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GOLDEN COCKEREL PRESS - T. E. Lawrence (1888-1935). Crusader Castles, London, 1936, 2 volumes, 4to, illustrations, 2 folding maps contained in envelope, original half morocco gilt by Sangorski & Sutcliffe. FIRST EDITION. NUMBER 135 OF 1,000 COPIES. (2)GOLDEN COCKEREL PRESS - Thomas Edward LAWRENCE [i.e. "Lawrence of Arabia"] (1888-1935). Crusader Castles, edited by A. W. Lawrence. London: The Golden Cockerel Press, 1936. 2 volumes, 4to (250 x 190mm). Titles printed in red, collotype portrait of the author with his four half brothers as a frontispiece to volume II, collotype illustrations, maps, plans and facsimiles after the author, many full-page, some printed in colours, 2 folding maps after H. Pirie-Gordon printed in red and black and contained in the original loosely-inserted envelope (small stain at the foot of the title page to the second volume, not affecting letters, some extremely faint marginal spotting and staining to a few leaves, envelope for the 2 folding maps lightly spotted but both the maps clean). Original russet half morocco and cream buckram by Sangorski & Sutcliffe, the spines lettered in gilt with five raised bands, with the publisher's cockerel motif stamped in gilt at the foot of each spine, top edges gilt, others uncut (some very light staining to the buckram). Provenance: The Collection of Leonard Messel, Nymans, Sussex. FIRST EDITION. NUMBER 135 OF 1,000 COPIES. The statements of limitation in each volume, on the verso of each title, read: "Printed and published in Great Britain by Christopher Sandford, Francis J. Newbery, and Owen Rutter at The Golden Cockerel Press, 10 Staple Inn, London, and completed on the [in vol. I:] 20th May [in vol. II:] 1st August 1936. The edition is limited to 1000 copies printed in Perpetua type on British mould-made paper." The number of this copy (135) appears at the end of the first volume statement. Volume I, which contains Lawrence's original thesis submitted at Jesus College, Oxford, in 1910, has a Foreword by A. W. Lawrence, his youngest brother and literary executor; volume II, which contains Lawrence's letters on military architecture written to his mother, has a Preface by her. It is interesting that A. W. Lawrence's Foreword concludes with a brief account of a minor fall-out with the press regarding the layout of the book: he writes, "In order to avoid loss of detail in the collotype reproductions through loss of scale, I have arranged that some of the larger plates should be turned on their sides, and other departures made from Golden Cockerel concepts of book-production. The Press wishes it to be appreciated that it does not advocate this treatment, and has agreed to issue the book in this way only with reluctance. A. W. L." Found in the book was a fragment of an obscure undated newspaper article, pasted onto a piece of card, which was probably used by a previous reader as a marker. It is difficult to see the article's relevance, until one remembers that Lawrence was a keen motorcyclist and was killed in a motorbike accident near his home in Clouds Hill, Dorset, in 1935, a year and a day before the publication of Crusader Castles. The article reads: "The special allowance of petrol granted for men on leave can now, where the man himself is not the registered owner of a vehicle, be claimed for a car or motor-cycle registered in the name of his wife." Chanticleer [Bibliography of The Golden Cockerel Press, 1921-36] 112; Clements T. E. Lawrence. A Reader's Guide pp.27-28; O'Brien T. E. Lawrence: A Bibliography A188-189: "The first of The Golden Cockerel volumes of Lawrence's 'literary remains' to be published after his death." (2)
A selection of Sterling Silver Jewellery. To include two Vintage Silver Hinged Bangles, two Silver Charm Bracelets and a Unmarked White Metal "B" Initial Pendant and Sterling Silver Belcher Chain. One the Silver Bangles shows the hallmarks on the outer side on one half of the Bangle. The Bangle is hallmarked on the outer side of the Bangle with the makers marks "B LTD" for Bracelon Ltd, the date letter "C" for 1977, the Lion Passant for Sterling Silver, the Anchor assay mark for Birmingham and Queen Elizabeth II hallmark. The other Bangle with safety chain has a floral pattern on one side and is hallmarked with the Lion Passant for Sterling Silver and the date letter "P" for 1964. One of the Silver Charm Bracelets has Ten Unmarked White Metal Charms. To include Prince of Wales Feathers Charm, a Steam Train Charm and a Horse Charm. The other Silver Charm Bracelet has Eleven Charms mostly Unmarked White Metal. To include a Motorbike Charm, a Car Charm and a Postbox Charm. The Unmarked White Metal "B" Initial Pendant has engraving of a Crown on the other side. The Belcher chain is hallmarked "925" for Sterling Silver. Total Gross Weight of the Jewellery is approx. 137.3 grams.
Collection of 12 Robert Harrop Camberwick Green figures - Roger Varley On Motorbike CG78, Mr Crockett In Van CG79, Mr Gubbins Dustman CG80, Mr Sneed Dustman CG81, Mr Robinson Window Cleaner CG82, P.C McGarry Bbes by the Bakery CG83, Dr Mopp Bees by the Bakery CG84, Windy Miller Bees by the Bakery CG85, Thomas Tripp In Milkfloat CG86, The Mayor Tidy up Trumpton Cup CG 87, Captain Flack Emergency Call CG88 and Paddy Murphy Whizzing Along CG89 (all boxed)All in good condition with no damage
A 1970s John Bates leather waistcoat with cutwork and embroidered poppies and wheat, a 1980s (or earlier) leather motorbike waistcoat with touring badges and on the back a large eagle embroidered badge with Bavaria below, a 1950s/60s suede jerkin, a black Jean Varon blouse and an olive Jean Varon dress in courtelle jersey with running stitch detail (5) all pieces show some wear commensurate with age, storage and use
A 1991 HONDA CBR600F MOTORBIKE, 599cc petrol engine, first registered April 1991 under number plate H649 BKH, MOT expires 25th March 2025, one key, NO V5C, odometer reads 26,305 miles (unwarranted) (Condition Report: starts and rides, some panels loose, some panels scratched, cover missing from fuse holder, front levers upgraded) (BUYERS PREMIUM IS CHARGED AT 10% + VAT PLUS ONLINE PLATFORM FEES)
A Minichamps 1:18-scale Jaguar Racing R5 M. Webber F1 car, two A Model Lotus 49B U.S.A. G.P. 68 Mario Andretti cars and a Maisto Special Edition Volkswagen Cabriolet (1951); together with a Minichamps 1:12-scale Honda RC212V Team Honda Gresini Marco Melandri MotoGP 2007 motorbike (5) Condition Report:Available upon request
SIX BOXED 1970'S POLISTIL CLUB 33 1/24 SCALE MOTORBIKE/MOTORCYCLE MODELS, all appear complete and in very good condition, look to have hardly, if ever, been removed from boxes which are all complete but have some fading, marking and wear, three with damage to cellophane, with a boxed set of the four Lledo 'Spirit of Brooklands' 85th Anniversary racing cars, together with the cardboard Brooklands circuit diorama still sealed in original envelope and two boxed 1980's Corgi Ford cards, the Lledo models all complete with unused decal sheets, in very good condition and look to have hardly, if ever, been removed from boxes (2 boxes)
A COLLECTION OF VARIOUS DIECAST UNBOXED AND BOXED MODEL VEHICLES, AIRCRAFT, AND FIGURES, to include 4 Matchbox Models of Yesteryear in original boxes, model no.s Y-2, Y-6, Y-9, and Y-11, and 12 loose Matchbox models including Popeyes Paddle Wagon and a Speed King Easy Rider to name a few, 12 unboxed Corgi models to include Corgi Juniors, a Corgi Yellow Submarine which has a broken propeller and a Whizzwheels Willys Jeep, Driver and Rear Gun to name a few, a Dinky Toys Leopard Tank, also included a helicopter, prop plane, motorbike, figure, etc all are in good condition, signs of scratches, scuffs, paint loss on raised edges, the original cardboard boxes show signs of age, wear on edges and corners and one box coming apart
Eighteen Dinky loose playworn diecast vehicles including Lagonda, Oldsmobile, Bentley S2 no.194, Rolls-Royse silver wraith no.150, Sunbeam Alpine no. 107, Humber Hawk no. 165, Nash Rambler no.173, Studebaker Golden Hawk no. 169, A.C. Aceca no. 167, Guy truck, fire engine no. 955, wheelbarrow, AA motorbike and sidecar, Austin taxi, etc together with a boxed Dinky Bristol 173 helicopter no, 715 (a/f and box tatty) (19)
JAMES BOND: SKYFALL (2012) - James Bond's (Daniel Craig) "Sixty Years of James Bond: Part II - Online Auction" Tom Ford Suit - James Bond's (Daniel Craig) Tom Ford suit from Sam Mendes' Bond film Skyfall. Bond wore his suit in the opening action sequence, as he chased the mercenary Patrice (Ola Rapace) through Istanbul, first on a motorbike across roofs and then along a moving train. Skyfall was nominated for five Academy Awards, the most ever for a Bond film. This suit was originally sold by Christie's in their "Sixty Years of James Bond: Part II - Online Auction" in 2022, having been consigned directly by EON Productions Ltd.Fashion designer and film director Tom Ford designed Bond's suits for the four most recent films in the series, starting with Quantum of Solace (2008), and all of Bond's clothing was custom-made for Skyfall.The grey two-piece rayon-and-silk suit features an embroidered tag in the inside right pocket reading "Daniel Craig Bond 23". It is accompanied by a white Tom Ford shirt with French cuffs; a Tom Ford silver-grey tie; and a pair of Tom Ford cufflinks. The jacket is labelled size "48F" and the trousers "32". The suit jacket exhibits some wear and plucking on the front right.Additional provenance:This suit was previously sold by Christie's in their "Sixty Years of James Bond: Part II - Online Auction", which took place between 15 September and 5 October 2022.Estimate: £20,000 - 40,000 M Bidding for this lot will end on Thursday, November 14th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, November 15th, Saturday, November 16th or Sunday, November 17th.
A collection of action figures to include a Palitoy Action Man Action Soldier with box, two Mego Fantastic Four figures, a Pedigree Anna Moore and the Champions doll with horse etc, with various accessories to include an Action Man motorbike and a Cherilea tank. Condition reports for each lot are available on our website.
IXO Altaya 1/24th scale motorbike collection, generally excellent in excellent to good plus plastic display cases, with 2002 Yamaha YZR-M1 Max Biaggi, 1994 Cagiva 500 John Kocinski, 2003 Kawasaki ZX-RR Garry McCoy, 1981 Suzuki RGB500 Marco Lucchinelli, etc. Contents appear complete but unchecked. Viewing recommended. Qty 37 (2B)
oil on canvas, signed framed overall size 128cm x 160cm Note: James Hardie was an artist, pilot, writer and educator. He studied at GSA, 1955-59, received The Keith Award 1958, The Chalmers Bursary 1959, The Torrance Award in 1968 among others. Hardie returned as a painting lecturer 1980-1995. His first major art project, inspired by the rock formations at Fife Ness was the subject of a film; The Painters Landscape” commissioned by The Royal College of Art in 1967. Prime time 6pm BBC news broadcast his inaugural flight on an old Messerschmidt plane that he rebuilt by hand over many years, with help from British and French engineers. Hardie’s art explores the direct physical encounter of nature by exploring ways of traveling though it - the airplane, motorbike, boat. For Hardie, the wide open spaces in the Scottish landscape where sea meets land were a constant source of inspiration. He felt Scotland gave him everything and more than he needed. He was a fierce advocate of truth and speaking directly from first hand experience. When teaching at Aberdeen College of Education, he invented, together with his boss and fellow pilot Bill Burns, the concept of “Area Investigation“. Hardie would fly his students to remote islands all over Scotland and encourage them to engage with the people, landscape and culture in order to broaden their experience of life and art practice in new and surprising ways. Public collections include Aberdeen Art Gallery, University of Stirling, Scottish Arts Council, Contemporary Art Society, Kendal Art Gallery, Hospitalfield, South Lanarkshire Council, Low Parks Museum.
oil on board, signed and dated '07 framed overall size 125cm x 88cm Note: James Hardie was an artist, pilot, writer and educator. He studied at GSA, 1955-59, received The Keith Award 1958, The Chalmers Bursary 1959, The Torrance Award in 1968 among others. Hardie returned as a painting lecturer 1980-1995. His first major art project, inspired by the rock formations at Fife Ness was the subject of a film; The Painters Landscape” commissioned by The Royal College of Art in 1967. Prime time 6pm BBC news broadcast his inaugural flight on an old Messerschmidt plane that he rebuilt by hand over many years, with help from British and French engineers. Hardie’s art explores the direct physical encounter of nature by exploring ways of traveling though it - the airplane, motorbike, boat. For Hardie, the wide open spaces in the Scottish landscape where sea meets land were a constant source of inspiration. He felt Scotland gave him everything and more than he needed. He was a fierce advocate of truth and speaking directly from first hand experience. When teaching at Aberdeen College of Education, he invented, together with his boss and fellow pilot Bill Burns, the concept of “Area Investigation“. Hardie would fly his students to remote islands all over Scotland and encourage them to engage with the people, landscape and culture in order to broaden their experience of life and art practice in new and surprising ways. Public collections include Aberdeen Art Gallery, University of Stirling, Scottish Arts Council, Contemporary Art Society, Kendal Art Gallery, Hospitalfield, South Lanarkshire Council, Low Parks Museum.
oil on board, signed, titled verso unframed overall size 73cm x 100cm Board separating in places; appears to have water damage Note: James Hardie was an artist, pilot, writer and educator. He studied at GSA, 1955-59, received The Keith Award 1958, The Chalmers Bursary 1959, The Torrance Award in 1968 among others. Hardie returned as a painting lecturer 1980-1995. His first major art project, inspired by the rock formations at Fife Ness was the subject of a film; The Painters Landscape” commissioned by The Royal College of Art in 1967. Prime time 6pm BBC news broadcast his inaugural flight on an old Messerschmidt plane that he rebuilt by hand over many years, with help from British and French engineers. Hardie’s art explores the direct physical encounter of nature by exploring ways of traveling though it - the airplane, motorbike, boat. For Hardie, the wide open spaces in the Scottish landscape where sea meets land were a constant source of inspiration. He felt Scotland gave him everything and more than he needed. He was a fierce advocate of truth and speaking directly from first hand experience. When teaching at Aberdeen College of Education, he invented, together with his boss and fellow pilot Bill Burns, the concept of “Area Investigation“. Hardie would fly his students to remote islands all over Scotland and encourage them to engage with the people, landscape and culture in order to broaden their experience of life and art practice in new and surprising ways. Public collections include Aberdeen Art Gallery, University of Stirling, Scottish Arts Council, Contemporary Art Society, Kendal Art Gallery, Hospitalfield, South Lanarkshire Council, Low Parks Museum.
oil on canvas, signed unframed overall size 113cm x 126cm Note: James Hardie was an artist, pilot, writer and educator. He studied at GSA, 1955-59, received The Keith Award 1958, The Chalmers Bursary 1959, The Torrance Award in 1968 among others. Hardie returned as a painting lecturer 1980-1995. His first major art project, inspired by the rock formations at Fife Ness was the subject of a film; The Painters Landscape” commissioned by The Royal College of Art in 1967. Prime time 6pm BBC news broadcast his inaugural flight on an old Messerschmidt plane that he rebuilt by hand over many years, with help from British and French engineers. Hardie’s art explores the direct physical encounter of nature by exploring ways of traveling though it - the airplane, motorbike, boat. For Hardie, the wide open spaces in the Scottish landscape where sea meets land were a constant source of inspiration. He felt Scotland gave him everything and more than he needed. He was a fierce advocate of truth and speaking directly from first hand experience. When teaching at Aberdeen College of Education, he invented, together with his boss and fellow pilot Bill Burns, the concept of “Area Investigation“. Hardie would fly his students to remote islands all over Scotland and encourage them to engage with the people, landscape and culture in order to broaden their experience of life and art practice in new and surprising ways. Public collections include Aberdeen Art Gallery, University of Stirling, Scottish Arts Council, Contemporary Art Society, Kendal Art Gallery, Hospitalfield, South Lanarkshire Council, Low Parks Museum.
oil on board unframed overall size 100cm x 122cm Note: James Hardie was an artist, pilot, writer and educator. He studied at GSA, 1955-59, received The Keith Award 1958, The Chalmers Bursary 1959, The Torrance Award in 1968 among others. Hardie returned as a painting lecturer 1980-1995. His first major art project, inspired by the rock formations at Fife Ness was the subject of a film; The Painters Landscape” commissioned by The Royal College of Art in 1967. Prime time 6pm BBC news broadcast his inaugural flight on an old Messerschmidt plane that he rebuilt by hand over many years, with help from British and French engineers. Hardie’s art explores the direct physical encounter of nature by exploring ways of traveling though it - the airplane, motorbike, boat. For Hardie, the wide open spaces in the Scottish landscape where sea meets land were a constant source of inspiration. He felt Scotland gave him everything and more than he needed. He was a fierce advocate of truth and speaking directly from first hand experience. When teaching at Aberdeen College of Education, he invented, together with his boss and fellow pilot Bill Burns, the concept of “Area Investigation“. Hardie would fly his students to remote islands all over Scotland and encourage them to engage with the people, landscape and culture in order to broaden their experience of life and art practice in new and surprising ways. Public collections include Aberdeen Art Gallery, University of Stirling, Scottish Arts Council, Contemporary Art Society, Kendal Art Gallery, Hospitalfield, South Lanarkshire Council, Low Parks Museum.
oil on canvas, signed unframed overall size 120cm x 153cm Note: James Hardie was an artist, pilot, writer and educator. He studied at GSA, 1955-59, received The Keith Award 1958, The Chalmers Bursary 1959, The Torrance Award in 1968 among others. Hardie returned as a painting lecturer 1980-1995. His first major art project, inspired by the rock formations at Fife Ness was the subject of a film; The Painters Landscape” commissioned by The Royal College of Art in 1967. Prime time 6pm BBC news broadcast his inaugural flight on an old Messerschmidt plane that he rebuilt by hand over many years, with help from British and French engineers. Hardie’s art explores the direct physical encounter of nature by exploring ways of traveling though it - the airplane, motorbike, boat. For Hardie, the wide open spaces in the Scottish landscape where sea meets land were a constant source of inspiration. He felt Scotland gave him everything and more than he needed. He was a fierce advocate of truth and speaking directly from first hand experience. When teaching at Aberdeen College of Education, he invented, together with his boss and fellow pilot Bill Burns, the concept of “Area Investigation“. Hardie would fly his students to remote islands all over Scotland and encourage them to engage with the people, landscape and culture in order to broaden their experience of life and art practice in new and surprising ways. Public collections include Aberdeen Art Gallery, University of Stirling, Scottish Arts Council, Contemporary Art Society, Kendal Art Gallery, Hospitalfield, South Lanarkshire Council, Low Parks Museum.
oil on board, signed, titled label verso framed (frame broken) Handwritten artist's label verso overall size 130cm x 107cm Note: James Hardie was an artist, pilot, writer and educator. He studied at GSA, 1955-59, received The Keith Award 1958, The Chalmers Bursary 1959, The Torrance Award in 1968 among others. Hardie returned as a painting lecturer 1980-1995. His first major art project, inspired by the rock formations at Fife Ness was the subject of a film; The Painters Landscape” commissioned by The Royal College of Art in 1967. Prime time 6pm BBC news broadcast his inaugural flight on an old Messerschmidt plane that he rebuilt by hand over many years, with help from British and French engineers. Hardie’s art explores the direct physical encounter of nature by exploring ways of traveling though it - the airplane, motorbike, boat. For Hardie, the wide open spaces in the Scottish landscape where sea meets land were a constant source of inspiration. He felt Scotland gave him everything and more than he needed. He was a fierce advocate of truth and speaking directly from first hand experience. When teaching at Aberdeen College of Education, he invented, together with his boss and fellow pilot Bill Burns, the concept of “Area Investigation“. Hardie would fly his students to remote islands all over Scotland and encourage them to engage with the people, landscape and culture in order to broaden their experience of life and art practice in new and surprising ways. Public collections include Aberdeen Art Gallery, University of Stirling, Scottish Arts Council, Contemporary Art Society, Kendal Art Gallery, Hospitalfield, South Lanarkshire Council, Low Parks Museum.
oil on canvas, signed framed overall size 226cm x 157cm Note: James Hardie was an artist, pilot, writer and educator. He studied at GSA, 1955-59, received The Keith Award 1958, The Chalmers Bursary 1959, The Torrance Award in 1968 among others. Hardie returned as a painting lecturer 1980-1995. His first major art project, inspired by the rock formations at Fife Ness was the subject of a film; The Painters Landscape” commissioned by The Royal College of Art in 1967. Prime time 6pm BBC news broadcast his inaugural flight on an old Messerschmidt plane that he rebuilt by hand over many years, with help from British and French engineers. Hardie’s art explores the direct physical encounter of nature by exploring ways of traveling though it - the airplane, motorbike, boat. For Hardie, the wide open spaces in the Scottish landscape where sea meets land were a constant source of inspiration. He felt Scotland gave him everything and more than he needed. He was a fierce advocate of truth and speaking directly from first hand experience. When teaching at Aberdeen College of Education, he invented, together with his boss and fellow pilot Bill Burns, the concept of “Area Investigation“. Hardie would fly his students to remote islands all over Scotland and encourage them to engage with the people, landscape and culture in order to broaden their experience of life and art practice in new and surprising ways. Public collections include Aberdeen Art Gallery, University of Stirling, Scottish Arts Council, Contemporary Art Society, Kendal Art Gallery, Hospitalfield, South Lanarkshire Council, Low Parks Museum.
oil on board unframed overall size 90cm x 122cm Note: James Hardie was an artist, pilot, writer and educator. He studied at GSA, 1955-59, received The Keith Award 1958, The Chalmers Bursary 1959, The Torrance Award in 1968 among others. Hardie returned as a painting lecturer 1980-1995. His first major art project, inspired by the rock formations at Fife Ness was the subject of a film; The Painters Landscape” commissioned by The Royal College of Art in 1967. Prime time 6pm BBC news broadcast his inaugural flight on an old Messerschmidt plane that he rebuilt by hand over many years, with help from British and French engineers. Hardie’s art explores the direct physical encounter of nature by exploring ways of traveling though it - the airplane, motorbike, boat. For Hardie, the wide open spaces in the Scottish landscape where sea meets land were a constant source of inspiration. He felt Scotland gave him everything and more than he needed. He was a fierce advocate of truth and speaking directly from first hand experience. When teaching at Aberdeen College of Education, he invented, together with his boss and fellow pilot Bill Burns, the concept of “Area Investigation“. Hardie would fly his students to remote islands all over Scotland and encourage them to engage with the people, landscape and culture in order to broaden their experience of life and art practice in new and surprising ways. Public collections include Aberdeen Art Gallery, University of Stirling, Scottish Arts Council, Contemporary Art Society, Kendal Art Gallery, Hospitalfield, South Lanarkshire Council, Low Parks Museum.
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