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A cut glass cream jug, 10 cm high, a sugar bowl, and five glasses

A Small Victorian Travelling Medicine Chest, English, c.1873, impressed in gilt lettering 'P & F SCHAFER 27 PICCADILLY LONDON' the tan leather covered case with monogram of EC to the lid, the lid opens to reveal 2 cut glass bottles and 2 cut glass jars each with white metal lids monogrammed with EC, fold down front (leather hinge broken) containing MOP handles tools, csissors and a silver gilt metal medicine spoon hallmarked for London 1873, case width 22cm.

A pair of Regency rock crystal cut glass and ormolu vases, ribbon swag decoration over octagonal bases with Greek key motifs, 16.5 cm high.Qty: 2Extensive repaired crack to one of the vases - please photos. Some light surface wear elsewhere to both.

A cut glass decanter, with a silver collar, 27 cm high, another, and a silver plated and cut glass claret jug (3)

A cut glass inkwell, with silver mounts, and four others (5)

A George V silver and blue enamel hand mirror, two matching brushes, a cut glass vase with silver lid, and a shell with a white metal handle (5)

Attributed to Fonsèque et Olive, a glass and diamond brooch, France, circa 1890, designed as a branch set with rose-cut diamonds, suspending four grapes in green glass, mounted in gold, length 4.1cm, French assay marks for 18ct gold, unsigned

A collection of jewels and pocket watches and an Asprey case, comprising: a pair of mother of pearl, enamel and sapphire cufflinks in 9ct gold by Cropp & Farr, British hallmarks, case stamped Garrard; an 18ct gold open-faced pocket watch, British hallmarks, date letter for 1876; a malachite and green glass bead necklace; a gold chain necklace suspending two gold medallion pendants, pendants each with French assay marks for 18t gold and indistinct maker's marks; a lorgnette in low-carat gold; a diamond pendant mounted in bicoloured gold, on a fine gold chain, chain stamped 750; a brooch designed as the letter A, set with rose-cut diamonds, within a square border applied with light blue enamel, in silver and gold; a Regimental badge for the 12th Royal Lancers (Prince of Wales's) in bicoloured gold, a gold rope twist chain necklace, stamped 18K; together with a collection of silver and base metal jewels and pocket watches, in a black case, measuring 30.5 x 20.3 x 15.5cm, signed Asprey London

A silver cruet set by William Hutton & Sons, Sheffield 1924, comprising a pepperette, 8.5cm high, salt, 6.5cm wide, and mustard pot, 10cm widetogether with a small collection of silver flatware,comprising a pair of Victorian berry spoons, a set of six coffee spoons, by Daniel & Arter, Birmingham 1924, a cruet spoon, and a bright-cut engraved teaspoon,12.6ozt weighable (qty.)Condition ReportThe mustard pot is not included in the weight as the glass liner is stuck. Tarnishing, dents and wear throughout.

A group of glass paperweights, comprising three Perthshire examples, to include an inkwell, a bouquet paperweight and a cased and cut paperweight, a John Deacons paperweight, with a single flower on a swirled ground, a Lundberg Studios paperweight decorated with daffodils, a facet cut garland paperweight, possibly by Ysart, a snake paperweight, possibly by Ysart, a French sulfide paperweight, and a St Louis paperweight, set with George Washington on horseback, complete with signature cane, largest 14.7cm high (9)Provenance: The property of the late Baron John Mauger Langin Condition ReportNibbles to the bottom edge of the inkwell stopper peg.

A pair of Baccarat clear glass decanters and stoppers, 20th century, fitted in a leather and brass basket, marked 'Hermes Paris', 21cm wide17cm high, together with a Baccarat glass dish, etched mark, 25cm diameter, and a pair of cut glass decanters and stoppers, 32.5cm high (5)Condition ReportDish - chip to the edge. Lether - with some wear. Decanters worn to the bases.

A pair of large cut glass urns, 20th century, the swept cylindrical bodies with hobnail cut detail and star cut feet, 24cm high, together with a pair of cut-glass table lustres, 18cm high (4)Provenance: The property of the late Baron John Mauger Langin Condition ReportCrack to one of the urns. Surface scratches to undersides. Nibbles to bases of lustres.

A group of eight Whitefriars glass paperweights, mid-20th century, comprising a pair of Queen Elizabeth II commemorative examples, with crowns to a blue ground, a pair of printie cut paperweights, each centered with a bell cane, a similar concentric millefiori cane, a tall millefiori paperweight, and a near pair of facet cut concentric millefiori paperweights, largest 8.8cm diameter (8)Provenance: The property of the late Baron John Mauger Langin Condition ReportVery minor wear and the odd frit to the cutting which appears to be more manufacturing related. Overall, good order.

An Asprey silver mounted dressing case, early 20th century, the black leather case, with a fitted interior comprising silver gilt mounted and cut glass jars, London 1905, the largest 17cm wide, and a hip flask, 11cm high, the case; 46cm wide 30.5cm deep 16cm highProvenance: The property of the late Baron John Mauger Langin Condition ReportLosses, wear and mould to the case. The fitted interior is not complete.

A pair of Baccarat glass candlesticks 20th century, each with cut glass lustre drops raised on a moulded circular base, acid etched marks, 30cm high (2) Provenance: The property of the late Baron John Mauger Langin Condition ReportMinor nibbles but no apparent chips.

A cased glass lamp, first half 20th century, of mushroom form with amethyst colouring, with star cut motifs43cm highCondition ReportWith chips to the base.

A group of three French glass paperweights, mid-19th century, comprising two Baccarat pansy paperweights, one with a fluted cut base, and a St Louis paperweight, with a bunch of fruit above a latticino ground, largest 7.3cm diameter (3)Provenance: The property of the late Baron John Mauger Langin Condition ReportCutting to the pansy weight could be later. The fluted cutting has nibbles to the edges. Bruises to the other pansy weight. All with surface scratches and wear.

A Clarkes Patent Cricklite glass twin branch table light c.1900, the brass scrolled arms supporting two cut and moulded candle holders above a facet cut column, 35.5cm high, together with two pairs of similar table lights, 22cm high Provenance: The property of the late Baron John Mauger Langin Condition ReportSlight oxidisation to metal collars. Chips and nibbles to feet, holders and other areas. Surface scratches to bases.

A silver-plated claret jug, the cut glass body with silver mount and handle decorated with acanthus and C scroll27cm high,together with a silver tea caddy,Birmingham 19248.5cm wide (2)

A silver-mounted cut glass decanter and stopper, by Harrods Ltd, London 1966, with linear cut decoration,21cm highCondition ReportWith tarnished collar.

A group of glass items 19th century and later, comprising a facet cut rule with wrythen opal and blue threads, possibly St Louis or Clichy, 25.5cm long two enamelled beakers, one cased, 10cm high, a yellow flashed mug, 12.5cm high, a cased Bohemian glass vase base, 9cm high, and a blue glass saucer dish, in the manner of Moser, with gilt Classical style mask decoration, 9cm diameter (6) Provenance: The property of the late Baron John Mauger Langin Condition ReportWear to the gilt and enamel decoration. Minor nibbles and frits. Small bruise to the rule.

THREE MOUNTED INTAGLIO SEALS WITH SHI'A IMAMS' NAMES PROPERTY FROM A PRIVATE GLYPTOLOGY COLLECTOR Qajar Iran, dated to the second half of the 19th centuryEach of different shape, table-cut, respectively made of red carnelian, clear quartz, and possibly agate or glass, each set in low-grade silver mounts, their central fields inscribed with a single line of cursive Persian nasta'liq script invoking one of the Twelve Shi'a Imams, namely Hossein, Isma'il and Reza, dated respectively 1281 AH (1864 AD), 1294 AH (1877 AD), and 1313 AH (1895 AD).14.37mm x 13.5mm and 16.37mm high with the mount 9.74mm x 9.56mm and 48.16mm high with the mount 16.7mm x 12.33mm and 20.08mm high with the mount 16.7mm x 12.33mm the largest Qty: 3

TRAY COMPRISING PAIR OF TWISTED GLASS DECANTERS, 2 CUT CRYSTAL DECANTERS WITH STOPPERS, 2 ROYAL DOULTON IMAGES FIGURINES, FRANZ DISPLAY PLATE, 2 ELISA ORNAMENTS Condition

BOX CONTAINING BRASS EWER , MALING BOWL, PAIR OF GLASS LANTERN SHADES, BRASS TOASTING FORKS, HORSE BRASS, BRASS CANDLESTICKS, SMALL EP TURTLE PIN DISH, CUT CRYSTAL DECANTER AND STOPPER, SET OF CUT CRYSTAL STEMMED GLASSES, BRASS LANTERN ETC Condition

A collection of various cut and other glassware including six Thomas Webb wines, moulded glass fruit bowl, six Canterbury lead crystal tumblers, water jug, six further tumblers and a similar glass, eight white wines and eight various stemmed glasses

Assorted glass ship decanters and a set of three cut glass decanters for a tantalus, etc

Attributed to Cesare Lacca (born 1929), a glass topped occasional table, the glass top on chevron cut brass supports raised on tapering legs with brass caps50 x 58 x 67cmA small chip to glass top and some light surface wear and scratching.  Stands true on all legs, but a little wobbly, rubber caps are slightly perished.

A selection of silver plated table cutlery, cut glass scent bottle with silver mounted neck, silver plated sugar sifter, cased spoons etc

A pair of early 19th century cut-glass rectangular decanters with heart-shaped stoppers, 9½" high

A late Victorian cut glass and compressed tapered jug with silver mounted rim, London marks 1899

A silver plated three-bottle tantalus with three matching cut glass decanters and key

A George V silver rectangular desk stand supporting two cut glass inkwells with silver mounted hinged covers, London marks 1931

Dog decorated metal desk stand with two cut glass inkwells and metal bound Oriental cigarette box

Cut glass and crystal perfume and scent bottles, some with silver collars

Clear glass etched oil lamp shade, Bristol blue eyeglasses, clear cut glass, condiments etc

Three paperweights, two cut glass biscuit barrels with EPNS lids, and brass mounted etched vase

P* Koch (19th century)Still life - flowers in a cut glass vase and fruit on a ledge, signed and dated 1828, oil on canvas Dimensions of painting - 31.8cm x 39.2cm Dimensions of painting with frame - 43cm x 50.5cm

A CLEAR GLASS OVERSIZED GOBLETearly 19th century, with tapered bowl on double ring stem and circular foot, 26.5cm high; together with a Victorian cut glass goblet, the slice and diamond cut bowl with shaped rim on conforming foot, 26cm high (2)

A GILT METAL AND CUT GLASS TWELVE BRANCH CHANDELIER the acanthus leaf cast coronet above a reeded glass stem, each scrolling arm with faceted glass cups and urn shape sconces, joined by swags of cut glass chains, approximately 72cm drop x 80cm diameterProvenance: The Digby family.

AN IRISH CUT GLASS URNearly 19th century, with diamond and panel cuttings on a tall hexagonal base, 26cm high; together with a pair of 19th century cut glass cream jugs, 14cm high (3)

A VENETIAN CUT AND ETCHED GLASS MIRROR early 20th century, the octagonal bevelled plate within a sectional surround with foliate cresting, 96.5cm x 57cm; together with a similar dressing mirror, with stand to the reverse, 53cm x 42cm (2)Provenance: Property formerly in the collection at West Hall, Long Burton.

A PAIR OF REGENCY CUT GLASS BOTTLE SHAPED DECANTERSwith slice and panel cuttings, with stoppers, 27cm high; a similar pair, 27cm high; five other 19th century cut glass decanters; five 19th century cut glass jugs; and a ditto lidded jar and cover, 29cm high; together with one enamel and five porcelain decanter labels (a lot)

Émile Gallé (French, 1846-1904), a cameo glass vase, early 20th century, of shouldered form with a shaped rim, cased and cut with flowers to a graduated ochre ground, cameo 'Gallé' signature, 23.7cm highCondition ReportLight wear commensurate with age. No chips of cracks. All in good order. Please see additional photos.

Émile Gallé (French, 1846-1904), a cameo glass vase, early 20th century, the ovoid body tapering to a tall cylindrical neck with a flared rim, cased and cut with foliage, cameo signature,10cm diameter38cm highCondition ReportThe inside with some colour deviation contemporaneous with manufacture. With some scratches and marks to the exterior. No areas of repolishing or restoration detected. The base with some scratches and marks, just above the foot rim. Please see additional photos.

Émile Gallé (French, 1846-1904), a cameo glass vase, early 20th century, of globular form with a short collared neck, cased and cut with flowers, cameo 'Gallé' signature,8.9cm high

Émile Gallé (French, 1846-1904), a cameo glass vase, early 20th century, of conical form with an everted rim, cased and cut with pansies, cameo 'Gallé' signature,13.8cm highCondition ReportNo chips or cracks. Minor surface wear.

Émile Gallé (French, 1846-1904), a cameo glass 'Paysage' vase, early 20th century, of compressed moon flask form, cased and cut with a landscape scene, cameo 'Gallé' signature,22cm highCondition ReportSome minor surface wear commensurate with age. Otherwise all in good order. Please see additional photos.

Émile Gallé (French, 1846-1904), a cameo glass vase, early 20th century, of shouldered form, cased and cut with flowers to a mottled red and ochre ground, cameo 'Gallé' signature,14.5cm highCondition ReportLight wear commensurate with age. Otherwise all in good order. Please see additional photos.

A collection of Linley glass items, of recent manufacture, comprising a Linley 'Trafalgar' cut-glass ashtray and a Linley 'Trafalgar' cut-glass drinks cooler with six shot glasses, etched 'Linley',ashtray 14.5cm diameterdrinks cooler 13.5cm diametershot glass 8cm high (8)Condition ReportThe ashtray with some scratches to the underside and small chips to the edge of the base. Otherwise all in good order.

Dr Christopher Dresser (1834-1904), a silver-mounted glass claret jug,the mounts by John Thomas Heath & John Hartshorne Middleton, London 1897,the plain mounts with an angular handle, over a shouldered glass body with a radial star-cut base, stamped '2521 22' to the inside of the lid,19.4cm highProvenance: From the collection of Dr William Lind.Condition ReportNo chips, cracks or restoration. Overall good order. With minor surface scratches commensurate with age. Please see the additional images.

▲ Anna Dickinson (b.1961), 1983, a studio glass vase, of ovoid form with linear cut decoration below an electroformed collar, engraved 'A. Dickinson 1983 ©',7cm wide7.8cm deep12.4cm highCondition ReportNo obvious chips or cracks. Minor surface wear and scratches.

A Daum enamelled cameo glass bowl, c.1920, cut and enamelled with berries and foliage, enamelled 'Daum Nancy France' signature and Cross of Lorraine,19.5cm wide8.9cm high

Émile Gallé (French, 1846-1904), a cameo glass vase, early 20th century, of tumbler form, cased and cut with butterflies amongst foliage, engraved 'Gallé' signature,11.1cm highCondition ReportSurface wear commensurate with age. Appears to be all in good order. Please see additional photos.

Émile Gallé (French, 1846-1904), a cameo glass vase, early 20th century, of compressed globe and shaft form, cased and cut with flowers, cameo 'Gallé' signature,22cm highCondition ReportWith some minor wear marks commensurate with age. Some fine pitting to the underside but is due to manufacture. A small pinhead frit to the foot rim. Otherwise, in good order. Please additional photos.

Émile Gallé (French, 1846-1904), a cameo glass bowl, early 20th century, of trefoil form, cased and cut with flowers, cameo 'Gallé' signature,16cm wide7cm highCondition ReportGeneral surface wear and scratches commensurate with age. Please see additional photos.

A Daum enamelled and cameo glass bowl c.1900, cut and enamelled with flowers, to a mottled ochre and amethyst ground, cameo 'Daum Nancy France' signature and Cross of Lorraine,20cm wide9.8cm high

Dr Christopher Dresser (1834-1904), a silver-mounted claret jug,the mounts by John Thomas Heath & John Hartshorne Middleton, London 1886,the glass body of low-shouldered form with a star-cut base, the mounts with a 'C' scroll handle,25.5cm highProvenance: From the collection of Dr William Lind.Condition ReportNo chips, cracks or restoration. Minor surface wear and scratches. The lid does not close completely flush. Please see the additional images.

Late 19th century Bohemian white overlaid cranberry glass pedestal bowl, with fancy scalloped rim and cut with oval and fleur de lis shaped panels, each enamelled with 'Reynard the Fox' anthropomorphic animals, after the illustrations by Wiilhem Von Kaulbach, within gold borders with gilt scrolling decoration, supported by a slice cut circular spreading foot with further gilt decoration, H28.5cm x W22.5cm

Near pair of large 19th century cut glass table lamps, each of columnar form with diamond cut tapering stem and silver plated Corinthian capital, raised upon a circular faceted foot (one slightly smaller), H71cm overall

A Heavy Cut Glass Water Jug and Six Tumblers, amber glass dressing table set:- One Tray.