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Click here to subscribeAfter Andrea della Robbia, a Scarce Cantagalli Firenze terracotta lunette depicting the embrace of St. Francis & St. Dominic 70cm x 34.5cm Note: The larger original lunette is above the door of the hospital complex of San Paolo in Florence where It is said that the meeting between Francis & Dominic took place in C.1221.
A collection of decorative Continental glazed earthenware pottery - including a set of four Portuguese Carvalhinho tin glazed shaped dishes with hand painted floral decoration, 21.5cm long; a set of five Italian retro 1960s leaf shaped dishes in harlequin glazes, 22.5cm long; a Rouen style tin-glazed circular plate with polychrome floral and foliate decoration, marked 'GM 17', 30.5cm diameter; an Italian Cantagalli tin glazed shaped oval platter with floral and foliate decoration, painted cockerel mark, 38.5cm long; etc. (17)
A large Cantagalli faience pottery charger, late 19th century, Italian, decorated in the ‘Istoriato’ manner, painted cockerel mark,49.2cm diametertogether with a similar smaller example,decorated with putti to the centre, painted cockerel mark,23.5cm diameter (2)Condition ReportLarge) Some chips and nibbles to the rim and foot rim.Small) Small hairline to the rear of the dish. Nibbles to the edge and an old plate hanger attached.Both with wear and firing flaws commensurate with age.
A near pair of Italian maiolica pottery albarelli, late 19th century, Italian, one by Cantagalli, the other marked for Firenze, each decorated with putti, complete with covers, painted marks,27cm and 25.5cm high (2)Condition ReportBoth with chips and nibbles to the extremities. One lid with a larger repaired chip, presenting as cracks. Surface wear and firing flaws commensurate with age. Please see additional images.
A Cantagalli Maiolica Basin, 2nd half 19th century, of fluted trefoil form with animal mask bosses, painted with the arms of the Medici on a ground of grotesquerie and with scroll and paw feet, cockerel mark in black45cm widePlinth with one corner section re glued and left honest on the underside but over painted on the top, also with a large firing crack. Another large chip, filled and over painted on the base. One treoil with some over painted restoration. Numrous filled and over painted rim chips. Lion masks with some over painting.
Relief Moulded Terracotta Plaque by Cantagalli Firenze Circa late 19th/early 20th century, modelled with white-glazed busts of three boys in high relief against blue ground, impressed Cantagalli Firenze, Marca Depta and rooster marks to reverse.35.5cm wide, 11cm deep, 20.5cm highNumerous glaze chips, particularly to pronounced areas, corners and edges; some underglaze staining and accrued dirt but no major chips or cracks to note.
AN ITALIAN MAIOLICA PILGRIM FLASK AND COVER IN SIXTEENTH CENTURY URBINO STYLE LATE 19TH CENTURY Possibly from the studio of Ulysse Cantagalli, Firenze Unmarked, 51cm high Together with a large blue and white modern Italian Maiolica basin 41cm diameter Condition Report: Minor surface abrasions and loss of decoration to the Maiolica vase. The finial of the urn is restored, probably made up. The bowl has very minor abrasions to the underside of the edge.Condition Report Disclaimer
A 19th century Italian Cantagalli majolica charger, decorated with classical figures and putti / cherub border, traditional yellow background, unmarked, approx. 60cm diameter. Condition: cracks, over-painting to rim, crazing, metal hanger attached, some nibbles and small flaking, general wear.
A RARE CANTAGALLI OTTOMAN DAMASCUS-STYLE POTTERY TILE WITH WILD ANIMALS AND FLOWERS Cantagalli manufacture, Florence, Italy, ca. 1900 - 1949Of square shape, painted in cobalt blue, manganese purple, and green with black outlines against a white ground, depicting a roaming lion in the foreground, a pair of foxes above it, and in the upper left corner a rooster, the iconic symbol of Cantagalli, the Italian pottery manufacturer, all set against a vibrant ground of rosette sprays, tulips and foliage, stamped 'CANTAGALLI' at the back, the manufacturer's trade hallmark in use in the first half of the 20th century, mounted on a dark wooden frame, 21.2cm x 21.2cm including the frame. 21.2cm x 21.2cm including the frame Qty: 1 No clear evidence of breaks, damage, cracks or restoration under UV light. A vertical darker hairline crack seen in the upper middle section, a miss-fired darker stain mark to the shoulder of the lion, the glaze glossy, the colours true and vibrant, no evidence of pigment bleeding, evidence of old glue residues to the back, the frame rubbed and worn with several scratch marks. Overall a very attractive example in good conditions.
Iznik style Cantagalli tileTurkishpainted in the 16th Century style with a vase of tulips, in a turquoise and cobalt blue palette, 23.6cm square, with a raised mark Cantagalli Firenze to the back With signs of wear consistent with age and use. With chips/loss to the glaze. With crazing. With firing imperfections.
An Hispano-Moresque style lustre pottery vase, Ulisse Cantagalli, Italy, 19th century, Of piriform on a tall flared foot, with long cylindrical neck and cupped rim, a pair of seated lion handles to the shoulder, decorated in ruby lustre on a cream ground with roundels containing eagles to the body, surrounded by bands of chevrons, rosettes and split palmette interlace, a band of pseudo-inscription to the shoulder, the neck with oval cartouches containing geometric and foliate motifs, the foot with split palmette interlace, cockerel to base,40 cm. high
An Iznik Style Pottery Tile, Ulisse Cantagalli, Florence, Italy, 19th century, its central lobed medallion filled with strapwork on bole red field flanked with smaller elongated swaying scalloped medallion, a serrated floral bloom above amidst scrolling tendrils with serrated leaves, two half lobed medallions at each border, the reverse pressed Cantagalli Firenze, 23.5cm. Provenance: Property from the Estate of Sir Howard Hodgkin CH CBECondition Report: Apart from an area of loss to the upper right corner, this tile is in very good condition.
A pair of Cantagalli Maiolica vases, late 19th/ early 20th century, of twin handled globular form, each decorated with Urbino style landscape scenes, with double yellow serpent handles, upon three paw feet, painted maker's mark to base, each 15cm high (2) Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates Condition report: Each vase shows surface wear commensurate with age and use, including small chips and surface scratching. Firing frits and pits are seen on both vases, and each would benefit from a clean. No other obvious signs of damage or restoration.
A Florence (Cantagalli) glazed terracotta blue and white arched plaque, 20th century, impressed mark CANTAGALLI FIRENZE MARCA DEPTA to reverse, modelled in the Renaissance Della Robbia style with the Virgin Mary kneeling by the Christ child, observed by angels and God above, against a blue ground and within a moulded egg-and-dart ornament arched frame, 66high, 43cm wideProvenance: The Property of the Late Reverend John Watson.
A Florence (Cantagalli) glazed terracotta roundel plaque, late 19th century, painted brown cockerel mark to lower edge, modelled in the Renaissance Della Robbia style with a youth in blue robe and blue backdrop to centre, surrounded by a flowering and fruiting robbiana, approx. 44cm diameterProvenance: The Property of the Late Reverend John Watson.
A late 19th century Italian faience (Cantagalli) extensive 42-piece part dinner service, painted with floral sprays in yellow, blue, green & aubergine on a white ground, all with shaped moulded borders, comprising 1 large oval serving dish (35cm x 26cm), 1 circular comport (26cm dia.), 15 x 24cm plates (2 cracked), 12 x 21cm plates (3 cracked), 10 x crescent-shaped salad plates, & 3 scallop-shaped serving dishes with mask handles, 15cm x 19cm; painted cockerel marks to undersides.
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