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Click here to subscribeA late 19th century fiddleback mahogany and marquetry bonheur du jour veneered to all sides, the breakfront top with pierced brass gallery, a chequer banded cornice above a glazed door and glazed sides, the base with a cylinder and sloped top enclosing a fitted interior and a baize lined fall above a drawer on square tapering legs and spade feet, 137 high x 30cm wide (54 x 30in)
Gabriel Leekey, London; a George III mahogany longcase clock, the eight-day two-train movementwith anchor escapement and rack strike on a bell, the arched brass dial with silvered chapter ring with Roman numerals and Arabic five minute divisions, subsidiary seconds dial, name plate and date aperture, the arch with 'strike/silent'ring, within elaborate spandrels, the plain case with arched door, the arched hood with fluted brass capital doric columns, height 226cm (89in) (damage to top of hood, 'strike/silent' lever lacking)
A mahogany longcase clock, the eight day two-train movement with anchor escapement and rack strike on a bell, the foliate engraved arched brass dial with moonphase, the silvered chapter ring with Roman numerals, subsidiary seconds dial and date aperture, inscribed JasWebb FROME, the case with later bracket feet, shaped lower panel and similar door, the hood with fluted Corinthean columns and brass capitals beneath a swan-neck pediment with eagle and ball finial, height 230cm. (assembled and restored)
R.B. Horstmann, Colerne; a stained-wood longcase timepiece, the single train movement with magnetic escapement, the 26cm (10 1/4in)brass dial with Roman numerals and Arabic five minute divisions, the plain case with moulded edge door,the hood with spiral pillasters, height 197cm (771/2in), circa 1979 THIS LOT IS SUBJECT TO VAT ON THE HAMMER PRICE
A George III oak and ebony strung cottage longcase clock, circa 1780, the broken scroll cornice foliate carved over an ogive moulding and square glazed door flanked by gilt brass capped pilasters enclosing an 11" brass dial with matted centre and silvered chapter ring, roman numerals, pierced cherub mask spandrels and date aperture, and marked Thos Reynolds, Oxon eight day movement striking on a bell over an ogive moulding and presentation plaque dated June 1898 and full-length foliate carved trunk door, ogive moulding, panel base and raised on a plinth 76" high
An oak cottage longcase clock, 18th century, the moulded ogive cornice above a glazed square door flanked by gilt brass capped pilasters enclosing a 10" brass dial with roman numerals and mask spandrels and marked Gilkes Adderbury, 30 hour movement striking on a bell above a rectangular three quarter length trunk door over a panel moulding and ogive border, planked base board raised on a shaped apron and bracket feet 78" high
An oak cottage longcase clock, 18th century, the ogive cornice above a square glazed door flanked by turned pilasters and enclosing a 12.5" square brass dial with roman numerals, date aperture, subsidiary seconds dial and matted centre marked Bullock, Ellesmere, cherub mask spandrels, eight day movement striking on a bell above a rectangular trunk door revealing a paper label inscribed 'John Lloyd no 20 anno 1768' over an ogive moulding and base board raised on a plinth, distressed, the door a conversion from a rising hood, 77" high
A small size mahogany cased weight driven longcase regulator, by Joyce of Whitchurch, circa 1830-40, 14" silvered dial with arabic numerals, minutes, subsidiary seconds and roman numeral hours, signed Joyce Whitchurch, the five pillar movement enclosed, with dead-beat escapement, jewelled pallets and end stops, fully adjustable beat setting, high wheel and pinion count, six-spoked wheels, maintaining power, the movement held by three thumb screws, in an arched case, glazed front door, silvered beat scale on a recessed panel base with a stepped plinth 66" high
A mahogany longcase clock, early 19th century, the broken scroll swan neck pediment with reeded roundel terminals above an arched glazed door flanked by square reeded columns enclosing a 14" arched enamel dial with roman numerals, subsidiary seconds dial and date dial marked Thos Russell, Lancaster, the arch painted with field workers gathering in the corn with an abbey in the distance, eight day movement striking on a bell above an arched ribbed door flanked by reeded quarter columns over an ogive moulding and base board with reeded moulding and fan mouldings between canted angles and raised on shaped bracket feet, dial re-painted 91" high
An oak and mahogany crossbanded and ebony strung longcase clock, second quarter 19th century, the broken scroll swan neck pediment above a chevron strung frieze over an arched glazed door flanked by turned split balusters enclosing a 14" white painted enamel dial with roman numerals, subsidiary seconds hand and date dial marked T Cox Tipton, moon phase in the arch, and painted with ladies representing the seasons, 8 day movement striking on a bell above a boxwood inlaid frieze and triple pointed arch top, three quarter length trunk door lozenge inlaid, flanked by split balusters over a short panel and ogive moulding and further inlaid base board raised on a plinth 96" high
An oak cottage longcase clock mid 18th century, with restorations, the ogive cornice above a crossbanded square glazed door enclosing a 12" square brass dial with roman numerals subsidiary seconds dial and date aperture and foliate engraved centre and inscribed Ratcliffe Welshpool, 8 day movement striking on a bell between gilt capped Doric turned pilasters above a shaped top, bevelled trunk door, ogive moulding and base board and raised on shaped bracket feet, new back 76.5" high
An Edwardian mahogany rosewood crossbanded and boxwood strung dwarf bureau bookcase circa 1910, the moulded cornice above two astragal glazed doors enclosing adjustable shelves over and inlaid fall-front central cupboard door flanked by pigeon holes and two short drawers over two short and two long drawers and raised on shaped bracket feet 24" wide, 17" deep, 71" high
A Victorian satin walnut triple wardrobe circa 1880, the spindle gallery cornice centred by three carved plaques of a squirrel, swan and hare, over a bevelled mirror door enclosing four sliding shelves and three short drawers with flush brass handles flanked by flowerhead carved fielded panel doors enclosing a hanging space and drawer to each side between grooved uprights and panelled sides and raised on squat ring turned feet 78" wide, 22" deep, 94" high History: The carved panels in the cornice and the overall style of this wardrobe is reminiscent of the designs of Bruce Talbert. In 1872 Bruce Talbert designed the Pet sideboard for Gillows to exhibit at the London International Exhibition and the animal panels here follow those designs closely. As well as the Pet sideboard, Talbert also entered other prize winning pieces for International Fairs including the Pericles Sideboard shown in Paris in 1867 by Hollands and purchased by the Empress of France. The Juno cabinet shown by Jackson & Graham in Paris in 1878 and purchased by the Viceroy of India and of course the Pet Sideboard in 1872, purchased by The South Kensington Museum. For further information see 'Victorian & Edwardian Furniture & Interiors' by Jeremy Cooper 1987, colour plate 189, plates 206 & 207, pages 95-99
A George III mahogany bureau, circa 1780, lacking bookcase top, the mitred fall-front enclosing a boxwood strung cupboard door flanked by fluted letter slides, pigeon holes and shallow drawers above four long graduated cockbeaded drawers and raised on ogee bracket feet, top warped, distressed 42" wide 21" deep 41" high
A George III mahogany bureau, late 18th century, the mitred bevelled fall-front enclosing three shallow drawers over a central door flanked by pilaster letter slides, pigeon holes and short drawers, above two short and three long graduated cockbeaded drawers with gilt brass swing handles over a moulded plinth and raised on shaped bracket feet 41" wide, 21" deep, 41" high
William Fenton, Newcastle, George III mahogany longcase clock with moulded dentil cornice, the arched face with moon phase and cast gilt foliate and c-scroll spandrels, silvered chapter ring, subsidiary seconds dial, silvered face, eight day movement, the arched door flanked by turned columns, the trunk with moulded edge arched door flanked by canted blind fret corners, the base raised on later ogee bracket feet.