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Abstract Wooden Sculpture Initialled RPB and dated '74 Wood on marble base, 76cm tall.

After B. Zach, a reproduction Art Deco style bronze sculpture of a dancing girl, on coloured marble plinth, 18cm diameter base 65cm high.

A large polychrome wooden sculpture of a shepherd with a sheep on a faux marble stand, 19th C.H 164 x 41 x 34 cm

Abstract marble sculpture modelled as a mother and child on a rectangular base, H62cm

A Zimbabwean Shona Serpentine sculpture, Nyanga Queen by W Bonjisi, 92cms tall, with marble plinth and stand

A Zimbabwean Shona serpentine sculpture, The Good Harvest by Shepherd Madzikatire, 117cms tall, together with marble base and stand

This exceptional early Renaissance Spanish School sculpture of the Madonna and Child in Majesty is a superb example of polychrome and gilded wood carving from the 14th to 15th century, likely originating from Castile or Aragon. Retaining much of its original polychromy, this remarkable piece embodies the transition from the Romanesque tradition to the more refined Gothic and early Renaissance styles that shaped Spanish religious art. The Virgin Mary, enthroned and crowned as the Queen of Heaven, holds an apple, symbolizing her role as the New Eve and the redemption of humankind. The Christ Child sits upon her lap, presenting the Holy Book while raising His hand in a traditional gesture of blessing, reinforcing the sacred bond between mother and son in Christian iconography.This sculpture illustrates the stylistic evolution occurring in Spain during this period, bridging the sacred formality of the Romanesque with the increasing expressiveness of Gothic and early Renaissance art. In earlier Romanesque traditions, religious figures were depicted with rigid, hieratic forms, emphasizing divine authority over naturalism. In contrast, this sculpture moves toward Gothic sensibilities, evident in the Virgin's more individualized and serene expression, the subtle modeling of her facial features, and the graceful articulation of drapery folds.The Christ Child also displays a departure from rigid formality. While still slightly stylized, His raised blessing hand and delicate gestures suggest a move away from the static, miniature-adult depictions of earlier periods toward a more naturalistic portrayal. The throne upon which the Madonna sits, adorned with geometric and floral motifs, incorporates elements of Hispano-Moorish artistic influence, reflecting the unique synthesis of Christian and Islamic design elements that flourished in Castile and Aragon during the Gothic period. The sculpture's polychrome and gilding further reinforce this transitional quality, particularly in its use of the estofado technique, where layers of gold leaf were overpainted and incised to reveal intricate patterns. This decorative approach, associated with later Gothic and early Renaissance Spanish sculpture, highlights the increasing technical and artistic sophistication of Spanish woodcarving workshops.The broader historical context of this work aligns with Spain's evolving artistic landscape during the late Middle Ages. Unlike Italy, where classical marble statuary became dominant, Spain remained deeply committed to intricately carved and lavishly painted wooden sculptures, emphasizing their sacred presence within churches and religious institutions. Devotional imagery such as this Madonna and Child in Majesty served as a focal point for worship, reinforcing the theological role of the Virgin as the intercessor between humanity and Christ. By the 14th and 15th centuries, Spanish sculptors had absorbed Gothic influences from France and the Low Countries, particularly through Burgundian and Flemish artists, leading to a synthesis of styles that maintained Gothic verticality while introducing more naturalistic facial expressions and drapery treatments.Issued: Circa 15th centuryDimensions: 16"L x 10"W x 40"HCountry of Origin: SpainProvenance: John and Johanna Bass Collection, New York, NY; Bass Museum of Art, Miami Beach, FL, 1963. Condition: Age related wear.

§ George Somerville (Scottish, b.1947) Bark and Ride, a patinated aluminium sculpture of a cyclist and his dog, raised on integral marble plinth base, numbered 158/195 in the cast30 x 40 x 18.5cmProvenance:Accompanied by a numbered and facsimile signed certificate from DeMontfort Fine ArtIn good, original condition.

Continental School, a gilt metal equestrian sculpture, of a battlefield horse with triumphal regalia, rose marble base, 18.5cm wide

Sir Jacob Epstein K.B.E. (British/American 1880-1959) Nude study J bronze 57.5 cm long, on a white marble stand, total height 34 cm Provenance: From the collection of Mrs Elizabeth Corob.Literature: Buckle, Richard: Jacob Epstein, Sculptor (Faber & Faber, 1963), illustrated page 283, plate 437 (another cast) Overall in good condition. With a dark brown patina. Some surface dirt, particularly to the crevices. There are a some minor white marks to the bent elbow. There are some small spots of green oxidisation to one of the feet. The sculpture is not affixed to the marble base. The base has a chip.

A MARBLE SCULPTURE 'BOY WITH THORN'Damaged.21cm H

A GILT METAL SCULPTURE OF A JAVELIN THROWER, ON FOSSIL MARBLE BASE26cm H

Jeffery Hall (American, b.1956) 'Heavens View' Bonded Marble Sculpture Undated, signed and #20/90 verso, depicting two figures emerging from the moon, set on a round black stone base and wood plinth Property from: a Private Collector, Naperville, Illinois Height: 17 inches, Width: 16 inches, Depth: 8 inches (including plinth) Condition: no damage noted, not set evenly on wood plinth Category: Fine Art > Sculptures Estimated Sale Time: 10:36 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4

Barbara Hepworth (British, 1903-1975) 'Involute' Patinated Bronze Sculpture Undated and unsigned as issued, depicting a curved abstract form which rests on base via a metal rod set into a polished black marble base Property from: a Private Collector, Eden Prarie, Minnesota Height: 6 5/8 inches, Width: 7 1/4 inches, Depth: 5 5/8 inches (excluding base) Condition: no condition issues noted, incised circular mark to underside next to rod, not permanently affixed, some nicks and chips to base at corners and edges Category: Fine Art > Sculptures Estimated Sale Time: 10:19 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8Photograph #9Photograph #10Photograph #11Photograph #12Photograph #13Photograph #14

Deborah Stern bronze sculpture “You and I” 1975 Limited Edition 7/9 signed to base, 19cm wide x 11.5cm high, on a green marble base, 19.5cm high overall

THREE BOXES AND LOOSE CERAMICS AND GLASSWARE, to include dinnerware items names include Wedgwood, Royal Vale, Duchess, etc. decorative ceramics include Wedgwood collectors plates, Sadler covered pot, a grey made from marble. com elephant sculpture in grey, treen textured sculpture of an elephant, other names include NAO, Royal Doulton, Willow Tree, etc. glassware include vases and dressing table items, large footed bowl handmade by Star Glass UK, etc. names include Stuart Crystal, Thomas Webb, and Villeroy & Boch, (3 boxes + loose), (sd/af)

CONTEMPORARY BRONZE SURREALIST STYLE MELTING CLOCK SCULPTURE. On black marble base, 35cm H x 25cm W x 16cm D.

CONTEMPORARY BRONZE HEAD SCULPTURE. Textured finish, on black marble base, 39cm H.

CONTEMPORARY STICKMAN SCULPTURE. On marble base, 44cm H x 11cm W x 27cm D.

CONTEMPORARY BRONZE ART DECO DANCING GIRL SCULPTURE. On black marble base, 43cm H x 21cm W.

CONTEMPORARY BRONZE FACE WITH HAND SCULPTURE. On black marble base, 32cm H.

Large and heavy Bronze Musician Figure Sculpture by Scott Myers. Raised on a marble base. "Moonlight Sonata" [68cm high] Limited edition 4/19. Foundry mark to the back.

A bronze sculpture of a dolphin on a marble base

A impressive antique two piece reconstituted marble sculpture of a mythical/medieval style queen with a lead crown complete with semi- precious stones (none missing) overall height 76cm, shipping unavailable

Siegfried Charoux (Austrian, 1896–1967) - A 20th century bronze sculpture of female naked figure. The figure posing with a raised arm over her breast and a raised leg. Raised on marble plinth base. Unsigned. Measures approx. 67cm x 11cm x 11cm. From the Cooke Estate Private Collection. The painting having passed down through three generations.

Geoffrey Snell (British, 20th century) - Stallion's Head - A bronze / brass verdigris finish horse head sculpture figure. Signed to underside. Limited edition number 2 of 5. Dated 1997. Raised on a marble plinth base.Measures approx. 24cm x 23cm x 9cm without plinth base.

An early 20th century lost wax cast bronze sculpture of an English Mastiff dog. The dog is depicted with an open mouth and raised tail. All raised on a green marble base. Unsigned.Measures approx. 23cm x 26cm x 15cm.

After Louis Ernest Barrias (French, 1841-1905) - Nature unveiling herself before Science - An early 20th century composite marble sculpture of female figure with veil over head. Raised on plinth base.Measures approx. 75cm x 26cm x 16cm

Siegfried Charoux (Austrian, 1896–1967) – A 20th century bronze sculpture of female nude sitter. The sculpture depicting a female figure lying down. Signed to base. Raosed on marble plinth base. Measures approx. 30cm x 31cm. From the Cooke Estate Private Collection. The piece having passed down three generations.

Siegfried Charoux (Austrian, 1896–1967) – A 20th century bronze sculpture of seated young male. Signed to base. Raised on marble plinth base. Measures approx. 33cm x 25cm. From the Cooke Estate Private Collection. The sculpture having passed down through three generations.

After Dimitri Chiparus: an Art Deco style bronzed metal sculpture of a dancing lady, raised on red marble stepped base, 50cm

A striking Baroque-style pedestal column featuring a twisted black lacquered shaft, adorned with a gilded Corinthian capital and base. The intricate carving on the capital showcases acanthus leaf details, paired with elegant scrollwork, reflecting the grandeur of classical architecture. The base and top are made of polished faux-marble, adding sophistication to the design. This pedestal is both functional and decorative, ideal for displaying a vase, sculpture, or other ornamental objects. The twisted column and richly gilded details are hallmarks of the Baroque style, emphasizing drama, movement, and opulence. This piece serves as a stunning accent for any classical or eclectic interior. The Baroque style, originating in 17th-century Europe, is known for its grandeur and intricate ornamentation. Inspired by classical forms, Baroque furniture and decorative arts often incorporated twisted columns, elaborate carvings, and gilded details to convey wealth and power. Pedestal columns were popular as both architectural and decorative elements, often used to elevate fine artworks or floral arrangements in grand settings. Dimensions: 13.75"L x 13.75"W x 48.25"HCondition: Age related wear.

A bronze sculpture of a Huron Indian on marble base, 85cm tall

Elegant Italian marble bust sculpture depicting the Greek god Apollo, created by the renowned sculptor A. Giannelli. Crafted from bonded marble, this piece showcases exquisite detailing in the facial features and flowing drapery. The sculpture rests on a classic pedestal base and bears Giannelli's signature on the reverse. It retains its original "Made in Italy" label, confirming its authenticity and origin. Measuring 6 inches in height, this timeless artwork is a fine representation of classical sculpture. Artist: A. GiannelliIssued: 20th centuryDimensions: 6"HCountry of Origin: ItalyCondition: Age related wear.

A vintage marble lovers sculpture. 23cm

ANTON VAN WOUW (DUTCH / SOUTH AFRICAN 1862-1945) THE MEALIEPAP EATER bronze, medium brown patina, signed 'A. Van Wouw/ S.A_Joh-burg' and inscribed 'Foundry, G. Massa, Roma, mounted on a rectangular variegated purple marble base 29cm wide, 16cm high, 24cm deep Provenance: The Maisels Collection Note: Anton Van Wouw is known for his depictions of the indigenous people of South Africa and has been described as ‘the sculptor of national life’.  Van Wouw was born in Driebergen, Holland in 1862.  He studied at the Rotterdam Academy for Arts before moving to Pretoria in South Africa in 1890 and then to Johannesburg in 1906.  Some of his finest work can be found in his portrayals of indigenous peoples, such as migrant workers from the Shangaan tribe in Mozambique, who worked in harsh and dangerous conditions in the gold mines of Transvaal.  ‘The Mealiepap Eater’ depicts a Shangaan man eating mealiepap from a traditional pot with three legs.  The model for this work is also the subject for his sculpture of a tribesman entitled ‘Shangaan’.   Mealiepap is made from maize meal, a course flour made from maize, to produce porridge or a firmer pap which can be eaten with meat or vegetables. In 1907 Van Wouw received an inheritance from his father enabling him to cast his small bronzes at the Massa and Nisini foundries in Rome.  The present lot is mounted on a separate marble base and this is how  the Italian castings carried out in Van Wouw’s lifetime were presented, while later posthumous castings had an integral bronze base and show the right hand of the boy holding a stick above the pot rather than scraping food from it.For a recent example of ‘The Mealiepap Eater’ sold at auction see Bonhams South African Sale, 12th October 2021, lot 45. 

A 20thC resin sculpture, modelled as the Venus de Milo, on a square black marble base, 42cm high.

Adolf Daumiller (1876-1962) bronze sculpture, Girl with a Frog, signed, on marble base, total height 33cm Good overall condition apart from the prongs of the frogs crown which are bent and a chip to the socle. Good even patination. Please see the extra images on our website

19th century continental Grand Tour bronze sculpture of Spinario, raised on marble plinth, 18cm highGood original condition, chip to one corner of plinth

This striking bronze bust by renowned sculptor Ken Treister presents a powerful and detailed portrayal of an individual. Mounted on a solid marble base, the sculpture is marked "26/200 KEN TREISTER 1980," indicating it is number 26 of a limited edition of 200. Treister is best known for the Holocaust Memorial he built in Miami Beach, Florida, and is celebrated for his expressive figures and mastery in capturing the complexities of human emotion through sculpture. This bust exemplifies his unique approach to form and texture, making it a standout piece for collectors and art enthusiasts alike, particularly those with an interest in Judaica-themed sculptures. Artist: Ken Tresiter (American, b. 1930)Issued: c. 1980Dimensions: 11"HCondition: Age related wear.

This remarkable bronze sculpture by Ken Treister is numbered 74/250, dating to 1980. The figure exhibits intricate texture and detailed expression, mounted on a marble base, enhancing the work's dynamic presence. Treister, best known for the Holocaust Memorial he built in Miami Beach, Florida, is renowned for his evocative and emotive works, often reflecting themes of human form and nature. This piece is signed and numbered, further confirming its limited edition status. A stunning example for collectors and enthusiasts of modern sculpture. Artist: Ken Tresiter (American, b. 1930)Issued: 1980Dimensions: 10"HCondition: Age related wear.

This striking limited edition bronze sculpture is the work of renowned American sculptor Ken Treister, known for his emotive and introspective works. Active since the 1970s, Treister's sculptures often blend classical and modern styles, with a focus on texture and expressive form. One of his most notable works is the Holocaust Memorial in Miami Beach. The piece, cast in a unique, rough-hewn style that highlights the contemplative nature of the subject, stands on a solid marble base. Marked with the artist's signature, edition number (68/250), and the year (1980), this sculpture is a fine example of modern figurative art. Treister's mastery is evident in the intricate texture and expressive detail, making it a standout piece for collectors of contemporary sculpture. Artist: Ken Treister (American, b. 1930)Issued: 1980Dimensions: 10.5"HCondition: Age related wear. The bust a bit detached from the base. Glue residue on base.

Guglielmo PUGI (c.1850-1915), sculpture in marble and alabaster Jeune orientale à la cruche, signedGuglielmo PUGI (c.1850-1915), beeld in marmer en albast Jeune orientale à la cruche, getekend43 x 17 x 19

Sculpture of Saint George and the dragon, silver-plated metal on marble baseSculptuur van Sint Joris en de draak, verzilverd metaal op marmeren sokkel55.5 cm

Marc VERDOODT (1953), marble sculpture in noir de Mazy of a human figure, monogrammedMarc VERDOODT (1953), marmeren sculptuur in noir de Mazy van een menselijk figuur, monogramH 43 cm

Large Art Deco sculpture Jean De Roncourt, French 19th/20th Century, 'Le Bendeur' , circa 1930s, cold painted spelter on a marble baseGroot Art Deco sculptuur Jean De Roncourt, Frans 19e/20e eeuw, "Le Bendeur", circa jaren 30, koud beschilderde metaallegering op een marmeren voet41 x 74 x 18 cm

Art Foundry DANIEL LAVIE sculpture in patinated cast iron 'La promenade' on a marble base, with plaqueKunstbronsgieterij DANIEL LAVIE sculptuur van gepatineerd gietijzer ‘La promenade’ op marmeren basement, met plaquette64 x 53 x 26.5 cm

Agathon LÉONARD (1841-1923), bronze sculpture La danseuse on marble base, signedAgathon LÉONARD (1841-1923), bronzen beeld La danseuse op marmeren voet, getekend39 cm posthumous edition, postume uitgave

Marc VERDOODT (1953), marble sculpture in noir de Mazy of a human figure, monogrammedMarc VERDOODT (1953), marmeren sculptuur in noir de Mazy van een menselijk figuur, monogramH 38 cm

Brian Taylor F.R.B.S F.S.P.S (1935-2013) - Plaster - Bust of the Horse of Selene, on contemporary stand, 34ins x 33ins high Note: A Fellow of the Royal Society of British Sculptors and Vice Principal of the Society of Portrait Sculptors, Brian Taylor was a British sculptor, particularly well regarded for his studies of both human and animal forms. His love of the medium developed steadily in the years to follow, and in 1958 Taylor won a three-year scholarship to study sculpture in Rome. Italy proved to be a great influence on the artist, with both ancient and modernist sculpture fuelling his formative appreciation of sculptural styles, from life-size marble carvings to more modest clay portraits. The artist taught at the Camberwell School of Art between the years of 1965–1984. Horses were of particular interest, the Burano Horse among his most celebrated works, and his other monumental bronze sculptures featuring regularly in both group and solo exhibitions in England and Italy.

An Art Deco sculpture of a fawn, brass, mounted on an onyx and marble plinth, 30 x 30 x 13cm, together with a small brass fish (2)

MARCEL BOURAINE (FRENCH, 1886–1948), ART DECO BRONZE SCULPTURE, CIRCA 1920-40 modelled as a kneeling nude woman, signed, on oblong marble base22cm highThis lot is in good condition, with no signs of breakage or repair, and no damage to the base. This lot would benifit from a cleaning.

A bronze sculpture of Adam, , 20th c, uneven green-brown patina, on marble plinth, overall height 52cm Good condition

A bronze sculpture of the infant Bacchus and goat, late 19th c, cast from a model by Alfred Boucher, on marble base, signed, 22cm h; 20 x 12cm Crack to marble base otherwise good condition

Annette Rowdan, a black marble modernist sculpture "Star of India" and catalogue of her work. 57cm high. Condition - metalware tarnished in places, otherwise good.

ROLF HARRIS (AUSTRALIA 1931-2023) 'INTUITION' a limited edition bronze sculpture of a pair of hands 198/595, signed and numbered with certificate and box, height including black marble plinth approximately 29cm x length 24cm, Condition Report: dirty marks to inner box, outer box scruffy

Abstract marble sculpture modelled as a dancer, upon a stepped rectangular base, H62cm

After Emile Louis Picault (1833-1915), bronzed sculpture 'Memoria le coeur se souvient', with signature to base, upon a black marble plinth, H54cm

Indian Classical period A stone/marble (?) deity head Dimensions: (Sculpture) 14 in. (H) x 7 in. (W) x 9.5 in. (D) (Base) 2 in. (H) x 7 in. (W) x 7 in. (D)

An ornate French 19th century ormolu mantel clock by Henry Marc, Paris. The circular enamel dial with blue Roman numerals, the case with white marble inset and topped with a figure of a classical maiden and three cherubs, emblematic of literature and sculpture, height 46cm, width 67cm.