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Click here to subscribeA George III Silver Teapot-Stand, by William Frisbee, London, 1801, oval and on four tapering panel feet, with reeded rim, engraved with a coat-of-arms, 17.5cm wide, 4oz 19dwt, 154grFully marked underneath. There is some minor wear to the marks but each is legible. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the engraving. There are some minor dings overall.
A Spode New Stone China Armorial Dinner Service, circa 1810, pattern 2054, printed in underglaze blue, overglaze red and green and many pieces emblazoned with a painted coat of arms and motto "Nil Sine Corde", impressed marks, comprising: 5 warming plates serving platter soup tureen, cover and stand square serving bowl sauce tureen and cover 2 rectangular vegetable tureens 24 salad plates 19 soup plates 15 side platesProvenance: The Selected Contents of Eden Lacy, Lazonby, from the estate of Victor Gubbins Soup tureen, cover and stand in good order.The remaininder of the service with varying degrees of damage from chips to staple repairs. 12 soup plates in useable condition free from chips and cracks 3 dinner plates in useable condition free from chips and cracks
A large Thonet Revival cast metal hat / coat floor stand. The stand having four large scrolled hooks atop with further smaller hook surround. Central support with umbrella holding sections to base. Circular drip tray base.From the private collection of psychological illusionist Derren Brown. Measures approx. 200cm tall x 41cm in diameter.
A 20th century Art Deco walnut veneered hall stand. The stand of slender form, having coat and hat hooks to the right with rails above and a single cupboard below with brass worked umbrella stand flanking. To the left, a full-length dome topped mirror flanked by a shaped pedestal stand. All raised on a plinth base.Measures approx. 186cm x 133cm x 26cm.
A tureen with stand, 925/1000 silver, engraved decoration "Coat of Arms of the Kingdom of Portugal", handles rn relief "Boar's head", pommel of the lid en relief "Volute", Portuguese, Porto hallmark (1985-2020), Eugénio Campos maker's mark. Notes: vd. VIDAL, Manuel Gonçalves; ALMEIDA, Fernando Moitinho de - "Marcas de Contrastes e Ourives Portugueses (1887 a 1993)", vol. II. Lisbon: IN-CM, 1996, nº 4107., Dim. - (terrina) 22 x 37,5 x 24,5 cm; (travessa) 3 x 44,5 x 38 cm; Peso - 4.990 g.
A late 19th Century crafted FH Ayres carved wood and painted gesso rocking horse, with large fixed glass eyes, brown and cream dappled coat, horsehair mane and tail, leather harness and saddle with metal stirrups, on a trestle base swing stand with baluster-turned uprights. Fully restored. 127 long x 97cm tall
An early 20th century crafted rocking horse, possibly by JA Smith, with fixed glass eyes and flared nostrils, black and cream dappled coat, horsehair mane and tail, tan leather harness and saddle with metal stirrups, on a stained pine trestle base swing stand, with slender baluster turned uprights. Some restoration, original tack and saddle. Purchased from Elite Rocking Horses, 100cm long x 103cm tall
19th century cast iron hallway hat and coat stand, the arched frame decorated with overlapping foliage, central oval mirror surrounded by trailing oak leaves and acorns, with extending umbrella and stick stand, the curved plinth base decorated with acanthus leaves, with impressed and mounted R.d. lozengesDimensions: Height: 167cm Length/Width: 72cm Depth/Diameter: 30cm
A George II silver inkstand, William Cripps, 1750, the cartouche shaped stand with reeded border, on four scroll and pad feet, with two pen wells and three pots to centre, inkpot, pounce pot and another, engraved with a coat of arms and motto 'Virtus Mille Scuta', (Virtue Is Equal To A Thousand Shields). The motto is for the Clifford, Dayrell, Howard & Sadler families, 22cm, 14.7oz. Date letter and makers mark only to the underside of central well. Overall condition is otherwise good.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
AN ETCHED FULL ARMOUR IN 16TH CENTURY STYLE, 20TH CENTURY comprising close helmet with one-piece skull rising to a low comb, fitted with slotted visor, brow reinforce and lower bevor attached to it by common pivots, integral gorget, medially-ridged breastplate flanged outwards at its lower edge to receive a pair of tassets each of four lames; backplate, large symmetrical pauldrons, tubular vambraces with open cowters; gauntlets with pointed tubular cuffs (finger-lames with extensive losses); gutter-shaped cuisses terminating in winged poleyns; tubular greaves each fitted with integral sabaton, decorated throughout with etched designs including a mounted knight on the breastplate, a stylised coat-of-arms on the tassets, and the cuisses and greaves each embossed with a pair of bold vertical flutes at the front: on a wooden stand with base, 198.0 cm high
A CAP-A-PIE FIELD ARMOUR WITH ETCHED DECORATION IN THE ITALIAN STYLE OF THE SECOND HALF OF THE 16TH CENTURY, 20TH CENTURY comprising close helmet with one-piece skull fitted with visor, upper bevor and lower bevor attached to it by common pivots, the upper bevor pierced at each side with six circular ventilation-holes, and a single gorget-plate front and rear; collar, medially-ridged breastplate flanged outwards at its lower edge to receive a pair of tassets each of six lames; backplate, large symmetrical pauldrons, tubular vambraces with bracelet cowters; gauntlets with pointed tubular cuffs (fingers missing); gutter-shaped cuisses terminating in winged poleyns; tubular greaves each fitted with integral sabaton of seven lames, etched throughout with scrolling foliage inhabited by birds-of-prey, the breastplate with a central crowned coat-of-arms, complete with a circular shield decorated en suite: on a wooden stand with base, 204.0 cm high
ARR Bouke de Vries (Dutch b.1960) Blue and White Ceramics Sculpture Composition with Insects, a ceramic teacup and saucer with butterfly, bee and fly, ceramic mixed media sculptural composition, on a wooden base with glass dome, height including dome 16 cm x 21 cmProvenance: purchased by the vendor from the 'Reanimate, Repair, Meld and Mend', exhibition at the Blue Coat Display Centre, Liverpool, 2015 Condition:The sculpture sits on a turned wooden stand attached to a square wooden base, which appear to be in good order. The ceramic sculpture is created with a broken teacup and saucer, which is arranged into a position that appears to remain in its intended location. There is a butterfly, fly and a small bee attached and further organic material fixed in position in and around the teacup and saucer - all appear well preserved. There is a covering glass dome for the sculpture which is in good condition
Historisch bedeutender Barock-Abendmahlskelchgestiftet für das Bremer Armenhaus vom Vorsteher Libert Edzard, einem Mitglied der führenden Bremer Kaufmannsfamilie EdzardSilber, teilw. vergoldet. Blütenförmiger Stand mit ausgestelltem Standring, übergehend in sechsfach facettierten Schaft. Zentraler, von Profilringen gefasster, gedrückter Nodus, ober- und unterhalb von je sechs Buckeln umzogen. Sanft aufsteigende, glatte Kuppa. Auf der Wandung zwei Rundmedaillons mit gravierter Widmung "Diesen kelch Hat Älterman Libert Edzardt Als Der Armen Vor Steher Dieses Hauses Zum Glücklichen Anfang Vorehren Wollen Ju Bremen Anno 1699" sowie einem Allianzwappen u. a. mit dem Wappen der Bremer Familie Edzard. Innen vergoldet. Gest., Beschauzeichen, Meister Ahrendt Meyer (wird Meister 1681). Gew. ca. 350 g. H. 20,3 cm.Das Bremer Armenhaus wurde in den Jahren 1697-1698 errichtet und 1699 eingeweiht. Das Gebäude umfasste u. a. auch eine Kapelle, in der für die Bewohner Gottesdienste abgehalten wurden. Vgl. Herbert Schwarzwälder, Geschichte der Freien Hansestadt Bremen, Bd. 1., S. 408; Scheffler, Niedersachsen, Bd. 1, S 170, Nr. 80.A historically significant German Baroque parcel-gilt silver communion cup by Ahrendt Meyer (master since 1681) as a gift for the Bremen poorhouse with engraved coat of arms and dedication inscription. Assay and master´s mark.Deutsch. Bremen. Um 1699.