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Lot 66

A MID 18TH CENTURY FRENCH MAP OF THE WORLD Titled 'Mappe Monde ou Description du Globe Terreste', by Gilles Robert de Vaugondy, 1752, framed 22 x 18cm Ownership Statement: This item is offered for sale in the name of the owner, Sake Santema. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Lot 499

‡PAUL PETER PIECH (1920-1996) four colour woodcut print - smiling figure holding aloft a globe, 'The World Lasts Because it Laughs', signed and dated 1992, 62 x 44cmsProvenance: private collection South WalesComments: framed, glazed

Lot 708

Early 20th century ebonised oak 'The Globe - Wernicke Co Ltd' Office and library furnishers, four tier sectional bookcase with glazed 'up and over' doors, sold by Parkhouse and Co, H 94cm, W 87cm, D 27cm

Lot 646

A modern Eros six branch nickel ceiling light, of globe shape, with glass shades46d x 60h cm

Lot 217

A modern Eros six branch nickel ceiling light, of globe shape, with glass shades46d x 60h cm

Lot 492

A modern twelve inch terrestrial globe, on a metal stand, 89cm high

Lot 189

A large Art Deco style figural table lamp, with an opaque glass globe shade, 95cm high

Lot 515

A French Empire ormolu mantel Clock, incorporating musical mechanism to plinth, circa 1820, the silvered dial with Roman numerals and calendar signed 'Alibert A Paris' , mounted in gilt metal case decorated with globe, scholar and other attributes of astronomy, the movement signed 'T. Moss, London', for Thomas Moss of Ludgate Street London and numbered '2818', housed in glass dome, raised on burr walnut plinth with a Swiss made musical mechanism playing on a choice of two airs, numbered '14262', the exterior with pull-wind cord to right hand side and a mother of pearl panel incorporating levers annotated Changer and Jouer, and with signature Alibert a Paris, raised on four squashed bun feet, W 25 cm x H 38 cm x D 13.5 cm.

Lot 44

A limited edition Halcyon Days enamels Box, to comprise a limited editions George Stubbs 'Self-Portrait on a Grey Hunter' (6/250), together with three other Halcyon Days of art subjects, comprising 'Still-Life with Blue Roses and Drapery'- Augustus John, another inspired by Monet and one other, all boxed, 'The Carousel' musical Box, two of horse scenes, a replica Bilston Box and one in the form of the Martin Behaim Globe, 9 in total (a lot)

Lot 448

A large pair of early 20th century oak Globe Wernicke style stacking chapter Bookcases, by Simpole's Liverpool & Manchester, both units comprising of; six glazed graduating sections, cornice, and plinth base fitted with a single drawer, two glazed sections bearing Simpole's labels, W 87 cm x H 231.5 cm x D 48.5 cm(2)

Lot 436

An early 20th century Globe Wernicke light oak four sectional Bookcase, with glazed sliding doors and bearing Globe Wernicke labels to the interior, raised on plinth base, W 87 cm x H 138 cm x D 26.5 cm. 

Lot 186

A weathered armillary sphere sundial with ironwork globe over a cast composition stone base, 125cm high

Lot 428

A weathered terracotta finial in the form of an angel accompanied by a songbird, seated on a globe, 50cm high approx, together with Chinese stoneware planter of oval form, 13cm high x 52cm x 40cm (2)

Lot 74

Two graduated cut glass ship's decanters - the larger 27.5cm high, with foliate, blaze, panel and diamond cut decoration (stopper possibly matched); the smaller decanter with star, panel and blaze cut decoration and star-cut globe stopper, 16.3cm high.

Lot 819

An oak three bottle Tantalus - 1920s-30s, with silver plated mounts (worn) and three matching decanters with faceted globe stoppers and silver plated decanter labels, opening on a sliding drawer mechanism (open, no key), 32.25cm high, 37cm long. 

Lot 377

A vintage Philips' British Empire Globe 19cm diam on metal and turned wood base, to/w a brass hand-bell (2)

Lot 67

CARY FAMILYA pair of celestial and terrestrial library globes, comprising Cary's New Terrestrial Globe, Drawn from the most recent Geographical works, shewing the whole of the New Discoveries with the Tracks of the Principal Navigators and every improvement in Geography to the present Time. London: G. & J. Cary, 1833. Together with, Cary's Celestial Globe, of which are carefully laid down the whole of the Stars and Nebulae contained in the Catalogues of Wollaston, Herschel, Bode, Piazzi, Zach, &c. calculated to the year 1820. London: J. & W. Cary, 1818. Two globes, each with twelve hand-colored engraved paper gores over a papier mache and plaster sphere, varnished, mounted in brass meridian rings, with brass hour circles at northern poles, on turned mahogany tripod stands, horizon bands with pasted down and varnished hand-colored printed zodiacal calendars, the base on metal caster feet; the globes 15-inches in diameter, the globes in their stands 38 inches tall. Both the globes and their stands with varying amounts of wear, specifically; the terrestrial globe with scattered light toning, craquelure, and a few small losses to the surface, with restorations, including repaired cracks in the plaster along the equator and at the poles and subsequent infill, with some loose plater rattleing inside the sphere; the celestial globe's surface is lightly faded with some unevenly toned spots and a few tiny losses, with a crack in the plaster extending along two-thirds of the equicontal circle and damage at the poles where the globe is mounted to the meridian ring, with numerous cracks radiating from the northern pole, and a 1-inch diameter hole in the globe at the southern pole revealing a small portion of the globe's internal wood structure; both of the stands with a few nicks and scraches, some vertical cracks in the terrestrial globes stand, the horizon rings with light toning to varnish and a few spots of staining and wear, both formerly with compasses, the globes would benefit from restoration.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Lot 71

[POCKET GLOBE]CARY, JOHN and WILLIAM. Cary’s Pocket Globe; agreeable to the latest discoveries. London: J. and W. Cary, 1791. A 3-inch Terrestrial pocket globe, with twelve hand-colored gores, and metal axis pins at the poles, housed in a custom cylindrical turned wood case. The case is 3 1/2 inches tall x 3 1/4 in diameter. General soiling and wear to the surface of the globe, including cracking, small losses, light spotting and toning, some rubbing and scuffing to the exterior of the wood case, the case with the initials "A.S." written in ink inside, and Trevor Phillips and Sons label affixed to the bottom. In 1791 John Cary, a map publisher, and his brother William, a scientific instrument maker, began working together to produce globes in various sizes. The earliest known advertisement for their new joint venture appeared in January of that year, so this 3-inch pocket globe, dated April 1, 1791, is among the earliest produced by their firm. It displays some of the most up-to-date cartographic information of the day, including the tracks of Captain Cook's three voyages, and updates from William Mackenzie's 1789 explorations in Canada.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Lot 73

[GLOBE - EDUCATIONAL TOY]MOGG, EDWARD. Mogg's Dissected Globe. London: Edward Mogg, March 1st, 1812. Twelve pieces of printed and hand-colored card slotted together to form a globe, comprising two vertical sections with maps of the Eastern and Western Hemispheres, two vertical sections with an armillary sphere, four horizontal sections with the circles of latitude, a central diagonal section with the horizon band, and the bottom horizontal section with a compass rose. The globe measures approximately 6 x 4 inches (16 x 9 cm); offered assembled and housed in a Victorian-style glass cloche on a giltwood base; Together with, An Explanation and Description of Mogg's Dissected Globe... and Directions for Forming the Globe. Printed pamphlet; Mogg's Dissected Globe. Advertisement. Printed card advertisement; and The original case. Printed card, with an image of a table globe, the title, and imprint. The pamphlet, ad, and case are framed together. The globe with a small loss to the printed surface at the top of the Western Hemisphere affecting the meridian ring and the northeasternmost part of North America, slight curve to the globe's feet, faint creasing and toning to the pamphlet at edges, the ad lightly toned and with a pencil mark, the case with dampstaining and wear, and a small label numbered in ink, complete with all parts, not examined out of the cloche or frame. Edward Mogg's "Dissected Globe" is a cleverly designed puzzle toy that taught children through play, rather than by study or rote memorization. By reading the pamphlet and assembling the globe, students would learn the basic principles of astronomy and geography, as well as the functions of the various parts of globes and other astronomical instruments. This trend of learning through active experimentation was very much in vogue in England in the late 18th and early 19th centuries, as evidenced by the numerous forms of educational toys and games that were produced during the period. Following the success of this globe, Mogg published a dissected celestial sphere the following year. While his dissected globes are scarce, they are even rarer when found complete with the original pamphlet, advertising leaf, and printed card case.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Lot 66

CARY, J. & W.Cary's New and Improved Celestial Globe, on which is carefully laid down, the whole of the stars and nebulae, containing an astronomical catalogue of Revd. Mr. Wollaston F.R.S. compiled from the authorities of Flamsteed, De La Caille, Hevelius, Mayer, Bradley, Herschel, Maskeleyne, &c. with an extensive number from the Works of Miss Herschel, the whole adapted to the year of 1800, and the limits of each constellation determined. London: J. & W. Cary, 1799. Library globe, with hand-colored engraved paper gores over a papier mache and plaster sphere, capped with a brass hour dial, the sphere mounted in a graduated brass meridian ring, the horizon band with applied paper calendar and zodiac supported on four quadrants, on a turned mahogany stand with three downswept legs ending in metal casters, with a compass at base supported by stretchers, the printed paper compass dial replaced; The globe is 21 inches (53 cm) in diameter and approximately 50 inches (127 cm) tall. The globe with the usual toning, soiling, scuffing, and craquelure due to age and use, with a few cracks, losses and damaged areas to the surface, mostly restored and with subsequent infill, a crack into the plaster extending along two-thirds of the equicontal circle with a few small associated losses, the horizon ring with some cracks, stains, and scuffs but quite sound, a few small spots of wear to the stand, the printed paper compass dial is a modern replacement, without the compass' needle and glass covering. No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Lot 70

[POCKET GLOBE]SMITH, J[OHN] and C[HARLES]. A New Terrestrial Globe; from the best authorities. London: by J. Smith and sold by C. Smith, 172 Strand, [circa 1830]. A 3 1/2 inch diameter terrestrial globe, with 12 hand-colored engraved gores, two polar calottes, and two metal axis pins; housed in the original shagreen case, lined with 12 hand-colored engraved celestial map gores, the celestial map titled "A New Celestial Globe. Compiled by J. Smith." The globe with a few minor spots of surface cracking, staining, and wear, the varnish lightly toned with age, some rubbed losses to the printed surface around Siberia, a horizontal crack in the plaster across South America with the globe's surface bowing out along the edges of the gore, the case is warped as per usual but closes nicely; the celestial map lining faintly toned and stained with a few spots of wear.A rare three-and-a-half-inch pocket globe by leading London globemakers John and Charles Smith. The firm moved to 172 Strand in 1827. Charles was joined in the business by his son in 1845, around which time they began using the name C. Smith & Son. The detailed terrestrial globe includes the tracks of various explorers, including Cook, Vancouver, and La Pérouse. A celestial map lines the globe's original shagreen case, mapping the constellations and indicating the magnitudes of stars. We locate just one other example of this globe sold at auction (Charles Miller, Ltd., 2010).No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Lot 72

[POCKET GLOBE][ANONYMOUS, after HERMAN MOLL]. A Correct Globe with the new Discoveries. [London: circa 1775]. A 2 3/4 inch pocket globe, with 12 hand-colored engraved gores and 2 polar calottes, housed in its original shagreen case with two brass hook and eye clasps, the case lined with a celestial map titled "A Correct Globe with y. New Constellations of Dr. Halley &c." comprised of 12 hand-colored engraved gores and 2 calottes. The globe's varnish is lightly toned, with a few minuscule spots of wear to the printed surface, and some small paler areas of abrasion to the varnish, the shagreen case is warped as usual and does not close, the hook of one brass clasp has broken off, otherwise an exceedingly well-preserved example of a fragile pocket globe, with an old printed catalog description from Trevor Phillip & Sons Ltd. Previously attributed to George Adams, Sr., this pocket globe is now understood to have been produced by an anonymous globemaker based on a circa 1710 pocket globe by Herman Moll (1654?-1732). While it retains much of Moll's original design and geography, including his distinctive hatch marks, trade wind arrows, and details like the label "Parts Unknown" in Western Canada, parts of its geography have been updated based on recent discoveries. For example, California appears here as a peninsula rather than an island, Dampier's tracks have been largely replaced by Cook's, and the geography of Australasia has been updated accordingly. The shagreen case is lined with a celestial map whose cartouche advertises the inclusion of Dr. Edmund Halley's "New Constellations." In 1676, Halley had cataloged over 300 previously unrecorded stars from his Southern Hemisphere observatory on the island of Saint Helena. He also created a new, patriotic constellation, the Robur Carolinum (Charles' Oak), to commemorate the oak tree in which King Charles hid after his defeat by Oliver Cromwell’s republican forces in 1651, which appears on this map. No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Lot 254

An 20th century iridescent lustre glass vase - of globe form with a flared neck, 11cm high, together with a Villeroy & Boch purple glass vase.

Lot 212

A Venetian art glass vase - green and pink, of globe form with a narrow neck, with original label, 20cm high, together with another similar red glass vase. (2)

Lot 86

A 12' diameter terrestrial globe - 54cm high.

Lot 504

A contemporary mineral / gemstone inlaid terrestrial desk globe on a gimble-mounted on a brass tripod base. 43cm diameter

Lot 1196

An early 20th century Globe Wernicke walnut Barrister's four-section stacking bookcase with single drawer beneath, 87cms wide by 143.5cms high and 31.5cms depth.

Lot 1195

An early 20th century Globe Wernicke walnut Barrister's four-section stacking bookcase with drawer beneath, 87cms wide, 158cms high and 32cms depth.Condition ReportThe lower bookcase section is missing the glass and one handle is missing the drop and lug, otherwise general marks and wear commensurate with age.

Lot 1252

A Pair of Early 20th Century Globe Wernicke Oak Five Tier Sectional Bookcases, with moulded cornices, each tier with leaded glazed rising front, on plinth base, each 34ins wide x 12ins deep x 69ins high

Lot 142

Peter Falk (Columbo) signed 10x8 inch black and white photo. Peter Michael Falk was an American film and television actor, singer and television director and producer. He is best known for his role as Lieutenant Columbo on the NBC/ABC series Columbo, for which he won four Primetime Emmy Awards and a Golden Globe Award. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lot 1042

A Globe Wernicke style oak and leaded glass bookcase, 89cm wide, (crack to one pane).

Lot 266

A 12 inch world classic series globe together with two wooden boxes, one for bridge

Lot 410

A globe Wernicke classic three section mahogany bookcase

Lot 1414

Mid-XX Century Steel and Brass Globe Cigarette Dispenser with pull-up top to reveal individual cigarette holders, on stopped base, 20cm tall when closed.

Lot 60

Lot to include small terrestrial globe, enamelled pedestal trinket box, magnifying glasses, Guinness kangaroo figure and other. [W]

Lot 27

Jose Avitavilli (Peru, late 16th century - early 17th century)“Salus Populi Romani”, also  known as ‘Our Lady of the Snows’.Tempera on linen canvas.127 x 95 cm.This *Our Lady of the Snows* is a significant testament to the development of religious art in the Viceroyalty of Peru during the late 16th and early 17th centuries. Its Marian iconography, technique, and composition place it in a transitional phase between the Mannerism introduced by the Society of Jesus and the consolidation of Andean Baroque, influenced by European artistic traditions and local aesthetic particularities.A stylistic and technical analysis of the painting allows us to associate it with the production of the circle of Bernardo Bitti (1548–1610), an Italian Mannerist master whose work had a decisive impact on the development of Peruvian viceregal painting. More specifically, we attribute this piece to José Avitavilli, his disciple and one of the principal exponents of Cuzco Mannerism, based on stylistic and documentary comparisons.José Avitavilli, one of Bernardo Bitti’s closest disciples in the Viceroyalty of Peru, is mentioned in colonial documents as an active collaborator in the restoration and production of Mannerist works in Cuzco and Upper Peru. His work has been documented in the decoration of Jesuit churches and convents, and his style reflects clear influences from Bitti but with a distinctive refinement in the execution of faces and the treatment of color. Historical sources indicate that Avitavilli worked on Marian themes, particularly in Cuzco and Potosí, where he is known to have painted pictures of the Virgin Mary that combine Mannerist elements with a polished technique.The painting we present coincides with his other work in several key aspects, such as the delicate modeling of faces with Italian influences, the use of tempera instead of oil—a distinctive feature in some of his works—and the balance between gilded ornaments and a sober composition, typical of late Mannerism.One of the most significant aspects of this painting is its close iconographic relationship with the "Our Lady of Antigua", preserved in Lima Cathedral and considered to be one of the first Marian images introduced to Latin America. Both paintings share fundamental characteristics, such as the frontal arrangement of the Madonna and Child, the use of the rose as a symbol of purity, the treatment of the face with delicate oval features, and the presence of an ornamental background with geometric and gilded elements.However, "Our Lady of the Snows" introduces Mannerist variations characteristic of the late 16th century, such as the stylization of the figures and a greater softness in contrasts between light and dark. The influence of Bernardo Bitti is evident in the delicate modeling of the faces, with a subtle use of light and shadow to create volume—a technique he learned in Rome before moving to the Americas.The fact that the "Virgin of the Antigua" was one of the first Marian images in the viceroyalty reinforces the idea that *Our Lady of the Snows* represents a more advanced reinterpretation of this model, with technical refinement and an aesthetic more influenced by Mannerism. Perhaps the version by Bitti at the Museo Convento de los Descalzos in Peru is the earliest example of this evolution.All this evidence allows us to propose José Avitavilli as the artist who painted this artwork, consolidating him as a key figure in the transition between Italian Mannerism and early Andean Baroque.One of the most unusual aspects of this painting is the use of tempera on linen canvas, rather than the traditional oil on canvas. The tempera technique, more common in mural painting and European altarpieces, involves mixing pigments with binders such as egg or animal glue, allowing for a more delicate application and a matte finish, less glossy than oil. This method was widely used in European Renaissance art, but its application on canvas is much less frequent.Linen as a support is also a particular choice, as most viceregal production was painted on cotton fabric or wood. This material provides a finer texture and allows for more precise details in drawing, which is reflected in the exquisite execution of the faces of the Madonna and Child. The state of preservation suggests that the tempera technique has contributed to the stability of the painting, avoiding the typical cracking seen in older oil paintings.An elegant and stylized version of the famous *Salus Populi Romani* (Protector of the Roman People), better known as Our Lady of the Snows, a name given in the 19th century to the Byzantine icon of the Virgin with the Child in her arms, traditionally attributed to early Christians.This iconographic composition designates this type of painting as "Theotokos", meaning etymologically “Mother of God,” or more literally, “the one who gave birth to God.” The Virgin Mary is depicted with a light blue mantle edged in gold. In her right hand, she holds a circular flower, the mystical rose with which she seals her covenant with the Roman people. Though she does not wear a crown, the halo of sanctity speaks of her distinction and benevolence, a holy woman full of light, shown as the "Regina Caeli". With her left hand, she tenderly embraces her son, offering him to the world, while the Christ Child rests, appearing as the Pantocrator. With his right arm slightly raised, the Child makes a gesture of blessing and holds in his left hand the orb or globe of the world, which he blesses and supports, unlike the original icon where he carries the Book of Life, the Word.Both Mother and Child appear against a curtained background that emphasizes the importance of the image.  They look directly at the viewer, making us participants in their presence, gaze, and transformation. The red curtain in the background reinforces the sacredness of the moment and creates a theatrical frame that recalls the liturgical theater of the Counter-Reformation. This type of composition follows European models of Italian and Flemish influence, adapted to the viceregal context. The use of gilding in the embroidery and trim of the Virgin’s mantle, though restrained compared to 18th-century paintings, anticipates the taste for brilliance and ornamentation that would characterize later Cuzco painting.Bibliographic References:-Mesa, José de, y Gisbert, Teresa. Holguín y la pintura altoperuana del Virreinato. La Paz: Librería Editorial Juventud, 1977.  -Gisbert, Teresa, y Mesa, José de. La tradición bíblica en el arte virreinal. La Paz: Librería Editorial Juventud, 1982.  -Querejazu, Pedro. “La ‘Madona del pajarito’ de Bernardo Bitti: tratamiento de conservación y restauración”. Conserva, n.º 5, 2001, pp. 85-94.  -Coello de la Rosa, Alexandre, y Abejez, Luis J. “Bernardo Bitti y Diego Martínez: dos protagonistas de la pastoral de la imagen en el Virreinato del Perú”. Archivum Historicum Societatis Iesu, vol. 92, n.º 183, 2023, pp. 5-30.  - Stratton-Pruitt, Suzanne L. *The Virgin, Saints, and Angels: South American Paintings 1600-1825 from the Thoma Collection*. New Haven: Yale University Press, 2006.- Museo Convento de los Descalzos, Lima, Perú.   

Lot 69

SWATCH COLLECTION 125 Swatches with three original exhibition stands. Three original exhibition stands from Swatch with collection of 125 collectible Swatch watches including: McGregor 1985 GJ100 Blackout 1985 GB105 Silver Circle 1986-1987 GA105 PAGO PAGO 1986 GL400 Osiris 1986 GV100 Ping Pong Blue 1986 GW106 Tonga 1986 GL100 Ruffled Feathers 1986 GF100 Sir Swatch 1986 GB111 Cosmic Encounter 1986 GS102 Art Special Folon PERSPECTIVE 1987 GZ106 X-Rated 1987 GB406 White Out 1987 GW107 NINE TO SIX 1987 GB117 Turquoise Bay 1987 GK103 FOLLOW ME 1987 GJ101 Waipitu 1987 GB113 Heartstone 1988 GX100 Dark Vader 1988 GK110 Coral Gables 1988 GB407 Colour Window 1988 GB715 Tickertape 1988 GB713 Golden Sphere 1988 GX102 Neo Rider 1988 GG103 Flumotions 1988 GN102 Mezza Luna 1988 GB107 Sign Of Samas 1988 GX105 Deauville NO DATE 1988 GW111 Old Bond 1988 GG102 Old Bond 1988 GG102 Shibuya 1989 GG104 Harajuku 1989 GB124 Blue Leaves 1989 GN104 Sandy Mountains 1989 GG105 FIGUEIRAS 1989 GB125 Rosehip 1989 GP100 ST. GERMAIN 1989 GB123 Rorrim 5 1989 GZ107 by Tadanori Yokoo Medici's 1989 GB127 Stormy Weather 1989 GV100 Tender Too 1990 GB131 Golden Jelly 1990 GZ115 Scuba 200 Barrier Reef 1990 SDB100 ROBIN 1990 GJ103 Passion Flower 1990 GN703 Chrono White Horses 1990 SCW100 Scuba 200 Barrier Reef 1990 SDB100 Hackers Reward 1990 GK122 African Can 1990 GK120 Ravenna 1990 GR107 Top Sail 1990 GB132 Computrip 1990 GN108 TRISTAN 1990 GB135 Metroscape 1990 GN109 Cosmesis 1990 GM103 World Record 1990 GB721 Hackers Reward 1990 GK122 Scuba 200 Medusa 1991 SDK102 Bold Face 1991 GN112 Typesetter 1991 GK131 The Boss 1991 GR109 Chrono Rollerball 1991 SCB107 Chrono Wall Street 1991 SCB106 Chrono Silver Star 1991 SCN102 heel Animal 1991 GZ120 Time to Move 1991 SAK102 Rave 1991 GK134 Gulp 1991 GK139 Scuba 200 Blue Moon 1991 SDN100 Scuba 200 HYPPOCAMPUS 1991 SDK103 Scuba 200 Happy Fish 1991 SDN101 360º Rosso Sur Blackout 1991 GZ119 Verdu(H)Ra (Red Pepper) 1991 PWZ102 Designed by Alfred Hofkunst Franco 1991 GG110 Bonju(H)r (Bacon and Egg) 1991 PWZ101 Designed by Alfred Hofkunst Gold Inlay 1991 GB141 Blue Matic 1991 SAN100 Gu(H)Rke 1991 PWZ100 Designed by Alfred Hofkunst Stalefish 1991 GG113 Blue Flamingo 1991 GN114 Chrono Neowave 1991 SCJ100 Chrono Goldfinger 1991 SCM100 Chrono Flash Arrow 1991 SCL100 Obelisque 1991 GM104 Genji 1991 GB723 Chrono Navy Berry 1991 SCR100 Bermudas 1991 GK133 Blue Flamingo 1991 GN114 IBISKUS 1991 GL101 The Globe 1991 GB137 Crash 1991 GG111 Black motion 1991 SAB100 Orologio Rubin 1991 SAM100 Cupydus 1991 GG112 Chrono Grand Prix 1992 SCJ101 Chrono AWARD 1992 SCM101 Sam Francis 1992 GZ123PACK Chrono JFK 1992 SCN103 Chrono SIRIO 1992 SCM101 Hookipa 1992 GN118 Fifth Avenue 1992 SAB101 Wave Rebel 1992 GJ107 After Dark 1992 GB144 Lots Of Dots 1992 GZ121 Scuba 200 Coming Tide 1992 SDJ100 Scuba 200 Jelly 1992 SDK104G Scuba 200 Captain Nemo 1992 SDB101 Francois 1er 1992 SAK100 Mogador 1992 GL103 Frische Fische 1992 GG116 Tresor Magique 1993 SAZ101PACK Ioc 100 1994 SCZ101PACK1 Magic Spell 1995 GZ148PACK Sparkling Life 1998 GZ902PACK Pink Slip 2001 LK202 Happy Wedding Special 2001 GZS05PACK2 High Beam Variation White hands GM107W High Beam GM107W

Lot 519

THOMAS (Pascoe): 'A True and Impartial Journey of a Voyage to the South-Seas, and Round the Globe, in His Majesty's ship The Centurion, under the command of Commodore George Anson...': London, printed and sold by S Birt and others, 1745: FIRST EDITION. 19th century half-calf gilt, marbled edges, 8vo. Pascoe Thomas was teacher of mathematics onboard the Centurion, this account of the voyage preceding the publication of the official account of Anson's voyage by 3 years. (1)

Lot 672

ATLAS: WYLD (James, publisher): 'A New General Atlas of Modern Geography, consisting of a complete collection of maps of the four quarters of the globe...': London, James Wyld, circa 1840. With 41 engraved maps and charts, water staining round top edge, toning and foxing, some tears and fraying, boards detached and spine deficient, large folio: for sale as a collection of maps and not subject to return. (1)

Lot 513

BINDINGS: COOLEY (William Desborough): 'Physical Geography, or the Terraqueous Globe and its Phenomena...': London, Dulau & Co, 1876: tinted litho frontis, numerous plates and figures within text: contemporary blue half morocco, gilt lettered direct, teg, bumped to spine heads and some light wear else a good copy 8vo: together with Cassell's 'Natural History', 3 vols, 1877-78 and Charles Lyell's 'The Student's Elements of Geology', 3rd Edition 1878, in period green half leather bindings. (5)

Lot 577

BINDINGS: SHAKESPEARE (William): 'The Works of William Shakespeare': The Globe Edition: London, Macmillan, 1900: contemporary green half-crushed morocco gilt, teg, spine sunned: TUPPER (Martin): 'Proverbial Philosophy': London, Hatchard, 1860: ornate full green morocco gilt, aeg, minor wear: with 7 others, literature/history in 19th century editions, all in period leather bindings, 8vo. (9)

Lot 720

An oak vintage Globe Wernicke style four tier bookcase H 146 cm W 87 cm

Lot 574

Amended description - An Art Deco 13 inch terrestrial desk or table globe by James Wellsworth, with aluminium mount and stained beech base with inset compass, signed with the maker's name bottom of the globe, height 54cm, slight wear in places

Lot 153

A studio pottery bowl, of footed form, the rim with applied whimsical figures depicting a life drawing class, impressed monogram gC, height 11.5cm, together with a South African Raku fired lion, modelled standing with incised geometric panels in bright polychrome glaze, incised signature under foot, height 12cm, and a studio pottery vase, of globe form with high drawn neck, the body with printed long tailed dragonfly in amethyst over matt opal ground, the neck with mottled brown/blue glaze, impressed PM 2016 to base, height 27cm.

Lot 379

A pair of later 20th Century clear crystal decanters of shouldered rectangular section with flared facet stoppers, each with silver hallmarked collars, height 24cm, together with a pair of footed globe and shaft form examples with spiral mitre cut decoration, height 41cm, and a group of silver hallmarked wine labels to include Brandy, Gin, Claret, Sherry & Whisky, slight damage to one stopper.

Lot 218

A Whitefriars shadow green shape no.9359 vase, of elongated barrel form with rigaree bands, height 15cm, together with a golden amber teardrop vase, shape no.9566, height 22.5cm, and an emerald green glass vase, designed by Geoffrey Baxter, circa 1960, of compressed globe form, height 14cm. (3)

Lot 2000

Antique globe on swivel bronze base. Atlas School Supply Co. Chicago USA Circa 1900. Globe damaged. Dimensions: H 75 x Ø 45 cm. In fair condition.

Lot 2343

Antique figure with globe. Composition metal. Circa 1900. France. Dimensions: H 66 cm. In good condition.

Lot 2011

Large terrestrial globe, made of various types of gemstone, completely placed on a brass holder. 21st century. Dimensions: Ø 35 cm. In good condition.

Lot 2064

Antique German globe with compass by H. Kiepert Berlin. With ebonised wooden base. Circa 1880. Dimensions: H 47 cm. In good condition.

Lot 157

Vibrant and expressive, this limited edition digital print on canvas by celebrated Brazilian artist Romero Britto reimagines Rene Magritte's The Son of Man through the lens of Britto's signature pop art and neo-cubist style. Titled Mr. Magritte, this 2020 work captures the surrealist theme of the hidden self while infusing the composition with bold geometric patterns, swirling lines, and glittering embellishments. The apple-faced figure, clad in a vivid mosaic-like suit and hat, is surrounded by a whimsical, color-rich background featuring expressive hearts, clouds, and playful curvilinear forms. Executed in a limited edition of 100, this piece is hand-signed by the artist and numbered 34/100. Accompanied by a certificate of authenticity from Britto Studios, this work exemplifies Britto's signature visual language of joy, hope, and optimism. Romero Britto is a Brazilian artist known for his distinctive fusion of pop art, cubism, and graffiti-inspired aesthetics. Born in 1963 in Recife, Brazil, Britto displayed an early passion for art, drawing inspiration from the vibrant culture and colorful energy of his homeland. He later moved to Miami, where he gained international recognition for his bold, cheerful works that often depict themes of love, happiness, and hope. His instantly recognizable style, characterized by bright colors, dynamic patterns, and thick black outlines, has earned him worldwide acclaim, leading to collaborations with major brands, corporations, and charitable organizations. Britto's works have been exhibited in prestigious museums and galleries around the globe, and he is regarded as one of the most licensed artists in history. Through his Happy Art Movement, Britto seeks to inspire positivity and social good, reinforcing his belief that art is too important not to share.Artist: Romero Britto (Brazilian/American b. 1963)Issued: 2020Dimensions: 39.50"L x 49.50"HCountry of Origin: Brazil/United StatesCondition: Age related wear.

Lot 242

A striking mixed-media artwork on glass by Ziegler T, titled Fly Away (By Night), depicting a female figure seated on a swing, suspended by ropes that transition into colorful balloons against a dark, starry backdrop. The balloons incorporate globe-like imagery, emphasizing themes of freedom and exploration. The monochromatic rendering of the central figure contrasts dynamically with the vibrant elements, lending a dreamlike quality to the composition. Ziegler T is a French artist, who specializes in the arts of stencil and draws his inspiration from the masters in the matter to create his colorful and provocative compositions. The artist uses the codes and figures known by society to create his canvases which are colorful and carry a strong message. He addresses subjects such as religion, history, revolt and rebellion to allow the viewer to interpret his own way actuality and the society in which he evolves. Ziegler T's artworks are an invitation to reflection. Humor and provocation are more present than ever in his work. Signed by the artist in the lower right and numbered 19/25, indicating it is part of a limited edition series. The reflective glass surface enhances the depth of the imagery, creating an immersive visual experience. Signature and monograms on lower right. Artist: Ziegler T (French 20th-21st century)Issued: 2022Dimensions: 23.50"L x 31.25"HCountry of Origin: FranceCondition: Age related wear.

Lot 138

AN ENGRAVED BRASS CELESTIAL GLOBE WITH CONSTELLATIONS Possibly Lahore or Lucknow, Northern India, 19th centuryOf spherical shape, finely engraved with Arabic inscriptions denoting constellations and Zodiac signs like Gemini, Leo, and Pisces, featuring a learned man flanked by two angels whilst reading a book, divided into celestial coordinates with meridian and equatorial rings, mounted on a tripod stand with an equatorial ring engraved with Arabic letters.81.5cm circumference and 29.5cm high including the stand Brass was a favoured material for scientific instruments, especially celestial globes, thanks to its durability, malleability, and resistance to corrosion, allowing artisans to engrave detailed star maps and celestial coordinates with precision. Its smooth surface and ability to maintain a polished finish over time made it ideal for long-lasting use in scientific instruments. 81.5cm circumference and 29.5cm high including the stand Qty: 1

Lot 1

Registration No: BF 6524 Chassis No: 6412 MOT: ExemptDiscovered languishing in a Hong Kong scrapyardSubsequently restored to a high standard prior to being UK road registered in 2013Used for a variety of VSCC events (running in the 'Champagne Class')Entered from a small private collectionDesigned by ex-Le Zebre and Amilcar engineer Edmond Moyet, the Citroen 5hp Type C was unveiled at the October 1921 Paris Salon. Priced aggressively at 8,500FF and said to have given Louis Renault sleepless nights, the newcomer was powered by an 856cc four-cylinder side valve engine allied to three-speed manual transmission. Capable of some 60km/h and featuring such niceties as an electric starter and headlights, the Type C was initially available as a boat-tailed Two-Seater Torpedo Tourer. Cabriolet, Three-Seater and even Van variants were later additions. Built in both left- and right-hand drive and sold around the globe, the little Citroen achieved some 80,232 sales up until 1926 when it made way for the more profitable ‘all steel’ B14. Reportedly found languishing in a Hong Kong scrapyard, work had already begun on chassis 6412 by the time it arrived on these shores. UK road registered as ‘BF 6524’ during July 2013 once the renovation had been completed, the Citroën was lightly modified such that its brake pedal operates the rear drums (the handbrake lever now activating the transmission brake). Converted from centre- to right-hand throttle too and said to have been treated to a professional engine overhaul, the Type C proved reliable enough for its previous keeper to place 4th-in-class on a VSCC Summer Rally. Advertised for £12,000 prior to being bought by the late Garrett Aherne, one of life’s true gentlemen, the Tourer has formed part of his collection since 2019. Said to start readily on the handle or with a bump, it would doubtless benefit from some minor recommissioning. Cute as the proverbial button, it has Gallic charm aplenty! For more information, please contact: Damian Jones damian.jones@handh.co.uk 07855 493737

Lot 208

Collector’s Books and games, etc - Mickey Mouse Annuals, other annuals; desk globe; Battle of Britain 50th Anniversary Memorial Flight, model planes; etc.

Lot 23

A pair of late 19th / early 20th century cut glass globe decanters, 31.5cm high; another pair of cut glass bell shaped decanters, 34cm high; large cut glass vase, 32cm high, (5).

Lot 382

A Keith Murray for Wedgwood Art Deco ribbed globe vase glazed in straw yellow and bearing the KM mark and stamped Wedgwood on the underside, 23cm h A/F Location:If there is no condition report shown, please request

Lot 123

A 19th century German terrestrial globe, on ebonised stand, inset compass, 13 1/2" high (wormed stand)

Lot 430

Cigarette cards, USA, Globe Tobacco Co, Globe Puzzle Cards, four cards, nos 6, 12, 15 (slight crease) & 20 (gen. gd) (4)

Lot 562

Cigarette card, The Globe Cigarette Co, Actresses - French, type card, Verena (gd) (1)

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