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A Georgian caddy spoon with bright cut decoration, Birmingham 1813

A caddy spoon with shell shaped bowl, Sheffield 1971

A Georgian caddy spoon with shaped oval bowl, Birmingham by IW?

Newcastle caddy spoon with shell bowl . 1811 By T W

Georgian brightcut teaspoon with unusual marks and a caddy spoon with shell bowl. Newcastle 1837. 25gms

Napkin clip, Victorian Exeter salt spoon And a caddy spoon. 24Gms

Georgian fiddle pattern caddy spoon with shell bowl . London 1818 By E P?

A CHINESE CANTON PORCELAIN VASE AND HEXAGONAL PORCELAIN TEA CADDY, (2).

Flatware -an E.P.N.S. Old English pattern serving spoon;  a caddy spoon;  a set of six pickle forks;  a set of six coffee bean spoons;   etc

A novelty tea caddy, in the form of a house, 20cm high

ink on paper, monogrammed, titled label verso mounted, framed and under glass image size 20cm x 27cm, overall size 36cm x 44cm Exhibition label verso: 1 - 15 September (2018), The Torrance Gallery, Edinburgh Note: Artist and teacher, notably a draughtsman and painter of portraits, born in Sunninghill, Berkshire, brought up in the family home, Glenapp Castle, Ayrshire. Lady Mackay was the daughter of the 3rd Earl of Inchcape, chairman of the shipping line P&O who also ran Inchape PLC and was director of many other companies. Lucy Mackay was educated in Switzerland, Cambridge and at Edinburgh University and Edinburgh College of Art, 1960–5, under David Talbot Rice and William Gillies, graduating with a master’s honours degree in fine art. In 1973–4 she completed a postgraduate illustration studies year at the Central School of Art and Design. She settled in Edinburgh where she studied advanced botanic illustration at the Royal Botanic Garden, and where as a member of the Scottish Arts Club from 1983 she regularly attended life studies. Mackay began her extensive teaching career in 1966 as art assistant at Edinburgh Academy for Boys; from 1968–76 taught art, design and pottery at schools in the London area; then again in Edinburgh at the Salisbury Centre, 1981–2. In 1999 she joined the register of Angus County’s artists-in-residence for primary schools, serving at several schools. After winning first prize in a portrait painting competition run by the magazine Nursery World, 1953, and exhibiting a prize painting in the Daily Mail competition to celebrate the opening of the Forth Road Bridge, 1964, Mackay took part in many group shows, including the RSA. Among later solo exhibitions were The Italian Institute, Edinburgh, 1991; Torrance Gallery, Edinburgh, 1995, 1998 and 2005; and The Forum, Ocean Terminal, Leith, in aid of the Bethany Trust, 2004. She travelled extensively in several continents with paints and sketch-book. As well as a series of self-portraits Mackay completed many portraits, including Ronald Fletcher, broadcaster, 1968; the Queen’s Counsel Lionel Daiches, 1979–80; singer Ian Caddy, 1980–1; Professor David Daiches with his brother Lionel, 1988–9; the composer and conductor Emre Araci, 1997; and cellist Harriet Johnson, 2000. Her work was held by collections including the Scottish National Portrait Gallery; London College of Music; Royal Over-Seas League; Scottish Arts Club; Barlinnie Prison; and Geffrye Museum.

19th century inlaid wooden toilet mirror, of shield form, about three drawers centre drawer with bone escutcheon, together with walnut domed box and a mahogany sarcophagus tea caddy, upon four bun feet and with ivory escutcheonThis item has been registered for sale under Section 10 of the APHA Ivory Act Condition Report: Mirror H62cmIvory Act - Submission reference: J496TL6D

A Mid XIX Century Papier Maché Tea Caddy and Hinged Cover, with shaped rim, inset with mother of pearl in a floral design, the interior with two compartments, 13cm high.

A Mid XIX Century Rosewood Tea Caddy, of sarcophagus form elaborately inlaid with flowers and scrollwork, the interior with two lidded compartments with bone handles and central glass mixing bowl, 30cm long.

DUTCH SILVER TEA CADDY, WITH IMPORT MARKS of oval form with hinged lid, embossed allover with scenes of lovers in garden settings9cm highQty: 185g

GEORGE III SILVER SAUCEBOAT, with s-scroll handle and on three feet, along with a silver caddy spoonthe sauce boat 13cm wideQty: 116g gross

Four George III silver sauce ladles, all old English pattern with round plain bowls, assay marks including two Newcastle and Edinburgh, longest 17cm long, together with George III silver caddy spoon, 8cm long, total weight 3.35ozt

Collection of silver items including four napkin rings, sugar tongs, Queen Elizabeth II silver jubilee teaspoon, two Georgian teaspoons and another teaspoon, boxed James Bros 6" x 4" photograph frame, together with two white metal embossed caddy spoons, silver items (excluding photograph frame) weight total 5.97ozt

Collection of silver flatware dating from George III onwards, including a Victorian spoon & fork set with bright cut foliate engraving, caddy spoon, salad fork, teaspoons etc, total silver weight 10.95ozt, together with other flatware

Seven sterling handled knives, floral and scroll decorated, and continental silver small caddy spoon with pierced and scroll handle, a scalloped bowl embossed with vase of flowers and scroll border

A 19th century rosewood and satinwood inlaid tea caddy, with fitted interior, 30.5 x 15.5cm.

A 19th century rosewood brass bound twin handled tea caddy, with fitted interior, on brass bun feet, 20 x 12cm, and a late 19th century oak dinner gong, with brass Corinthian columns and clanger, width 30.5cm, height 25.5cm (2).

A Victorian style silver goblet, Birmingham 1972, maker Frank Hawker, a silver paper knife with a six inch rule and copper Georgian copper coin inset, a tea caddy spoon and a silver tea spoon with a mother of pearl handle, 12.3 oz all in

Four cased sets of six teaspoons, a single Christening silver spoon, a caddy spoon, and a small berry spoon and a sugar tong, 11.4 oz approx

A late Victorian silver tea caddy with hinged lid and acorn finial and ring handles, London, 1900, maker mark rubbed, together with a silver caddy spoon, 6 oz approx (2)

A 19th century black and lacquered caddy with metal lining and two further lacquered boxes (3)

A 19th century Rosewood and brass clad tea caddy 14cm x 13cm.

A Victorian rosewood dressing case the hinged rectangular top enclosing a fitted interior with various silver-plated topped glass containers,31cm widetogether with a 19th century yew wood tea caddy of sarcophagus form, fitted mixing bowl and twin canisters,30cm wide (2)Condition Reportsmall split to edge of rosewood box surface scratches and nibbles to both

A Victorian papier mâché tea caddy, of shaped outline, the domed lid revealing divisioned interior 26cm wide 20cm deep 14cm highCondition ReportWith some chips and losses to the feet. Handles a little loose. Please see additional images.

A matched pair of silver caddy spoons, engraved 'Earl Grey' and 'Ceylon Tea' with handles formed as vine leaves, 10.1cm high 1.46ozt (2) Condition ReportTarnished with surface scratches. Please see additional images. Ceylon - Bert Gordon, Birmingham 1978Earl Grey - Warwickshire Reproduction Silver, Birmingham 1980 

A Regency rosewood tea caddy, with mother of pearl inlay, the sarcophagus-shaped hinged lid opening to a marbled-paper lined interior, one glass bowl and two insets,32cm wide15cm deep20cm highCondition ReportGood overall condition but with some splits to veneers.

A mother of pearl inlaid two compartment tea caddy together with two others

Quantity of Quantock stoneware items to include garlic pot, bay leaves jar, mixed spices jar, floral lamp base, floral bowls, tidy jar, cup, tea, coffee and sugar caddy, vase and two wall clocks (1 box)

A small group of collectables to include a 1895 USA Morgan silver dollar, a selection of jewellery to include silver and a penknife within an antique tea caddy.

A 19th c. sarcophagus shaped rosewood tea caddy, 13 x 21 x 12 cm, another mahogany tea caddy, and an Anglo-Indian carved box, (3).  The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso 

Eight small pieces of mostly 20th century silver: 1. two caddy spoons - Thomas Wallis II, London 1804 and Francis Howard 1989 (30 g combined); 2. three butter knives - Daniel Arter 1923, Francis Howard 1951 and Broadway & Co 1992 (75 g combined) 3. a pair of sugar tongs - Walker & Hall 1926 (20 g) 4. a nail buffer - CD, London 1922 5. a button hook -  Crisford & Norris, Birmingham 1905

Early 19th century mahogany tea caddy crossbanded in satinwood, the interior with two covered containers and bowl recess W31cm

George III mahogany serpentine chest, moulded caddy top over four long graduating cock-beaded drawers, circular foliate and bead decorated handle plates with ring handles, on bracket feetDimensions: Height: 86cm  Length/Width: 87cm  Depth/Diameter: 57cm

George III satinwood tea caddy with hinged domed cover, with boxwood bandings and checkered stringing, the cover and front inlaid with shell paterae and bone escutcheon, L18.5cm x H13.5cm, together with a George III mahogany tea caddy, of rectangular canted form with shell paterae inlay and later simulated ivory escutcheon, L18.5cm x H12cm (2)

George III tortoiseshell and ivory strung tea caddy, of sarcophagus form, the domed cover with silver plaque engraved with the crest and motto of Clan Grant, the fitted interior with two tortoiseshell and ivory handled covers, on four possibly later brass ball feet, H16cm x W19cm

A nineteenth century mahogany sarcophagus tea caddy, inlaid with boxwood accents, bone escutcheon, internal lids, key, 15cm x 23 x 14.

Y  A SMALL COLLECTION OF TREEN TO INCLUDE: A 19th century yew or Arbutus tea caddy, ivory escutcheon, 19.5cm wide; and assorted mostly 19th century small barrels, string barrels, capstan shaped boxes, life preserver etcProvenance: The Estate of a deceased Gentleman Please note: Dreweatts have applied for a de minimis exemption licence for the ivory in this lot (Ref: AEEAUM5X) Condition Report: Please note the below condition report is the only one available. Marks, knocks, scratches, abrasions commensurate with age and use. Some old chips, splits and losses. Some lifting on tea caddy lid and crack to ivory, no key present but unlocked at time of report.The above report is supported with additional images which can be sent via a link. Please 'Ask a Question' to request these images. For any further enquiries please contact the department directly. Condition Report Disclaimer

Quantity of silver and plated ware including silver caddy spoon, weighing 16 grams, silver cased match striker, enamelled spoons etc

Nine carded Mattel Hot Wheels diecast models to include redline Rodger Dodger in purple, HiRakers No 1131 40s Woodie in main body orange, Flying Colours Greyhound MC-8, No 3920 Classic Packard (bubble re-glued), No 3252 '35 Classic Caddy, No 3924 Thunder Roller in yellow (discoloured bubble), Flying Customs 57 T-Bird in orange, Flintstones Flintmobile and 30 Years Oldies But Goodies Auburn 852, diecast all excellent, cards vg unless where stated

A E Jones, an Arts and Crafts silver and copper tea caddy, circa 1910, cuboid form with riveted strap edges and feet, the planished and hinged lid inset with a cast plaque of a Dutch village scene, signed indistinctly, inner wooden lid with silver finial, 11cm cube

A Regency rosewood work table, c.1820, hinged caddy top opening to a fitted velvet lined interior, tapered octagonal pedestal, quatrefoil plinth raised on sabre legs and metal castors, 76cm high, 52cm wide, 42cm depth

A George III quill work or rolled paper tea caddy, circa 1790, of octagonal form, hinged cover with a brass ring handle, each panel decorated with foliage, twin division interior, 11.5cm high, 18cm wide, 12cm deep. Provenance: with Rogers de Rin Antiques, London

Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled caddy spoon, Birmingham 1901, the pear shaped bowl cast with Coronation cypher and initials for Edward VII, knotted tendrils and blue green enamel panels, on a bisected and Celtic knot hilted Grecian blade handle, 12.5cm long, 1.56ozt

A George III novelty tea caddy, circa 1810, in the form of a double-fronted house, pitched roof with chimney and ivory simulated tiles and gables, eight sash windows and front door, realistically painted brickwork and foliage, the hinged roof opening to a lidded single compartment to the interior, 20.5cm high, 11.5cm wide, 12cm deep. Provenance: with Rogers de Rin Antiques. Note: Ivory Exemption Certificate No.BKFF42WY

A nineteenth-century mother-of-pearl casket containing tea equipage, the hinged cover opens to reveal a fitted interior housing twelve Dutch hallmarked silver teaspoons, a caddy spoon, casket length 21.7cm, silver weight 140g/4.50ozt approxIvory Declaration Submission Reference Number: DBUP5VED

A Chinese Export black lacquer tea caddy, Qing dynasty, the hinged cover decorated with a pair of figures and script, side handles, inner lift-out lead storage vessel with ivory button, 20cm high, 33cm wide, 25cm deep. Note: Ivory Exemption Certificate No.FB5TWKZQ

* LADY LUCINDA MACKAY (SCOTTISH b. 1941), BATMAN IN DIRLETON ink on paper, monogrammed, titled label versomounted, framed and under glassimage size 20cm x 27cm, overall size 36cm x 44cm Exhibition label verso: 1 - 15 September (2018), The Torrance Gallery, EdinburghNote: Artist and teacher, notably a draughtsman and painter of portraits, born in Sunninghill, Berkshire, brought up in the family home, Glenapp Castle, Ayrshire. Lady Mackay was the daughter of the 3rd Earl of Inchcape, chairman of the shipping line P&O who also ran Inchape PLC and was director of many other companies. Lucy Mackay was educated in Switzerland, Cambridge and at Edinburgh University and Edinburgh College of Art, 1960–5, under David Talbot Rice and William Gillies, graduating with a master’s honours degree in fine art. In 1973–4 she completed a postgraduate illustration studies year at the Central School of Art and Design. She settled in Edinburgh where she studied advanced botanic illustration at the Royal Botanic Garden, and where as a member of the Scottish Arts Club from 1983 she regularly attended life studies. Mackay began her extensive teaching career in 1966 as art assistant at Edinburgh Academy for Boys; from 1968–76 taught art, design and pottery at schools in the London area; then again in Edinburgh at the Salisbury Centre, 1981–2. In 1999 she joined the register of Angus County’s artists-in-residence for primary schools, serving at several schools. After winning first prize in a portrait painting competition run by the magazine Nursery World, 1953, and exhibiting a prize painting in the Daily Mail competition to celebrate the opening of the Forth Road Bridge, 1964, Mackay took part in many group shows, including the RSA. Among later solo exhibitions were The Italian Institute, Edinburgh, 1991; Torrance Gallery, Edinburgh, 1995, 1998 and 2005; and The Forum, Ocean Terminal, Leith, in aid of the Bethany Trust, 2004. She travelled extensively in several continents with paints and sketch-book. As well as a series of self-portraits Mackay completed many portraits, including Ronald Fletcher, broadcaster, 1968; the Queen’s Counsel Lionel Daiches, 1979–80; singer Ian Caddy, 1980–1; Professor David Daiches with his brother Lionel, 1988–9; the composer and conductor Emre Araci, 1997; and cellist Harriet Johnson, 2000. Her work was held by collections including the Scottish National Portrait Gallery; London College of Music; Royal Over-Seas League; Scottish Arts Club; Barlinnie Prison; and Geffrye Museum.

* LADY LUCINDA MACKAY (SCOTTISH b. 1941), MADRID CITY CENTRE oil on canvas, signed, titled and dated '17 versoframedimage size 41cm x 51cm, overall size 49cm x 59cm Exhibition label verso: 1 - 15 September 2018, The Torrance Gallery, EdinburghNote: Artist and teacher, notably a draughtsman and painter of portraits, born in Sunninghill, Berkshire, brought up in the family home, Glenapp Castle, Ayrshire. Lady Mackay was the daughter of the 3rd Earl of Inchcape, chairman of the shipping line P&O who also ran Inchape PLC and was director of many other companies. Lucy Mackay was educated in Switzerland, Cambridge and at Edinburgh University and Edinburgh College of Art, 1960–5, under David Talbot Rice and William Gillies, graduating with a master’s honours degree in fine art. In 1973–4 she completed a postgraduate illustration studies year at the Central School of Art and Design. She settled in Edinburgh where she studied advanced botanic illustration at the Royal Botanic Garden, and where as a member of the Scottish Arts Club from 1983 she regularly attended life studies. Mackay began her extensive teaching career in 1966 as art assistant at Edinburgh Academy for Boys; from 1968–76 taught art, design and pottery at schools in the London area; then again in Edinburgh at the Salisbury Centre, 1981–2. In 1999 she joined the register of Angus County’s artists-in-residence for primary schools, serving at several schools. After winning first prize in a portrait painting competition run by the magazine Nursery World, 1953, and exhibiting a prize painting in the Daily Mail competition to celebrate the opening of the Forth Road Bridge, 1964, Mackay took part in many group shows, including the RSA. Among later solo exhibitions were The Italian Institute, Edinburgh, 1991; Torrance Gallery, Edinburgh, 1995, 1998 and 2005; and The Forum, Ocean Terminal, Leith, in aid of the Bethany Trust, 2004. She travelled extensively in several continents with paints and sketch-book. As well as a series of self-portraits Mackay completed many portraits, including Ronald Fletcher, broadcaster, 1968; the Queen’s Counsel Lionel Daiches, 1979–80; singer Ian Caddy, 1980–1; Professor David Daiches with his brother Lionel, 1988–9; the composer and conductor Emre Araci, 1997; and cellist Harriet Johnson, 2000. Her work was held by collections including the Scottish National Portrait Gallery; London College of Music; Royal Over-Seas League; Scottish Arts Club; Barlinnie Prison; and Geffrye Museum.

Victorian and later hallmarked silver cutlery to include sifter ladles, caddy spoon and King's pattern pickle fork, length of longest 18.5cm, weight of all items 190g

Georgian and later hallmarked silver cutlery comprising Victorian King's pattern sugar tongs, Georgian caddy spoon and eleven various teaspoons, length of longest 15cm, weight of all items 242g

19thC Chinoiserie tea caddy, opening to reveal two lidded compartments, L20.5cm

A silver caddy spoon, silver 'North Irish Horse' brooch set with enamel and paste, silver RAF brooch and silver Royal Artillery brooch

A Regency mahogany and rosewood inlaid tea caddyOf rectangular form, the outside with rosewood cross-banding and inlaid with oval patera, the inside with two divisions having boxwood strung covers.22cm wide

A small collection of silver, comprising; two mid-18th century three prong forks, marks rubbed, a set of six silver teaspoons, I *, London 1784, a set of five silver teaspoons, Sheffield 1904, two further silver spoons, a pair of silver cauldron salts, a silver mustard, a white metal caddy spoon and a silver perfume bottle funnel, total weight of silver approx 13.5oz (20)

Victorian silver tea caddy, of oval shape with pull off lid and gadrooned borders, Atkin Bros. Sheffield 1897, 138g, H9cm.