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Click here to subscribeA Ladies Continental Silver Pocket Fob Watch, open face, chased and engraved, vacant cartouche, white enamel dial with raised gold and silver garlands, Roman numerals, stamped "935", serial number "559298", measures approx. 5.5cm over suspension loop, c.1900; an EPNS miniature hand mirror; two pocket watch keys; a ladies Gwenda Tap-Flap powder compact; a Stratton portable ashtray and a pair of Dixey gold plated spectacles, cased
HENRY VIII, KING OF ENGLAND (1509-1547): A SIGNED DOCUMENT RATIFYING THE TREATY OF LONDON, GREENWICH, 1ST NOVEMBER 1516The document written in Latin on vellum by a secretary hand in brown ink, signed by Henry VIII at the bottom.The document 29cm x 21cm.An oath binding the King and his subjects to observe faithfully and without infringement the terms of the treaty of concord, peace and friendship concluded on October 29th with the procurators and commissioners of the Holy Roman Emperor (Maximilian I), the King of Spain (Charles I, later Emperor Charles V) and the latter's mother, Joanna ('la Loca' [the Mad]). 'Iuramus q[uo]d pro p[ar]te[m] n[ost]ra[m] bene fidelit[er] et inviolabilit[er] obs[er]vabimus tractatum concordie pacis et amicitie ac om[n]es et singulos articulos eiusdem auctoritate n[ost]ra inter n[ost]ros et cesaree maiestat[is] ac catholicorum Johanne et Caroli Castelle Legionis Granate Aragonie etc Regum Archiducum Austrie ducum Burgundie etc oratores procuratores et com[m]issarios de dat[o] vigesimi noni diei mensis octobris anni domini millesimi quingentesimi decimi sextii Init[um] et conclusum Et similit[er] eundem tractatum ac om[n]es et sing[u]los articulos eiusdem per subditos n[ost]ros quatenus nos et eosdem subditos n[ost]ros tangit et tangunt obs[er]vari faciemus Ita nos deus adiuvet et hec sancta Dei ev[a]ngelia'. The document continues that the Emperor and the Catholic King, Charles, the latter both in his own name and on behalf of his mother, Joanna, are to give similar undertakings in the presence of the commissioners sent for this purpose. The league or compact referred to was signed by commissioners in London on 29 October 1516 and was designed to contain the French and provide for the maintenance of the Swiss, the end towards which Thomas Wolsey had been working for some months.The Emperor and Henry were to furnish 5,000 horse and 20,000 footsoldiers, and their Catholic Majesties the same. The Spanish and the English were to supply ships, and the Pope to be invited to head the league. The Swiss were to be solicited with an annual pension. The treaty was ratified by the Emperor Maximilian on 9 December, his support having been encouraged by a private agreement with Henry VIII in which his debts to England were cancelled, and large sums promised to him for his 'descent' and a private war around Verona. Wolsey's scheme backfired, as the Swiss rapidly accepted a French counter-offer, and Maximilian agreed to an inducement of 60,000 florins from Francis I to enter the Treaty of Noyon which had been secretly concluded with Charles of Spain earlier in the year. Charles I, King of Spain (1516-1558) and, as Charles V, Holy Roman Emperor (1530-1556) was the son of Philip I and Joanna, known as 'the Mad', daughter of Ferdinand II of Aragon, who nominally ruled jointly with him.Provenance:Purchased by William Gladstone Stewart from Christies, London, July 13th, 2000 'The Library of William Foyle', Sale 6348. The original invoice from Christies accomopanies this lot.From the Collection of the late William Gladstone Stewart (1933-2017), host of television show 'Fifteen to One'. Fifteen to One was a British general knowledge quiz show broadcast on Channel 4. It originally ran from 11 January 1988 to 19 December 2003 and had a reputation for being one of the toughest quizzes on TV. Throughout the show's original run, it was presented and produced by William G. Stewart. Thousands of contestants appeared on the programme, which had very little of the chatting between host and contestants that is often a feature of other television quiz shows. The series prize tended to be a classical artefact (for example an ancient Greek vase).
FOUR BOXES AND LOOSE WOMEN'S SHOES, BAGS AND SCARVES, to include Merrell walking boots, two pairs of leather knee length boots, a Tilley hat (59cm), Mountain Warehouse Isodry walking boots, ladies FootJoy golf shoes, Berghaus walking boots UK size 8, an Arthur Price mirror compact, a large quantity of sandals to include brand names Scholl, Ecco, Merrell, Nike trainers, most shoes/sandals are UK size 7, a nylon wheely backpack, leather gloves, scarves, etc. (s.d/a.f) (4 boxes + loose)
Ca. 664 - 332 BC. A wooden figurine of a seated baboon resting on a rectangular base. The body is compact, with a slightly hunched posture and arms resting on the knees. The head is rounded, with a prominent muzzle and incised details marking the nostrils and mouth. The eyes are recessed, and positioned beneath a slightly protruding brow ridge. The limbs are proportionally thick, with carved fingers and toes extending forward. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: The Brooklyn Museum, Accession Number 61.127.Size: 37mm x 17mm; Weight: 8gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.
Ca. 100 BC - AD 100. A square mosaic glass inlay depicting on both faces a wading ibis against a green matrix. The bird is rendered in black and white with a long, downward-curving beak and a rounded head marked by a red eye. An arched neck connects to a compact body with a white central area outlined in black. Slender legs extend downward. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.A similar example sold for GBP 6,000 at Christie's, Live Auction 7758, The Groppi Collection, 26 April 2012, Lot 9.Size: 20mm x 20mm; Weight: 6gProvenance: Prince collection, 1990s-2014; Ex. Christie's; Ex. The Groppi Collection, Switzerland; acquired in the 1920s-1940s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.Exhibited: Antikensmuseum Basel und Sammlung Ludwig und Museum August Kestner Hannover, Köstlichkeiten aus Kairo!, 2008, no. 26.
Ca. 1st century BC - 1st century AD. A bulbous agate amphoriskos with a compact, rounded body tapering slightly towards a small disc foot. The upper section narrows into a short cylindrical neck with a flat rim. Two angular handles extend from the shoulder to the rim. The surface exhibits natural banding in shades of translucent brown and creamy white, with irregular patches of colouration distributed across the body.For similar see: The Metropolitan Museum of Art, Object Number: 2001.253Size: 35mm x 35mm; Weight: 35gProvenance: Prince collection, 1990s-2014; Ex. Christie's. London, King Street Antiquities, 25 April 2007, sale 7376, Lot 235. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Late Period, Ca. 664 - 332 BC. A pair of faience and stone frog amulets in shades of green and turquoise, each depicting a stylized amphibian in a crouching position. The one on the left has a compact body with a broader, more flattened head, featuring shallowly incised details defining the eyes, limbs, and body contours. The other one has a more elongated form with a sharply raised head, its front limbs pressed against the sides, and hind legs tucked beneath. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.Size: 8.9-6.0mm x 8.1-8.0mm; Weight: 0.91gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.
Jemdet Nasr, Ca. 3000 BC. A stone amulet in the form of a stylised elephant, with a compact body and short, rounded legs. The head is slightly elongated, with prominent curved ears and a downward-turned trunk. Circular perforations mark the eyes, and a larger hole is drilled through the back for suspension.Size: 15mm x 14mm; Weight: 3gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.
Ca. 100 BC - AD 100. A square mosaic glass inlay depicting a wading ibis against a green matrix. The bird is rendered in black and white with a long, yellow beak extending forward and a rounded head marked by a red eye. The neck is arched, connecting to a compact body with a white central area outlined in black. The legs, formed of elongated black lines, extend downward. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.A similar example sold for GBP 6,000 at Christie's, Live Auction 7758, The Groppi Collection, 26 April 2012, Lot 9.Size: 20mm x 20mm; Weight: 7gProvenance: Prince collection, 1990s-2014; Ex. Christie's, 26 April, 2012; Ex. The Groppi Collection, Switzerland; acquired in the 1920s-1940s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 100 BC - AD 100. A fragmentary mosaic glass inlay with a dense checkerboard pattern and a narrow band along the edge. The main design consists of black, white, and brown tesserae arranged in a compact grid. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.Size: 30mm x 18mm; Weight: 6gProvenance: Prince collection, 1990s-2014; Ex. Mansour gallery. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 350 - 280 BC. A group of three black-glazed ceramic cups, each with a low foot, a shallow bowl, and horizontal handles. The smallest vessel on the left has a compact, hemispherical body, a slightly thicker rim, and a single, short handle extending from its side. The middle cup has a similar form but with a pair of horizontal handles. Its outer surface on both sides is decorated with a continuous band of vine tendrils with clusters of grapes. The largest kylix on the right has two upturned handles and its central tondo contains a cross motif with palmette finials.For similar see: The Museum of Fine Arts, Budapest, Inventory number 96.19.A; The Metropolitan Museum of Art, Object Number: 67.11.3.Size: 30-40mm x 100-195mm; Weight: 340gProvenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgium art market; Daniel Bogaerts, Brussels, 1995.
Ca. AD 200 - 400. A bronze belt plaque in the form of a stylised horse with a compact, robust body and short, slightly arched legs. The head is elongated, featuring a prominent snout, a rounded muzzle, and defined ears. A ridged mane runs along the neck, marked by a series of parallel incised lines. Decorative elements on the body include rectangular panels at the base of the neck and midsection, filled with a grid of recessed dots. The underside is flat, with a stud and two loops for attachment.For similar see: Le fibule dal V al I sec,n . 598, Tav. 38, p. 216.Size: 40mm x 30mm; Weight: 11gProvenance: Private UK collection; previously acquired on the Holland art market in the 1990s.
Ca. 202 BC - AD 220. A pottery figure of a dog shown reclining, with its front legs stretched forward and hind legs tucked beneath its body. The head is raised, the mouth open wide, revealing sharp teeth and a slightly protruding tongue. Tall, pointed ears stand erect, their inner surfaces retaining traces of red pigment. Heavy eyelids frame the rounded eyes. A strong, compact body leads into a curved back, ending in a long, upturned tail.For similar see: The Metropolitan Museum of Art, Object Number: SL.1.2017.28.2.Size: 330mm x 440mm; Weight: 4.45kgProvenance: UK private collection; formerly acquired in the early 1990s in Hong Kong. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece has been precisely dated using a thermoluminescence analysis carried out by Ralf Kotalla. The report will accompany the lot.
Middle Kingdom, Ca. 2055 - 1550 BC.An amulet in the form of a frog sitting atop a circular integral base, carved from amethyst. The body is compact, with a back that slopes gently towards the rear. The head is slightly raised, with prominent circular eyes outlined in low relief. A shallow groove defines the mouth, extending towards the sides. The front legs are positioned close to the body, with subtle curves indicating the joints. The underside is flat, with a central perforation. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: Christie's, Live Auction 21909, Antiquities, Lot 82.Size: 18.9mm x 24.5mm; Weight: 14.20gProvenance: Private collection, London. UK; Ex. Schmidli collection, Switzerland, 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. AD 100 - 300. A bronze figurine of a deer depicted slightly inclined forward. The head of the animal is raised with a slightly pointed snout, small ears positioned symmetrically, and shallowly incised eyes. The neck is long and gracefully curved, leading to a compact torso with a subtly defined chest and hindquarters. The legs are slender and taper towards the hooves.Size: 65mm x 50mm; Weight: 75gProvenance: Private UK collection; acquired on the French market in the 1970s.
An Art Deco Continental sterling silver enamel Yorkshire Terrier powder compact, import London 1928, circular form, with hand painted dog portrait cover and ombre enamel ground, with engine turned base and gilt interior, 5cm, 1.6oz gross . Condition Report:Several small enamel losses around side panels, no damage to main panel, hinge and catch working perfectly, gilding bright, hallmarks clear
1993 Nintendo Gameboy – UK/PAL/European Version Red Label Console VGA 85/NM+, the console is the 1993 compact video game system, with the iconic Nintendo red strip seal and in rigid Perspex case supplied by VGA at the time of grading The item is in sealed VG grader box and with plastic sleeve. There is a slight crease to the lower left of the Gameboy box itself that can be viewed from outside the case.
This vintage compact was a souvenir from the 1964 New York World's Fair, featuring embossed graphics depicting the Swiss Sky Ride, heliport, and Unisphere on the lid. Constructed from a metal alloy with a copper-tone finish, it includes a mirror and original powder puff, reflecting its mid-century charm. The back showcases a textured crosshatch pattern, and the compact measures 3" in diameter. A delightful collectible capturing the essence of one of America's iconic World's Fairs.Dimensions: See DescriptionCondition: Age related wear.
Charming vintage compact purse featuring a gold-toned design with an engraved map of New York City, highlighting landmarks such as the Statue of Liberty. This compact includes a mirror, powder compartment, and a detachable lipstick holder, combining functionality with timeless style. A delicate chain handle adds portability. The back features an engraved personal dedication, adding a sentimental touch. Measures 2.5 inches in height. A beautiful collectible and unique gift for lovers of vintage accessories and New York memorabilia.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.
Marius Hammer, an early twentieth-century Norwegian silver and enamel compact, of rounded form, the exterior decorated with all-over enamel in powder blue, the hinged cover adorned with a central gilt flowerhead, flanked by four pearls, with gilt interior, the underside of the cover marked 'MH', '925S', and '1084', by Marius Hammer c.1920, diameter 5.7cm, weight 68g/2.18ozt approx
A Continental silver-gilt minaudiere, of rectangular form, the exterior decorated with engine-turning and a band of foliage, the lozenge-shaped cartouche engraved, 'A.L.B.E', the push-button release opens to reveal a fitted interior, comprising a compact, mirror, notepad with composite ivorine insert, card holder with a sprung and hinged clasp, propelling pencil, and two coin holders with sprung mechanisms, ensuite with two calling cards for 'Madame Bello de Edwards', marked 'STERLING 935', length 13.5cm, weight 323g/10.38ozt gross all-in approx
An Art Deco Hallmarked Silver Guilloche Enamel Compact Mirror, JD&S, Birmingham 1935, of circular form with highly decorative guilloche enamel highlights in the form of a sunburst, engine turned design verso. Surface abrasions to the outer border of the compact, the mirror is also blemished/marked.
A group of vintage to contemporary costume jewellery and a vintage powder compact, including a vintage marcasite-set white metal crossover finger ring, a Wedgwood necklace, a cameo ring, a group of faux-pearl beaded necklaces, two Jon Richard brooches, vintage Accurist and other wristwatches, etc, 58 g weighable white metal
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