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Lot 261

JIM MALONE (born 1946); a stoneware baluster jug covered in green ash glaze with incised decoration, impressed JM and L (for Lessonhall) marks, height 25.5cm, and a slightly smaller example (2).Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 255

JIM MALONE (born 1946); a fluted stoneware bottle with lug handles covered in cream glaze, impressed JM and L (for Lessonhall) marks, height 24.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 256

JIM MALONE (born 1946); a fluted stoneware teapot with cane handle partially covered in green ash and kaki glaze, impressed JM and L (for Lessonhall) marks, height 14.5cm (excluding handle), and five matching mugs (6).Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 292

JIM MALONE (born 1946); a trio of stoneware chawan covered in tenmoku breaking to kaki glaze, impressed JM and L (for Lessonhall) marks, largest diameter 13.5cm (3).Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 259

JIM MALONE (born 1946); a near pair of stoneware utensil pots covered in tenmoku breaking to kaki glaze with impressed decoration, impressed JM and L (for Lessonhall) marks, tallest 13cm (2).Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 269

JIM MALONE (born 1946); a stoneware bottle covered in nuka glaze with incised decoration, impressed JM and L (for Lessonhall) marks, height 26.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 270

JIM MALONE (born 1946); a stoneware bottle covered in tenmoku and kaki glaze with copper green pours and impressed and incised decoration, impressed JM and L (for Lessonhall) marks, height 26.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 271

JIM MALONE (born 1946); a stoneware bottle covered in tenmoku breaking to kaki glaze with incised decoration, impressed JM and L (for Lessonhall) marks, height 25.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 68

A collection of studio pottery comprising an Arthur Griffiths stoneware vase, impressed mark, 13.5cm high, a Jim Malone vase, in a pale celadon glaze with incised decoration, impressed mark, 25.5cm high, a similar small Jim Malone vase, 9.5cm high, a Geoffrey Whiting footed bowl, impressed marks, 10.5cm diameter, and two further vases, with indecipherable impressed marks, 17.5cm and 8.8cm high (6)Condition ReportNo chips or cracks. Minor surface wear and imperfections due to the nature of the manufacture.

Lot 74

Jim Malone (b. 1946) a studio pottery stoneware Bowl, covered in cream ash glaze with incised decorations of fish, impressed mark to foot, D 20cm x H 9cm, together with a Bryan Newman studio pottery twin-handled Dish, decorated to the well with cat, impressed mark verso, D 24cm x H 5cm, and a David Eeles Bowl, decorated in tenmoku glaze with a flying bird to the well, D 21.5cm x H 8cm (3)

Lot 77

Ruthanne Tudball (b. 1948) a studio pottery stoneware Yunomi, of spiralling fluted form, in green, blue and brown salt-glazes, impressed marks to foot, H 11cm, together with a Jim Malone studio pottery Bowl, decorated in thick glaze with thin copper pours, impressed marks to foot, D 13.5cm x H 8cm (2)

Lot 7080

JIM MALONE (b.1946) A Burnby Pottery small plate with hand painted leaping fish design. Impressed pottery and personal seals. 22cm diameter

Lot 64

Jim Malone (b.1946): A Stoneware Vase, incised decoration covered in tenmoku and nuka glaze, impressed JM and Ainstable Pottery seal mark,24cm highJim Malone (b.1946): A Stoneware Vase, incised decoration covered in nuka and ash glaze, impressed JM and Ainstable Pottery seal mark,21cm high (2)Both are in good order. Both have a good sound when tapped. Some minor crazing to the inside of the necks. See extra images in due course.

Lot 67

Jim Malone (b.1946): A Tall Stoneware Faceted Jug, nuka ash glaze, impressed JM and Ainstable Pottery seal mark,36cm highIn good order.

Lot 70

Jim Malone (b.1946): A Stoneware Teapot and Cover, ash glaze, impressed JM and Ainstable Pottery seal mark,20cm highThree Others (4)

Lot 65

Jim Malone (b.1946): A Stoneware Vase, hakeme slip with iron decoration, impressed JM and Ainstable Pottery seal mark,26cm highJim Malone (b.1946): A Stoneware Bowl, hakeme slip with iron decoration, impressed JM and Ainstable Pottery seal mark,20cm diameter (2)

Lot 68

Jim Malone (b.1946): A Stoneware Vase, hakeme slip with iron decoration, impressed JM and Ainstable Pottery seal mark,27cm highJim Malone (b.1946): A Stoneware Bowl, hakeme slip with iron decoration, impressed JM and Ainstable Pottery seal mark,18.5cm diameterJim Malone (b.1946): A Stoneware Bowl, hakeme slip with iron decoration, impressed JM and Ainstable Pottery seal mark,13.5cm diameter (3)All in good order. See extra images.

Lot 66

Jim Malone (b.1946): A Stoneware Ovoid Vase, incised with trees, impressed twice JM and Ainstable Pottery seal mark, labelled 11, 29cm highPurchased from The Oakwood Gallery, 4 Church Street, Edwinstowe, Nottinghamshire, NG21 9QA.In good order.

Lot 69

Jim Malone (b.1946): A Stoneware Vase, tenmoku and green ash glaze, impressed JM and Ainstable Pottery seal mark, 18.5cm highJim Malone (b.1946): A Stoneware Bowl, fluted, ash glaze, impressed M and Ainstable Pottery seal mark, 24cm diameter (2)The vase has some crazing in the green pooled glaze. The bowl has some surface scratches around the pooled glaze on the foot.

Lot 27

Jim Malone (b.1946): A Tall Stoneware Bottle Vase, in a nuka glaze, incised decoration, 36cm highNuka glazes use the ash of burnt rice kernel husks (Nuka is the Japanese word for rice husk).In good order.

Lot 664

Jim Malone (b.1946) at Lesson Hall PotteryLarge pitchertenmoku with impressed motifsimpressed potter's and pottery seals35cm high. Provenance:Goldmark Gallery, Uppingham, Rutland. Simply a good condition.

Lot 538

Jim Malone (b.1946) at Ainstable PotteryFooted bowltenmoku with impressed motifsimpressed potter's and pottery seals10cm high, 12cm diameter.

Lot 50

Breon O'CASEY (1928-2011) Red Fish, 2000 Carborundum, signed and dated, Printer's Proof, sheet 50.5 x 68.5cm, framed 62 x 80cm Purchased New Ashgate Gallery, 2009Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 63

Nicola LORD Hillside, 2001 Mixed media, signed and titled to verso, 27 x 26cm, framed 41 x 39.5cmProvenance - Bettles Gallery Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 48

Breon O'CASEY (1928-2011) Red Bird on Magenta, 1999 Etching/aquatint, signed, dated and numbered 8/15, plate 39 x 58cm, framed 58 x 76cm Purchased New Ashgate Gallery, 2008Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 46

Mary FEDDEN (1915-2012) Purple Hellebore, 1999 Gouache on paper, signed and dated, 29 x 27cm, framed 48 x 44cm New Ashgate Gallery, 2000Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 43

Mary FEDDEN (1915-2012) Red Throated Diver, 1997 Oil on board, signed and dated, 60 x 75cm, framed 71 x 86cm Royal West of England Academy (label to verso)Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This oil is in wonderful original condition with no damage and no restoration. An examination under UV light shows no anomalies.

Lot 58

John MALTBY (1936-2020) Wind fresh to strong, GALE FORCE at times...., c1991 Painted wooden automata, signed to verso, inscribed 'Wind fresh to strong, GALE FORCE at times.... Lighthouse Keeper... A Wallis.. his house'31 x 25cm, (44 cm including pendulum) Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. There is some yellowing to the varnish, this is particularly evident in the white pigment of paint. Other than this, this charming and characterful piece is in good condition.

Lot 47

Mary FEDDEN (1915-2012) Yellow Hellebore, 1999 Gouache on paper, signed and dated, 29 x 25cm, framed 48 x 44cm Purchased New Ashgate Gallery, 2000Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This float-mounted glazed watercolour is in excellent condition, it is on paper with a deckle edge

Lot 55

Peter JOYCE (1964) Tall Coast, 1999-2000 Acrylic on canvas, initialled and dated, signed, titled and dated 1999 and 2000 to verso, 63.5 x 51cm, framed 72 x 59cmExhibited - Anthony Hepworth Gallery, 2000 (label verso) Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 68A

Jessamine KENDALL neé Leach (1920-2014) Tubular silver and lapis beads with African trade beads Silver, stamped, length 66cm.Jessamine had been inspired as a child by watching her father Bernard Leach unpick the glass beads of an old lace bobbin, to re-make it into a necklace for her sister Eleanor. Later on when visiting Patrick Heron and his family, she had been fascinated by seeing Susanna Heron’s jewellery, as well as by visits to the V&A and the British Museum. She loved ancient beads and collected coral, amber, cornelian and lapis lazuli amongst other things. She began working from home, putting the beads she had collected together with her own silver beads to create necklaces and earrings. She had her first exhibition at the newly opened Casson Gallery in London, which opened in May 1974. This was followed by showing her work in the annual ‘Loot’ exhibitions at Goldsmiths’ Hall and taking part in selling exhibitions in galleries around the country. Whilst developing her creative practice, she formed a new relationship with Dicon Nance, an exceptional craftsman who had been an important assistant at the Leach pottery and to Barbara Hepworth. Together, they moved to an old Devon longhouse on Dartmoor, where Dicon provided invaluable practical solutions to many technical problems encountered by Jassamine in her jewellery making as well as helping her to create a beautiful garden from a farmer’s hillside field. She went on to become a member of the Devon Guild of Craftsmen and exhibited her work there as well as at other galleries. Excerpts from ‘The Hidden Twin Daughters’ by David Kendall. Leach Pottery website Purchased from Devon Guild, 1997.Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 44

Mary FEDDEN (1915-2012) Fruit & Scabious, 1993 Gouache on paper, signed and dated, artist's label to verso, 45.5 x 57.5cm, framed 61 x 71cm Purchased Beaux Arts, 1995Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This glazed gouache is in excellent condition Purchased Beaux Arts, 1995

Lot 40

Bryan PEARCE (1929-2006) Tulips & Daffodils, 1986  Oil on board, signed, titled and dated to verso, 61 x 51cm, framed 75 x 64cm Purchased Beaux Arts, 2004Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This is in remarkably good condition, still with its original frame. It comes to us from an important private collection and was acquired from Beaux Arts, Bath

Lot 49

Breon O'CASEY (1928-2011) Bird over Blues & Grey, 1999 Carborundum, signed, dated and numbered 15/15, plate 39 x 58cm, framed 64 x 82cm Purchased New Ashgate Gallery, 2001Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This work is in excellent condition.

Lot 53

Peter JOYCE (1964) Durlston Country Park, 1993 - 1997 Mixed media on canvas, initialled and dated '97, signed and inscribed to verso, 101 x 11cm, framed 106 x 115cmThis work was started in 1993 and re-worked to completion in 1997 (notes to verso) Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 66

Jessamine KENDALL neé Leach (1920-2014) Lapis and ancient Carnelian necklace Silver, stamped, length 44.5cm.Jessamine had been inspired as a child by watching her father Bernard Leach unpick the glass beads of an old lace bobbin, to re-make it into a necklace for her sister Eleanor. Later on when visiting Patrick Heron and his family, she had been fascinated by seeing Susanna Heron’s jewellery, as well as by visits to the V&A and the British Museum. She loved ancient beads and collected coral, amber, cornelian and lapis lazuli amongst other things. She began working from home, putting the beads she had collected together with her own silver beads to create necklaces and earrings. She had her first exhibition at the newly opened Casson Gallery in London, which opened in May 1974. This was followed by showing her work in the annual ‘Loot’ exhibitions at Goldsmiths’ Hall and taking part in selling exhibitions in galleries around the country. Whilst developing her creative practice, she formed a new relationship with Dicon Nance, an exceptional craftsman who had been an important assistant at the Leach pottery and to Barbara Hepworth. Together, they moved to an old Devon longhouse on Dartmoor, where Dicon provided invaluable practical solutions to many technical problems encountered by Jassamine in her jewellery making as well as helping her to create a beautiful garden from a farmer’s hillside field. She went on to become a member of the Devon Guild of Craftsmen and exhibited her work there as well as at other galleries. Excerpts from ‘The Hidden Twin Daughters’ by David Kendall. Leach Pottery website Purchased from the Devon Guild, 1995Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 57

Peter JOYCE (1964) Rough Surf, 2002 Mixed media on board, signed, dated and titled to verso, 31.5 x 32cm, framed 54 x 54cm Purchased directly from the artist (artist's label verso), 2002Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 59

Brian GRAHAM (1945) Creswell Crags, 2004 Acrylic on canvas, signed and dated, 121 x 91cmProvenance - Hart Gallery (label verso) Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This work is in excellent condition

Lot 56

Peter JOYCE (1964) Sennen's Surf, 2002 Mixed media on board, initialled and dated '02, signed and titled to verso, 32 x 32.5cm, framed 54 x 54cm Bought directly from the artist (artists label verso), 2002Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 65

Jessamine KENDALL neé Leach (1920-2014) Incised Lapis and Glass necklace Silver, stamped, length 50cm. Together with a second Lapis, Carnelian and silver necklace, stamped, length 45cm. (2)Jessamine had been inspired as a child by watching her father Bernard Leach unpick the glass beads of an old lace bobbin, to re-make it into a necklace for her sister Eleanor. Later on when visiting Patrick Heron and his family, she had been fascinated by seeing Susanna Heron’s jewellery, as well as by visits to the V&A and the British Museum. She loved ancient beads and collected coral, amber, cornelian and lapis lazuli amongst other things. She began working from home, putting the beads she had collected together with her own silver beads to create necklaces and earrings. She had her first exhibition at the newly opened Casson Gallery in London, which opened in May 1974. This was followed by showing her work in the annual ‘Loot’ exhibitions at Goldsmiths’ Hall and taking part in selling exhibitions in galleries around the country. Whilst developing her creative practice, she formed a new relationship with Dicon Nance, an exceptional craftsman who had been an important assistant at the Leach pottery and to Barbara Hepworth. Together, they moved to an old Devon longhouse on Dartmoor, where Dicon provided invaluable practical solutions to many technical problems encountered by Jassamine in her jewellery making as well as helping her to create a beautiful garden from a farmer’s hillside field. She went on to become a member of the Devon Guild of Craftsmen and exhibited her work there as well as at other galleries. Excerpts from ‘The Hidden Twin Daughters’ by David Kendall. Leach Pottery website The first, purchased from New Ashgate, 1996. The second, purchased from Devon Guild, 1996.Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 42

Bryan PEARCE (1929-2006) Still Life with Orange Flowers, 1996  Oil on board, signed, artist's label to verso, 61 x 51cm, framed 75 x 65cm Purchased Beaux Arts, 1997Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This is a wonderful vibrant still-life in excellent condition with its original frame. There is a tiny degree of bumping to the corners.

Lot 52

Peter JOYCE (1964) Ancient Coast, 1996-2000 Mixed media on canvas, signed and dated to verso, 95 x 70cm, framed 105 x 80cmCatalogue NoteThis painting was worked on over the course of four years between 1996 and 2000, it is signed and dated accordingly to verso Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 45

Mary FEDDEN (1915-2012) Fishing Boats, 2000 Watercolour, signed and dated, 18 x 29cm, framed 40 x 48cm Purchased Beaux Arts, 2000Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This float-mounted watercolour is in excellent condition. The colours look strong, there is no foxing and no others condition issues

Lot 64

Jessamine KENDALL neé Leach (1920-2014) Lapis, Carnelian and Crystal necklace Silver, stamped, length 46cm.Jessamine had been inspired as a child by watching her father Bernard Leach unpick the glass beads of an old lace bobbin, to re-make it into a necklace for her sister Eleanor. Later on when visiting Patrick Heron and his family, she had been fascinated by seeing Susanna Heron’s jewellery, as well as by visits to the V&A and the British Museum. She loved ancient beads and collected coral, amber, cornelian and lapis lazuli amongst other things. She began working from home, putting the beads she had collected together with her own silver beads to create necklaces and earrings. She had her first exhibition at the newly opened Casson Gallery in London, which opened in May 1974. This was followed by showing her work in the annual ‘Loot’ exhibitions at Goldsmiths’ Hall and taking part in selling exhibitions in galleries around the country. Whilst developing her creative practice, she formed a new relationship with Dicon Nance, an exceptional craftsman who had been an important assistant at the Leach pottery and to Barbara Hepworth. Together, they moved to an old Devon longhouse on Dartmoor, where Dicon provided invaluable practical solutions to many technical problems encountered by Jassamine in her jewellery making as well as helping her to create a beautiful garden from a farmer’s hillside field. She went on to become a member of the Devon Guild of Craftsmen and exhibited her work there as well as at other galleries. Excerpts from ‘The Hidden Twin Daughters’ by David Kendall. Leach Pottery website Purchased from the Devon Guild, 1995Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 41

Bryan PEARCE (1929-2006) Mousehole Harbour, 2002 Oil on board, signed, titled and dated to verso, 51 x 61cm, framed 65 x 75cm Purchased at Beaux Arts, 2004Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This oil is in excellent condition but for a tiny pigment loss about 9mm long to the extreme bottom edge. It has a stylish high-quality frame.

Lot 54

Peter JOYCE (1964) Ringstead Walk, 1999 Acrylic/mixed media on canvas, signed, titled and dated to verso, 55 x 45cm, framed 66 x 56cmProvenance - Bought directly from the artist, 2001 Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 68

Jessamine KENDALL neé Leach (1920-2014) Glass and silver bead necklace Stamped, length 43cm.Jessamine had been inspired as a child by watching her father Bernard Leach unpick the glass beads of an old lace bobbin, to re-make it into a necklace for her sister Eleanor. Later on when visiting Patrick Heron and his family, she had been fascinated by seeing Susanna Heron’s jewellery, as well as by visits to the V&A and the British Museum. She loved ancient beads and collected coral, amber, cornelian and lapis lazuli amongst other things. She began working from home, putting the beads she had collected together with her own silver beads to create necklaces and earrings. She had her first exhibition at the newly opened Casson Gallery in London, which opened in May 1974. This was followed by showing her work in the annual ‘Loot’ exhibitions at Goldsmiths’ Hall and taking part in selling exhibitions in galleries around the country. Whilst developing her creative practice, she formed a new relationship with Dicon Nance, an exceptional craftsman who had been an important assistant at the Leach pottery and to Barbara Hepworth. Together, they moved to an old Devon longhouse on Dartmoor, where Dicon provided invaluable practical solutions to many technical problems encountered by Jassamine in her jewellery making as well as helping her to create a beautiful garden from a farmer’s hillside field. She went on to become a member of the Devon Guild of Craftsmen and exhibited her work there as well as at other galleries. Excerpts from ‘The Hidden Twin Daughters’ by David Kendall. Leach Pottery website Purchased directly from the artist, 2005.Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 61

David TINDLE (1932) Open Doors,  Etching/aquatint, signed, titled and numbered 5/75, plate 32.5 x 53.5cm, framed 60 x 81cm Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 60

Brian GRAHAM (1945) Atapuerca. Dance of Terror, 2007 Acrylic on canvas, signed and dated, 121 x 91cmProvenance - Hart Gallery (label verso) Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This work appears to be in excellent condition although it has not been examined out of its glazed frame. The glass is cracked bottom right.

Lot 62

Eric WARD (1945) Purbeck Hills Over Poole Harbour Oil on canvas board, signed, artist's label to verso, 26 x 26cm, framed 41 x 41cmProvenance - Maltby Gallery Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This nicely framed oil is in excellent condition

Lot 51

Breon O'CASEY (1928-2011) Grey Bird, 2001 Carborundum, signed, dated (MMI) and numbered 6/20, sheet 58 x 76cm, framed 70 x 87cm Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This float-mounted work is in excellent condition.

Lot 67

Jessamine KENDALL neé Leach (1920-2014) Brass, silver and African trade bead necklace Stamped, length 46cm.Jessamine had been inspired as a child by watching her father Bernard Leach unpick the glass beads of an old lace bobbin, to re-make it into a necklace for her sister Eleanor. Later on when visiting Patrick Heron and his family, she had been fascinated by seeing Susanna Heron’s jewellery, as well as by visits to the V&A and the British Museum. She loved ancient beads and collected coral, amber, cornelian and lapis lazuli amongst other things. She began working from home, putting the beads she had collected together with her own silver beads to create necklaces and earrings. She had her first exhibition at the newly opened Casson Gallery in London, which opened in May 1974. This was followed by showing her work in the annual ‘Loot’ exhibitions at Goldsmiths’ Hall and taking part in selling exhibitions in galleries around the country. Whilst developing her creative practice, she formed a new relationship with Dicon Nance, an exceptional craftsman who had been an important assistant at the Leach pottery and to Barbara Hepworth. Together, they moved to an old Devon longhouse on Dartmoor, where Dicon provided invaluable practical solutions to many technical problems encountered by Jassamine in her jewellery making as well as helping her to create a beautiful garden from a farmer’s hillside field. She went on to become a member of the Devon Guild of Craftsmen and exhibited her work there as well as at other galleries. Excerpts from ‘The Hidden Twin Daughters’ by David Kendall. Leach Pottery website Purchased directly from the artist, 2001.Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 117

Jim Malone (British 1946-) Bowl and Yunomi Stoneware, the bowl interior with green ash pooled glaze and incised detail, the yunomi with cream slip and metallic detail, both with impressed marks.The bowl 22.2cm diameter, the yunomi 8cm high

Lot 89

JIM MALONE (BRITISH B.1946): A celadon porcelain bowl, bearing JM mark.5cm high x 21.5cm diameter 5cm high x 21.5cm diameter

Lot 273

Jim Malone (b. 1946) - A large studio art pottery stoneware single handled jug. The jug having textured & impressed decoration throughout with an olive green glazed finish on raw base. Marked JM to base. Measures approx. 33cm tall x 16cm in diameter. 

Lot 500

Jim Malone (b. 1946) - A studio art pottery stoneware slip glaze jug vase in earthy tone. Stamped JM to base with A mark for Ainstable. Measures approx. 19cm x 16cm x 12cm.

Lot 257

JIM MALONE (born 1946); a large stoneware bottle covered in brushed slip with impressed decoration and copper green spots, impressed JM and L (for Lessonhall) marks, height 33.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 261

JIM MALONE (born 1946); a near pair of stoneware chawan covered in nuka and iron glaze with incised decoration, impressed JM and L (for Lessonhall) marks, largest diameter 13cm (2).Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 275

JIM MALONE (born 1946); a stoneware bottle with lug handles covered in green ash and granite glaze over iron with incised decoration, impressed JM and L (for Lessonhall) marks, height 25.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 262

JIM MALONE (born 1946); a near pair of stoneware jars and covers covered in green ash glaze, impressed JM and L (for Lessonhall) marks, height 16cm (2).Condition Report: Appears good with no obvious signs of faults, damage or restoration.

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