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Click here to subscribeAn Edwardian silver ink well and stand, stand of shaped rectangular shape with scrolled edging, upon four feet, with removable original cut glass silver topped ink bottle, hallmarked by Goldsmiths & Silversmiths Co, London, 1903, stand approx. 17.5cm wide, ink bottle approx. 5cm high. Weight approx. 219.2 grams (7ozt) Further details: some small chips or nibbles to glass bottle; silver slightly tarnished, with minor scratching and wear,
A pair of 19th Century ormolu mounted cut-glass candelabra, with central urn shaped finials and knopped sconces, all drip pans hung with sets of faceted droppers, on honeycomb style glass bases, approx 42cm high Further details: one small chip to a sconce rim, some chipping and nibbles to few droplets; fleabites to areas; base rims with small nibbles; wear commensurate with age.
A William Greer & Co "Loch Dhu" old Scottish Whiskey bar top cut glass whiskey dispenser and cover, with engraved and gilt legend, the domed cover with cut knop finial, above a baluster body fitted a brass spiggot and cup. Supported on a circular spreading foot. 26 cm diameter x 62 cm overall height
Elizabeth II limited edition 208/250, silver jubilee, cut glass claret jug with silver mounts and lion finial, by C. J. Vander Ltd, London 1977 H 30cmThis lot is being sold on behalf of Londons Air Ambulance Charityhttps://www.londonsairambulance.org.uk/news-and-stories/patient-stories/davidb-story
George III caddy shovel with mother of pearl handle, by Samuel Pemberton, Birmingham 1816, pair of bright cut sugar tongs, by Thomas Law, Sheffield 1803, pair of fiddle pattern mustard spoons, by Thomas Dicks, London 1826, another pair of mustard spoons, by William Seaman, London 1825, Art Nouveau "tulip" vase by William Neale, Chester 1905, cream jug, salt shaker, sugar tongs, condiment spoons, two trumpet vases with weighted bases and a pair of glass and silver mounted open salts, and a sterling silver pill box with teddy bear lid. weighable silver 15ozt 467gm
Ruby flash cut glass decanter with silver mount by C. J. Vander Ltd. Birmingham 1980, an engraved clear glass decanter, with silver mount Birmingham 1977, and a small ships decanter, Sheffield 2004 (3)This lot is being sold on behalf of Londons Air Ambulance Charityhttps://www.londonsairambulance.org.uk/news-and-stories/patient-stories/davidb-story
Late Victorian presentation foliate embossed silver cased wallet with aid memoire, Birmingham 1899, in fitted leather case with silver shield,mother of pearl handled, tea knife, fork and spoon, silver toped jar with presentation inscription, and an American cut glass and silver string holder.
Three early 20th century German cut glass & pewter lidded steins. Comprising a glass stein with pewter & copper lid, central relief horse and knight to lid, and two smaller examples with pewter lid inset with armorial porcelain plaque, one with motto Ne Varietur.Tallest measures approx. 20cm incl. handle.
A collection of ten glass inside painted snuff bottles. The lot comprising an oviod shaped snuff bottle with faucet cut stopper, inside painted with lanscape, lion mask on each side, a square snuff bottle depicting gold fishes, landscape, lotus flowers and crane, a rectangular shaped snuff bottle depicts houses, landscape and figurines, a white glass snuff bottle with boats and riverscape, further five small moon flask snuff bottles with different colour border, landscapes and birds.Largest measures approx. 10cm tall.The largest one has cracks A/F.
A collection of 20th century Bohemian cranberry flash cut glass wine and cordial glasses. Comprising five small cordial glasses, five larger glasses and five tall wine glasses. Each flash cut with strawberry design, tapered hexagonal stem, over cut star base.Tallest measures approx. 18cm tall.
14k yellow gold brooch of starburst form, set with 17 dark blue round cut stones. Appear to be assembled glass stones. With a hinged bale and c clasp brooch closure. Metal unmarked, tested 14k.Length: 31.65 mm x width: 27.07 mm x depth: 10.61 mm. Gross weight: 6.5 g.Condition: All components well affixed, clasp working well.
Group of two gold rings including one 10k yellow gold navette form filigree ring set with two garnets and a central single cut diamond. Marked 10k along the interior.One 14k yellow gold ring set with large central glass stone. Marked 14k along the interior.(Navette) Ring size: 6 1/4 US. (Glass) Ring size: 9 1/2 US. Gross weight: 8.4 g.Condition: Wear to the settings, accretions to the interior.
Keith Ingermann (American, 1929-2012). Oil on board painting depicting cut sunflowers on a table, 1966. Signed and dated along the upper right.Unframed; height: 11 in x width: 23 in. Framed; height: 16 in x width: 28 in x depth: 1 1/2 in.Condition: The colors are bold and bright. There are no major visible losses. There are areas along the left and right edges of the table and the lower right corner that fluoresce under UV light, possibly signs of inpainting or restoration. There are small chips throughout the white background; however, given the uniform and consistent texture, they are possibly original to the artistic process. Housed within a wooden frame, not under glass or plexiglass. Wear to the frame. Not inspected out of frame.
Circa 1810. With palmettes and cut-glass corona above tiers of suspended rope prisms uniting a central wheel with applied ormolu-mounted scrolling foliage, palmettes and acanthus and emitting urn form candlearms alternating with down-scrolled candlearms hung with tear-drop prisms above concentric tiers of tear-drop prisms terminating in a cut-glass ball finial. Height 62 inches, diameter 45 inches. Qty: (1)later crystal ball.later crystal ball.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Comprising:Murano footed compote, height 7 1/2 inchesFour blown glass champagne flutes, height 9 inchesFour gobletsFour blown glass martini glasses, height 6 3/4 inchesFour ruby cut-to-clear compotes, height 3 3/4 inches(17)No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Late 20th century silver trinket box, with embossed Yorkshire Rose to the lid, together with a miniature silver mounted mirror, engraved pill box, and cut glass match holder with silver collar, all hallmarked, Yorkshire Rose box D3cmCondition Report:Weighable silver approx 1.19 ozt (36.9 grams)
JACOB CATS (DUTCH, 1741-1799) (2)Summer; Winter a pair, each signed, dated and inscribed, the first 'J Cats 1795' (verso), the second 'J Cats 1794' (verso) watercolour each 20.5 x 28cm (2) Provenance Private collection, UKCondition reportSummer:Some foxing and discolouration to paper.Some surface dirt.Vert small indentation to paper to left of central tree (this could be original to paper).Under glass and not examined out of frame.Small cut to paper extreme left edge.Winter:Foxing throughout.A few other small dark spots in places, such as two upper centre in-between branches of central tree.A little undulation to paper.Under glass and not examined out of frame.Please see additional photos online.
AN UNUSUAL REGENCY PENWORK DECORATED AND GILT METAL MOUNTED TEA CHEST AFTER DESIGNS BY THOMAS HOPE & JOHN FLAXMAN, CIRCA 1810 The interior with two removeable rectangular decorated caddies flanking a cut glass bowl, the penwork depicting Ulysses weeping at the song of Demodocus; Ulysses and Circe and Penelope's Dream 19cm high, 31.5cm wide, 16cm deep For a related tea chest showing comparable illustrations of scenes from 'The Odyssey' by John Flaxman, see A. Stevens, K. Richenburg, G. Walking, The Story of British Tea Chests and Caddies, Social History and Decorative Techniques, ACC Art Books, 2022, fig 9.17a, p 205 Condition Report: Exterior surface with considerable wear from use and sometimes clumsy handling. Some loss to decoration notably to top panel, gilding rubbed and lost to metalwork. No escutcheon. Interior with later baize and bowl, some chips to top of bowl edge. Contact marks to lid interior panel form previous3 bowl. No key is present, but the lock is open. Putting the canisters back into the main chest requires a deal of force.Please see additional images. Condition Report Disclaimer
A REGENCY MAHOGANY KNEEHOLE DRESSING TABLE BY GILLOWS, CIRCA 1807 The panelled doors enclosing shelves, the underside of the kneehole with a bone label 'MONTGOMERIE' 81cm high, 137cm wide, 54.5cm deepProvenance: Christie's London, 500 Years: Decorative Arts (7881), 18th November 2010, Lot 174, (£28,750 incl. BP) Supplied by Gillows in 1807 to Hugh Montgomerie, 12th Earl of Eglinton (1739-1819) or to his son Lord Archibald Montgomerie (1773-1814) for Coilsfield House ('The Castle of Montgomerie'), Ayrshire. Property of a Gentleman, London Hugh Montgomerie and his son Archibald were significant Gillows' clients, supplying both Eglinton Castle, Ayrshire and in 1807 the newly built Coilsfield House, much displaying the firm's characteristic reeded decoration and geometric mouldings seen on the present lot. A pair of dressing tables bearing the same 'MONTGOMERIE' label are probably part of the same commission, see Christie's, London, 19th November 2009, lot 110. Furthermore, for a Regency ebonised and parcel gilt armchair that is nearly identical to a set also commissioned for Lord Montgomerie at Coilsfield House, see lot 279 in this sale.For a comparable hollow fronted Gillows dressing table see Susan Stuart, Gillows of Lancaster and London 1730-1840, Antique Collectors' Club, 2008, pl 382. Other related dressing tables include those supplied by Gillows in 1813 to Hackwood Park, Hampshire, see Christie's, Hackwood Park, 20th/22nd April 1998, lot 364 (£47,700). Other similar dressing tables were commissioned from Gillows for Tatton Park, Cheshire (see N.Goodison and J.Hardy, 'Gillows at Tatton Park', Furniture History Society, 1970, pl18a and 20a. Condition Report: Some marks, knocks, scratches and abrasions commensurate with age and use. Some old repairs to the corners of drawer fronts, careful polishing could improve the appearance of these considerably. Some small losses. A ring mark and additional dark marks and scratches to the top. Noticeable sun fading overall. Careful attention by a restorer will bring this back to its full potential. Door locks appear original; two keys present which operate both cabinets. Keys likely made later to fit locks. Handles appear original Drawer linings are all solid mahogany, the largest drawer with a split through the floor of it, as expected for age. Some staining to drawer and cupboard interior as expected for age and use. Two one door lock the projecting element has created a hole through the adjacent timber. Overall, this is a fine piece of furniture, the attention from a good restorer could considerably improve the appearance of this lot, without significant cost. One side of the gallery split and with a shallow recess worn or cut into it due to a previous glass top. Please see all additional images as visual reference to condition. Condition Report Disclaimer
A LARGE VENETIAN CARVED GILTWOOD MIRROR ITALIAN, LATE 18TH CENTURY With an etched plate above marginal mirror plates 183cm high, 129cm wide Provenance: Property of a Lady of Title Purchased from Robert Kime Ltd., 2017. A copy of the original invoice is available with this lot Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.With losses and restorations; a crack to the engraved cartouche shaped mirror crest; some sections of old glass possibly re-cut to size, other sections and the main plate later 'antiqued' mirror glass; the brass pierced rosettes possilby later; the ebonised back of the frame and carved sections with later wood sections and braces to support the delicate frame and carved sections; there is evidence of worm.Though there are losses and restorations overall this is a greatly appealing design with exceptional depth and lightness of carving and an overall impression of understated grandeur.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer