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Click here to subscribeFour bronze standing figures and a polished lizard, the smallest of the first depicting Hercules with a club on his shoulder and wearing the skin of the Nemean lion, 14.5cm (5.75 in); that of the Madonna and child parcel gilt; Orpheus with his lute standing on an oak base; the tallest of Athena holding a shield, 21.5cm (8.5 in) high; the lizard 16cm (6.25 in) wide (5)
A pair of Royal Dux polychrome decorated pottery figures of musicians, he with a violin, she with a lute CONDITION REPORTS The figure of the gentleman - the bow is a replacement and wooden. The pile of books has been restored to the top. The back of the lady's chair has been off and re-glued. The bow of her mop cap is half off. Both pieces are dirty and in need of a good clean. There are firing faults, general wear and tear conducive with age and use. Lady is approx 27.5 cm high, gentleman is approx 27 cm high.
Two Derby biscuit porcelain figure groups c.1775, one of three putti seated on a rocky base around an oak tree, one playing the lute, another holding a basket of flowers, the last with a dog, the other of four putti wearing hats, similarly arranged around a tree, with a dog, a hunting horn, a bird cage and a bugle, incised marks and numbers 252 and 251 respectively. some damages, 27cm max. (2) Provenance: the Cordwent Collection.
SEVENTEENTH CENTURY TOKENS, London, Cross Keys Court, George Higginson, halfpenny, Clothworkers’ Arms (W.805); Crown Court, John Spicer, halfpenny, 1667, crown/lute (W.807); Crutched Friars (3): Tho Greene, halfpenny, ‘67, At The, crossed keys (W.810); I.K., farthing, At The 3 Tvn Tavern (W.811); Philip Starkey, farthing, At Ye, Brewers’ Arms (W.815); Curriers’ Alley, I.W., farthings (2 - same dies), At The Bird In Hand (W.817); Cursitor’s Alley (2): I.S., halfpenny, 1667, At The Rose Tavern (W.820); Anthony Yewen, halfpenny, goat (W.822); Custom House Quay (3): Arthur Baldwin, halfpenny (W.823); Henry Halford, halfpenny, horse (W.825); S.T., farthing, At The/Tavern, queen’s head (W.826); Dice Quay (2): William Dew, halfpenny, 1668, fleece (W.829); Francis Turrall, farthing, key between dice (W.830), fair to good very fine (14)
A mixed lot, comprising silver items: an Edwardian card case aide-memoire, with a scene of a gentleman playing a lute in front of two seated ladies, by H. Matthews, Birmingham 1902, two cigarette cases, four napkin rings, a photograph frame, six cased coffee-bean end spoons, a pair of fish servers, six cased teaspoons, plus two cased sets of twelve electroplated fruit knives and forks, approx. weighable 22oz. (qty)
Modern day Italy, Apulia, ca. 430 to 300 BCE. These are three pottery fragments from large vases, all painted in the traditional style of Apulian Red-Figure. The main production center was at Taras, the largest Greek polis (city) in Apulia. Red, gold, and yellow colors are dominant, as shown in two of the fragments. One of these shows a finely rendered leg with clothing hanging down, and what appears to be a lute; the other shows feet, columns, and a profile woman's face and hand. The third depicts the red body of a man who appears to be lounging. Size of largest: 5.6" W x 5.6" H (14.2 cm x 14.2 cm). Provenance: Ex- Estate of M. Reiniger, Chicago, IL Condition: These are three fragments, but each fragment shows a portion of the fine artwork that would have decorated a full, very large piece of pottery. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111506
DU MAURIER DAPHNE: (1907-1989) British Author. A.L.S., Daphne, six pages, 8vo, Steeple Aston, Oxford (although on the printed stationery of Old Rectory House, Frimley, Surrey), n.d. ('Wednesday'), to [Foy Quiller-Couch]. Du Maurier announces 'Congratulations on wonderful strategy', remarking 'And then people say minds work slowly in the West Country!' and continues 'The thought of our Committee of Little Ladies intrigues me immensely, and I look forward to the meeting. I can see ourselves walking the countryside with pamphlets, and it will be more embarrassing than any General Election which is rather typical of us both, but nevertheless we will WORK FOR THE CAUSE'. Du Maurier further states that she is sure they will raise £550 ('even if you and I and Miss Dove have to dance a jig in Trevalgan Square to the strains of wireless from Charles Poole's shop - I see myself playing the lute to an Alexandrine potentate, while he hands me a ruby in exchange - while you, more prosaically perhaps, broadcast an appeal (with loudspeaker) from Ready Money Beach to crowd of indifferent trippers…') and further urges Quiller-Couch to obtain an essay by Max Beerbohm on Dr. Johnson and a clergyman, explaining 'I switched on the wireless last night and found this thing being read by Clinton Baddely (sic) He did not say what book it came from, simply an essay by Max Beerbohm; but I'm sure Father would know. It was absolutely perfect, all about a little clergyman….who was bold enough to ask Dr. Johnson a question at an evening party, and he was annihilated in consequence. I believe the essay is famous, but I have never read it before. I feel Father must know it, and if not, would wallow in it. But it really ought to be read aloud'. A couple of very minor, small stains to the edges of a couple of pages, not affecting the text or signature, VG Foy Quiller-Couch - daughter of British writer Arthur Quiller-Couch (1863-1944), and a life-long friend of Du Maurier. Indeed, Du Maurier was accompanied by Foy Quiller-Couch when she became inspired with the storyline for her novel Jamaica Inn. In 1930, apparently around the time of the present letter, the two ladies were staying at Jamaica Inn and went riding on Bodmin Moor. They became lost in bad weather conditions and apparently sheltered for some time in a derelict cottage on the moor but were eventually led back to Jamaica Inn by their horses. Max Beerbohm (1872-1956) English Essayist, Parodist and Caricaturist. His essay, A Clergyman, to which Du Maurier refers to in the present letter, was first published in 1918. It has been written that the essay captures Beerbohm 'at his funniest, most humane and most tender'.
A Meissen porcelain sofa group depicting a lady and gentleman playing a lute and a flute, together with two Continental porcelain figures of a lady and a gentleman (3) CONDITION REPORTS Meissen sofa group has some damage and losses, including parts of instruments missing, some cracks including to hair decoration, some chips including to fingers and feet. Firing cracks and firing deposits. Two Continental figures ave some chips and losses.
Caspar ab Ugg, a gold enamel and split pearl Lute with concealed watch Caspar ab Ugg, a gold enamel and split pearl Lute with concealed watch, circa 1810, later gold marks for Wien after 1872, Austrian, small gilt full plate verge movement with fusee, pierced and engraved balance bridge, silvered regulator dial, winding through white enamel dial, Arabic numerals, blued steel Breguet style hands, hinged into gold enamel Lute form case, the front with red translucent enamel decorated with fauna, the edges set with split pearls, glazed sound hole, the fret board with black enamel and gilt frets, with six wired strings ending in tuning keys, the back decorated with translucent blue enamel highlighted in with fauna and musical notation on short chain strap, length overall 67mm.
A PAIR OF LATE VICTORIAN GLASS TOILET BOTTLES of plain cylindrical form with hobnail cutting, the silver mounts and hinged covers chased with an 18th century gallant with a lute serenading two young ladies beside an arbour, both contained in a red plush lined holder similarly chased and engraved with peacocks on a terrace, maker's mark HM, Birmingham 1900, base 4 1/4" long, bottles 4 1/2" high, base 1oz 18dwts (Illustrated)
A LUDWIGSBERG PORCELAIN FIGURE GROUP, modelled as father and child in 18th Century dress, he stands playing a lute while she picks flowers, underglaze blue printed factory marks, 23cm; together with A CONTINENTAL PORCELAIN FIGURE, of a young man sat upon a stook, underglaze blue N with orb and crown mark, 15cm; and A CONTINENTAL BISQUE FIGURE, early 20th Century, the gentleman modelled in 18th Century dress, blue printed factory mark, 21cm. (3) Provenance: Formerly the property of Senor Don Roberto Velez Arce, Peruvian Vice-Consul to Hong Kong, appointed 1967; thence by descent.
An Edwardian silver mounted shagreen jewellery box, by Samuel Jacob, London 1910, of rectangular form with canted corners, the clasp modelled as a lute and trumpet tied by ribbons, with swags to each side, the silver thread edges with leaf sprigs, cream velvet lined, green leather base,12cm long
A rare pair of late Ming blue and white Dishes,Chongzhen (1628-1644), each with a musician seated on a stool playing the lute to the moon, minor frits, one short base crack, square seal mark 'Fugui Jiaqi' (beautiful vessel for the rich and honourable),14.3 and 14.5cm (2)明崇祯 青花乐师纹小碟 《富贵佳器》款 一对