We found 11507 price guide item(s) matching your search

One bottle of Njord Small Batch Slow Sloe Gin, Denmark

One bottle of Plymouth Sloe Batch-Distilled Gin

One bottle of Whitley Neill Peach Gin

One bottle of Forty Spotted Tassie Bush Honey Gin, Tasmania

One bottle of Tenjaku Craft Gin

One bottle of Castrum Barrel Aged Gin, Croatia

A collection of miniatures and similar to include whisky, vodka, gin and similar, predominantly with contents. [W]

A collection of Staffordshire figures / groups to include a pair of figures depicting a lady and a gentleman stood next to a vine trellis, largest approximately 20 cm (h), a twin sided temperance figure, Gin and Water, a group depicting a couple holding flowers, a group depicting a couple, the gentleman standing in a kilt and the lady seated with a string instrument, Dick Turpin and Black Bess and other. [W]NOTE: IN HOUSE SHIPPING IS NOT AVAILABLE FOR THIS LOT, PLEASE CONTACT CLIENT SERVICES FOR A LIST OF SUITABLE COURIERS AND A QUOTE.

A collection of Staffordshire figures / groups to include two twin sided temperance figures, Gin and Water, approximately 22 cm (h), a figural watch stand, spill vase depicting two sleeping maidens, two further spill vases with applied decoration of swans, a group depicting a couple, the man dressed in a kilt and other. [W]NOTE: IN HOUSE SHIPPING IS NOT AVAILABLE FOR THIS LOT, PLEASE CONTACT CLIENT SERVICES FOR A LIST OF SUITABLE COURIERS AND A QUOTE.

Late 20th Century Wooden Tantalus with three glass decanters with labels for Whisky, Gin and Brandy. With key.

Group of whisky and other miniatures to include BOWMORE 10 year old Glasgow Garden Festival '88 boxed, TALISKER 10 year old, GLENFIDDICH 12 year old boxed, LAMBS Navy Rum 70° proof, GORDONS Special Dry London gin (old style screw cap), RUTHERFORDS, BENEAGLES etc. (17)

Vintage Sparklets seltzer bottle featuring a lattice metal casing with red accent detail. The top mechanism bears Sparklets branding and includes the original nozzle. Accompanied by three liquor tags engraved with "Gin," "Scotch," and "Vodka," each with ornate detailing and chains for attachment. A stunning addition to a vintage barware collection.Dimensions: 13.5"HCountry of Origin: United StatesCondition: Age related wear.

A hallmarked silver gin and sherry spirit labels, Birmingham 1986 and 1988, makers mark R E Porter (2)

A set of four Elizabeth II silver decanter labels, each of rectangular form with scallop shell and foliate rims, engraved 'Brandy', 'Sherry', Whisky' and 'Port', London 1967, 1972 and 1973, and another similar silver 'Gin' decanter label, total weight 63.3g, together with two silver wine coasters, both by Garrard & Co Ltd, diameters 13.2cm and 12.4cm.

A collection of spirits and wine, including: The Claymore Scotch Whisky, 1l, 43%; Courvoisier Luxe Cognac, 680ml, 40%; Jim Beam Kentucky Straight Bourbon Whiskey, four years old, 1l, 40%; Gordon’s Special Dry London Gin, 75cl, 40%; and others. (7)

An Elizabeth II silver wine coaster, with a turned wooden base, Birmingham 1981, 10.5cm diameter, together with a silver gin decanter label, and a pair of Georgian sugar tongs, bright cut decorated, the tongs 0.92oz.

Black hair, light green band, dark green coat, yellow and burgundy bow. In Charles Dickens' 1843 novel " Martin Chuzzlewit" Sairey Gamp is a gossiping, gin-drinking midwife and nurse. Royal Doulton backstamp.Artist: Charles J. NokeIssued: 1935 - 1986Dimensions: 7.75''L x 5.75''W x 6.5"HCountry of Origin: EnglandCondition: Age related wear.

A collection of spirits including Remy Martin fine champagne cognac, Gordons premium pink gin, Ursus imported vodka etc . This lot cannot be posted

A good collection of antique metal ware copper and brass including miners lamp car lamp gin traps horse harness copper pots brass candle sticks thermometers and other items

A bottle of Teachers Highland cream scotch whisky, two bottles of The Famous Grouse Finest scotch whisky, a bottle of Martell cognac and a bottle of Gordon's London gin.

Corgi. Buses (x4) Scale 1:76. The Original Omnibus Company. 43701 Q1 Trolleybus Booths Gin. 43708 Q1 Trolleybus Premium Bonds. 40202 AEC Reliance BEA Executive Express. 40301 Burlingham Seagull Wallace Arnold. Excellent boxed

Antique Silver, sterling 925 silver cigarette case, Gin bottle label, four thimbles, ARP lapel badge, along with a 1937 crown coin, 1920 silver 3d coin, approximately 105.89g total

Seventeen mid 18th century and later enamel wine labels, one example of heart shaped form, the rest of cartouche and escutcheon form, various titles including Claret, Rum, Sloe Gin, Port, Whisky, Cowslip, Cherry-Brandy, etc., largest example W7cm Condition Report: General wear commensurate with age and use, including scratches and some wear to decoration.Some examples with some losses to enamel, and some cracks.Some examples with repairs.Some later suspension chains.

Collection of gin traps

Nameplate COLONEL. Ex Hunslet 1459/1927 0-6-0 ST which was inherited by the National Coal Board from Manchester Collieries Ltd on 1/1/1947. It worked for the NCB at various locations - Chanters Colliery, Tyldesley; Wheatsheaf Colliery, Pendlebury; Parsonage Colliery, Leigh; Howe Bridge Colliery, Atherton; Gin Railways, Tyldesley; Bedford Colliery, Leigh. It was scrapped on site at Bedford Colliery 8/1966. Rectangular cast brass face restored measures 26in x 6.75in.

A collection of wines and spirits including Martell Cognac, Gordon's Gin, Champagne, etc. (9)

Three Bottlings of Alcohol; Bottled in Scotland "Sandy's" Old Scotch Whisky Liqueur. Gordon's Dry Gin and Wood's 100 Old Navy Rum.

A Regent Silverware duck decanter with silverplated mounts 750ml, unused in original box (h. 26cm), together with a cut glass gin decanter with faceted stopper and silver chain label inscribed 'GIN' (h. 26cm) (2)

Wade, Prototype and Sample type decanters from the clearance of the Wade Factory. Includes Tullamore Dew, Perth Gin, Tres Generaciones, etc. (1 Tray)

Tanaka Mazivanhanga Remnants II, 2024 Remnants II Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Tanaka Mazivanhanga is a contemporary artist whose work delves into themes of memory, identity, and the preservation of histories. Specialising in printmaking, installations, and object-making, she values the physicality of working with her hands and engaging directly with materials. This hands-on approach enables her to layer textures, build marks, and create tactile images. Education 2017-2019 MA: Visual Arts - Printmaking, Camberwell College of Arts, London, United Kingdom. 2010-2014 BA: Architecture, Kingston School of Art, London, United Kingdom. Solo Exhibitions 2025 TBC, ArtWorks Project Space, London, United Kingdom TBC, ASC Gallery, London, United Kingdom Group Exhibitions 2025 LOOP 2025, Bankside Gallery, London, United Kingdom Terra Incognita, Thames-Side Studios Gallery, London, United Kingdom Art on A Postcard International Women's Day Auction 2025, The Bomb Factory Art Foundation, London, United Kingdom 2024 Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom Don't Be a Square!, AKKA Projects, Venice, Italy East London Printmakers - Festival of Print, Art Pavilion, London, United Kingdom The Women in Art Prize, The Roundhouse, London, United Kingdom 2023 Also Known As Africa, Art and Design Fair, Paris, France Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom The Trinity Buoy Wharf Drawing Prize 2023, Trinity Buoy Wharf, London, United Kingdom LOOP 2023, Bankside Gallery, London, United Kingdom Bainbridge Open 2023, ASC Gallery, London, United Kingdom RA Summer Exhibition, Royal Academy of Arts, London, United Kingdom NAE Open 2023, New Art Exchange, Nottingham, United Kingdom Art on a Postcard International Women's Day Auction 2023, Fitzrovia Gallery, London HERE & WHERE, Curious Kudu Gallery, London, United Kingdom 2022 Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom StART x Martin Miller's Gin Emerging Art Prize, Saatchi Gallery, London, United Kingdom Althea McNish, Colour Is Mine, William Morris Gallery, London, United Kingdom African Identities Chapter III, AKKA Project, Venice, Italy Fragile Bites, No Format Gallery, London, United Kingdom 2021 Withheld, Safehouse, London, United Kingdom East London Printmakers - Festival of Print, Art Pavilion, London, United Kingdom artHARARE, Contemporary Online Fair Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom Un I Veiled, Brocket Gallery, London, United Kingdom Mayfair Art Weekend, London, United Kingdom 2020 My Love Is Your Love, Every Woman Biennial, London, United Kingdom Woolwich Contemporary Print Fair, Online Edition 2019 Clifford Chance Postgraduate Printmaking A Survey Exhibition, London, United Kingdom Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom MA Visual Arts Summer Show, Camberwell College of Arts, London, United Kingdom Celebrating Women's History Month, Brentwood Road Gallery, London, United Kingdom Awards 2024 Solo Exhibition and Cash Prize, Barbican Arts Group Trust The Printing First Prize - The Printed Editions Award, The Women In Art Prize 2023 ASC Award - Solo Exhibition, ASC Gallery 2022 Cash Prize, StART x Martin Miller's Gin Emerging Art Prize Studio Award, HausPrint Studio 2019 Studio Award, East London Printmakers Studio Award, Bainbridge Print Studios Statement about AOAP Submitted Artwork Untitled III Landscape Series explores the often-overlooked marks and surfaces of the urban landscape. Texture plays a vital role in this work, brought to life through the painterly qualities of the Mokulito process, which evokes the essence of diverse landscapes. Remnants reflects remnants left by enslaved women during the Atlantic slave trade on the Gold Coast, capturing and honouring their presence. Deeply etching the metal plate was essential to convey the depth and weight of their stories. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Tanaka Mazivanhanga (Untitled III) Landscape Series (Detail II), 2025 Mokulito and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Tanaka Mazivanhanga is a contemporary artist whose work delves into themes of memory, identity, and the preservation of histories. Specialising in printmaking, installations, and object-making, she values the physicality of working with her hands and engaging directly with materials. This hands-on approach enables her to layer textures, build marks, and create tactile images. Education 2017-2019 MA: Visual Arts - Printmaking, Camberwell College of Arts, London, United Kingdom. 2010-2014 BA: Architecture, Kingston School of Art, London, United Kingdom. Solo Exhibitions 2025 TBC, ArtWorks Project Space, London, United Kingdom TBC, ASC Gallery, London, United Kingdom Group Exhibitions 2025 LOOP 2025, Bankside Gallery, London, United Kingdom Terra Incognita, Thames-Side Studios Gallery, London, United Kingdom Art on A Postcard International Women's Day Auction 2025, The Bomb Factory Art Foundation, London, United Kingdom 2024 Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom Don't Be a Square!, AKKA Projects, Venice, Italy East London Printmakers - Festival of Print, Art Pavilion, London, United Kingdom The Women in Art Prize, The Roundhouse, London, United Kingdom 2023 Also Known As Africa, Art and Design Fair, Paris, France Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom The Trinity Buoy Wharf Drawing Prize 2023, Trinity Buoy Wharf, London, United Kingdom LOOP 2023, Bankside Gallery, London, United Kingdom Bainbridge Open 2023, ASC Gallery, London, United Kingdom RA Summer Exhibition, Royal Academy of Arts, London, United Kingdom NAE Open 2023, New Art Exchange, Nottingham, United Kingdom Art on a Postcard International Women's Day Auction 2023, Fitzrovia Gallery, London HERE & WHERE, Curious Kudu Gallery, London, United Kingdom 2022 Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom StART x Martin Miller's Gin Emerging Art Prize, Saatchi Gallery, London, United Kingdom Althea McNish, Colour Is Mine, William Morris Gallery, London, United Kingdom African Identities Chapter III, AKKA Project, Venice, Italy Fragile Bites, No Format Gallery, London, United Kingdom 2021 Withheld, Safehouse, London, United Kingdom East London Printmakers - Festival of Print, Art Pavilion, London, United Kingdom artHARARE, Contemporary Online Fair Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom Un I Veiled, Brocket Gallery, London, United Kingdom Mayfair Art Weekend, London, United Kingdom 2020 My Love Is Your Love, Every Woman Biennial, London, United Kingdom Woolwich Contemporary Print Fair, Online Edition 2019 Clifford Chance Postgraduate Printmaking A Survey Exhibition, London, United Kingdom Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom MA Visual Arts Summer Show, Camberwell College of Arts, London, United Kingdom Celebrating Women's History Month, Brentwood Road Gallery, London, United Kingdom Awards 2024 Solo Exhibition and Cash Prize, Barbican Arts Group Trust The Printing First Prize - The Printed Editions Award, The Women In Art Prize 2023 ASC Award - Solo Exhibition, ASC Gallery 2022 Cash Prize, StART x Martin Miller's Gin Emerging Art Prize Studio Award, HausPrint Studio 2019 Studio Award, East London Printmakers Studio Award, Bainbridge Print Studios Statement about AOAP Submitted Artwork Untitled III Landscape Series explores the often-overlooked marks and surfaces of the urban landscape. Texture plays a vital role in this work, brought to life through the painterly qualities of the Mokulito process, which evokes the essence of diverse landscapes. Remnants reflects remnants left by enslaved women during the Atlantic slave trade on the Gold Coast, capturing and honouring their presence. Deeply etching the metal plate was essential to convey the depth and weight of their stories. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Tanaka Mazivanhanga (Untitled III) Landscape Series (Detail I), 2025 Mokulito on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Tanaka Mazivanhanga is a contemporary artist whose work delves into themes of memory, identity, and the preservation of histories. Specialising in printmaking, installations, and object-making, she values the physicality of working with her hands and engaging directly with materials. This hands-on approach enables her to layer textures, build marks, and create tactile images. Education 2017-2019 MA: Visual Arts - Printmaking, Camberwell College of Arts, London, United Kingdom. 2010-2014 BA: Architecture, Kingston School of Art, London, United Kingdom. Solo Exhibitions 2025 TBC, ArtWorks Project Space, London, United Kingdom TBC, ASC Gallery, London, United Kingdom Group Exhibitions 2025 LOOP 2025, Bankside Gallery, London, United Kingdom Terra Incognita, Thames-Side Studios Gallery, London, United Kingdom Art on A Postcard International Women's Day Auction 2025, The Bomb Factory Art Foundation, London, United Kingdom 2024 Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom Don't Be a Square!, AKKA Projects, Venice, Italy East London Printmakers - Festival of Print, Art Pavilion, London, United Kingdom The Women in Art Prize, The Roundhouse, London, United Kingdom 2023 Also Known As Africa, Art and Design Fair, Paris, France Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom The Trinity Buoy Wharf Drawing Prize 2023, Trinity Buoy Wharf, London, United Kingdom LOOP 2023, Bankside Gallery, London, United Kingdom Bainbridge Open 2023, ASC Gallery, London, United Kingdom RA Summer Exhibition, Royal Academy of Arts, London, United Kingdom NAE Open 2023, New Art Exchange, Nottingham, United Kingdom Art on a Postcard International Women's Day Auction 2023, Fitzrovia Gallery, London HERE & WHERE, Curious Kudu Gallery, London, United Kingdom 2022 Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom StART x Martin Miller's Gin Emerging Art Prize, Saatchi Gallery, London, United Kingdom Althea McNish, Colour Is Mine, William Morris Gallery, London, United Kingdom African Identities Chapter III, AKKA Project, Venice, Italy Fragile Bites, No Format Gallery, London, United Kingdom 2021 Withheld, Safehouse, London, United Kingdom East London Printmakers - Festival of Print, Art Pavilion, London, United Kingdom artHARARE, Contemporary Online Fair Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom Un I Veiled, Brocket Gallery, London, United Kingdom Mayfair Art Weekend, London, United Kingdom 2020 My Love Is Your Love, Every Woman Biennial, London, United Kingdom Woolwich Contemporary Print Fair, Online Edition 2019 Clifford Chance Postgraduate Printmaking A Survey Exhibition, London, United Kingdom Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom MA Visual Arts Summer Show, Camberwell College of Arts, London, United Kingdom Celebrating Women's History Month, Brentwood Road Gallery, London, United Kingdom Awards 2024 Solo Exhibition and Cash Prize, Barbican Arts Group Trust The Printing First Prize - The Printed Editions Award, The Women In Art Prize 2023 ASC Award - Solo Exhibition, ASC Gallery 2022 Cash Prize, StART x Martin Miller's Gin Emerging Art Prize Studio Award, HausPrint Studio 2019 Studio Award, East London Printmakers Studio Award, Bainbridge Print Studios Statement about AOAP Submitted Artwork Untitled III Landscape Series explores the often-overlooked marks and surfaces of the urban landscape. Texture plays a vital role in this work, brought to life through the painterly qualities of the Mokulito process, which evokes the essence of diverse landscapes. Remnants reflects remnants left by enslaved women during the Atlantic slave trade on the Gold Coast, capturing and honouring their presence. Deeply etching the metal plate was essential to convey the depth and weight of their stories. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Two Chinese made Gin Bang 1:50 Die Cast Scale models of Commercial vehicles. Both boxed and unused. See photos.

1 BOTTLE OF GREENALL'S ORIGINAL LONDON DRY GIN, together with 1 bottle of Sir Robert Burnett's White Satin Gin and a small gift set of 3 miniature bottles of Port (3)

2 small Bilston enamel patch boxes - 1 saying 'Esteem the Giver', together with enamel Gin label

HONORÉ III: (1720-1795) Prince of Monaco 1733-93. A.L.S., Le Duc de Valentinois, one page, 8vo, Paris, 3rd January 1787, to Madame Monique Vial, in French. The Duke writes a charming letter, thanking his correspondent for their good wishes to him, his wife, and children for the New Year, remarking ´nous sommes bien persuadés de leur sincérité connaissant le bon coeur dont ils partent, et vous en faisons tous nos remerciements avec le plus grand plaisir´ (Translation: ´we are well persuaded of their sincerity knowing the good heart from which they start, and we thank you with the greatest pleasure´), further adding that ´Nos deux petits enfants se portent à merveille´ (Translation: ´Our two little children are doing wonderfully well´) and explaining that ´Je ferais passer le plus tot possible votre pension ou pour.....payer les soins que vous avez pris de moi dans mon enfance´ (Translation: ´I will send your pension as soon as possible to.....pay for the care you took of me in my childhood´). With integral address leaf in the Prince´s hand, bearing the remnants of a red wax seal (small area of paper loss caused by the original opening, affecting a few words to text, but not the signature). GIn 1751 Honoré III had married Maria Caterina Brignole (1737-1813) and the couple had two children, Honoré IV, Prince of Monaco (1758-1819) and Joseph Grimaldi (1763-1816) before legally separating in 1770.

A tantalus with three tags: Brandy, Gin, and Rum 33cm x 34cm, and a collection of silver plate including four sauce boats, two spoons, two toast racks and a glass and silver plate condiments, opera glasses.

Six Plymouth Handcrafted in England Original Strength Gin 6 x 700ml.

Three Wild Ram Yorkshire Berry London Dry Gin 3 x 700ml.

Nineteen bottles of assorted Wines/Spirits/Liqueurs to include Cruz Porto, Ice Wines, Sloe Gin, Vodka (Some Labels Distressed).

KI NO BI Kyoto Dry Gin 700ML, The Sassenach Wild Scottish Gin 700ml.

Three Beefeaters London Dry Gin 3 x 700ml and two Beefeaters London Gin with a Hint of Blood Orange 2 x 700ml and one Beefeaters London Gin with a Hint of Strawberry 700ml.

Mistral Dry Rose Gin 4500ml Bottle.

The Stin Macerated 01/2024 Sloeberry 27% Vol Gin 500ml, The Stin Styrian Dry Gin Distillation 01/2023 Overproof 57% Vol 500ml, The Stin Styrian Dry Gin Distillation 01/2024 Classic Proof 47% Vol 500ml, The Stin Distilled Spice Non Alcoholic Gin 0% Vol 500ml.

Two Smirnoff No21 Vodka 2 x 1ltr, Ciroc Pineapple Flavoured Vodka 1ltr, Beefeater Limited Edition By Rachel Joy London Dry Gin 1ltr and one Four Pillars Rare Dry Gin 1ltr.

Two Edinburgh Mulled Gin Liqueur 2 x 500ml, Edinburgh Gin Plum & Vanilla Liqueur 1 x 500ml, Edinburgh Gin Elderflower Liqueur 1 x 500ml and a Jawbox Small Batch Pineapple & Ginger Gin Liqueur 1 x 700ml, Label Distressed.

Three Wild Ram Yorkshire Berry London Dry Gin 3 x 700ml.

A modern hallmarked silver decanter label, 'Scotch', Sheffield 1980, three further silver plated decanter labels including 'Gin', 'Whisky' and 'Whiskey', a hallmarked silver Albert chain, length 23cm, an Indian white metal snuff box pendant, 5 x 4cm, and two hallmarked silver knife handles, combined weighable silver approx 2.1ozt/66g (8).

A 1950s comedian's joke notebook, previously belonging to Dennis Langford, the first page inscribed 'Dennis Langford Please Return Immediately', eight vintage glass bottles including large Gilbey's London Dry Gin three litre bottle, Batey of London bottle, E. Scott Chemist of Bedford bottle, H Bartons Fermented Stone Beer bottle, Kops bottle and three further examples, a 1930s Art Deco chrome and bakelite ashtray, height 36cm, a printed Churchman's Cigarettes advertising poster, 32.5 x 22cm, framed and glazed, a printed Dewar's poster, 31 x 23cm, framed and glazed, and a printed Lord Calvert advertising poster, 30.5 x 23.5cm, framed and glazed (13).Condition Report: Approximately 40 pages of this book have been written on, but there are notes and slips of paper between these pages as well.

A Modern Wooden Sign in the Form of a Victorian Street Sign, 'Gin Made Me Do It', 102cms by 14cms

A bottle of Haig Club single grain scotch whisky, 700 ml, bottle of Tanqueray No. Ten gin, 70 cl, bottle of Special London Dry gin, 70 cl, and a bottle of Smirnoff No. 21 vodka, 1 L.

Set of 4 Glass Gin Goblets

Three vintage pub mirrors, Martini, Guinness and Beafeater London Gin (3)

A pair of Waterford Crystal Balloon Gin Goblets in the Cluin pattern, part of the Gin Journeys collection. These goblets feature a rounded bowl adorned with vertical and horizontal cuts inspired by traditional Irish design, showcasing Waterford's renowned craftsmanship. Perfect for enhancing the aroma and flavor of gin-based drinks. Both goblets retain their original Waterford stickers and feature the acid-etched Waterford mark on the base. Issued: 2018Dimensions: 7.75"HCountry of Origin: IrelandCondition: Age related wear.

Selection of sealed alcohol includes Glenmorangie, Cointreau, Licor 43 Cuarenta y Tres Gordons gin, etc

Selection of assorted alcohol to include Gin, Wine, Rum etc

Norman Thelwell (British, 1923 - 2004), humorous cartoon 'And is interested only in water as clear as gin - and twice as expensive', print, signed by the artist upper left 'Best wishes, Norman Thelwell', 15.5 x 10cm, framed and glazed

Large collection of Branded Miniatures to include Whiskey, Gin, Wine, Tequila, Vodka etc

A Victorian treacle glazed novelty mermaid gin flask, 21cm.

Black hair; light green band; dark green coat; yellow and burgundy bow. In Charles Dickens' 1843 novel, "Martin Chuzzlewit" Sairey Gamp is a gossiping, gin-drinking midwife and nurse. Artist: Leslie Harradine and Harry FentonIssued: 1939 - 1986Dimensions: 2.25"HCountry of Origin: EnglandCondition: Good; handle restored