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Click here to subscribeA good Victorian miniature oak longcase clock, the 11.5cm square brass dial with silvered chapter ring, Roman and Arabic numerals, pierced brass spandrels, twin winding holes, eight day movement striking on two gongs, the hood with swan neck cresting divided by a tall triple spire finial, the door with three-quarter turned columns, the waist conforming with blind carved arched panel, rectangular base, bracket feet, 61cm high, c.1880
A 19th century walnut Vienna wall clock, the 18cm circular enamelled dial with Roman numerals, centered by subsidiary seconds dial, pierced steel hands, twin winding holes, twin-weight eight-day movement, striking on a gong, the case typically with lofty arched cornice with ball-and -spire finials above turned half pillars, glazed door, swell apron, 130cm high, c.1870
A George III oak and mahogany longcase clock, the 28cm square brass dial, inscribed Donisthorpe, subsidiary date aperture, Roman numerals, pierced spandrels, 30 hour movement striking on a bell, the hood with swan-neck cresting centred by a spire finial, fluted pillars, pointed arched door to waist inlaid with shell patera, plinth base, bracket feet, 206cm high, c.1790
A George III mahogany longcase clock, the 33cm arched brass dial inscribed Thomas Radford, Leeds, subsidiary seconds dial and date aperture, pierced steel hands, Roman and Arabic numerals, lunar phases to arch, twin winding holes, eight day movement striking on a bell, the arched hood with dentil frieze, fluted three-quarter pillars to fore, long rectangular door with re-entrant angles and draught turned bosses flanked by stop-fluted quarter columns, base conforming, ogee bracket feet, 211cm high, c.1770
A good George II walnut longcase clock, the 30cm arched square dial inscribed John Pyke, London, subsidiary seconds dial and date aperture, pierced steel hands, silvered chaptering with Roman and Arabic numerals, strike/silent dial to arch, pierced brass spandrels, twin winding holes, eight day movement striking on a bell, the hood with lofty bell canopy with pierced blind fret panel above an arched door flanked by fluted columns, long arched door to waist, stepped plinth base, outlined throughout with boxwood and ebony stringing, 250cm high, c.1735
A George III oak longcase clock, the 31cm painted square dial, inscribed Thomas and Cooke, Loughboro, subsidiary date aperture, Arabic numerals, centred by bird of prey, C-scroll spandrels, eight day movement striking on a bell, the hood with moulded cornice above freestanding pilasters, shaped door to waist inlaid with star patera, shaped apron, bracket feet, 249cm high, c.1800
A George III mahogany longcase clock, the 32cm arched painted dial with subsidiary seconds dial and date aperture, pierced gilt hands, Roman numerals, architectural spandrels, painted with farm house in East Warwickshire to arch, twin winding holes, eight day movement striking on a bell, the hood with swan-neck cresting and brass roundels, fluted fore-columns, long shaped door to waist inlaid with oval anthemia patera flanked by fluted quarter columns, outswept base, bracket feet, 219cm high, c.1780
A George III mahogany crossbanded oak longcase clock, the 32.5cm arched painted dial with subsidiary seconds dial and date aperture, pierced steel hands, Arabic numerals, floral fruit spandrels, painted with shepherdess to arch, twin winding holes, eight day movement striking on a bell, the hood with broken architectural pediment centred with an urn and spire finial, fluted fore-columns, pointed arched door to waist inlaid with an oval shell patera on a harewood ground with quarter batwing patera to angles flanked by fluted quarter columns, outswept base, bracket feet, 232cm high, c.1790
A George III oak and mahogany crossbanded longcase clock, the 30cm square painted dial with Arabic numerals, subsidiary seconds dial, twin-winding holes, eight day movement, striking on a bell, the rectangular hood with later swan-neck cresting, moulded cornice above a blind fret frieze, fluted columns, long shaped rectangular door to waist, flanked by fluted quarter columns, paneled base, bracket feet, 220cm high, c.1800
A good Edwardian mahogany four-piece bedroom suite, of well figured veneers, comprising lady's and gentleman' s wardrobes, each with a stepped lotus carved cornice above a mirrored door flanked by double panels, the larger above two deep drawers with loose ring handles, outswept bracket feet, 133cm wide and 160cm wide, the dressing table with shaped mirror above three short and two long graduated cockbeaded drawers, conforming handles, outswept bracket feet, 123cm wide, the chest conforming, c.1905
A good 19th century French ormolu mounted kingwood and parquetry breakfront display cabinet, the outswept cornice with rouge marble top above a deep panel frieze and central arched rectangular three-quarter glazed door, flanked by conforming sides, centred by an oval embossed gilt metal, ribbon tied medallion allegorical of beauty, raised on tapered square legs and shaped apron, block feet, 149cm wide, 202cm high, 52cm deep, c.1860
A George III oak and mahogany cross banded cottage longcase clock, late 18th century, the broken scroll swan neck pediment centred by a ball and spire finial above a reed and block bordered arch and glazed door, flanked by reeded brass capped pilasters enclosing a 13" white painted arched enamel dial with Roman numerals, date aperture and subsidiary seconds dial and marked W. Hartshorne, Broseley, painted with floral corners and a bird in the arch, eight day movement, striking on a bell above a shaped top cross banded trunk door, centred by a burr walnut oval motif between canted angles over an ogive moulding and base board, centred by an oval mahogany motif, base board cracking, lacking feet, back boards replaced, 82" high.
An oak and mahogany cross banded and inlaid longcase clock, early 19th century, the broken scroll swan neck pediment above a square glazed door flanked by turned pilasters and enclosing a 12" white painted enamel dial with Roman numerals and date aperture and marked J Cooper, Wolverhampton, the centre painted with an exotic bird and basket of flowers, the corners painted with birds and flowers, 30 hour movement, striking on a bell above a mahogany cross banded frieze and short trunk door, inlaid with a foliate lozenge motif to the centre over a cross banded panel and flanked by fluted quarter pilasters over an ogive moulding and cross banded base board and detachable plinth, moulding losses, 80" high
A George III oak and mahogany cross banded longcase clock, early 19th century, the broken scroll swan neck pediment terminating in gilt metal paterae, over painted over verre eglomise foliate panels and an arched glazed door flanked by fluted brass capped pilasters, enclosing a 14" white painted enamel dial with Roman numerals, subsidiary seconds dial and date aperture and rolling moon phase in the arch, painted with a naval frigate and pastoral church scene respectively, also with 1 to 29 scale and half globes, the dial painted with flowers to the centre and in the corners, and marked Geo Monks, Prescot, eight day movement, striking on a bell, above an oval boxwood inlaid frieze and double pointed arch convex top trunk door, flanked by fluted quarter pilasters over an ogive moulding and cross banded base board with canted corners and raised on ogee bracket feet, distressed, 87.5" high
An oak and mahogany cross banded cottage longcase clock, early 19th century, the broken scroll pediment with brass stamped flower head terminals, above a square glazed trunk door, flanked by fluted brass capped pilasters enclosing a 13" painted enamel dial with Roman numerals, date aperture and marked J N Peacock, K Y Stephen, florally painted to the centre and with faux reeded fan corners, 30 hour movement, striking on a bell above a short cross banded trunk door and moulded tablet, flanked by inset corner columns, over an ogive moulding and cross banded base board and plinth, 79" high
A pine cottage longcase clock, 18th century, with restorations, the moulded cornice above a square glazed door, flanked by turned three quarter pilasters, enclosing a 10" brass dial with matted centre and silvered chapter ring with Roman numerals and marked Taylor Petworth, within foliate pierced corner spandrels, single hand, and 30 hour movement striking on a bell, above a full length square top trunk door, ogive moulding, baseboard and stepped plinth, 74" high.
An oak cottage longcase clock, 18th century, the shaped pediment above an ogive moulding and pierced frieze over a glazed trunk door, flanked by turned three quarter pilasters, enclosing a 10.5" square brass dial, with matted centre, Roman numerals and pierced mask spandrels, eight day movement, striking on a bell above an ogive moulding and full length trunk door over a further cushion moulding, plain baseboard and stepped plinth, 79"
An oak and mahogany cross banded cottage longcase clock and associated dial, the case early 19th century, with carved swan neck pediment and ogive cornice, above a glazed square door flanked by square columns, and with later carved foliate border and marbled slip frame, pulling forward to reveal an 9.5" square brass dial, early 18th century, with Roman numerals and foliate engraved centre, marked William Nock, Bridgnorth, pierced steel single hand, mask centred pierced spandrels, 30 hour movement, striking on a bell, above an ogive moulding and full length square top, cross banded trunk door, further ogive moulding, plain cross banded baseboard and later plinth, 83"
A walnut and marquetry inlaid longcase clock, circa 1695, with alterations, the moulded cornice above a square glazed door, flanked by barleytwist columns, enclosing a 10" square brass dial with matted centre, silvered chapter ring, Roman numerals and date aperture with pierced cherub mask spandrels and inscribed at the base John Drew, Londini Fecit, four pillar, eight day movement, striking on a bell, glazed side doors, above a full length trunk door inlaid with bog oak and holly stylised foliate and bird motifs, within a half moulded border, over an ogive moulding and further bird and foliate inlaid panel and raised on later ogee bracket feet and with walnut cross banded side panels, some veneering probably later, hood adapted with door, dial restored, baseboard cracked, 82".
An oak mahogany cross banded and ebony strung corner cupboard, early 19th century, the moulded cornice above an inset panel cupboard door, centred by a lozenge motif enclosing a painted interior of two serpentine shaped shelves, over a shallow drawer, flanked by false drawer fronts between canted angles, moulding losses, 31" wide, 16" deep, 44" high
A Victorian rosewood marble top chiffonier, circa 1860, the mirror back in foliate carved frame, over a serpentine marble top and bow front frieze drawer, the foliate moulded bowed cupboard door with vacant centre, between cabriole leg applied brackets and raised on a plinth base, 52.5" wide, 19" deep, 64" high
A late Victorian mahogany and ormolu mounted musical bracket clock, by Lund and Blockley, 42 Pall Mall, London, the ormolu mounted inverted bell top pierced and chased with scrolling foliate, surmounted by a leaf tied carrying handle, above a rectangular door and a moulded plinth on four foliate cast and chased scrolled feet, the 8.5 inch brass matted dial with silvered chapter ring, the triple fusee brass movement with anchor escapement, striking half hourly on a gong and hourly on eight bells 51cms high to handle
A George III oak longcase clock, the eight day striking moon face movement signed Aaron Austin of Bristol, the moon face with arched scale engraved high water at Bristol Quay, the dial engraved a bridge over the River Severn, the case with oval Sorrento Ware panel to the trunk door, stands 211cms
An early 18th Century Oak 8-Day Longcase Clock, the flat topped hood over square glass door flanked by turned columns. The 28cm square Brass dial with silvered chapter ring, date aperture, Roman numerals and inscribed JOHN FOX GRANTHAM over long trunk door and panelled base on bracket feet. The case carved most probably for a farmer in the late 18th Century with Roundels depicting a Cockerel, Owl on a Gate, A Chick and the base with a Reaper having a sickle in his hand and a sheaf of corn under one arm.
A Fine Late Victorian 3-train Musical Carved Oak Longcase Clock, the case profusely carved in the Baroque style the hood with central mask flanked by maskheads over arched glazed hood door, the 29cm arched dial with silver chapter Ring and silvered seconds dial scrolled spandrels and a silvered boss to the arch with Eagle and Inscribed 'Tempus Fugit'. The dial with black Roman Numerals and scrolling foliage to the centre and inscribed Thompson of London. The 3-train movement striking musically on eight bells and one bell. The trunk door arched and with foliate carving flanked by carved bust length Naked Ladies and maskheads on foliate panelled base and four compressed ball feet, 226cm high.
A MID 19TH CENTURY OAK and WALNUT LONGCASE CLOCK, with eight day movement, the dial painted with ships in arch and shell spandrels and having roman numerals, second dial, calendar aperture and inscribed "W Pibus Caister", the hood with swan neck and fluted angle pillars, the trunk with shaped cross banded door and canted angles, the cross banded planked base on a shaped plinth. Dial Width 13". Width 14". Height 84".
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