidden Speyside treasure. | Bottle | Caperdonich 1968 is a single malt whisky, distilled in 1968 and bottled in 2003 as part of the Mission - Selection Number Two series by independent bottler Murray McDavid. This series focuses on bottling rare and vintage whiskies, with each bottling unchill-filtered and free from added coloring, representing the authentic and unique character of the distillery.The bottle is adorned with the signature of the legendary Jim McEwan, who was instrumental in the restoration and reopening of the Bruichladdich distillery in 2001, where he served as master distiller until 2015. His signature appears only on exceptional bottlings, prized among whisky connoisseurs and collectors.Nose: Dominated by floral notes such as cherry and apple blossoms, with a hint of citrus freshness and a subtle touch of wood.Taste: Sweet and mildly lemony, with a light and refreshing taste that combines with woody undertones. An unusual hint of cheese lingers, giving this whisky a unique character.Finish: Short, fresh, and clean, ending with light spicy and peppery notes.The auctioned bottle has a number 46/600 and is delivered in a luxurious wooden box. This whisky represents one of the older Caperdonich expressions, sought after by collectors and whisky connoisseurs for its unique flavor profile and rarity.
Lot 24
GLENTURRET 1990 RAW CASK 15 YEARS OLD | Distilled: 09/1990 | Bottled: 02/2006 | Stated age: 15 years old | ABV: 51,7% | Region: Highland | Country: Scotland | Type: Single malt Scotch whisky | Volume: 700 ml | Duty stamp: CZ | Packaging: paper box | Estimate: 2 000 - 5 000 Kc | Distillery | Glenturret is a Scottish distillery located in the Highlands that dates back to 1775 when the site was home to an illegal whiskey production known as The Hosh. However, the distillery was not officially licensed until 1818, when John Drummond began legal whiskey production.The distillery survived many challenges, including being dismantled during the 1920s when it faced difficult economic conditions. However, it was revived in 1960 by James Fairlie, who bought the equipment from Tullibardine and re-established the distillery. At the same time, the company focused on tourism and became one of the first distilleries in Scotland to open a visitor centre. In 2002, the visitor center was converted into The Famous Grouse Experience, making the distillery the center for the promotion of this blended whiskey until 2018 when it was sold to Glenturret Holding.Bottles of Glenturret single malt whiskey were rare, although in 2015, three different versions were attempted. In 2020, under the leadership of former colleagues from the Macallan distillery - Bob Dalgarn (master blender) and Ken Grier (strategic consultant), a rebranding took place and new official bottlings are appearing on the market. | Bottle | Glenturret 1990 Raw Cask is a single malt whisky, distilled in September 1990 at Glenturret Distillery and bottled by independent bottler Blackadder in February 2006 as part of the Raw Cask series. This series is known for bottling whisky directly from the barrel at cask strength, without chill filtration or added coloring, preserving its authentic character, including small particles from the barrel. The whisky was matured for 15 years in hogshead oak cask #1239.Nose: Intense, with notes of vanilla, caramel, and oak spice, with a light hint of citrus adding freshness.Taste: Full and robust, with strong flavors of spice, honey, and woody notes, complemented by subtle fruity undertones.Finish: Medium-long and balanced, with lingering notes of spice, vanilla, and oak.The auctioned bottle is no. 26/308.
Lot 38
TEANINICH 1973 MISSION CASK STRENGTH SERIES 33 YEARS OLD | Distilled: 1973 | Stated age: 33 years old | ABV: 55,9% | Region: Highland | Country: Scotland | Type: Single malt Scotch whisky | Volume: 700 ml | Duty stamp: CZ | Packaging: wooden box | Estimate: 8 000 - 12 000 Kc | Distillery | Teaninich is a Scottish distillery located in the Highlands, specifically near the town of Alness, and was founded in 1817 by Hugh Munro. For a long time it was mainly used for the production of whiskey used in blended whisky, which is one of the reasons why it is less well known as single malt whisky.In 2000 Teaninich underwent a significant modernization, when a hammer mill was installed and mash filter, making this distillery the only one in Scotland to use this technology. The mash filter allows the production of a very pure wort, which influences the character of the distillate, which is characterized by a fresh, grassy aroma with hints of exotic herbs, such as Japanese green tea and coumarin-rich bison grass. Teaninich is still owned by Diageo and although most of the production is used for blended whisky, its 12-year-old version appears in the Flora & Fauna range and in independent bottlings. | Bottle | Teaninich 1973 is a single malt whisky, distilled in 1973 and bottled in 2006 by independent bottler Murray McDavid as part of the Mission Cask Strength Series. This series highlights limited bottlings of exceptional and rare whiskies, often from closed distilleries or very old stocks. Whiskies in this series are bottled at cask strength, without chill filtration or added coloring, preserving an authentic and complex flavor profile exactly as the whisky was drawn from the cask.The bottle bears the signature of the legendary Jim McEwan, who was instrumental in the restoration and reopening of the Bruichladdich distillery in 2001 and served as master distiller until 2015. His signature appears only on truly exceptional bottlings, highly valued by whisky connoisseurs and collectors.Nose: Subtle notes of tropical fruit, malted barley, and light oak.Taste: Smooth and rounded, featuring distinct notes of vanilla, butterscotch, and light spice.Finish: Long and warm, with hints of citrus and a gentle oak influence.The auctioned bottle is no. 403/725 and is presented in a luxurious wooden box.
Lot 50
GLEN GRANT 1959 | Distilled: 1959 | Bottled: 2006 | ABV: 40% | Region: Speyside | Country: Scotland | Type: Single malt Scotch whisky | Volume: 700 ml | Duty stamp: CZ | Packaging: wooden box | Bottle code: JF/BDD | Estimate: 25 000 - 32 000 Kc | Distillery | Glen Grant is a Scottish distillery in the Speyside region, founded in 1839 by brothers John and James Grant. The distillery was significant not only because of its size, but also because of the strategic railway from Lossiemouth to Rothes, which the brothers financed to facilitate exports. John Grant, known as The Major, introduced innovations such as the first electric lighting and special cleaning pipes in the stills that give whiskey its light, fresh character.Glen Grant was one of the first single malt whiskey brands to be possible to find in countries such as the USA, Africa and Australia already at the end of the 19th century. In 2006 the distillery was bought by the Italian group Gruppo Campari.Glen Grant Distillery was managed by one of the iconic figures of the whiskey industry, Dennis Malcolm, who has been with the distillery for over 60 years and is one of the most respected master distillers in the industry. It was replaced by Greig Stables in July 2024.The house-bottled whiskey is now mainly aged in ex-bourbon casks, while the older and limited editions bottled by Gordon & MacPhail are aged in ex-sherry casks and are highly sought after by whiskey connoisseurs and collectors . | Bottle | Glen Grant 1959 is a single malt whisky, bottled by the independent bottler Gordon & MacPhail as part of the Licensed Bottling series. This series is notable in that Gordon & MacPhail bottles whiskies with official permission from the distilleries, meaning these whiskies authentically represent the style and character of the distillery. The whisky was distilled in 1959 and bottled in 2006, giving it an impressive 46 years of aging.Nose: Rich and sophisticated, with notes of dried fruit, vanilla, and a subtle touch of old wood that adds depth.Taste: Intense and complex, with flavors of honey wax, citrus notes, and spices, complemented by a light presence of sherry and a creamy texture.Finish: Long and balanced, with lingering notes of dark fruit, fine spice, and a hint of oak.This whisky is prized among connoisseurs for its complexity and unique character, typical of these Glen Grant vintages from Gordon & MacPhail. The auctioned bottle is delivered in a luxurious wooden box.
Lot 13
CLYNELISH 1983 MISSION SELECTION NUMBER THREE 20 YEARS OLD | Distilled: 1983 | Stated age: 20 years old | ABV: 46% | Region: Highland | Country: Scotland | Type: Single malt Scotch whisky | Volume: 700 ml | Duty stamp: CZ | Packaging: wooden box | Estimate: 8 000 - 12 000 Kc | Distillery | Clynelish, a distillery nestled in the picturesque town of Brora in the north of the Scottish Highlands, was founded in 1819 by the Duke of Sutherland. It originally focused on the production of whiskey intended for blended blends, which were in high demand at the time.A major milestone in the history of the Clynelish distillery occurred in 1968, when a completely new still (Clynelish B) was built next to the original still (Clynelish A) ). The new distillery continued to produce unsmoked single malt whisky, while the original building was renamed Brora and produced an excellent smoked spirit. Unfortunately, in 1983 Brora was closed, which only strengthened its cult status. However, due to increasing demand, Diageo, which now owns both distilleries, has decided to reopen the renovated Brora in 2021.Clynelish is an important ingredient in Johnnie Walker blended whisky, but it has also gained a reputation among single malt whiskey lovers for to its unmistakable character with tones of beeswax, citrus and sea salt. | Bottle | Clynelish 1983 Murray McDavid Mission Selection Number Three is a single malt whisky, distilled in 1983 and bottled in 2003 as part of the Mission - Selection Number Three series by Murray McDavid. This series focuses on bottling rare and vintage whiskies, with each bottling unchill-filtered and free from added coloring to represent the authentic and unique character of the distillery.The bottle is adorned with the signature of the legendary Jim McEwan, who was instrumental in the restoration and reopening of the Bruichladdich distillery in 2001 and held the position of master distiller until 2015. His signature appears only on exceptional bottlings, prized among whisky connoisseurs and collectors.Nose: Complex with hints of sea air, light peat smoke, roasted almonds, and notes of green fruit.Taste: Smooth and balanced, with a combination of sweet and citrus notes that fade into a light oak base with a hint of spice and waxiness.Finish: Long, with a fine balance between smoke and sweetness, resulting in a refined and harmonious finish.The auctioned bottle has a number 018/498 and is delivered in a luxurious wooden box.
Lot 72
BRUICHLADDICH 7 YEARS OLD WAVES | Stated age: 7 years old | ABV: 46% | Region: Islay | Country: Scotland | Type: Single malt Scotch whisky | Volume: 700 ml | Condition: traces of mold on the bottle | Duty stamp: CZ | Packaging: metal tube with traces of rust inside the tube and on the cap | Bottle code: 06/0211 19 OCT 06 16:00 | Estimate: 1 000 - 2 000 Kc | Distillery | Bruichladdich is a Scottish distillery on the island of Islay, founded in 1881 by the Harvey brothers who owned the Dundashill and Yoker grain distilleries in Glasgow. Like all late Victorian distilleries, its fate was inextricably linked to the production of blended whiskey from the beginning. As a single malt, its whiskey was virtually non-existent.It was closed in 1995 due to redundancy and remained dormant until 2001, when it was acquired by Murray McDavid, led by Mark Reynier and Simon Coughlin. The team was joined by the legendary Jim McEwan who left Bowmore to become Master Distiller and help revive the distillery. McEwan played a key role in experimenting with different types of casks, local barley and levels of malt smoking. This saw the introduction of Port Charlotte peat whiskey and the revolutionary Octomore, as well as The Botanist gin, which uses Islay herbs.In 2012, the distillery was bought by Remy Cointreau, which still owns it today. | Bottle | Bruichladdich Aged 7 Years Waves 1st Edition is a single malt whisky that was aged for 7 years and bottled in 2006. The whisky was first aged in bourbon casks and then finished in Madeira wine casks. This edition features a mild to medium peaty undertone, which is unusual for contemporary Bruichladdich, as peated whiskies are typically released under the Port Charlotte and Octomore brands. A slight trace of peat adds a "seaside" character to the whisky, as the name "Waves" suggests.Nose: Notes of raisin, cranberry, and vanilla, with a subtle hint of peat smoke and a touch of fresh sea spray.Taste: Fine malt base with spices, cranberries, hints of vanilla, sweet licorice, and a light minty undertone.Finish: Medium length, sweet, with a subtle peaty reverberation, spices, and notes of berry fruit.
Lot 28
MACALLAN 1968 MISSION CASK STRENGTH SERIES 34 YEARS OLD | Distilled: 1968 | Stated age: 34 years old | ABV: 40,2% | Region: Highland | Country: Scotland | Type: Single malt Scotch whisky | Volume: 700 ml | Duty stamp: CZ | Packaging: wooden box | Estimate: 30 000 - 40 000 Kc | Distillery | The Macallan is a Scottish whiskey distillery located in the Speyside region and is one of the most famous and respected single malt whiskey brands in the world. It was founded in 1824 by Alexander Reid and is now owned by the Edrington Group.Although Macallan is now synonymous with the growth of single malt whiskies, it has long been an important part of blended whiskies. It wasn't until the 1980s that, due to the decline in demand for blended whisky, it began to focus more on single malt whisky.A team led by Allan Shiach, Frank Newlands, Hugh Mitcalf and Willie Phillips launched a campaign that put The Macallan in premium whiskey position, nicknamed "Cognac whisky". The Macallan thus attracted not only whiskey lovers, but also the wider public thanks to unusual advertising campaigns, which were often bohemian and imaginatively provocative. Another breakthrough came with the launch of the "Fine & Rare" range and the collaboration with Lalique, who created special decanters for rare editions such as 50 and 60 year old whiskies. This approach allowed The Macallan to establish itself in the luxury whiskey market.The Macallan is one of the most sought-after whiskeys in the world, not only among connoisseurs and collectors, but also as an investment product. | Bottle | The Macallan 1968 is a single malt whisky, distilled in 1968 and bottled by independent bottler Murray McDavid as part of their Mission Cask Strength Series. The whisky was matured for 34 years in American oak casks and was bottled at cask strength.The bottle is decorated with the signature of the legendary Jim McEwan, who played a vital role in the restoration and reopening of the Bruichladdich distillery in 2001 and held the position of master distiller until 2015. His signature appears only on truly exceptional bottlings, still prized among whisky connoisseurs and collectors.Nose: Notes of ripe fruit, delicate vanilla cream, and hints of spice.Taste: Complex and balanced, oily and honeyed, with notes of caramel and wood.Finish: Long and elegant, with lingering notes of fruit, sweetness, and hints of oak.The auctioned bottle is no. 516/852 and comes in a luxurious wooden box.
Lot 25
GLENTURRET 1985 CASK STRENGTH COLLECTION 21 YEARS OLD | Distilled: 12.7.1985 | Bottled: 19.9.2006 | Stated age: 21 years old | ABV: 55,6% | Region: Highland | Country: Scotland | Type: Single malt Scotch whisky | Volume: 700 ml | Duty stamp: CZ | Packaging: tin box | Estimate: 4 000 - 6 000 Kc | Distillery | Glenturret is a Scottish distillery located in the Highlands that dates back to 1775 when the site was home to an illegal whiskey production known as The Hosh. However, the distillery was not officially licensed until 1818, when John Drummond began legal whiskey production.The distillery survived many challenges, including being dismantled during the 1920s when it faced difficult economic conditions. However, it was revived in 1960 by James Fairlie, who bought the equipment from Tullibardine and re-established the distillery. At the same time, the company focused on tourism and became one of the first distilleries in Scotland to open a visitor centre. In 2002, the visitor center was converted into The Famous Grouse Experience, making the distillery the center for the promotion of this blended whiskey until 2018 when it was sold to Glenturret Holding.Bottles of Glenturret single malt whiskey were rare, although in 2015, three different versions were attempted. In 2020, under the leadership of former colleagues from the Macallan distillery - Bob Dalgarn (master blender) and Ken Grier (strategic consultant), a rebranding took place and new official bottlings are appearing on the market. | Bottle | Glenturret 1985 is a single malt whisky, distilled on 12 July 1985 and bottled on 19 September 2006 by independent bottler Signatory Vintage as part of the Cask Strength Collection series. This series is known for bottling whisky directly from the cask at full cask strength, without added coloring, preserving its authentic and intense character. The whisky matured for 21 years in a hogshead cask (No. 134).Nose: Intense and unconventional, with a combination of sweet, fruity, and slightly acidic notes. Notes of vanilla intermingle with yogurt and waxy apricots, along with subtle earthy hints.Taste: Complex with bitter and fruity notes, featuring waxy apricots, bitter almonds, and a subtle vanilla undertone.Finish: Medium-long and dry, with lingering fruity notes.The auctioned bottle is no. 120/294.
Lot 674
A RARE EMBRIACHI SARCOPHAGUS 'WEDDING' CASKET ATTRIBUTED TO THE SO CALLED 'MASTER OF THE 'SUSANNA TWO' VENICE, 15TH CENTURY Bone, wood, polychrome, metal 25cm high, 41cm wide, 26.5 deep Provenance: Ex Private collection, USA Ex English collection The 'Susanna Two' are two very similar caskets housed in the Museum of Ravenna, Italy, possibly made by the same workshop and Master as this sarcophagus, circa 1450-75. The Embriachi workshop was a north Italian family of entrepreneurs and carvers. The precise location of the workshop is unknown, except that it originated in Florence in around probably the 1370s. Baldassare Embriachi, was a member of a Florentine noble family, and the Florentine literary circles, during his career he acted as both merchant and diplomat. His connections and financial independence allowed him to set up and found the bone-carving workshop that bears his name. By 1395, political and financial circumstances had forced him to transfer the workshop to Venice. The suggested time range of the workshop's activity does differ with the earliest known date being 1390-1405. They employed local workers specialising in 'certosina' (inlay of stained woods, bone and horn), and the workshop produced items carved in bone (usually horse or ox) with wood and bone marquetry. As well as altarpieces, the workshop also made caskets as bridal gifts to hold jewels or documents, and these were often decorated with scenes from mythology. Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. The whole presented in gallery condition. Looks to have undergone a thorough sensitive light clean in the last 30-40 years. Some small areas of edge loss. Signs of old residue. Some shrinkage with buckling visible to the lid around one hinge mount and to top panel. One hinge mount with some movement and loss- slight gap between body and lid. Has a lock but no key. Interior looks to have been formerly lined- which has been removed. Also formerly with feet with vacant mount holes to each corner of underside. Some old insect holes. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Condition Report Disclaimer
Lot 51
A rare and unusual Great War ‘seaplane incident’ George Cross (exchange A.M.) and Second World War C.B.E. group of eight awarded to Group Captain P. D. ‘Robbie’ Robertson, Royal Air Force, late Merchant Navy and Royal Naval Air Service His heroic efforts to save his pilot from the blazing wreckage of their seaplane in February 1918 left him with such severe burns to his face, hands and legs ‘that his recovery was for some time in doubt’ The Most Excellent Order of the British Empire, C.B.E. (Military), Commander’s 2nd type neck badge, silver-gilt and enamels, with its Garrard & Co. case of issue; George Cross (Act. Flight Cdr. Paul Douglas Robertson, R.N.A.S. 1918) with its Royal Mint case of issue; British War Medal 1914-20 (Capt. P. D. Robertson. R.A.F.); Mercantile Marine War Medal 1914-18 (Paul D. Robertson); Victory Medal 1914-19 (Capt. P. D. Robertson. R.A.F.); Defence & War Medals 1939-45, with M.I.D. oak leaf; Coronation 1937, the last seven mounted for wearing, together with an earlier mounted set of related miniature dress medals (8), with the A.M. up front, generally very fine (9) £16,000-£20,000 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Provenance: Glendining’s, November 1999. Just three members of the Royal Naval Air Service received exchange-George Crosses. A.M. London Gazette 18 June 1918: ‘The King has been pleased to award the Albert Medal to Acting Flight Commander Paul Douglas Roberston, R.N.A.S., in recognition of his gallantry in endeavouring to save life in February last. The circumstances as follows: On the 28th February 1918 a Seaplane got out of control and spun to the ground. Acting Flight Commander Robertson, the Observer, jumped from the machine just before it reached the ground and landed safely, as the ground was marshy. The Pilot, Flight Lieutenant H. C. Lemon was imprisoned in the Seaplane, which, on striking the ground, immediately burst into flames, and notwithstanding that the vicinity of the Seaplane was quickly a furnace of blazing petrol, and that heavy bombs, a number of rounds of ammunition, and the reserve petrol tank were all likely to explode, Acting Flight Commander Robertson returned and endeavoured to extricate the Pilot, and only desisted when he had been so severely burned in the face, hands and leg that his recovery was for some time in doubt. He displayed the greatest gallantry, self-sacrifice and disregard of danger in his efforts to extricate the Pilot.’ C.B.E. London Gazette 1 January 1944. Paul Douglas Robertson was born at Willesden, Middlesex on 30 April 1891, the son of a Master Mariner and Marine Superintendent, a profession that led to young Paul being educated in London, Jamaica and Australia. In August 1907, he followed his father into the merchant service, when he became an indentured apprentice to George Thompson & Co. Ltd. and he subsequently qualified for his certificates of competency as Second Mate and First Mate. But the advent of aviation and the progression of war persuaded him to change direction, and, in October 1915, he was commissioned in the Royal Naval Air Service as a Temporary Probationary Flight Sub. Lieutenant. Having then taken his aviator’s certificate (No. 2454) in a Grahame-White Biplane at R.N.A.S. Chingford on 9 February 1916, he was posted to the seaplane base at Calshot. In January 1917, he transferred to R.N.A.S. Killingholme in North Lincolnshire, from whence he would have flown patrols over the North Sea; his service record notes him as having attacked an enemy submarine on 27 June 1917, ‘results unknown.’ Then in February 1918, on being promoted to Acting Flight Commander, Robertson took command of the Hornsea Mere Sub. Station in Yorkshire. It was in this capacity that he teamed-up with Flight Lieutenant Hubert Lemon for a patrol on the 28th, their Large Seaplane taking off at 1647 hours but, when at 2,500 feet, it ‘spun to the ground and burst into flames’; his service record refers. His bravery on that occasion, in attempting to rescue the pilot from the blazing wreckage of their aircraft, led to an Admiralty recommendation for an Albert Medal in Bronze, although it is said that other members of the relevant committee considered that ‘a recommendation for the Gold Medal could have been justified.’ The extent of the burns to his face led to the loss of his left eye but he was able to attend an investiture at Buckingham Palace on 31 October 1918. Roberston obtained a regular commission as a Flight Lieutenant in the newly formed Royal Air Force and gained steady promotion in the inter-war period, being appointed a Group Captain in July 1939. His appointments in the Second World War included a tour of duty in Canada 1940-42, including service as the Operations Station Commander at R.C.A.F. Patricia Bay, Vancouver Island, B.C., and, on his return to the U.K., command of the R.A.F. Station, Squires Gate, near Blackpool, for which he was awarded the C.B.E. He had earlier been mentioned in despatches (London Gazette 2 June 1943, refers). Placed on the Retired List in December 1945, Robertson settled in Cornwall, and he exchanged his Albert Medal for the George Cross in 1972. Following the death of his wife, he emigrated to Auckland, New Zealand, where he died in August 1975. Sold with a quantity of original documentation, including his Federation Aeronautique Internationale (British Empire) Aviator’s Certificate (No. 2454), with portrait photograph, dated 9 February 1916; a photograph album of mainly Second World War interest, including career notes, images from the recipient’s visit to the wreck of the Tirpitz in 1945, and pasted down mention in despatches certificate, dated 2 June 1943; a presentation programme for the 10th reunion of old Squire’s Gate personnel, October 1955, and an album containing numerous watercolour pictures by the recipient, including still life and nautical subject matter. Also sold with a quantity of presentation pieces, including a silver tankard, with hallmarks for Sheffield 1942 and engraved inscription, ‘Presented to Group Capt. P. D. Robertson C.B.E., A.M. from the Officers R.A.F. Squires Gate Oct 1st 1945’; a silver cigarette box, with gold inlay and initials ‘PDR’ to lid, hallmarks for Birmingham 1953 and engraved side inscription, ‘To G. Capt. P. D. Roberston, C.B.E., A.M., from members of No. 3 S. of G.S. (Squires Gate) incorporating Brooklands Aviation Ltd.’; a silver cigarette case, with engraved R.A.F. Wings to front of case, gilt interior, hallmarks for Birmingham 1940; a silver vests case, hallmarks for Birmingham 1923, with engraved initials ‘PDR’ to front of case; a damaged metal cigarette case with engraved interior inscription, ‘A small token of my great respect for my master F./Lt. P. D. Robertson, October 13th 1927’; together with a cut out section of uniform bearing his R.A.F. Wings and medal ribands, and a small quantity of buttons and studs. Please note that this lot is not suitable for shipping, but can be hand delivered within mainland Britain by prior arrangement.
Lot 176
Creative Master Northcord, a boxed bus group to include UKBUS3004 "Stagecoach" Twin Pack, UKBUS1002 Alexander ALX400 Bodied Dennis Trident "Metroline" and others. Conditions although unchecked generally appear to be Excellent in generally Good to Excellent outer boxes with some possibly having old price stickers and or written reference stickers. Possible duplication. See photo.. See photo.
Lot 268
Niederländischer Maler um 1600,in der Stilnachfolge des Karel van Mander (1548 – 1606)DAS LETZTE ABENDMAHLÖl auf Holz.123,5 x 188 cm.Unten auf den Basen datiert „ANNO/1602“.In ebonisiertem Rahmen.Das vorliegende Gemälde wird beim RKD in Den Haag unter Nummer 104795 geführt.Inmitten eines Säulenportikus dessen Durchblicke auf eine klassische Stadtarchitektur erlauben, als horizontaler Riegel ein gedeckter Tisch mit Jesus mit Nimbus unter einem Ehrenbaldachin mit um ihn herum angeordneten Jüngern.Provenienz:Sotheby’s, London, Old master paintings, 12. Juli 2001, lot 142.Literatur:Vgl. Marjolein Leesberg, Het Laatste avondmaal, het eerst bekende schilderstuk van Karel van Mander de Jonge, in: Oud Holland, Bd. 122, 2009, S. 1-13. (14217515) (13)Dutch School, ca. 1600,in the stylistic following of Karel van Mander (1548 – 1606)THE LAST SUPPER Oil on panel.123.5 x 188 cm.Dated “ANNO/1602” on underside of bases.The present painting is listed at the RKD in The Hague under no. 104795. Provenance:Sotheby’s, London, Old master paintings, 12 July 2001, lot 142.Literature:cf. Marjolein Leesberg, Het Laatste avondmaal, het eerst bekende schilderstuk van Karel van Mander de Jonge, in: Oud Holland, vol. 122, 2009, pp. 1-13.
Lot 133
Selection of high quality drawings and paintings, attribution from previous owner. Josef von Furich (1800-1876) - Adoration of the Magi, linear illustration in ink._ Antonia von Furich - The Family of J. V. Furich, illustration in pencil, 1857._ Johann Georg Bergmuller – Virgin and Child with Interceding Saints, watercolour, 1724._ Also 2 watercolour sketches, Old Master quality, unsigned._ All unframed (5)
Lot 124
PARANORMAL & SUPERNATURAL. A 239-year-old manuscript account of a "visitation" from a ghost at Seighford Hall, Staffordshire, in the early hours of Tuesday 29 March 1785, together with an accompanying witness statement, and correspondence concerning the apparition, addressed to Rev. Townson of Malpas, Cheshire. "Mr. [Francis] Eld junior of Seighford [Hall] having walked from Newport (in Shropshire) found himself fatigued, and in such a case is not apt to sleep. His wife being lately brought to bed, he lay in a room by himself, with a fire in it. Within this room was a Smaller [presumably a type of cot], in which lay a little daughter of his, whom in the night he heard crying. He called and spoke to her, and the child became pacified. Presently after he felt as it were a puff of air pass across his face, saw a sort of cloud or vapour, and heard a voice out of it, 'My child, be not grieved, I am dead, but happy.' This he knew to be the voice of his mother [Catherine Elde], and was a good deal terrified. While he was reflecting on the incident, he heard his little girl cry again, and supposed she might have been disturbed by the appearance which he had seen. He sat up in bed, and spoke to her again, but perceived that she had not seen or heard anything of the sort. While in this posture he once more saw the cloud in the form of a little woman with a resemblance of his mother, and heard the same words repeated to him." Being able to "bear it no longer", Mr. Eld visits his wife's apartment and relates the story to her, but she is "so terrified" that he stops and leaves the room. At this point, Mr. Eld is unaware that his mother has died [she is residing at Pit Place in Surrey with her husband John Elde of Dorking, a notable benefactor of Stafford General Infirmary whose portrait was painted by Thomas Gainsborough]. He spends the remainder of the night walking in the garden & pleasure grounds that his mother used to enjoy while living at Seighford, and spends time in her old bedchamber, but he sees no further apparitions. The following morning, fearing bad news, Mr. Eld orders his servant to accompany him to the Post Office in Stafford where he picks up a letter written by his father's housekeeper at Pit Place, dated Saturday 26 March, in which he learns that his mother is "tolerably well, & had eaten remarkably hearty of a Hare which had been sent to her from Seighford by her son". The letter briefly suppresses his anxiety until he realises that it was composed two days before the haunting. While returning to Seighford, he repeatedly tells his servant that he is "sure" he will "hear some bad news about his mother soon". The following Friday [1 April], Mr. Eld returns anxiously to Stafford and receives a letter informing him that his mother died on the preceding Monday night or Tuesday morning [i.e. 28/29 March], coinciding perfectly with the time of his vision. This realisation causes him to "faint away" in shock. "He [Mr. Eld] attended the Body day & night from the 7th to the 9th when her remains were deposited in their family vault at Seighford. Upon his relating this story to his father [John Elde of Dorking] who attended the funeral, 'His father seemed to be turned into jelly.'" The three manuscripts comprise: a letter from Thomas Whitby of Creswell to Rev. Townson of Malpas, 13 December 1785, seeking Townson's "sentiments on this very uncommon event"; a 2pp. handwritten account of Mr. Eld's experiences with questions in pencil from Rev. Townson in the margins; and a 4pp. handwritten account from Mr. Eld's servant, taken down by Thomas Whitby. In the first letter, Whitby assures Townson of the reliability of the servant, "the man is not a common menial servant but one who rents a small farm in the neighbourhood, & is employed by Mr. Eld to take care of his Woods & Game, & when he comes to Seighford for the Hunting Season this man attends him in his sports, the man is more sensible & intelligent than persons of his situation usually are, vis Bold & Resolute, & so that I think one may venture to depend upon the accuracy of his Relation." While recording his account, Whitby says the servant "had not either then or now any doubt of the truth of what his Master related". Together with an archive of Whitby family papers (in which we discovered the above), 1610-1830. The documents concern Thomas Whitby (junior & senior), John Whitby, and Edward Whitby, and include deeds, indentures, receipts, and invoices relating to Haywood, Shugborough, Colwich, Seighford, and Creswell. The archive includes a document from Granville Earl Gower appointing Thomas Whitby as Deputy Lieutenant of Stafford, signed & sealed by Gower, 1769; numerous receipts for Customary Payments from the Rectory of Creswell, most signed by Edward Whitby (Rector), 1760-1830; numerous canonical documents, including the Bishop of Lichfield ordaining Edward Whitby of Trinity College into the Holy Order of Priesthood, 1780, plus another for the Holy Order of Deacons, 1799; manuscript accounts for Thomas Whitby senior in 5pp., 1610-1613; numerous invoices & receipts for building work; several 17th-century vellum indentures relating to John Crompton and the Church of Creswell; an indenture between John Horne & Elizabeth Crompton, Burton-on-Trent, 1686; an indenture between members of the Nicolls family of Oxford, Liverpool, London and Stafford, 1772, bearing six signatures & wax seals; Translation of Grant in the Manor of Haywood & Shugborough, William Whitmore & Jonas Verdon, 1616; a 20pp. manuscript by Madame Dupré, "Hints given previous to a departure for Paris,1819", giving advice on dining, travelling by coach and sending mail
Lot 49
Balvenie 15 year-old 2001 DCS compendium Chapter 2 whisky. This whisky was created to celebrate the life's work of malt master David Charles Stewart. The theme of Chapter 2 is The Influence of Oak Filled 25th April 2001, Bottled 29th August 2016, Cask 9328, 368 bottles only produced 62.3\% vol strength, bottle size 70cl (C7)
Lot 95
JOHNNIE WALKER 12 YEAR OLD BLACK LABEL 100 YEARS OF THE STRIDING MAN ANNIVERSARY EDITION BLENDED WHISKY 40% ABV / 70cl When John Walker opened a grocery, wine and spirits shop in the Ayrshire town of Kilmarnock in 1820, he had no idea that it was the start of a journey that would end up with the biggest selling Whisky brand in the world bearing his name. The Johnnie Walker Striding Man, the square bottle and the label, placed at exactly 24° would become an iconic sight. Not just in the Whisky world, but in the mainstream as well.Johnnie Walker is now owned by drinks giant Diageo and carefully watched over by Master Blender Dr Emma Walker (no relation) who took over after the legendary Jim Beveridge retired in 2022, after 40 years with the company.
Lot 12
DALMORE 12 YEAR OLD KYNDAL HIGHLAND SINGLE MALT 40% ABV / 70cl Dalmore have worked hard to position themselves as one of the world's foremost luxury whisky brands. Their elegantly packaged crystal decanters will be familiar to frequent flyers, as they often adorn the high-end display cabinets of duty-free shops in airports around the globe, carrying price tags that suggest they’re targeting those travelling on a 1st class ticket. Of course, a premium brand needs a premium product, and thankfully, Dalmore’s spirit lives up to the hype.They have a complicated distillation process that utilises mismatched stills to produce distillates with different characteristics. These are then vatted together, before being filled into the distillery’s preferred Sherry casks, all under the watchful eye (and discerning nose) of their legendary Master Distiller, Richard Paterson. Please see additional photos.
Lot 242
AN EARLY 20TH CENTURY EMERALD AND DIAMOND CLUSTER RINGSet with a cut-cornered rectangular-shaped emerald, within a scalloped frame set with old-cut diamonds, with millegrain detailing, mounted in platinum, ring size M (with sizing band) Condition Report: Emerald of deep bluish-green hue, good transparency, with a chip visible under a bright light source and facet abrasions visible under 10x magnification, estimated to weigh approximately 2.45 caratsDiamonds approx. 1.00cts, bright and livelyWhite metal unmarked, tested by the jewellery department to be 800 platinumNormal signs of wear, overall in good conditionTotal gross weight approx. 5.3gAccompanied by a case stamped Victor Hawkins, Master Jewellers Colchester
Lot 1270
CHARLES V: (1500-1558) Holy Roman Emperor and Archduke of Austria 1519-56, King of Spain (Castile and Aragon) 1516-56, and Lord of the Netherlands as titular Duke of Burgundy 1506-55. A rare L.S., `Yo El Rey´, a large signature, three pages, folio, Valladolid, 11th April 1527, in old Spanish. The lengthy and cleanly written letter refers to the funds which were aproved to pay for the woks of the ramparts of the city, considering the timing and the possibility of a siege, stating in part `Primeramente, ya sabeis como maestre Lope Cantero tomó a destajo la obra de los muros de la villa de Fuenterrabía en cierto precio… cuatro mil ducados para la citada obra. La cual es mi voluntad, que se continue con la cantera conforme al asiento, en caso que este verano no se espere necesidad de cerco en la dicha villa, y en caso que se esperase el dicho cerco… con los cuatro mil ducados, o con los que de ellos fuesen menester. Se repare la dicha villa de tierra y madera en las partes que hubiere necesidad de ello como pareciere a Sancho Martinez de Leyva, nuestro Capitan de la dicha villa…´ (Translation: “First of all, you already know that Master Lope Cantero took on the work of the walls of the town of Fuenterrabía at a fixed price… four thousand ducats for the aforementioned work. It is my will that the Stone quarry works continue as agreed, in case this summer there is no expectation of a need for a defense wall in the said town, and in case the said fence is expected… with the four thousand ducats, or with whatever of them are necessary. The said town should be repaired with wood in the parts that need it as it will seem to Sancho Martinez de Leyva, our Captain of the said town…”) Bearing at the base and beneath the Emperor´s signature, a bold ink countersignature. Overall age wear, mostly to edges, with clipped bottom corner, only affecting some words, but not affecting the signatures. Very small repair to the verso of the last page and few extremely small holes to the folds. F Fuenterrabia is a town situated in the north of Spain, in the Basque Country. Also called in Basque Hondarribia. Only three weeks after the present letter was signed by the Emperor, occured one of the most important and unexpected events during Charles´ V reign, The Sack of Rome on 6th May 1527. The capture of the city by the mutinous troops of Charles V, who only intended to threaten Pope Clement VII with military action if he did not come to his terms, ended with looting and killing. Despite the Emperor´s orders not to storm the city, the 14000 men of Imperial army, largely unpaid and mostly with German and Spanish soldiers, ended with holding citizens for ransom without any restraint. Pope Clement VII took refuge in Castel Sant´Angelo after the Swiss Guard were annihilated. He remained there until a ransom was paid to the pillagers.
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