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Click here to subscribeA Late Regency Mahogany Breakfront Sideboard the top with ebony strung outline and having two cockbeaded drawers flanked by moulded paterae and a flute moulded bow front centre drawer, standing on a pair of tapering bead moulded panelled cupboards and cast iron lion paw feet to the fore. Width 68". Depth 26", Height 38". Circa. 1820.
A late 19th Century Stourbridge glass four flute epergne. The dish form base having a frilled rim and drawn centre rising to a brass collar fitting. The whole mounted with a tall drawn central flute with three arched flutes and three twist arm branches holding conforming swing baskets. The body in a graduated cranberry with applied clear crystal crimped twist, height 21", S/D.
A Worcester blue and white sparrow-beak milk jug printed with the 'Fence' pattern, 12cm high, hatched crescent mark (handle cracked); a Caughley blue and white sparrow-beak milk jug printed with the 'Mansfield' pattern, 11cm high, 'S' mark (handle cracked); and a Worcester sauceboat, painted with the so called 'Strap flute sauceboat floral', script mark (cracked), circa 1780
A Davenport cane ware or 'Terra-cotta' two-handled wine cooler, of barrel-shaped form with two dolphin handles, painted in brown enamel with a Greek key border and a flute effect lower section, 25cm high, early 19th century. Cf. Terence A. Lockett and Geoffrey A. Godden, Davenport China, Earthenware & Glass 1794-1887, (1989), p. 108 for an example in the Egyptian taste.
ANON. The Hymns, Anthems and Tunes with the Ode used at the Magdalen Chapel set for the Organ, Harpsichord, Voice, German-Flute or Guitar Book 1, engraved frontispiece, music scores with verse beneath, browning, bookplate, inner hinge splitting, contemporary half calf, marbled boards, worn, 4to, [c.1780?].
A facon de Venise wine flute Lowlands, second half 17th century the tall slender tapering bowl set on a hollow inverted baluster knop flanked by mereses on a short plain section and basal knop over a wide conical foot with folded rim 32.1cm., 12.625in. some clouding to the knop For the type, see P.Ritsema van Eck, Glass in the Rijksmuseum, vol.1, pp.42-45, figs. 43-49.
A late 19th Century Anglo-Venetian epergne possibly Stourbridge. The circular base rising to a hollow baluster form stem with applied "S" form scrolls with crimped trim and piped cranberry edge spaced by marbled pink and white flower heads, above a central wrythen fluted dish with a single epergne flute having further hollow knop and "C" form scrolls. The scrolls piped and crimped all below a wave rim flute with applied graduated spiral. The whole detailed with cranberry trim over the tinted opalescent ground, height 15".
A large late 19th Century Stourbridge crystal epergne possibly Richardsons circa 1880 to 1890. The facet and printie cut circular mirrored base set with a tall central flute of flared trumpet form with a wide frilled rim, this surrounded and supported by three large shaped crimped leaves and three low swept arm flutes with conforming rim detail. The whole decorated with a wheel engraved foliate fern design over the clear crystal ground, height 26"-
A late 19th to early 20th Century Bohemian posy flute after Moser. The circular spread foot rising to a waisted stem and flared knop below a tulip form bowl with flat rim. The whole decorated with a hand enamelled crane to a foliate setting with bulrushes and flowers between enamel and gilt line borders, height 6".
A large Victorian Bohemian table centre. The fluted circular base rising to a domed centre with facet panels set with a baluster facet column and swollen shaped cap, above a wide shallow dish with fluted edge rising again to a tapered facet column with further reduced cap and facet cut upper flute. The whole cased in a deep ruby over clear crystal and flash cut to the rim in a printie border. The body over gilded in a classical style foliate scroll design with linear panel s, height 23".
A matched pair of late Victorian continental lustre's. The pair each having a spread circular foot rising to a bladed knop below a graduated flute with wide bowl top having a stepped and facet cut rim. The pair decorated with hand enamelled floral swags, sprays and bands to the green tone opaque opaline ground. The dish form tops further detailed with applied tapered and facet cut lustre drops, height 12", S/D.
Joris van Son (Antwerp 1623-1667) A vanitas still-life with a skull, a pistol, a lute with broken strings, a flute, shells, peaches, figs, bread and an urn on a partly draped ledge inscribed and dated 'VANITAS· VANITAS ET·OMNIA·/VANITAS·/1651' (mid centre on paper) oil on canvas 26 5/8 x 31 in. (67.6 x 78.7 cm) " We are grateful to Mr. Fred Meijer of the RKD for confirming the attribution based on transparencies.