We found 9059 price guide item(s) matching your search

Late 19th century Coalbrookdale cast iron plaque depicting Leonardo Da Vinci's The Last Supper, label verso says 'This iron plaque, cast from a 200-year old pattern depicting Leonardo Da Vinci's masterpiece 'The Last Supper', has been donated by Glynwed Foundries to the Telford Development Corporation. The casting was made at the firm's 264-year-old Coalbrookdale Works in Telford New Town, which was where Abraham Darby first smelted iron with coke, one of the processes which accelerated the industrial revolution. The presentation was made at a ceremony last week by Mr. R.S. Heinrichm Chairman of Glynwed Foundries, to Mr Isiah Jones, deputy Chairman of Telfors Development Corporation, at Priorless Hall, Telford, the Development Corporation's headquarters'., 37 x 66cm, mounted within iron frame

Electing a new Pope.- [Leti (Gregorio)] The New Pope: or, a true Account of the Ceremonies and Proceedings in the Conclave at Rome, upon the Pope's Death, translated by John Davies, of Kidwelly, folding letterpress 'A Figure of the printed sheet which every Cardinal hath lying before him...', woodcut diagrams, little chipping to upper corner of title, some worming to head of inner gutters, occasionally just touching a small part of a single letter, occasional spotting or light staining, lightly browned, later endpapers, contemporary sheep, recently sympathetically rebacked, earlier long burgundy gilt label to spine, one lower corner little worn, covers rubbed and scuffed, [Wing L1334C], small 8vo, Printed, and are to be sold at the George in Fleet Street, 1677.  *** Rare edition at auction of this translation from a French version of the work. The translator John Davies, of Kidwelly, was a Welsh translator and writer, and friend of the poet John Hall. Provenance: 'Rob. Stafford' (contemporary ink signature to head of title); Maynard & Outrum Smith (ink signature and ink stamp to front free endpaper). 

Quantity of porcelain to include; two 18th century New Hall cups; a large Royal Crown Derby silver topped Imari style bowl, 13 x 26cm; together with an Imari style squat faceted jar with pierced lid and another small RCD Imari dish; a Coalport three-footed bowl with blue and gilt vine border, 26.5cm diameter (AF); a small Meissen vase with pink and gilt paintwork depicting a young man playing a flute to a young woman; a pair of 19th century Hilditch handpainted cups and saucers, together with a Linnea by Rorstrand Sweden teaset, with five cups and saucers and one creamer with gilt rims painted with pink snowdrops, and various others

A pair of New Hall porcelain Dr. Syntax plates, Circa 1825, titled 'Dr. Syntax loses his wig', No. 2625 in iron red, and Dr. Syntax visits a boarding school for young ladies' No. 2760, diameter 21cm. (2)

An 18th century New Hall teapot, and five matching tea bowls and saucers, all with floral decoration

An 18th century New Hall part teaset with central basket of flower decoration

Group of ceramicsto include a New Hall porcelain teapot with white glazed bods and gilt painted decoration, sucrier and cover, coffee cans, caddy with no lid etc At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.

A collection of approximately 550 largely Edwardian postcards, mostly of Ireland and New York including street scenes in and around Dublin, Donaghadee, Londonderry, Galway, Coagh, Bangor, Donegal, Belfast, Lurgan, tennis courts at Ballycastle, the Ballynahineh Railway Station, Co. Antrim, the Ballinderry L.O. Lodge 797 of 1909, Sons of Ulster L.O.L. No.188, New York landmarks including the Yankee Stadium, Wall Street, Hall Gate Bridge, Roxy Theatre and Olcott Beach, Brockville & Morristown ferry, Washington and scenes from Canada including Toronto, Niagra Falls and 'When Niagara Ran Dry', Steamers 'Turbinia' and 'Toronto', 'Americana' others of Glasgow, Liverpool, Manchester etc, and images in and around Rugby, Mauretania in Gladstone Dock, TTSS 'Cameronia', Clare Romain (actress), King George V, humour and several cards in the Bamforth 'Songs' series and Valentine’s series, family portraits etc, housed in 3 albums

A NORTH ITALIAN BRONZE BUST OF A YOUNG MAN IN ARMOUR PROBABLY LATE 17TH/ EARLY 18TH CENTURY dark reddish brown/black patina, incised MPI and cast 1701 to the interior, on a turned walnut socle Bust 13.4cm high; 18.5cm high overall COMPARATIVE LITERATURE:L. Planiscig, Venezianische Bildhauer der Renaissance, Vienna, 1921, pp. 570-571, figs, 627 and 629.J. Warren, Medieval and Renasissance Sculpture - A Catalogue of the Collection in the Ashmolean Museum, Oxford, Oxford, 2014, p. 258, fig. 121.New York, Salander O'Reilly Galleries, Giambologna: An Exhibition of Sculpture by the Master and His Followers from The Collection of Michael Hall, Esq., 6 March - 4 April 1998, C. Avery ed., pp. 158-9, no. 57 (as Hubert Gerhard).M. Schwartz, ed., European Sculpture from the Abbott Guggenheim Collection, New York, 2008, pp. 64-65, no. 26. Note: Examples of this bronze bust have been variously attributed to Hubert Gerhard, Ferdinando Tacca and more generically to the north Italian school of the mid-16th century (see New York, Schwartz and Warren, locs. cit., respectively). Close comparisons may also be made to signed works by the Venetian artist Tiziano Aspetti, whose signed bronze of St Anthony in the Santo, Padua, has similar facial features. The soldier to the left of Aspetti's bronze relief of the Martyrdom of St Daniel also displays the same facial type, curling hair and breastplate centred by a grotesque mask seen on the bust offered here (for both works see Planiscig, loc. cit.). For a comparable example see Christies New York, The Abbot Guggenheim collection, 28 January 2015, lot 41. 

An early 20thC Frank Lloyd and Sons auction catalogue, by direction of the executors of the late Right Hon. Lord Brownlow, including The Tetchill Estate, The New Marton Estate, Grange Farm Crosemere, and an urban estate in the town of Ellesmere, including the town hall and various shops, together with an Order of Exchange of Lands, dated 1884, situate in the Parish of Hougham, in the County of Lincoln, between the Right Hon. Earl Brownlow and Sir John Henry Thorold, Bart. (2)

FONTANA - PSYCH / FOLK / JAZZ - LP COLLECTION (INC RARITIES). A collection of 36 LPs. Artists/ Titles include Graham Collier Music - Songs For My Father (6309006, Ex+/G+), John Dummer's Famous Music Band (6309008, Ex/G+), Blond - The Lilac Years (STL5515, Ex+/G+), Leroi Jones - New York Art Quartet (STL.5521, Ex+/G+), The Godz - The Godz II (STL5512, Ex+/G+), Cal Tjader - Solar Heat (STL5527, Ex/G+), Paul Bley Trio - Touching, Ornette Coleman - Town Hall 1962, The Fugs - The Fugs II, The Tubby Hayes Orchestra and Colosseum. The records are generally VG+ to Ex+. Please note that all sleeves will contain archival stickers from the BBC. The majority of these stickers are 'on top' of the plastic with some 'underneath' (i.e. on the sleeve itself). Some sleeves have been 'laminated' either by way of 'punching' the plastic wallet to two parts of the sleeve or by fully wrapping the plastic to the sleeve - generally G to VG.

JAZZ (INCLUDING CONTEMP/FREE ETC) - LP COLLECTION - a collection of approximately 80 Jazz LPs. Collection to include: Herbie Hancock - Perfect Machine, The Art Farmer Quartet - Interaction - Sing Me Softly Of The Blues, Art Farmer - Something You Got, Art Farmer & Jim Hall - Big Blues, The Peter Kuhn Quintet - Livin' Right, Mike Gibbs - The Only Chrome-Waterfall Orchestra, Wayne Shorter - Joy Ryder, Morrissey Mullen, Joe Harrioott with the Toney Kinsey Trio, Eddie Harris, Miles & Coltrane, The New Jazz Orchestra, Herbie Mann, and more. Some sleeves have been 'laminated' either by way of 'punching' the plastic wallet to two parts of the sleeve or by fully wrapping the plastic to the sleeve and as such are generally graded as G+ to VG+.

600 LPs FROM THE BBC ARCHIVE (INC ROCK / POP / SOUL / FOLK / JAZZ / CLASSICAL AND MORE) - collection to include: Queen - News Of The World, Art Pepper - Today, Suzanne Vega - Solitude Standing, Alison Moyet - Raindancing, Ben Markus - Nocturn Gate, Steve Harley & Cockney Rebel - Timeless Flight, John Cage - Prepared Piano, Mitsuke Uchida - Mozart Piano Sonatas, New Kids On The Block, Dave Brubeck, Daryl Hall & John Oates, Chris De Burgh, Giant Steps, Immaculate Fools, Julio Iglesias, Roland Shaw & His Orchestra, Tommy Tutone and more. Some sleeves have been 'laminated' either by way of 'punching' the plastic wallet to two parts of the sleeve or by fully wrapping the plastic to the sleeve and as such are generally graded as G+ to VG+. There will also be some records that are 'without sleeves' - in many cases, these are 'doubles' that will correspond to the LPs contained in the collection though can, in some other cases, be from box sets.

A Collection of Various 18th and 19th Century English and Continental Porcelain to Comprise Imari Palette Cups, Royal Crown Derby Dish, New Hall Saucer etc (Various Condition)

A 19th century Chinese Canton export part porcelain tea service, decorated in the famille rose palette; together with an early 19th century English porcelain tea bowl, probably New Hall; a blue and white coffee can, underglaze blue decorated in the Chinese palette; and two miniature tea bowlsPart tea set, two cups chipped, one restored.Three saucers with hairline cracks and chips.Canton coffee can in good condition, blue and white coffee can with hairline cracks.Miniature tea bowls cracked.

A Crate of collectables; New hall Lustre Phoenix pattern bon bon dish, Noritakie panel painted vase & temple jar, Vicotian blue & white oriental charger & other items

New Hall commode-shaped teapot and cover, painted in pattern no. 173, painted mark to base, H15cm, and another similar unmarked teapot; together with four other examples, including Burgess & Leigh, two Castleford style (one lacking cover), etc (6)

A Late 18th Century English soft paste cream jug by New Hall. Circa 1780.

A PAIR OF GILT BRASS HALL OR PORCH PENDANT LANTERNS EARLY 20TH CENTURY Of hexagonal form, arched panels with opaque glass glazing 38cm high, 19cm wide Condition Report: These have no light or electrical fittings and will need adapting. (This should be relatively easy to achieve.) No damage/cracks found to the glass panels. The brass has a good level of patina and some corrosion so if an old country house look is desired this will work. However, If a bright, 'brand new' look is required, Dreweatts cannot guarantee that the gilt metal will clean up entirely. Please see additional images available from the Dept. upon request.Condition Report Disclaimer

James Bond 007 Casino Royale (2006) World Royal Premiere brochure from Royal Albert Hall in London, 14th November 2006, individually numbered, 5107; (1)Provenance: from the collection of a former supporting actor working in the film industry, amassed over a number of years.Condition Report: CR:- In brand new and unread condition.

James Bond 007 Die Another Day (2002) World Royal Premiere brochure from Royal Albert Hall in London, 18th November 2002, individually numbered, 3898; (1)Provenance: from the collection of a former supporting actor working in the film industry, amassed over a number of years.Condition Report: CR:- In brand new and unread condition.

James Bond 007 - No Time To Die (2021) World Royal Premiere brochure from Royal Albert Hall in London, 28th September 2021, individually numbered, 3329; (1)Provenance: from the collection of a former supporting actor working in the film industry, amassed over a number of years.CR:- In brand new and unread condition. Estimate £70 - £100Condition Report: CR:- In brand new and unread condition.

James Bond 007 Spectre (2015) World Premiere Royal brochure from Royal Albert Hall in London, 26th October 2015, individually numbered, 2856; (1)Provenance: from the collection of a former supporting actor working in the film industry, amassed over a number of years.Condition Report: CR:- In brand new and unread condition.

ARTHUR ASHETennis racketHead Arthur Ashe Competition 2 tennis racket probably used by Arthur Ashe during the 1979 season. Winner of 3 Grand Slams in singles and 2 in doubles, he has been a member of the International Tennis Hall of Fame since 1984.racket collected at the Vidy tournament (Switzerland) by invitation, the president, who was inaugurating his new premises, had invited a number of athletes, including Arthur Ashe. He gave him his racket.

Thomas Forrester & Sons Pheonix ware coffee service for six, in the Blossom pattern, and a New Hall tea service

A set of four The New Hall Vault Kronheim prints of tropical birds: Two brightly coloured birds fight over a nest of eggs situated in a tree of pink blossom; Two crested birds stand on a branch in dense woodland; Two birds stare at butterflies above them; Pair of birds tend their young in a nest, one feeds the birds whilst the other watches from a nearby branch, each 9.5x10cm (4)Christies New Hall Vault Kronheim prints from the collection of the late Ernest Owen, 1987.

A set of four The New Hall Vault Kronheim prints of tropical birds: A green parrot stands on a branch and preens its wing; A deep red humming bird holds onto a vine; A green and maroon humming bird hovers above a white lily; A humming bird sucks pollen from a large pink blossom, each 10x7cm, framed and glazed (4)

Vinyl - Over 50 Rock & Pop LPs, over 30 12" singles and 11 7" to include Groundhogs, ACDC (2 LPs and 2 12"), Bob Marley, Roy Harper, Wasp, David Bowie, Bon Jovi, Duran Duran x 2, Joan Armatrading, New Order (12"), Daryl Hall & John Oates (signed by both), The Disposable Heroes Of Hiphoprasy (12"), Daft Punk (test press), Pet Shop Boys x 5 (12"), Mindfunk (12"), Queen (12"), Madonna (2 12"), Cameo (12") and more. At least Vg+ overall with some in open shrink.

* Le Carre (John, 1931-2020, British espionage author). 16 autograph letters and notecards, all written to David Gillard MBE, 2008-2020, each signed 'David Cornwell', 'David C' or mostly ''David', on headed paper and notecards discussing a variety of topics, the earliest letter, 2 pp., dated December 16, 2008, 'Thank you very much for your kind words, and of course for the correction to old Brue's OBE, which I have passed to all my publishers, and will be picked up in the paperback (congratulations also on your own award!). As a journalist, you will surely know how, never mind how much you check things out, there's always some damn detail you missed. I pray this is the only one!...' , a notecard, written to both sides, envelope dated 08. 02. 10, 'Dear David G, thanks for yours. Here are the bookplates, signed but if you'd like to send books too, please do so... I have a new novel coming out in October, so life is not dull. And - extraordinarily - some of my novels are being adapted simultaneously for film... we'll see!', a notecard dated 19 October 2011, 'We sit here waiting for a huge influx of family - 13 grandchildren at last count - and thinking how incredibly fortunate we have been in almost every department of life: almost eerily so. Yes, I hope you enjoyed the film as much as I do. Such care, such direction and performances...', another 1 p. letter dated 11 January, 2011, '... Yes, Snow is an inestimably charming man of great good heart. I never felt so unprotected as when we spoke. Never again!, a 2 pp. letter, dated 22 October 2012, '... Yes, I was tempted to act, & am just off to Hamburg to deliver another cameo part opposite Philip Seymour Hoffman in the movie of 'A Most Wanted Man', now in mid-shoot (I'm growing a beard for the part!) But I also wanted to paint & illustrate, did both, but in the end it was the writing that got me. New novel out in May...', a notecard, written to both sides, dated 24 May 2013, '... Very glad you enjoyed ADT. It's getting a good, rumbustuous reception - some hate it, as they should, and were meant to! To Hay next week for my swansong appearance - geriatrics? medal for long service to God knows whom - and then back to Cornwall, work, & a new novel, a new life, long overdue!', a notecard dated 20 May 2015, '... No, no new novel yet, but the memoir next September. 'The Night Manager' looks very good, 'Our Kind of Traitor deplorable...', a 1 pp. letter dated 25 October 2016, 'A perfect family evening, & now I can go back to being 23.. Yes, just turned in a novel for next year. Keep the Bastille well, The storming, as you know, was largely a lie...', a 2 pp. letter dated 22 October 2017, ' Glad you enjoyed the RFH number; I just returned from Hamburg, where I gave a version of the speech in German at the Elbphilharmonie, the amazing new concert hall on the waterfront that is designed, partly like a ship. The audience inscrutable, but I think appreciative, & self-irony not on the menu... I love Larry O's effusive letters, so rich in insincerity and honeyed rhetoric ('beyond words... quite overwhelmed?'). Denholm was extraordinary: ex rear gunner, POW, gay, married, uberintelligent in an actorish way, and utterly endearing - and unreconciled...', a 1 pp. letter dated 21 October 2018, '... Yes, just finished a new novel, like it, out next year some time. And 'Spy Who...' & 'Legacy of ...' are in pre-production for a 6-hour BBC series, so life bobs along. Enjoy Poole. I was born there. My grandfather was mayor, & my father got his first gaol sentence for fraud there.', and, poignantly the final letter, dated 21 October 2020, 'Thanks for your good wishes, and the accurate guess: lobster it was. We are in bad shape & I'm afraid I may dwindle from your mailing list while we sort ourselves out. My wife Jane is on a severe course of chemo, & I am in similar shape, about to undergo an experimental therapy which involves nuking me. The grandchildren are enchanted. Thanks for being so supportive and forgive me if I go off air. We have a lot to sort out. Best as ever, David', all the letters and notecards bar one with addressed envelopes QTY: (16)NOTE:An insightful warm and personal archive of letters from John Le Carre to David Gillard MBE, arts journalist and critic. He was Classical Music Editor and Radio Correspondent for BBC Radio Times, and for 46 years, the opera critic of the Daily Mail.

A Large Quantity of New Hall and Other XIX Century Porcelain Tea and Coffee Wares, of varying patterns and designs and two New Hall reference books. (A Lot)

A Selection of Seven New Hall and Other XIX Century Porcelain Jugs, to include: two graduated jugs applied in white with cherubs with fruiting vine borders. (7)

Two New Hall Porcelain Teapots, Covers and Stands, each with floral decoration; five other New Hall teapots and covers and a coffee pot and cover. (18)One Teapot with small chip to spout and large hairlines across front. One with spout chipped off, large chip to back base, multiple small chips to inside rim and lid rim. Two with hairlines to base. One with crack to inside rim and chip to lid rim. Others with small chips and chips/loss to paint and some crazing.

Four New Hall and Other XIX Century Porcelain Sucriers and Covers, three slop bowls, pearlware asparagus server, plates, etc. (A Lot)

A New Hall part tea service, pattern no. 1063, monochrome bat-printed classical scenes, scenes of British landscapes and country houses, together with 10 Minton floral and gilt plates (2 trays)

Iggy Pop - Post Pop Depression (Live at the Royal Albert Hall), 2017 Record Store Day exclusive, triple gatefold, limited to six thousand copies (sealed); and six mixed Punk, New-Wave and Post-Punk records: Seek Shelter, 2021 special edition of six hundred copies, black and white smoked vinyl (sealed); The Vaselines - Enter The Vaselines, deluxe edition; and Yard Act - The Overload, 2021 pressing (sealed); Black Country - New Road, 2021 Rough Trade Exclusive, on clear vinyl (sealed); Guerrilla Girls, 2022 Rough Trade Exclusive, limited edition of five hundred copies (sealed); and Wire - Red Barked Tree, 2011. (7)

Crawford (Allan). C. R. Ashbee, Architect, Designer & Romantic Socialist, 1st edition, New Haven and London: Yale University Press, 1985, numerous monochrome illustrations, mostly after photographs, original cream cloth in dustwrapper, 4to, together with The Work of Henry Ospovat with an appreciation by Oliver Onions, 1st edition, London: St. Catherine Press, 1911, several tipped-in colour plates, monochrome and tinted plates and illustrations, original brown cloth gilt, some marks and light soiling, 4to, plusHall (Elton Wayland). Frederick Garrison Hall, Etchings, Bookplates, Designs, with a biographical sketch by Ariel Hall & a personal memoir by Henry P. Rossiter, Boston: Boston Public Library, 1972, monochrome illustrations, original rust-orange cloth gilt, 4to and other mostly modern art reference, biography, design interest, etc., all 20th-century publications, mainly 4to/8voQTY: (6 shelves)

Sea Charts. The Channel. Halley (Edmond), A New and Correct Chart of the Channel, London, J. & J. Knapton, W. & J. Innys, circa 1728, uncoloured engraved sea chart on 2 sheets, some marginal tears, lower and upper margin professionally replaced with later paper, 520 x 1190 mmBritish Isles. Senex (John), A Globular Chart, shewing the errors of the plain and the differences of Mercators sailing and discovering the true navigation according to the Globe..., London, circa 1728, uncoloured engraved sea chart, margins professionally replaced with later paper with repaired tears into printed area, upper margin with short closed tears, 520 x 610 mmDurham. Blaeu (Willem Janszoon), De Noord-Cust van Engelandt tusschen Flamburger Hooft en de Rivier van Nicasteel, Amsterdam, 1623, uncoloured engraved sea chart, trimmed to printed area to left and right sides, 260 x 360 mmWales. Senex (John), Milford Haven Accurately Surveyed [&] The Severn [&] Islands of Sicily, London, circa 1728, 3 uncoloured engraved sea charts on 1 sheet, some repaired short tears and chips to margins, 500 x 600 mmNewcastle. Senex (John), The River Tyne From Tinmouth to Newcastle [&] A Draught of the River Humber [&] A Draught of Yarmouth Roads [&] A Draught of Harwich [&] A Draught of Burlington Bay and Pier [&] The Road and Pier to Hartlepool, London, circa 1728, 6 uncoloured engraved sea charts on 1 sheet as published, some repaired short tears and chips to margins, 500 x 590 mmBristol. Senex (John), A Draught of the Bristol Channel from the Holmes to King Road, including the River Avon. Taken from Capt. Holliday's Survey of the Said River kept in ye. Merchants Hall at Bristol, London, circa 1728, uncoloured engraved sea chart, short repaired tear to lower central fold, wide margins, 470 x 560 mmIreland. Senex (John), A Complete chart of the Coast of Ireland, London, 1728, uncoloured engraved sea chart, the 'R' in Ireland replaced in manuscript, margins professionally replaced with later paper with repaired tears into printed area, upper margin with short closed tears, 520 x 610 mm, together with: D'Apres de Manevillette (Jean Baptiste P. D.). Carte des Isles et Dangers Situés au Nort-East de l'Isle Madagascar..., Paris, 1781, uncoloured engraved sea chart, plate number printed in red ink to right margin, 360 x 530 mm, together with: Knapton (James), A New and Correct Chart of the Coast of Africa..., London, circa 1738, uncoloured engraved sea chart, margins professionally replaced with later paper and some areas of manuscript facsimile to edges of printed area, repaired tear to lower centre fold, 520 x 620 mm and Knapton (James). A New Chart of the Coast of Africa from Mozambique to the Straits of Babelmandel and adjoining Ocean, London, circa 1738, uncoloured engraved sea chart, margins professionally replaced with later paper and some areas of manuscript facsimile to edges of printed area, repaired tear to lower central fold, 520 x 620 mm QTY: (10)

Charles III (b.1948) then HRH Prince of Wales; a signed Christmas and New Year card {2000} inscribed "To you both, from Charles", folded card with cypher to cover and a colour photograph of the Prince of Wales with Princes William and Harry at Birk Hall, envelope lacking. Provenance: Alan Maxwell MVO, of photographic and camera specialist, Wallace Heaton Ltd., official suppliers to the Royal Family

WILLIAM BRADLEY LAMOND RBA (SCOTTISH 1857 - 1924), MAKING BANNOCKS oil on canvas, signed, titled label verso framed image size 36cm x 46cm, overall size 47cm x 55cm Label verso: Forrest McKay, Edinburgh Provenance: Bonhams, Edinburgh, 9th June 2011 lot 167. Note: William Bradley Lamond was born at Newtyle, Angus. He had no formal art training and worked for the Caledonian Railway company for many years. He initially specialised in portraits and later worked on landscapes which have been described as "vigorous impressionistic scenes in oil – with a strong use of colour". He was elected a member of the Royal Society of British Artists in 1906, and exhibited at the Royal Academy (London), Royal Scottish Academy and Glasgow Institute of the Fine Arts. William Bradley Lamond first publicly exhibited his work at Dunfermline's Fine Art Exhibition in 1883, followed by the Dundee Fine Art Exhibition in 1884. Five years later he showed at the Royal Scottish Academy for the first time with the painting "A Mile Abune Dundee". In 1890 he became one of the founding members of the Dundee Graphic Arts Association and had work shown at Robert Scott's gallery in the city. His first notable commission came the following year – a presentation portrait of Sgt Major Kilgour of the Dundee Highlanders. Around 1894, he hit on one of his most profitable subjects – shore scenes featuring seaweed gatherers at work with horse and cart. He showed one such scene at Scott's which the Evening Telegraph hailed alliteratively as "a brilliant bit of brightsome work". It was soon bought by a local collector and Lamond painted many more variations on the same theme, including "A Breezy Day" (1896). In 1895 he had his most successful year yet, showing at the Glasgow Institute and the RSA and ending with an exhibition of paintings and sketches in his studio at 61 Reform Street. Although Lamond eschewed modern art, his compositions were often regarded as distinctive due to his preference for capturing particular effects rather than selecting subject matter because of its social or symbolic meaning, in contrast to other Dundee painters such as John Duncan or Stewart Carmichael. In 1898, 60 of his paintings were auctioned by William Fyfe at the City Assembly Rooms, fetching prices of up to 19 guineas. In 1900 he showed at the Royal Academy (London) for the first time and soon began to cultivate a London audience. In 1902 he opened his first one-man show in London, at Clifford's Gallery in Haymarket. Although many Dundee illustrators and cartoonists had enjoyed success in London (such as Martin Alexander and Max Cowper), the city's painters had rarely made such an impact in the capital. Lamond returned to London in 1903 to undertake a number of commissions and later that year was elected a member of the Royal Society of British Artists, recognised as "a painter of strength, with a true eye for colour harmonies and a special aptitude for interpreting the beauties of northern landscape and coast scenery". He continued to show work at the exhibitions of the RBA, RSA, Glasgow Institute and GAA but A, but in 1906 his health broke down. By summer 1908 Lamond was back in Dundee, where he held an exhibition of his latest work in his new studio at 3 Constitution Road; the following year he moved to 27 Bank Street where he would remain for the rest of his life. In 1915 he gained a celebrity patron in the person of music hall legend Harry Lauder, who commissioned two paintings from him and visited him periodically in both Dundee and Auchmithie. During the Great War, Lamond continued to paint as much as ever, spending his summers in Auchmithie then showing the results in exhibitions in his studio each autumn. Lamond died of pneumonia in 1924 at his home in William Street. Thirty-two of William Bradley Lamond's paintings are held in Scottish public collections.

Egypt Exploration Fund.- Naville (Edouard) The Temple of Deir El Bahari, 6 vol., 1895-1908; The Store-City of Pithom and the Route of the Exodus, second edition, 1885; The Shrine of Saft El Henneh and the Land of Goshen (1885), 1888; Bubastis, (1887-1889), 1891; The Festival-Hall of Osorkon II. in the Great Temple of Bubastis (1887-1889), 1892; Ahnas El Medineh (Heracleopolis Magna)..., 1894, plates and plans, many double-page or folding, some colour, original cloth-backed printed boards, rubbed, vol.6 of the first stained and spine torn at head, the second and third rebacked with new endpapers, Egypt Exploration Fund; and another from the series with contribution by Naville, folio & 4to (12) 

Tea ware to include Victorian, Worcester, Spode, New Hall and other cups and saucers and a Cauldon teasetLocation: 10-3If there is no condition report shown, please request

Very Clean Set with Fine Hand Coloured Maps Hall (Mr. & Mrs. S.C.) Ireland: its Scenery, Character, etc., 3 vols. imp. 8vo Lond. n.d. New Edn., 3 decor. titles & 3 add. engd. titles, with all the engraved views, text illus. & 19 maps (18 of which are fully hand coloured) in cont. full calf, dble gilt and blind tooled borders, gilt spines & mor. labels. A very good clean copy. (3)

Coins: A collection issued by The Dublin Mint Office "Building The New Ireland," comprising five silver Coins for G.P.O., Custom House, Liberty Hall, Four Courts, and Kilmainham Gaol, a layered gold Coin for Michael Collins, and a 9ct gold Coin for Leinster House, together with associated certificates, housed in folding container. (1)

Important Broadside Testimonials Tributes To Talbot Family, Co. Wexford Co. Wexford: Two large and elaborate original manuscript Broadsides, each approx. 94cms x 60cms ) 37” x 24”, executed in a most competent hand by A Patrick O’Bryan, 1829, all delightfully coloured, and with extensive address & numerous in set captions, ‘Talbot for Ever – Talbot and Independence,” – “Triumph of Benevolence” “Repeal of the Union” – “Talbot and Erin go Bragh,” and many others. The first is directed to John Hyacinth Talbot, (1794-1868) of Castle Talbot, Talbot Hall, & Ballytrent, Co. Wexford. The Second “A Testimony of esteem to the memory of the late Mrs. Talbot,” with verse down each side. “To John H. Talbot Esq. Honoured Sir, Although it being the will of Providence that I should Be placed in that humble station in society, which might render it Presumption in me to address a gentleman in this manner, Yet Sir I do hope that your exalted virtues and affable demeanour And your sublime humility, will pardon the presumption of an inferior, on The present occasion.  Honourable Sir, it is not your exalted station in society But your acknowledged talents, your public and private worth (with those Of your late ever to be lamented lady) and the exalted character, both you And her ever bore, have induced me now to lay before your honour This humble testimony of my respect and esteem (for the memory Of her, whose handsomest virtues and mild demeanour have endeared her To all ranks and stations in life) and an humble but inadequate Testimonial of that respect and esteem in which you are held, not Only by your own tenantry, but by those whose misfortune it Is, to be obliged to drag out their existence under the despotic yoke Of fanatic intolerance and protestant ascendancy. Honourable Sir, if you will design favourably to accept this Humble testimony of my respect and esteem (the greatest that I Can offer), it will be one of the greatest favours that can Be conferred on him who most humbly but yet most Respectfully begs leave to subscribe [crease]  with the most [crease] respect, honourable Sir, Your most obedient And very humble servant. As a manuscript, unique and highly important pair, w.a.f.     (2) John Hyacinth Talbot (1794-1868) of Castle Talbot, Talbot Hall and Ballytrent, County Wexford, was the son of Matthew Talbot of Ballynamony, County Wexford and Jane, Countess d'Arcy, and educated at Stonyhurst College, Lancashire. Talbot was first elected Repeal Association MP for New Ross at the 1832 general election and held the seat until 1841, when he did not seek re-election. He sat again for the seat from 1847 to 1852 when, again, he did not seek re-election. He was selected as High Sheriff of Wexford for 1855. He was a member of the Reform Club. In 1837 he commissioned AWN Pugin to design the Catholic church in Bree; it was opened in 1839. In 1822, he married Anne Eliza Redmond, only daughter of Walter Redmond of Ballytrent (great-great-uncle of John Redmond, MP). She died 5 October 1826.   They had 3 daughters, all of whom married. In 1851 he married Eliza, daughter of Sir John Power, Bt, with whom he had a son and a daughter.  The son, John Hyacinth Talbot II, born in 1851, succeeded to the estate and died without issue in 1920.  See pedigree in BIFR p. 929.

Postcards, a vintage album of approx. 150 cards of London suburbs, mostly Woolwich, with a few Norbury, Highgate and Plumsted. Woolwich RPs include King George V visit, unveiling war memorial by Duke of Connaught, Town Hall, Robert St Chapel fire, Woolwich Free Ferry, opening of footway tunnel 1912, Army Ordnance Office, Church Parade R.A Band, various barracks, Green End, Powis St (lots), New Rd, Prince Imperial, 10 O'clock gun, Beresford Square, explosion at W. Arsenal, Woolwich Arsenal interior views (11), printed cards of W. Arsenal station exterior and other printed street scenes. Sold with vintage album of approx. 99 cards of Cockington (Devon) (mixed condition)

DAVID BOWIE - Space Oddity - Signed / Autograph album sleeve - Autographed in Person by David Bowie 87, Herbie Flowers, Mick Wayne, Rick Wakeman and Tony Visconti on different dates between 1986 and 1996 at Trident Studioes London. British pop/rock singer, musician, songwriter, and actor. Born- David Robert Jones on 8 January 1947 in Brixton, London, England, UK.Died: 10 January 2016 in Manhattan, New York City, USA (aged 69).Bowie is recognized as one of the most respected contemporary musicians of his period. He was a leading figure in the music industry and is considered one of the most influential musicians of the 20th century.Inducted into Rock And Roll Hall of Fame in 1996.

THE CURE -  ROBERT SMITH - Seventeen Seconds Vinyl LP - Signed in Person by Robert Smith on the front sleeve in black sharpie - With Record. Video proof sent to buyer after sale. English new wave / post-punk / pop rock band founded in 1976 in Crawley, West Sussex. The band was initially called Malice in 1976, Easy Cure in 1977, and finally The Cure in 1978. The band has seen many line-up changes but Robert Smith has been the frontman / songwriter / vocalist / guitarist throughout their existence. Inducted into the Rock And Roll Hall Of Fame in 2019.

IMPORTANTE ET RARE COUPE EN JADE VERT, YIDynastie Yuan (1279-1368)/Début de la Dynastie Ming (1368-1644)AN IMPORTANT AND VERY RARE GREEN JADE POURING BOWL, YIYuan Dynasty/early Ming DynastyOf circular shape supported on a flat, slightly countersunk base, with gently rounded sides and lipped rim, set on one side with an angular outward flaring spout above a short cloud-scroll underneath, set on the other side with a triangular handle in the form of a pierced and openwork ribbon centered on a small peach, the stone a translucent, soft mottled green colour polished to a soft sheen. 21 cm (8 1/4 in) wide across handle and spout Footnotes:PROPERTY FROM A GERMAN FAMILY COLLECTION德國家族珍藏元/明早期 碧玉匜Provenance:Collected in China between 1894 and 1922, then handed down in the family by descent.來源於1894年至1922年間得自中國，後經家族流傳至今This green jade pouring vessel is incredibly rare and is one of the very few jade vessels made in the between the Song and early Ming dynasties. Jessica Rawson notes that the sheer extravagance involved in carving jade vessels may account for the absence of jade vessels in tombs of the pre-Han period, and the same reason may apply to the scarcity of jade vessels in tombs and hoards of the Tang, Song, Yuan and Ming periods. In the early period, bronze technology enabled the production of highly complex vessels shapes and designs that were difficult to copy in jade, a material that did not lend itself to articulation or depth of decorative detail when carved. As the use of bronze vessels declined and ceramic wares with distinctive shapes and glazes gained in importance, the use of jade to fashion vessels of similar shapes and designs made in ceramic was still exceptional. Scholars have noted that the influence of Western and Central Asian metalware played an important role in the evolution of ceramic vessels and lacquerware made in the late Tang, Song, Jin and Yuan dynasties. In fact, this particular jade pouring vessel with its distinctive angular spout and flat openwork handle is an example that perfectly illustrates the links between metalware, ceramics and jade in the Song and Yuan period. This unusual spouted pouring vessel known as yi is a form that appeared both in ceramics and metal in the 14th century. Examples made in ceramic and porcelain are plentyful and well documented, see, for instance, a Yuan dynasty celadon-glazed Longquan pouring cup yi excavated in Taishun county, Zhejiang, illustrated in Celadons from Longquan Kilns, Taipei, 2014, no. 148-2; compare also with a blue and white pouring vessel of this shape in the collection of the British Museum, London, illustrated in Jessica Harrison-Hall, Ming Ceramics in the British Museum, London, 2001, p. 69, fi. 1:21; see also a Yuan dynasty blue and white spouted bowl excavated in Lintao County, Gansu Province, illustrated in Splendors in Smalt: Art of Yuan Blue-and-white Porcelain, Shanghai, 2012, pp. 148-149, no.42, lot 17, and an underglaze-red pouring vessel of this type published in Shane McCausland,The Mongol Century. Visual Cultures of Yuan China, 1271-1368, London, 2014, pp. 82-83, no. 24. The Mongol rulers of the Yuan dynasty took over the ceramic tradition of the kilns that flourished in southern China. They appropriated many of the existing ceramic shapes and designs to fit their taste and needs. The small loop beneath the spout of the ceramic pouring vessels is a reminder that in the nomadic tradition and culture similar vessels were hung from the belts of the Mongol horsemen owners. The angular spout and the sharp lipped rim of this jade pouring vessel demonstrate that the form originally derived from metal prototypes as a silver pouring bowl inscribed with the year 1333 and excavated from a hoard in Hefei, Anhui, shows, see The World of Khublai Khan. Chinese Art in the Yuan Dynasty, New York, 2010, p. 83, fig. 115. Compare also with a related Yuan dynasty silver pouring bowl in the collection of the Philadelphia Museum of Art, published in Hiromi Kinoshita, Art of China. Highlights from the Philadelphia Museum of Art, Philadelphia, 2018, p. 82. In Yuan culture, such pouring vessels were used to pour wine into smaller cups. and often appear together with yuhuchunping vases as Chuimei Ho observed in 'Social Life under the Mongols as seen in Ceramics', in Transactions of the Oriental Ceramic Society, vol.59, 1994-95, p. 44. A mural discovered in the tomb of Zhang Andabuhua and his wife Li Yunxian, in Dongercun, Shaanxi, dated 1269, shows a table full of wine cups, a vase and a pouring vessel (Fig. 2). While this green jade pouring vessel is clearly related to Yuan dynasty ceramic and metalware examples, it is different from these rare silver examples as it also has a distinct triangular handle facing the spout on the other side of the vessel. This feature appears on three other rare jade vessels of similar shallow form but without a spout and described as cups, two dated to the Song dynasty, and the third to the Yuan dynasty, all three in the collection of the Palace Museum, Beijing, published in Compendium of Collections in the Palace Museum. Jade. 5: Tang , Song, Liao, Jin and Yuan Dynasties, Beijing, 2011, nos. 62, 63 and 268 (Fig. 3).This unusual green jade pouring vessel appears to be unique as no other comparable piece is known. Closely related types of vessels made of silver and jade are equally scarce and suggest that not many were made. Known examples share different features meaning that they may have been individual commissions, luxury commodities reserved for members of the Yuan elite.For further information on this lot please visit Bonhams.com

A voucher for one valid for six months. Subject to availability. The Bawdsey Hall wildlife photography hides are purpose-built and designed specifically for wildlife photographers and enthusiasts, The Bawdsey Hall Wildlife Photography Experience offers magical new perspectives and brings you closer to the action than ever before. https://bawdseyhallwildlifephotographyhides.co.uk/evening-experience-2

FIREARMS HISTORY: 9 VOLUMES comprising: Hall, A. Rupert, Ballistics in the seventeenth century;: A study in the relations of science and war with reference principally to England, J. & J. Harper editions, New York, 1969, 186 pages, some illustrations; Boothroyd, Geoffrey, The Handgun, Bonanza Books, New York, 1970, 564 pages, copiously illustrated in b&w; Daw's Gun Patents: Comprising a Descriptive Account of the Patent Central-Fire Breech-Loader and Its Cartridge, Kingmead Reprints, Wiltshire, 1973, 125 pages, some illustrations; A history of firearms from earliest times to 1914; Probermester Georg Wilhelm von Bergens våbenbog; two books on French arms; two books on Antique Pistol collecting and a V&A collection catalogue (9 volumes) Provenance From the library of William 'Bill' Reid, CBE (1926-2014)

A group of English china, to include; a New Hall cup and saucer, saucer with New Hall within two circles, an Aynsley breakfast cup, 10 cm, Royal Crown Derby, also a Belleek bowl, (A Lot) The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso 

A small group of 19th century English porcelain and china - including a New Hall pattern no. 421 tea bowl and saucer, together with a second saucer, painted with Oriental figures in a garden, the saucers 13.75cm diameter; a pearlware Sunderland pink lustre tea bowl and saucer; a two-handled sucrier with cover and stand, possibly Spode (glued repair to rim, star crack to stand); etc. (11)

Lieutenant Douglas Alliban DFC (1898-1971) Sherwood Foresters / Nottinghamshire and Derbyshire Regiment, Royal Flying Corps & Royal Air Force. PLEASE SEE CONDITION REPORT.A collection of First World War medals and ephemera to include:Distinguished Flying Cross awarded in the New Year’s Honours 1919.1914-1918 Victory Medal and War Medal with miniatures and oak leaves.Pilot's log book dating from September 1916 (Hendon), 1917 (Hounslow then Ismalia, Egypt and Sarona, Palestine/now Israel, as part of 113 Squadron and briefly 14 Squadron), through to October 1918 (total hours flown 638 hours, 50 mins), before joining 145 Squadron on 6th October 1918. The log details observation / reconnaissance, artillery patrols and bombing missions, machines flown, times, heights and other notes.Three hand-written notebooks covering September 1917 – July 1918 containing Alliban’s personal experiences and thoughts, sightseeing and learning of the area’s history, flying experiences and near-misses (including describing the “magnificent show” in which Captain Peter Drummond D.S.O. M.C. single-handedly engaged six German aircraft; Alliban hopes he is awarded a bar for his DSO after that - he was), stuck-in photographs / newsletter / newspaper articles and a Christmas 1917 dinner menu signed by fellow officers.A collection of observation and reconnaissance aerial photographs showing Jerusalem, Tabsor, Jaffa and Kerak etc (many coded with squadron and map references to the upper corners).Personal photographs including a group shot of officers to include Captain Norton MC, Major Cutbill and Lieutenant Dutton MC, and a photograph of a Nieuport Scout annotated verso ‘my machine’.Ephemera to include newspaper clippings, ‘Instructions for Contact Patrol Work by Aeroplanes’ leaflet issued by the General Staff in 1916 and copy of birth certificate.Second World War certificate for service with the Air Training Corps and approval note from the Air Ministry.Rosary beads and a ‘lucky charm’ silver Scoutmaster plumed hat badge.Douglas Alliban was the younger son of William Henry and Georgina Maud (nee Beaumont) and was brought up at Tupton Hall in Chesterfield, Derbyshire. He enlisted with the Sherwood Foresters / Nottinghamshire & Derbyshire Regiment along with his older brother (by one year), William Beaumont Alliban, and joined the Royal Flying Corps in August 1916. Despite the fact that serving as aircrew in this incredibly early age of flying was considered one of the most dangerous roles in World War One, Douglas survived the war but his brother Lieutenant William Beaumont was tragically killed at St Quentin in 1917, aged 20, and is commemorated at Thiepval. No. 113 Squadron began service in 1917 with the Egyptian Expeditionary Force commanded by General Edmund Allenby. Initially, the squadron was a unit of the Royal Flying Corps, serving during the Sinai and Palestine Campaign as a reconnaissance, bomber, transport and missile operation squadron. The Royal Flying Corps (later RAF) itself had only been formed in 1912 as the air aim of the British Army, with the Middle East Brigade being established in July 1916. Despite being a relatively small unit, the RFC gave valuable assistance to the Army in the eventual defeat of Ottoman forces in Palestine, Trans Jordan and Mesopotamia (Iraq).Crucial to this was the role of aerial photography, which revolutionised the nature of warfare by enabling the accurate recording of enemy movements and defences, as well as mapping lesser-known terrain. However, this work was extremely hazardous, which is attested by many hair-raising accounts recorded in Alliban’s notebooks. Initially, the aircraft were generally unarmed, with the observer leaning over the side of the aircraft, camera in hand and changing plates with frozen fingers thousands of feet above land. And that’s before you take into account the presence of enemy aircraft. Alliban's log book coolly records regular instances such as "Engine failure. Had to land at Gamli. Guest of ANZAC Yeomanry... Working all night in sandstorm" and "Very foggy. Had to come down to within 50ft at times. Engine very bad. Cut out just near 'drome".Further to the military aspect, this collection contains fascinating personal details; from the photographs of fellow officers relaxing around their tents and Palestinians going about their business, to Alliban’s obvious captivation with this new environment he found himself in “Cairo is a topping place, even better than Alexandria. This hotel is absolutely the last word in Hotels” about Shepheard’s Hotel in Cairo (previously Hotel des Anglais). Also touching is the plumed silver Scoutmaster badge which Alliban carried with him as a lucky charm, which may have originally belonged to his brother who is recorded as working with the boy scouts while at Chesterfield Grammar School. Maybe the lucky charm worked for Douglas though, as the last pasted-in photograph in his notebooks shows a crashed aeroplane nose-down in the desert, which Alliban has forcefully annotated ‘Not mine’.Alliban was mentioned in dispatches for “gallantry and devotion to duty” for work from March to September 1918. His old school Eastbourne College’s roll of honour upon receipt of the DFC states that “His keenness and fearlessness have earned for him a high reputation. He has done most valuable work for his Squadron as a pilot, and is to be relied on at all times”. Sadly, this is listed above his brother, a fellow student, along with details of his death in France. Please note that this collection has been entered for sale by a direct family member but it's likely that the medals are infact replacements as the ribbon on the DFC is later and the naming to the British War and Victory medals are later although all the related effects are all original. A matching group of medals with copied ephemera are to be sold by Noonans of Mayfair on the 5th of December.

A blue and white painted delft dish, 18th Century, possibly London, decorated with pagodas within a landscape, the borders with fern and rock work, with panels of crosshatched patterning to the rim, 31cm diameter, together with a New Hall tea bowl and saucer (2)

A Worcester cobalt blue ground small plate, circa 1780, painted to the centre with a floral bouquet within a gilt frame, blue painted open crescent mark to base, diameter 19cm, together with a Worcester teapot stand, painted with a central gilt floral sprig, a small Worcester two-handled dish painted in Meissen style with puce flowers and gilt frames, 16.8cm long (faults), a pair of Worcester style plates and a small group of mostly New Hall type wares (faults).

Five assorted New Hall porcelain teabowls, late 18th century, including the Chinoiserie pattern No. 20 with a figure holding a parasol and a boy with a windmill, diameter 8.4cm, one in pattern No. 621 (Dinner Is Served), the others with floral patterns, together with a similar teabowl, probably Mason's, a black basalt jug, probably Birks, height 10cm, a pearlware teabowl printed with deer and flowers, a Spode pierced oval basket dish (restored), two 18th century Chinese teabowls and a saucer and a Japanese teabowl (faults).

A Dresden porcelain turquoise blue ground chocolate cup, cover and stand, circa 1900, painted with figural and foliate panels within gilt scroll borders, cancelled underglaze blue crossed swords mark to base, diameter of saucer 15.5cm, together with a pair of New Hall porcelain teabowls and saucers, circa 1790, enamelled in pattern No. 121, a Worcester style ivory glazed vase painted with birds, height 12.5cm, and a Worcester sweetmeat in the form of two large vine leaves raised on a branch stem (faults and restoration).

* CHARLOTTE CHEVERTON (BRITISH 1960 - 1991), GRANDPA'S BASKET mixed media on board, attributed and titled on printed gallery exhibition label versomounted, framed and under glass image size 12cm x 8cm, overall size 23cm x 20cm Label verso: The Open Eye Gallery, Edinburgh.Note: Leith School of Art (Edinburgh) was set up in 1988 by two art teachers, Mark and Lottie Cheverton. Their aim was to establish a supportive, community learning environment for art students. The Chevertons ran the School together for three years, offering a Foundation course and a range of short courses. They recognised that studying art could be a challenging experience, and they wanted to create a positive tradition for teaching art and a learning environment where students would feel nurtured and grow in their ability. Tragically in 1991, the Chevertons were killed in a car accident. It was clear that their original vision of teaching was a strong one, and in 1992 Philip Archer, one of their close friends who shared their vision, became Principal. Since that time the School has grown and evolved. New year-long courses have been added, the short course programme has expanded, there are community classes and dedicated courses for schools within the School’s Outreach Programme. There are approximately forty members of staff, including around thirty teaching and teaching support staff. The School building has grown, expanding to fill all the interior spaces in the building. In 2000 all the outside space around the School was converted to inside space, resulting in the addition of the sculpture court, library and gallery area. In 2014 the School expanded again by leasing space at St James Church, which is located close to the School on North Junction Street. It is a lovely 1930s church hall with two bright, spacious studio spaces and an outdoor area. Throughout all this change, the vision of the original founders remains strong: to create a School with a vital artistic life where both tradition and innovation work together allowing students to produce work of distinctive quality and character. Lottie was a talented artist in her own right but she and her husband created an institution that has gone on to win widespread accolades and their vision has inspired and continues to inspire many hundreds of artists.

WEY, (Francis), Rome, New Edition Revised and Abridged, London, Chapman and Hall, 1875, together with WILSON, (H.W.), With the Flag to Pretoria, A History of the Boer War of 1899-1900, Vol.1, London, 1900, (2)

CHURCHILL, W. S. The Second World War, 6 books complete with dust-jackets, Boston: Houghton Mifflin, 1948-1951. (6) _CHURCHILL, W. S. A History of the English Speaking Peoples, Vol. II The New World, Vol IV The Great Democracies, with dust-jackets, London: Cassell, 1956-58. (2) _CHURCHILL, W. S. Onwards to Victory, FIRST ed., unclipped d.j., internally bright, spotting at prelims and text-block edges, d.j. with some chipping at extremities, London: Cassell, 1944._ CHURCHILL, W. S. Marlborough, vol. I, First ed. second printing, unclipped d.j., some toning at spine, London: George G. Harrap, 1933._BUCHAN, J. The King’s Grace, SIGNED ltd ed. 21/500, unclipped d.j., London: Hodder & Stoughton, 1935._LAWTON, Tommy. Soccer the Lawton Way, SIGNED First ed., original cloth, solid and bright internally, some toning at edges, d.j. showing loss in places, London: Nicholas Kaye, 1954._TAYLOR, Tom. Leicester Square, inc. folded maps, London: Bickers & Son, 1874._CHURCHILL, W. S. Lord Randolph Churchill, Vol. II only, Macmillan, 1906._ HALL, Mr. & Mrs. S. C. The Book of the Thames, leather-bound, London: Arthur Hall, Virtue & Co., 1859_ HISSEY, J. J. Across England in a Dog-Cart, London: Richard Bentley & Son, 1891._MONEY, Walter. The Battles of Neuburg, 2nd ed., includes maps, offsetting and spotting in places, some splitting at hinge, London, Simkin, 1884._PRESCOTT, W. H. History of the conquest of Mexico, 3 volumes, full-calf. (3) _CARY, J. Great Roads, fold-out maps, later binding, London: J. Carey, 1821._The Seafarers, 4 volumes, near-fine, Caird & Rayner-Bravac ltd. (4) _GLIEG, Rev. R. Story of the Battle of Waterloo, attractive binding, London: John Murray, 1861._KIMBER, E. Baronetage of England, Vol. II only, attractive full-calf, London: G. Woodfall et al., 1771._WILKINSON, Norman. The Dardanelles Colour Sketches from Gallipoli, FIRST ed., original cloth with pictorial design in gilt, offsetting ffep, some spotting/toning at edges, bumping/wear at boards, London: Longmans, Green & Co., 1915 (28)