We found 601201 price guide item(s) matching your search

A Corgi limited edition bus, No 42712, other model cars, mostly boxed, assorted storage jars, Benson & Hedges matches and other items (2 boxes)

A late 20th century limited edition plated model of a female torso, numbered 1/7, on a polished slate base, 34 cm

A model of a three masted sailing ship, in a glass case, 74 cm wide

A Beswick Shire, bay, cantering, designed by Arthur Gredington, printed marks, model no.975;   a Beswick donkey;   Leonardo Collection Shepherd;   a pair of cow letter racks;   terrier bookends;  other animal models

A Beswick Beatrix Potter model, Jemima Puddleduck, brown mark;  another, Flopsy, Mopsy and Cottontail;   a Beswick Peter Scott Tufted Duck;  Wade Whimsies;  commemorative;  etc

Pigs Pigs and More Pigs - a Royal Doulton model, of a pig;  others Whimsies, Plichta, Arthur Woods;  etc

A large West German pottery vase, dripped in tan and green, 38cm high,  model number 517-38;  a Royal Copenhagen charger, decorated with spiraling stems, 33cm diam, printed mark, 635/3293 (2)

A Beswick Jersey cow, CH Newton Tinkle, designed by Arthur Gredington, 12cm high, printed mark model no.1345;   a John Beswick Friesian calf;   a boar, Ch. Wallboy 53', no. 1453A;  etc (4)

Slim AARONS (1916-2006), D’Après. Poolside Gossip, Janvier 1970. Tirage photographique de type C sur papier photo brillant. Non signé. Open Edition. Taille : 20 x 25 cm. C-type photographic print on Glossy Paper Photo Size: 20 x 25 cm. Unsigned. Open Edition. Cette œuvre fait partie d’une édition ouverte. L’ancienne mannequin Helen Dzo Dzo Kaptur (en dentelle blanche) et Nelda Linsk (en jaune), épouse du marchand d’art Joseph Linsk, à la Kaufmann Desert House à Palm Springs, en Californie, en janvier 1970. Poolside Gossip is a Lambda print from 20th Century photographer Slim Aarons. This is part of an open edition. Former fashion model Helen Dzo Dzo Kaptur (in white lace) and Nelda Linsk (in yellow), wife of art dealer Joseph Linsk, at the Kaufmann Desert House in Palm Springs, California, January 1970.

LARGE MODEL COLLECTION COMPRISING, FERRARI, MERCEDES BENZ ROADSTER, JAGUAR S TYPE, MERCEDES BENZ 300 SLR COUPLE GULL WING, VARIOUS MERCEDES MODELS ETC

TRAY CONTAINING VARIOUS COLLECTABLE MATCHBOXES, OLD MODEL TRUCKS, CARS ,LORRIES ETC

PAIR OF 7" IMARI MODEL PATTERN 1128 CROWN DERBY VASES WITH BOXES

LARGE QUANTITY OF VARIOUS COLLECTABLE MODEL CARS, TRUCKS, VINTAGE VANS ETC

TRAY CONTAINING VARIOUS COLOUR GLASS PAPERWEIGHTS, 70'S COLOUR GLASS DISHES, WEDGEWOOD JASPER DISH, 2 NAO GEESE ORNAMENT, RACE CAR MODEL, VARIOUS SWAROVSKI CRYSTAL PAPERWEIGHTS, 12" POTTERY BLACK VASE

BOX CONTAINING VARIOUS MODEL CARS, TRUCKS , SOME BOXED

BOX CONTAINING GLASS BOWL, CARLTON PLATES, ORIENTAL FIGURES, CUT CRYSTAL BOWL, MODEL SHIP ETC

BOX CONTAINING APPROX 40 HOT WHEELS BOXED MODEL CARS

plaster sculptures 15cm tall each Provenance: The estate of the artist Note 1: Born in Scotland to Italian parents, Paolozzi attended evening classes at the Edinburgh College of Art and studied at St. Martin’s School of Art, later transferring to London’s Slade School of Art, where he graduated in 1947. He moved to Paris for three years where he became involved in Dadaism and Surrealism. In 1950, Paolozzi returned to London, quickly becoming a leading member of the Independent Group. As a significant member of the Group, Paolozzi greatly influenced the development of Pop Art. He taught all over the world as guest professor and lecturer, and was knighted in 1988. Eduardo Paolozzi died in 2005. Note 2 : Paolozzi began to make the quasi-cubist sculptures which were to figure among his signature works, in the 1970s. The plaster sculptures now offered for sale fit loosely into this aspect of his work, but were executed in the 1990’s. Paolozzi was particularly keen that plaster should achieve a higher status than had previously been the case and his works in the medium were often not cast in any other material. They were cast from a variety of sources, some being taken from the 'ready-mades' in his studio, while others were made to the artist's original, sometimes existing designs. There is a larger version of the Mondrian head in the National galleries of Scotland cast in Bronze and a similar work in Bronze conceived in 1993 sold in Christies on 21/10/21 for £56250 (Lot 154, The Molenick Collection) The Tate also have a version of the Mondrian Head which is cast in plaster. The Rabbit was among a number of small animal sculptures made specifically for the Arche Noah, (Noah's Ark), exhibition staged in Munich in 1990. In contrast heads were a constant in Paolozzi's work, from the 1950s onwards, and the large Cubist Head fits within a series made from the late 1980s into the 1990s. The Mondrian Head is clearly a comment upon the effects of technology upon our humanity. Perhaps the most personal of the plaster works here is the two clenched fists, which relates directly to those of Paolozzi's sculpture Daedalus, his body constructed from fragments on a Frankenstinian model. In Greek myth, Daedalus was the builder of the Cretan labyrinth and Paolozzi seems to have seen him as a kindred spirit and probably considered.

plaster sculpture 12cm high, 20cm long, including base Provenance: The estate of the artist Note 1: Born in Scotland to Italian parents, Paolozzi attended evening classes at the Edinburgh College of Art and studied at St. Martin’s School of Art, later transferring to London’s Slade School of Art, where he graduated in 1947. He moved to Paris for three years where he became involved in Dadaism and Surrealism. In 1950, Paolozzi returned to London, quickly becoming a leading member of the Independent Group. As a significant member of the Group, Paolozzi greatly influenced the development of Pop Art. He taught all over the world as guest professor and lecturer, and was knighted in 1988. Eduardo Paolozzi died in 2005. Note 2 : Paolozzi began to make the quasi-cubist sculptures which were to figure among his signature works, in the 1970s. The plaster sculptures now offered for sale fit loosely into this aspect of his work, but were executed in the 1990’s. Paolozzi was particularly keen that plaster should achieve a higher status than had previously been the case and his works in the medium were often not cast in any other material. They were cast from a variety of sources, some being taken from the 'ready-mades' in his studio, while others were made to the artist's original, sometimes existing designs. There is a larger version of the Mondrian head in the National galleries of Scotland cast in Bronze and a similar work in Bronze conceived in 1993 sold in Christies on 21/10/21 for £56250 (Lot 154, The Molenick Collection) The Tate also have a version of the Mondrian Head which is cast in plaster. The Rabbit was among a number of small animal sculptures made specifically for the Arche Noah, (Noah's Ark), exhibition staged in Munich in 1990. In contrast heads were a constant in Paolozzi's work, from the 1950s onwards, and the large Cubist Head fits within a series made from the late 1980s into the 1990s. The Mondrian Head is clearly a comment upon the effects of technology upon our humanity. Perhaps the most personal of the plaster works here is the two clenched fists, which relates directly to those of Paolozzi's sculpture Daedalus, his body constructed from fragments on a Frankenstinian model. In Greek myth, Daedalus was the builder of the Cretan labyrinth and Paolozzi seems to have seen him as a kindred spirit and probably considered.

plaster sculpture, initialled and dated 1996 15cm x 17cm Provenance: The estate of the artist. Note 1: Born in Scotland to Italian parents, Paolozzi attended evening classes at the Edinburgh College of Art and studied at St. Martin’s School of Art, later transferring to London’s Slade School of Art, where he graduated in 1947. He moved to Paris for three years where he became involved in Dadaism and Surrealism. In 1950, Paolozzi returned to London, quickly becoming a leading member of the Independent Group. As a significant member of the Group, Paolozzi greatly influenced the development of Pop Art. He taught all over the world as guest professor and lecturer, and was knighted in 1988. Eduardo Paolozzi died in 2005. Note 2 : Paolozzi began to make the quasi-cubist sculptures which were to figure among his signature works, in the 1970s. The plaster sculptures now offered for sale fit loosely into this aspect of his work, but were executed in the 1990’s. Paolozzi was particularly keen that plaster should achieve a higher status than had previously been the case and his works in the medium were often not cast in any other material. They were cast from a variety of sources, some being taken from the 'ready-mades' in his studio, while others were made to the artist's original, sometimes existing designs. There is a larger version of the Mondrian head in the National galleries of Scotland cast in Bronze and a similar work in Bronze conceived in 1993 sold in Christies on 21/10/21 for £56250 (Lot 154, The Molenick Collection) The Tate also have a version of the Mondrian Head which is cast in plaster. The Rabbit was among a number of small animal sculptures made specifically for the Arche Noah, (Noah's Ark), exhibition staged in Munich in 1990. In contrast heads were a constant in Paolozzi's work, from the 1950s onwards, and the large Cubist Head fits within a series made from the late 1980s into the 1990s. The Mondrian Head is clearly a comment upon the effects of technology upon our humanity. Perhaps the most personal of the plaster works here is the two clenched fists, which relates directly to those of Paolozzi's sculpture Daedalus, his body constructed from fragments on a Frankenstinian model. In Greek myth, Daedalus was the builder of the Cretan labyrinth and Paolozzi seems to have seen him as a kindred spirit and probably considered.

New Kingdom, Ca. 1550 - 1069 BC.A model of a hoe made of blue faience and a stick of wood, probably cedar, connected through a rope. For similar see: Andrews C., Amulets of Ancient Egypt, British Museum Press, 1994, fig. 88. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.Size: 70mm x 60mm; Weight: 10gProvenance: Prince collection, 1990s-2014; Ex. Eric Strobel private collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Graeco-Roman, Ca. 31 BC - 395 AD. A faience votive model or incense burner in the form of a column with a central piercing hole. For similar see: Indiana University Art Museum, Accession Number: 92.483; Petrie Museum Accession Numbers: UC35357, UC35358, UC35359, and UC35360. Size: 40mm x 40mm; Weight: 65g Provenance: Prince collection, 1990s-2014, acquired from Arteas Ltd, Laura Bosc de Ganay.

Middle Kingdom, Ca. 2055 - 1790 BC.A pale faience model of cucumber or gourd with an elongated tubular body with regular round holes on the central part of the body. For similar see: The Metropolitan Museum of Art, Accession Number: 15.3.130.Size: 115mm x 25mm; Weight: 50gProvenance: Prince collection, 1990s-2014; Ex. Christie's, 30 April, 2008, Lot 228. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 18th - 19th century AD .An architectural model depicting a facade with a triple mihrab and three windows above, decorated in gilt and polychrome with Nasrid style decoration and inscriptions, with mirror behind, mounted in a wood frame. The model is of square form, the relief replicates one of the architectural facades of Alhambra Palace in Granada-Spain. The Alhambra Palace is considered to be one of the most prominent 15th-century Moorish Nasrid Dynasty palaces in Andalusia, Spain. The current model is based on the romantic view from the north façade of the Myrtle Court. For similar see: The Metropolitan Museum of Art, Accession Number: 86.15.4.Size: 495mm x 475mm; Weight: 7.18kgProvenance: Previous property of a UK Islamic art professional.

Ca. 19th century AD .A painted gesso architectural model of the Alhambra, Granada, of rectangular form, depicting a mihrab decorated in gilt and polychrome in the Nasrid style, the decoration typically Nasrid with lobed cartouches filled with pseudo-thuluth calligraphy with arabesques and interlocking vegetal tendrils, within a walnut wooden frame inlaid with various geometrical marquetry woodwork motives and ebony including a very little percentage of small thin cut pieces of bone inlay.Size: 520mm x 390mm; Weight: 3.31kgProvenance: Previous property of a UK Islamic art professional. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 18th - 19th century AD .An architectural model depicting a facade with a triple mihrab and four windows above, decorated in gilt and polychrome with Nasrid style decoration and inscriptions, with a mirror behind, mounted in a wooden frame. The model is of square form, the relief replicates one of the architectural facades of Alhambra Palace in Granada-Spain. The Alhambra Palace is considered to be one of the most prominent 15th-century Moorish Nasrid Dynasty palaces in Andalusia, Spain. The current model is based on the romantic view from the north façade of the Myrtle Court. Size: 420mm x 410mm; Weight: 3.31kgProvenance: Previous property of a UK Islamic art professional. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 1500 - 1700.An astrolabe consisting of two parts, the bottom, referred to as the mater, and a lid. Items like these served as a star chart and physical model of visible heavenly bodies, and could even be used for determining latitude on land or calm seas.Size: 220mm x 140mm; Weight: 1.01kgProvenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Pre-WW2 gas mask canister with strap and preserved paper instructions, along with the R.S.C. Model 24 gas mask, complete with filter and straps.Overall condition as shown in the pictures.

A unique headgear used by Polish armored units, this is a modified Adrian helmet with a long neck guard (Model 15/35). The Polish modification of the general-purpose Adrian helmet was adapted for the Polish armored forces by removing the front and rear visors, adding a thick leather deflector on the front, and extending the neck guard at the back. The helmet retains its original Polish khaki paint, with visible signs of wear, including bullet holes.Overall condition as shown in the pictures. This item is essential for any serious collector of Polish military history from the Second Polish Republic.

The presented bayonet is the M1888 model, used by non-commissioned officers of the Austro-Hungarian army during World War I. It was designed as a supplement to the Mannlicher M1888 rifle, one of the main types of armament in the army during that period.The bayonet features a simple, single-edged blade with a central groove, which enhances its strength and reduces weight. The wooden handle with metal fittings is tightly assembled, and the locking mechanism is fully functional. Completing the set is the trodle (sling), worn by non-commissioned officers. The condition is as shown in the photos.

Polish Cavalry Helmet based on the French Model 1915 "Adrian" helmet, modified by Polish repairs. The helmet retains its original green paint.Overall condition as shown in the pictures.

The blade of the sabre is steel, with visible grooves and double fullers on both sides. The spine of the blade shows a deep temper line. The blade is double-edged. The grip is made of beech wood, with a brass crossguard and an oval hole for the sling. The quillons are trapezoidal in shape with visible joins. The guard is made at a right angle, connecting to the pommel. The pommel has a brass cap with a screw fastening the tang of the blade.On the spine of the blade, there are visible markings, most likely from the civilian expert Tadeusz Książnicki, stamped with "k/2" inside an oval, and the sabre's number A5201. On the outside of the blade, there is the model designation "S.wz.34." and on the opposite side, the manufacturer's mark "H. LUDWIKÓW/KIELCE". The sabre comes with its original scabbard, also numbered A5201.The wz.34 sabre is the most recognizable sabre of the Polish Army from the interwar period.The overall condition of the blade and grip is as shown in the pictures. The sabre was broken in the scabbard and has been repaired. The leather sling and frog are later additions.

Argentine Model 1909 Bayonet for Mauser, with a long blade featuring a double-edged blood groove (fullers) on both sides, signed and numbered near the crossguard. The crossguard has a mounting ring and a turned-up flange towards the blade. The handle is wooden, with a locking catch on the pommel. The steel scabbard is signed and numbered.Overall condition as shown in the photos.Dimensions: [insert dimensions]

A portrait photograph of a second lieutenant in an officer's uniform wz.1927 and a wz.19 rogatywka (cap), holding a captured Russian officer's saber model 1827/09.Dimensions: 6 cm x 9.2 cm. Overall condition as shown in the photos.

Sixteen '00' gauge model railway coaches by Lima and Airfix, all boxed

N gauge model railway rolling stock, predominantly Atlas examples, including Atlas no. 38804 Double Door Box Car, Atlas no/. 32791 90 Ton Hopper and Micro Trains Steel Side 14 Panel Fixed End Gondola with Rock Load, mostly in original boxes

Revell model kits, collection of diecast vehicles, including boxed and loose examples, Leonardo Collection sporting mugs, boxed etc

Hornby Dublo '00' gauge model railway, including 3233 Co-Bo Diesel-Electric 3-rail locomotive no. D5713, boxed, three unboxed steam locomotive and tenders, including Duchess of Atholl, Duchess of Montrose and Bristol Castle and five other locomotives, together with rolling stock, track, turntable, control units, buildings, additional locomotive boxes and other accessories

Collection of N gauge model railway locomotives and rolling stock, comprising Atlas, Roundhouse, Life Like and Bachmann examples, including Bachmann no.46612 Crane & Boom, Atlas no. 2102 EMD E8 diesel locomotive, Life-Like no. 7843 GP38 Union Pacific engine and Atlas no. 42042 RS3 Norfolk & Western locomotive, all boxed

Patinated cast metal model of the 'Warwick Vase', after the antique, of typical form, cast in relief with Bacchic masks and Thyrsus, H11cm

Five Beswick figures, Jersey family group; Bull Ch. Dunsley Coy Boy, model 1422, Cow Ch. Newton Tinkle, model 1345 and Calf, Hereford Bull and Fox

Beswick model of a horse, Arab Xayal, in black colourway, model 1265

Beswick Connoisseur model of Champion, a Welsh Mountain pony, upon a wooden plinth, H23cm

Beswick figure, Lipizzaner with Rider, model No. 2467, H26cm

Beswick model of a Staffordshire Bull terrier Bandits Brintiga, in dark brindle colourway, no 1982A

Lladro figure, Lady with Shawl, modeled as a woman holding a parasol with an afghan hound, model no 4914, H46cm

Beswick Dairy Shorthorn Bull Ch. 'Gwersylt Lord Oxford 74th', model No. 1504, with printed mark beneath

A Trevor J. James Flute, model TJ10 X111, No 29853, with straight and curved head joints, in carrying case.

A Mont Blanc 234½ Vintage Fountain Pen, model G532405 with 4½ nib, clip absent, 12cm long.

An Anita Harris Extra Large Model of a Cockerel, gold signed to base, 37cm high.

A 1930's Vickers Armstrong Model 'C' Hand-Cranked Petrol Pump, complete with 20 gallon delivery meter, rubber hose and brass nozzle, 176cm high; with an associated cast Shell plaque, serial number CH2130.

A Royal Dux Pottery Model of a Lady Seated on a Shell, feeding a bird, pink triangle mark, shape number, 1931, 28cm high.some nibble to gilt, appears generally in good condition

A Lladro Gres Group 'Eskimo Boy and Girl', model number 2038 by Juan Huerta, printed and incised marks, 38cm high and another 'Eskimo Child Resting', 26cm high. (2)

A Chinese 'Lark' Trumpet, in brass finish, model number M4027, in hard case.

A Lladro Porcelain Model of Seated Great Dane with Collar, model number 1068, printed marks, 30cm long (chip to ear and repair).

Hans J. Wenger; A Mid XX Century Ebonised Rocking Chair, model J16, with original cord seat.polish loss to the top of chair supports and lower down on supports. Polish loss to rails, arms, front rail and rockers, legs, fading on cord seats.

A 'Louis Wain' Pottery Model of 'Lucky Knight Earrant Cat', modelled as a cubist figure holding a shield and feathered helmet, painted meow meow notes, signed, 14cm high - back section in pieces. (A/f)yes all pieces there apart from small edges/chippings Very damaged – back broken, front appears ok, some crazing.

A c.1930's Losol Ware Model of a Cockerel, in lustre glaze, impressed H.P. Miller, on shaped square base, 42cm high.

A Royal Dux Porcelain Model of a Girl Holding a Goat, on a rocky mound, oval base, pink triangle mark, shape number 1493, 29cm long.

A Chinese Bronze Jug, with lizard handle and cast with an archaic design, 9.5cm high; a model of a turtle, 5cm long and a Koro and Koro and pierced cover, 12.5cm high. (4)Small nibbles to edges, wear commensurate with age.