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GRIFFITHS, John, The Paintings in the Buddhist Cave-Temples of Ajanta. Large folio, 1896. Volume one only (of 2). With 91 plates, four of which are in colour. Pictorial boards detached, lacking spine.

An unusual pair of Japanese Imari plates, probably first half of 18th century, each well painted with fan panels, birds, food boxes, pine prunus, bamboo and peony, all centred on a vase of chrysanthemum, the underside with flower scrolls, square marks, 21cm diameter, a lobed plate, with birds above peony, 25.5cm diameter, and another lobed dish, the centre with a Buddhist lion enclosed by a diapered border, 21cm diameter (4)Provenance: The David and Sarah Battie Collection.Condition ReportAll with enamel and gilt losses.

A Japanese Banko stoneware quail teapot and cover, c.1920, the dumpy bird enamelled with cranes and flowers, reeds forming loops for the handle, signed to base,16cm long, and a Banko stoneware koro, early 20th century, of hexagonal form on three mask feet, decorated with a hawk and other birds among flowers, with a Buddhist lion knop and three Buddhist lion handles, signed to base,18cm high (4)Provenance: The David and Sarah Battie Collection.Condition ReportTeapot - chipped to cover.Koro - chipped to tail of knop.

A collection of Japanese Satsuma ware tea service, early 20th century, comprising a teapot, a sugar bowl, a milk jug, twelve teacups and eleven saucers, decorated with a dragon among Buddhist deities, teapot 17.5cm high, and a Satsuma ware bucket, painted with figures in a garden, 22cm high (30)Condition ReportOne teacup chipped to rim.One saucer chipped to rim, another saucer chipped and cracked to rim. Teapot - tongue of the dragon to the finial missing. Milk jar - chipped to finial. Bucket - enamel and gilt losses.

A pair of Chinese porcelain vases, possibly early 19th century, each pear body yellow-glazed and reserved with aubergine hawks in a pine tree above blue rocks and a Buddhist lion, the reverse with blue bats, mask and tongue handles, damage and restoration, 57.7cm, stands, and another one,the elongated ovoid body with three moulded, bronzed bands of waves or peony, reserved with quatrefoils, between guan and celadon bands, the neck cafe-au-lait and with stag head handles separated by underglaze blue stiff leaves, incised six-character Chenghua mark, 61.5cm, wood stands (7)Provenance: The David and Sarah Battie Collection.Condition ReportSingle one - neck and handles restored.Yellow pair - Both fully restored.Two stands fully respaired, one of them with one leg loose. The other two stands with cracks and splits.

A collection of Japanese chargers, 19th-20th century, comprising: one decorated with a Buddhist lion in relief, among scrolling peony against a red ground, 33cm diameter, one Kutani, with a phoenix in the rondel to the centre, signed to base, 33.2cm diameter, one Satsuma, with two dragons enclosing a mon against waves, signed to base, 35cm diameter, and a large bowl, painted with a crane by bamboo, signed Dai Nihon Kutani sei to base, 30cm diameter (4)Provenance: The David and Sarah Battie Collection.Condition ReportBuddhist lion - riveted with chips and losses. Dragon - fully restored with chips and losses.

A Japanese Hirado ware vase, Meiji period (1868-1912), the pear-shaped body raised to a hexagonal mouth, painted with clouds and waves, applied with two dragons entwined around the vase, signed Mikawachi, Hirado zo to base,58cm high, and an Arita vase,of cylindrical form, painted with Buddhist lions in shaped panels surrounded by peony and other flowers, 58cm high (2)Provenance: The David and Sarah Battie Collection.Condition ReportDragon vase - rim chipped and restored, dragons with chips, cracks, losses and restorations in various locations. Arita vase - mouth damaged, fully repaired with losses.

A collection of three Japanese Kutani koro, 19th-20th century, painted with figures, landscape, or birds and flowers, two of them with a Buddhist lion knop, all signed,10.5 to 19cm high, and a Kutani bucket, painted with ladies in a shaped panel surrounded by florets, signed to base,15.5cm high (7)Provenance: The David and Sarah Battie Collection.Condition ReportBucket - handle restored with chips. Koro with figures - both handles restored. Koro on a stand - chipped to rim of cover and rim of koro, chipped to tail of knop.

A group of Japanese pottery, 19th-20th century, comprising: a lobed bowl with the centre painted with a horse, a kutani-type vase with Buddhist lions and an associated cover, two sake bottles and a jar with four looped handles, 9 to 21.5cm high (6)Provenance: The David and Sarah Battie Collection.Condition ReportBowl - fully restored with chips and losses.Jar with looped handles - chips to rim and edges.

A group of Japanese blue and white, 19th century, possibly Hirado ware, of a Buddhist lion, and a drum on a stand, 11 and 13cm long (2)Provenance: The David and Sarah Battie Collection.Condition ReportBuddhist lion - right ear restored.

A collection of ten Japanese cups and saucers, 19th-20th century, of various forms, decorated with figures, landscapes, phoenixes, birds and flowers, saucer 11.5 to 15cm diameter, and another saucer,13.5cm diameter (19)Provenance: The David and Sarah Battie Collection.Condition ReportSet with Buddhist lion against lacquered ground - cup with handles repaired and foot rim chipped, both cup and saucer with gilt and lacquer losses. Kutani with roundels - saucer chipped. Cup with two saucers - both saucers with star cracks to base, one saucer chipped to rim.

Three gilt metal buddhist votive plaques, the backs  inscribed (most likely) in Chinese, Manchu, Mongolian and Tibetan, the undersides also inscribed, each approx. 8.7 to 8.9 cm high (3)Some deep scratches to the backs throughout this lot, Some small knocks and rough areas to touch around the edges, a small dent to one of the corners, signs of corrosion.

A 20th century gilt decorative Southeast Asian Thai Buddhist figurine of goddess kneeling. The bronze figurine with gilded headdress & attire. Hollowed underside.Measures approx. 22.5cm tall.

Formed by a total of one hundred and eight carved wooden beads of Chenxiangmu, in a spherical shape with a central hole to form a pendant, which ends in a beautiful jadeite bead.  The ‘Malas’ or ‘??’, are elements used for prayer in the Buddhist religion, as a Dharma instrument that helps the wearer to count the prayers or mantras recited.Wooden beads diameter: 10 - 11 mm; Jadeite bead size: 33 x 17 x 17 mmWeight: 66 g

A traditional element of Tibetan culture, part of the Buddhist ritual, consisting of an elongated cylindrical wooden handle ending in a shaft, on which is placed a wheel of embossed metal, decorated with mantras and plant elements. The upper part is decorated with a decorative element in the form of a flower bud. With age-related wear. Qing dynasty (1644-192) or later.Traditionally, this type of element, with a history of over a thousand years, is used during prayer for the purification of bad karma and the attraction of wisdom and merit. Height: 40 cm, Diameter: 13 cm (approx.)Weight: 968 g

Gilded bronze figure. Depicting three Buddhas arranged on a beautiful altar. The central, larger figure is shown seated in ‘dhyanasana’, with his body covered by long robes, his hair tied in a high bun, and two long ears framing his serene face with a gentle smile and narrowed eyes. Both hands are placed at chest level, palms facing forward, fingers clasped in ‘Apana mudra’. Flanking the Buddha are his acolytes, similar in appearance to the central figure, with their bodies erect on small lotus stands, hair tied back in a tall traditional hat, long robes covering their bodies and hands also arranged in ‘Apana mudra’. The three deities are arranged on a stepped rectangular pedestal, decorated with reliefs of lions and traditional elements, finished at the back with a high backrest in the form of flames with incised Buddhist elements. It shows age-related wear.Size: 13 x 3.2 x 7 cmWeight: 460 g 

Carved agate in the shape of an elongated pod with rounded edges, subtly narrower at the ends. It has a brown or brown colour that serves as a base for the white decorations, with a central eye or circumference framed by two stripes of the same colour. This type of object was used as part of traditional Buddhist ornaments and elements. It shows a generalised patina caused by the passage of time. Qing dynasty (1644 - 1912) or later. Length: 3.9 cm, diameter: 1.8 cm

Agate carved in the shape of a sheath, elongated with rounded edges, slightly wider in the centre. It has a central hole through which a cord can be attached. It is made in two colours, brown with lines and scrolls on a white background. This type of object was used as part of traditional Buddhist ornaments and elements. It shows a generalized patina caused by the passage of time. Qing dynasty (1644-1912) or later. Length: 11.5 cm, Diameter: 3.6 cm

Carved white jade, milky with subtle ochre flecks. It is carved in small beads with a circular profile, flat body and rounded edges. The ‘Malas’ or ‘??’, are elements used for prayer in the Buddhist religion, as an instrument of the Dharma that helps the wearer to count the prayers or mantras recited.Height: 10 mm; Diameter: 13 mm (approx.)Weight: 384 g

A Celadon cong shaped vase, 19th Century, with Buddhist trigrams, bearing a Yongzheng mark, 19.5cm highin good condition - no cracks, chips or restoration.

A rare and large Chinese blue and white jardinière, Wanli mark and period, robustly potted, the steep rounded sides rising to a thick lipped rim, painted with two lively five clawed dragons writhing amongst a ground of scrolling lingzhi, between a band of ruyi at the rim and a double line border above the foot, the six character mark inscribed within a rectangular horizontal panel below the rim, 43cm high, 51.5cm diameter Private Collection, Oxfordshire This jardiniere is part of a rare wucai group that were made in the Wanli period which were usually fired twice. The second, lower temperature enamel firing would have been for the overglaze yellow, that would have been painted to the lingzhi fungus and green to the 'ruyi' at the rimA very similar, but slightly smaller wucai example can be seen in the Percival David Collection in the British Museum, where the yellow lingzhi fungus stands out in strong contrast to the dark cobalt blue of the dragons, there is another wucai example in the British Museum of a similar size, but not as competently paintedAt auction, a very similar wucai example was sold at Sotheby’s Hong Kong on 23 October 2005 and another damaged and repaired example was sold at Christie’s Hong Kong in September 2011A variant of this jar with a lotus pond and dragons with a long mane to their necks was sold at Sotheby’s New York on 22 September 2021. In these examples the mark is painted to the undecorated rim without a rectangular border. Another similar example to this can be seen in the Burrell Collection, GlasgowBlue and white jardinieres do exist in this shape in the Wanli period, but the author found no direct related examples to this piece, which leads one to conclude that this is an incomplete wucai piece. One can see prototypes to this jardiniere in the Jiajing period painted with a dragon amongst flame and cloud scrollsBlue and white jardinieres with dragons do exist in the Wanli period but they are rare - see an example amongst lotus scroll at Christie’s Hong Kong, 01 November 2004, lot 863. Blue and white examples painted with fish and Buddhist lions can also be found such as one sold at Bonhams, London on 07 November 2024 and one sold at Christie’s New York on 27 November 1991, where the mark is painted to the undecorated rim Two hairline cracks from the top rim - one 17cm long, the other, more apparent, 27cm long. Another two hairline cracks in the base. Glaze and enamels good, with only little sign of wear. Extra images online.

A Buddhist Thangka painting, possibly on silk depicting the Bhavachakra. 45 x 37 cm, framed and mounted.The picture is generally in extremely good condition.  There is a small blemish to the top left-hand corner but we are unsure as to what this is,,  we suspect that it maybe a piece of tape from when the picture has been re-framed.

A Chinese famille verte biscuit Buddhist lion, possibly Kangxi period, seated on a plinth holding a pierced ball, 28cm high; together with a pair of 20th century turquoise glazed Buddhist lions, 29.5cm (one broken & re-struck; the famille verte example with some pulling/ firing faults).

A 19th century Chinese green, yellow, & aubergine-glazed biscuit Buddhist lion, seated on a plinth with its pup, 32cm high; together with a pair of similar smaller Buddhist lions, 24cm (one broken & re-stuck to neck/head & with crack running almost all the way horizontally through plinth).

A pair of Chinese export moulded stoneware models of Buddhist lions, each seated, with carved decoration, white enamel details & applied black-glazed eyes, signed indistinctly to each base, 18cm high (one restored).

A Cast Metal Pair of Tibetan Buddhist Tingsha Cymbal Bells

A GROUP SIX CHINESE BLUE AND WHITE PORCELAIN VASES INCLUDING A PAIR OF PRUNUS BLOSSOM VASES (6)Late 19th Century Comprising: a large baluster vase with bamboo decoration and Buddhist lion masks, 36cm high; a baluster vase with cover with cartouche panels, with hardwood stand, 39.5cm high; a pair of gu vases, 20.5cm; and a gourd shaped vase with elongated neck, 25.5cm high; Together with a baluster tapering faceted vase with cover, 20th Century 35cm highThe pair of gu vases: One with two chips to the flared rim. The baluster vase with lid: Repaired break to the collar of the baluster vase, The lid with numerous rim chips and a repaired area to the edge, and a further chip inside the lid inner lip/ liner. Large vase: Old chip and graze to the collar. The gourd shaped vase: With repaired crack rim running down the neck, with a chip to the top edge. Faceted baluster vase with lid: Cracked and broken final that has been repaired/reattached at the base. The collar to the vase with numerous chips and cracks, losses and areas glued back badly. Overall with a few glazing flecks and pitting to some in areas. 

A ceramic Buddhist sculpture of three wise monks, to include hear no evil, see no evil and speak no evil, L33cm.

19th century wooden netsuke, Buddhist monk with mokugyo Size: (H) 2.8 x (W) 4.5 x (D) 2.4 cm Condition: Good for age. Ref: N11

CARVED WOODEN POT, ALONG WITH CARVED WALL PANELS, AND A FIGURE the three wooden panels with carved floral details, all with hanging hooks, as well as a carved wooden pot, and a white plaster figure of GuanYin, a Buddhist deityQty: 5

HALI RUNNER, decorated with a central Buddhist emblem, surrounded by scrolls and foliage66cm long

A Thai bronze figurine, cast as the Buddhist goddess Kinnara, she stands typically as half woman, half goose, 18.5cm high, 14cm long

A near pair of Thai ceramic opium pipes, cast as recumbent elephants, hand painted in tones of blue and white, 8.5cm high, 14cm long, 20th century; a pair of Burmese bronze temple gongs, engraved with Buddhist scenes; two garden umbrellas or parasols (6)

CHINESE, QING DYNASTY 'BUDDHIST LION' INCENSE BURNER 清 銅鑄戲獅熏爐 帶木座 the mythical beast's mouth ajar, front left paw on a brocade ball, back with a small figure as the cover of the vessel, on a carved wooden base, bronze 24.7cm wide (9 ¾in wide)

JAPANESE TWO BUDDHIST KEISU OR TEMPLE GONGS WITH STANDS ‘正德寺’ 及 ‘法翠山本能寺’款 大磬 帶木座（共兩件）both of circular bowl form with hammered finish, both mouth rims incised with temple marks, bronze, one supported on a red lacquer wood stand and the other on black crossed wooden stand (2) 46cm and 47cm diameter (18in and 18 ½in diameter)

Decorated to exterior with relief panels showing paired Buddhist and Daoist emblems.(Height 12 inches)No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Comprising three Buddhist figures and two Daoist deities.(Height of largest 4 3/4 inches)No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Tibetan Brass/white mental glass jewelled Buddhist Demon Mask, an excellent Buddhist mask with some age

Japanese Meiji period silver kogo (incense) box of fan form having inset shibuichi devil or Oni in Buddhist robes surrounded by Japanese script. Length 6.2cm.

This finely cast bronze statue depicts Guanyin, the bodhisattva of compassion, standing atop a dragon amidst swirling clouds. The figure is elegantly draped in flowing robes, holding a small vessel, a common symbol of mercy and wisdom. The detailed craftsmanship highlights intricate facial features, ornate jewelry, and the dynamic movement of the dragon beneath her. A representation of protection and enlightenment in Buddhist tradition, this piece embodies spiritual significance and skilled artistry.Issued: 20th centuryDimensions: 14.5"HCondition: Age related wear.

A striking hand-carved wooden Buddha statue, standing 20"H, featuring intricate detailing and a serene expression. The figure is adorned with an elaborate robe decorated with geometric and fish motifs, adding to its artistic and spiritual appeal. Painted in earthy tones, the statue stands on a lotus pedestal with a rich green and red finish. The back reveals further decorative elements, enhancing its craftsmanship. A unique and finely crafted piece ideal for collectors of Buddhist art or spiritual décor.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.

TWO CHINESE EMBROIDERED SILK COLLARS (3) One example in cloud-form tassels of turquoise ground decorated in Peking knot stitched flowers and Buddhist emblems, the second circa 19th century tasselled example of coral and beige ground decorated in satin stitch vines and flowers 38 x 44cm and 48 x 48cm Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A mixed collection of ceramics to include commemorative mugs, bronze buddhist figure, plates, Royal Doulton teaware, victorian tiles etc. (2 Trays)

A striking Buddha head sculpture, finely crafted with an aged and weathered finish, mounted on a black pedestal stand. The serene expression and intricate detailing of the headdress reflect traditional Buddhist artistry, evoking a sense of tranquility and spiritual presence. The piece features a textured surface with gold and earthy tones, adding to its antique aesthetic. Ideal for display as a spiritual or decorative accent.Issued: 20th centuryDimensions: 17"HCondition: Age related wear.

A finely hand-carved wooden Buddha statue, standing 19.5"H. This intricately detailed sculpture depicts Buddha in a serene stance, draped in a flowing robe with meticulously incised folds. The figure’s right hand is raised in a symbolic gesture, while the left holds an object, adding to its spiritual significance. The detailed craftsmanship is evident in the expressive facial features and textured curls of the ushnisha. A remarkable piece of spiritual artistry, ideal for collectors of Buddhist art or those seeking a meditative presence in their space.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.

India.- Hodgson (B. H.) A Disputation Respecting Caste, by a Buddhist, from the Transactions of the Royal Asiatic Society of Great Britain and Ireland, vol. III, 11pp., dust-soiling, unopened, contemporary paper wrappers, covers becoming detached, chipping and loss to corners and extremities, 4to, 1831.

* Jade. A Chinese jade carving of a recumbent deer, its head turned back, 8 cm long, together with a dark green stone carving of a Buddhist lion, its head turned back, 7 cm long, plus two other carved jade animals QTY: (4)

A serene collection of three Buddha statues, each crafted in a distinct style. The central statue features a weathered finish with a seated Buddha (9") in a meditative posture, hands resting in Dhyana Mudra. The leftmost statue is a smaller dark wood carving (6.5"), showcasing intricate detailing in the robe and headdress. The rightmost statue (7.5") is a highly detailed depiction of Buddha seated against an elaborate mandorla, with ornate flame-like patterns framing the figure. These statues represent different artistic interpretations of Buddhist iconography and would make a meaningful addition to any spiritual or decorative collection.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear. Chipped paint on largest buddha.

Chinese or Siamese hardwood book / Quran Stand, 19th Century. Teak, Unusual folding design, profusely carved with dragons and buddhist symbols. Open- W57cm, D29cm, H 35cm.

Tibetan Buddhist Mahakala mask. Carved wood, W 30cm, H 42cm.

GROUP OF FOUR CHINESE PORCELAIN WARES 19TH-20TH CENTURY 十九至二十世紀 青花冰梅紋將軍罐、三彩佛獅擺件兩件 及 綠釉太獅少獅擺件 （共四件）comprising: a blue and white ‘cracked-ice and prunus’ vase with cover; a green-glazed Buddhist lion; and a near pair of sancai-glazed Buddhist lions (4) heights: vase 45cm high; lions 48.6cm, 36.5cm & 35.3cm high Private Scottish collection, North Berwick 蘇格蘭私人收藏，北伯立克鎮

GROUP OF THREE BURMESE BUDDHIST FIGURES 17TH-19TH CENTURY 十七至十八世紀 緬甸撣族風格 局部鎏釋迦摩尼佛座像 及 十九世紀 朱金漆木雕僧侶（共三件） comprising: two bronze figures of seated Buddha Shakyamuni, Shan Style, 17th-18th century, one with his back and part of the front pedestal incised with inscriptions, 28.4cm high 1490g & 30.8cm high 2673g; and a gilded and lacquered wooden seated monk disciple, 19th century 21cm high, all on bespoke wooden stands (3) largest: 30.8cm high Private English collection, Peak District; inherited from current owner's aunt who lived in Hong Kong and worked at the Matilda Hospital before 1997. The largest bronze Buddha and the monk acquired from Sovereign Company, Hong Kong, 28 April 1985, each with an original certificate of antiquity. The other bronze Buddha acquired from the same as the above, 18 April 1984, with an original certificate of antiquity. 英格蘭私人收藏，峰區；繼承自現任藏家姨母，1997年前長住香港，並於明德國際醫院就職。三件均購自香港帝寶佛閣，各含古董證書，較大銅佛像及朱金漆木雕僧侶證書日期爲1985年4月28日，另尊銅佛爲1984年4月18日。

PAIR OF DEHUA 'BUDDHIST LION' INCENSE HOLDERS QING DYNASTY, 18TH CENTURY 清 德化白瓷佛獅香插（一對）each moulded in mirror-image as a lion seated on a high podium, one of the front paws stepping on a brocade ball, near the rear with a pole for incense stick (2) 18cm high each  Private Scottish Collection, Inner Hebrides; Inherited from the current owner's great-grandfather, Lieutenant-Colonel Charles Greenhill Gardyne (1831-1923)蘇格蘭私人收藏，內赫布里底群島；繼承自現任藏家曾祖父，查爾斯．格林希爾．加戴恩中校（1891-1923）

[PRIVATE ENGLISH COLLECTION, YORKSHIRE] TWO LARGE CHINESE CANTON FAMILLE ROSE VASES QING DYNASTY, 19TH CENTURY 清 廣彩人物紋鋪首斂口大瓶 及 堆塑螭龍瑞獅耳六方大瓶（共兩件）one of baluster form with flaring and inverted mouth; the other of hexagonal form, shoulders moulded with two pairs of chi dragons and a pair of Buddhist lions as handles (2) heights: 40.9cm and 34cm  Private English collection, Yorkshire 英格蘭私人收藏，約克郡

PAIR OF CHINESE FAMILLE ROSE ‘BUDDHIST EMBLEMS’ BOWLS 20TH CENTURY 中華民國三十六年中正款 粉彩八吉祥紋碗（一對） each painted with paired Ashtamangala on the exterior, the base inscribed with a ten-character ‘Zhonghua Minguo Sanshiliu Nian Zhongzheng’ (made in the 36th year of Republic Period, Zhongzheng) mark (2) 13.4cm diameter each  Please note this lot will be offered with no reserve. 本拍品不設底價

GROUP OF FOUR CHINESE FAMILLE ROSE WARES QING DYNASTY, 19TH CENTURY 清 廣彩花鳥人物紋大瓶、貼塑螭龍獅耳對瓶 及 粉彩雄雞花鳥圖大碗（共四件）comprising: a large Canton famille rose baluster vase; a pair of Canton famille rose vases with moulded chi-dragons on shoulders and Buddhist lions as handles, all similarly decorated with birds and flowers; and a famille rose punch bowl painted with cockerels on the exterior (4) largest: 63.5cm high The property of Mrs. Margaret Duguid of Belhelvie who lived in India and Burma in the 1920s-40s, where her husband served with the Burma Rifles. Her favourite posting is a remote station on the borders of China, French Indochina and Thailand. An intrepid spirit she travelled extensively throughout the Far East. 蘇格蘭亞伯丁郡Belhelvie鎮瑪格列特·杜格夫人(Mrs. Margaret Duguid)藏品。隨夫於1920至40年代為緬甸步槍隊服役時居住在印度和緬甸。一生多遷，最鍾情於中國、法屬印度支那及泰國邊境的偏遠小鎮。憑藉著勇敢的精神，足跡遍佈遠東各地。

[PRIVATE ENGLISH COLLECTION, YORKSHIRE] GROUP OF SIX CHINESE DEHUA 'BUDDHIST LIONS' WARES 德化白瓷佛獅擺件、香插及香爐（共六件）comprising: three foo dog figures; a pair of joss stick holders; and a rectangular censer with a Buddhist lion as finial on the cover (6) largest: 34cm high Private English collection, Yorkshire 英格蘭私人收藏，約克郡

A late 19th/early 20th century Buddhist silk screen print, 'Circles of Life', 52 x 41cm, mounted in a modern glazed frame, 77 x 65cm.Condition Report: No provenance.

British India. An album of approx. 88 photographs, c. 1911, principally illustrated with military camps and their construction, as well as the 1911 Delhi Durbar, some ceremonials, topography and scenes of native domestic life, some of the mounts annotated, a handful of mounts annotated, original cloth over boards, oblong 4to; a post-Raj album, Darjeeling, 1954, approx. 60 images, mostly original photographs, but some souvenir photographic prints, including tea pickers, mountain railways, Nepalese figures in traditional dress, Sherpa Tenzing Norgay and Mount Everest, Buddhist temples and shrines, contemporary limp wrappers, oblong 4to; loose photographs of the Waziristan Campaign, 1936-39, including Pashtun military and prisoners-of-wars, Razmak camp, and some later Indian engineering images; Maduro's 32 photographic souvenir cards of the Panama Canal, c. 1910; and approx. 35 Victorian carte de visite portraits, mid-19th c and later, including Nottingham and other East Midlands photographers

A large fibre glass bust depicting Buddhist King Jayavarman VII, h42cm