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Click here to subscribeMOSKAU Schale 'Moskauer Hippodrom', 84 zolotniki, 1862. Geschweifte Schale mit Vergoldung auf Rundstand, im Spiegel rocaillenverzierte Kartuschen mit dem Moskauer Wappen mit Doppeladler und Hl. Georg, mittig eine runde Plakette mit der Darstellung zweier Rennpferde im Moskauer Hippodrom, das 1834 gegründet wurde, Beschau Moskau mit Feingehalt 84, Beschaumeister Viktor Vasilyevich Savinsky und 1862, Meistermarke Hoflieferant Sazikov mit Doppeladler, Gewicht ca. 923 g, D. ca. 28 cm, H. ca. 8,5. Berieben, am Stand Reparaturstelle, leicht gedellt, 2. Schraubenmutter wurde erneuert und ist nicht aus Silber, Alters- und Gebrauchsspuren.| MOSCOW Bowl 'Moscow Hippodrome', 84 zolotniki, 1862. A curved bowl with gilding on a round stand, the mirror decorated with rocaille cartouches depicting the Moscow coat of arms with double-headed eagle and St. George, the centre with a round plaque depicting two racehorses in the Moscow Hippodrome, which was founded in 1834, Moscow hallmark with fineness 84, maker's mark Viktor Vasilyevich Savinsky and 1862, master's mark court purveyor Sazikov with double-headed eagle, weight c. 923 g, d. c. 28 cm, h. c. 8.5. 923 g, d. approx. 28 cm, h. approx. 8.5. rubbed, repair to the stand, slightly dented, 2nd screw nut has been replaced and is not made of silver, signs of age and use.
A simulated bamboo hall stand, the top with a mirror flanked by four coat hooks the stick stand base with a brass linerGeneral light wear age commensurate condition but a little warped, the upper curves forward slightly. Period mirror not beveled, brass possibly replaced, one brass hook snapped but present, no damage to brass liner.
Henry Pierce Bone (British, 1779-1855)John Charles Spencer, Viscount Althorp, 3rd Earl Spencer (1782-1845), as Chancellor of the Exchequer, full length in Chancellor's robes over black mourning suit, standing beside a George II giltwood console table from Spencer House draped with green cloth, his right hand resting on a document entitled 'Amendment of the Poor Laws', large leather-bound books and folio propped against table leg, inkwell, salt cellar and quill on silver stand on table, red curtain, pillar and curtain interior; landscape background. Enamel on copper, signed and dated on the spine of the largest leather-bound book 1835. HPBone, signed, dated and fully inscribed on the counter-enamel, John Charles Earl Spencer Viscount Althorp, later Chancellor of the Exchequer London Feby. 1835 Painted from Life by Henry Pierce Bone Enamel Painter to Her Majesty and their Royal Highnesses the Duchess of Kent & Princess Victoria, frosted ormolu mount engraved on lower edge ENAMEL. H.P. BONE., gilt-wood frame. Rectangular, 350mm (13 3/4in) highProvenance: Commissioned by John Charles, Viscount Althorp, later 3rd Earl Spencer (1782-1845) and thence by descentThe Spencer House Sale, Christie's London, 8 July 2010, lot 1065The Twinight CollectionExhibited:London, Royal Academy, 1835, no. 436, as Viscount Althorp (now Earl Spencer) Chancellor of the Exchequer, - enamel, from the life H.P. BoneLondon, South Kensington Museum, Special Exhibition of Portrait Miniatures, June 1865, no. 1336 (lent by the Earl Spencer).Footnotes:Unlike the majority of Henry Pierce Bone's works, in this instance, the drawing was taken from life, rather than from an existing portrait, probably at Spencer House in London, before a view of Green Park.A year before the present miniature was executed, John Charles, Viscount Spencer sat for Henry Pierce Bone in a plain black coat and without his robes of office. This smaller, head and shoulders, octagonal enamel dated August 1834 was sold anonymously at Sotheby's London, 6 November 1997, lot 267 (erroneously identified as having been exhibited at the Royal Academy in 1835, no. 436) and is now in the Spencer Collection at Althorp.John Charles Spencer, 3rd Earl Spencer, PC, DL, FRS, styled Viscount Althorp from 1783 to 1834, was a British statesman and abolitionist. He was Chancellor of the Exchequer under Lord Grey and Lord Melbourne from 1830 to 1834. Due to his reputation for integrity, he was nicknamed 'Honest Jack'.The George II gilt-wood console table next to which Viscount Althorp stands was designed by James 'Athenian' Stuart for the Great Room at Spencer House, St James's and is now at Althorp. The document on the table entitled 'Amendment of the Poor Laws' refers to the New Poor Law Amendment Act of 1834 which followed the Reform Act of 1832. Under the premiership of Lord Grey, Viscount Althorp was instrumental in bringing about these constitutional reforms considered, 'the great aim and object of his political life' (D. Le Marchant, Memoir of John Charles, Viscount Althorp, third Earl Spencer, ed. H. D. Le Marchant, 1876).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
1796 Pattern Light Infantry Cavalry Officer's Sword 32 1/2 inch, single edged, wide, slightly curved blade. Large fuller. Top half with etched floral swags, stand of arms, Britannia, royal coat of arms and crowned GR cypher. Traces of blue and gilt. Steel stirrup knuckle bow with turn down quillon and double langets. Steel backstrap with grip ears. Black leather covered grip with twist wire binding. Contained in its steel scabbard with two loose hanging rings. Rear of throat with maker cartouche "Woolley & Co Birmingham". INVOICE PAYABLE ON PRESENTATION BY BANK TRANSFER
A black mourning bodice, heavy duty wool boned bodice which is pointed, covered buttons (one is missing its cover), wide cuffs in lace, lace detail on the collar which is a stand up collar, v lace detail at back along with a matching mourning skirt in wool which has the decorative lace detail and pleating at the back (1890s). A bombaden fabric pleated mourning bonnet with two ties (1890s). A large mourning cape/collar, embellished with jet and black lace. A unusual mourning cape edged in jet and lace beadwork (1880s). A mourning skirt in black quilted sateen (small amount of damage to the waistband) very full skirt (1890), An Edwardian lace coat, unlined, very decorative lace detail, loose design, trimmed in tassels, the hemline which is lace has come away from the hem (1908-12).
‡ A COMPOSITE NORTH ITALIAN CAP-A-PIE ARMOUR WITH ETCHED DECORATION, LATE 16TH CENTURY, THE BACKPLATE SIGNED BY THE MASTER ‘P’ comprising morion with rounded one-piece crown rising to a high roped medial comb, and 'swept' integral brim rising to an acute point front (restored) and rear, the latter fitted with an associated etched and gilt copper alloy plume-holder, the interior with an early padded maroon velvet lining interspersed with small tassels; collar of three plates front and rear (the upper two of the front, and the uppermost and lowermost of the rear restored); breastplate formed of a main plate of deep 'peascod' fashion (the metal of its lower right showing internal delamination), embossed with a volute at each side of the chest, fitted at its arm-openings with moveable gussets, flanged outwards at its lower edge (the centre of the flange patched) and fitted with a fauld of two lames (the lowest patched at its left end) and a pair of pendent tassets each of nine lames (the left restored); well matched backplate embossed en suite, fitted with shoulder-straps and a belt; a pair of large symmetrical pauldrons, each formed of seven lames of which the third is in each case patched and the lowest four (restored) extend inwards only to the armpit; a pair of fully articulated tubular vambraces each fitted at its upper end with a turner of two lames and at its elbow with a winged bracelet couter of three lames; two gauntlets almost forming a pair, each formed of a flared and pointed tubular cuff (holed for display), four and five metacarpal-plates respectively, a shaped knuckle-plate (the right restored), later thumb-plate and finger-scales; the main edges of the armour formed almost throughout with file-roped inward turns, and its surfaces decorated with etching on a stippled and blackened ground (areas of wear), that of the morion consisting of a large cartouche at each side of the skull filled with the figure of Fortune enclosed by the inscription ‘Semper Fortuna Docet’ and ‘Semper Fortuna Iuna’ respectively, the comb with a central cartouche filled with a coat-of-arms, two moor’s heads addorsed above a further head and a bar between charged with three mullets, flanked by mythical beasts and birds on one face and further beasts and putto on the other, and that of the remainder of the armour consisting of bands and borders of trophies of arms generally enclosed by narrow bands of cabling and enclosing in the interspaces and volutes of the fronts and rears of the pauldrons, classical busts, and involving at the neck-opening of the backplate the device of a cross and orb, the latter charged with the letter ‘P’, and a pair of modern cuisses each of three lames, fitted at their lower ends with winged poleyns of five lames, hinged tubular greaves and articulated sabatons of eight lames; all on a wooden stand ProvenanceRussel J. Char
A 1796 Pattern Infantry Officer's Sword, the 77.5cm single edge fullered blued steel blade engraved and gilt with crowned GR cypher, Royal Coat of Arms, scrolling foliage and a stand of arms, stamped S at the ricasso, the gilt brass stirrup hilt with fixed double shell guard, silver wire bound grip and foliate sheathed urn pommel, in a silver plated double ring scabbard, engraved "Captain Edward Rickards 1793, Adjutant Leicestershire Militia & Rifle Brigade", 98cm, with a green baize slip case and a photocopy of a silhouette of Captain Rickards with a hand written short biography.Footnote: - Captain Edward Rickards of the King's Rifle Corps and Leicestershire Militia, was born in 1776 and died in 1834 aged 58 years. He was the third son of John and Sarah (nee Woodward) Rickards of Pershore, Worcester. He married Charlotte, daughter of Captain Huntley of the Royal Navy. Their son Edward Henry Rickards was born on 13th July 1807 at Ipswich Barracks. Blade with two tiny nicks to the edge, minor bruising to the silver wire binding on one side of the grip. The hilt has been regilded and the scabbard has been replated. Scabbard with a small patch of pitting below the mouth. The sword does not fit snugly into the scabbard at the ricasso. Otherwise in good clean condition.
The bevelled mirror plate surrounded by ten coat hooks, all above a drawer with a mask handle between twin umbrella stands and an undertier.110cm wide x 39cm deep x 201cm highQty: 1Notable silvering to the mirror plate, the painting leaving the wood showing through across the entire stand, slight play in the joints, some parts have been incompletely painted.
A late Victorian carved oak Gothic Revival hall stand, the mirrored back with hat and coat hooks, over two Flemish style carved panels depicting topers in an interior, over a glove drawer, flanked by two stick stands on turned supports, united by an undertier with drip trays, on turned feet, 92 cm wide x 37 cm deep x 203 cm high
A Flight and Barr Worcester sauce tureen, cover and stand from the Sir Robert Peel service, circa 1800Of gently lobed circular form, with bifurcated handles, painted with the crest of a demi-lion rampant, wearing a blue collar and holding a gilt shuttle between its paws, above the cipher 'RP' interrupted by a red hand, reserved on a wide band of gilt foliate scrollwork on a 'Barr's orange' ground, 17.7cm high incised B marks (3)Footnotes:ProvenanceBonhams, 10 December 2008, lot 232Charles Dawson CollectionThis crest and a full coat of arms was granted in 1792 to the industrialist Robert 'Parsley' Peel (1723-1793). The red hand between the initials under the crest indicates this service was ordered by the third son of the grantee, also Robert (1750-1830) who was granted a baronetcy in 1800. The service was probably commissioned soon afterwards to mark his elevation to baronet. It was his son, the future British Prime Minister Sir Robert Peel (1788-1850), who inherited the baronetcy in 1830 together with, presumably, this service.A slop bowl, teapot stand and sucrier from this service and bearing the Peel crest were also offered by Bonhams on 10 December 2008, lots 233-235. However, the present lot is the only piece known showing the gilt cipher, appearing on both sides of the tureen and the stand underneath each crest.For further information on this lot please visit Bonhams.com
Thonet manner - A vintage mid 20th century Thonet manner bentwood coat stand / rack. The coat stand raised on four splayed legs, with banded rings forming an umbrella stand to base. With six scrolled arms to top, with curled coat hooks. Having turned acorn finial to peak. Measures approx. 184cm tall.