We found 388452 price guide item(s) matching your search

A bronze figure of a tennis player, signed Elsey '76? on square plinth base, 19.5 cm

A bronze figure group of two game birds, on a plinth base, 18cm high

A pair of 1930's bronze lights, the glass globes moulded with butterflies and flowers, 48cm high stet, (one globe cracked)

A 19th Century Japanese bronze jardiniere, with an associated carved stand, with a marble inset, 20 cm jardiniere, 90 cm stand

A late 19th Century French walnut inlaid pier cabinet with gilt bronze mounts, 30 cm

A Victorian chequer strung walnut bonheur du jour of serpentine shape with gilt bronze mounts, and kingwood crossbanding

A continental patinated bronze figure in the romantic style with a young woman returning from harvest with her child, 24"

A Bronze Mounted Royal Doulton Pottery Table Oil Lamp, the pedestal vase shape pottery stand with Slaters type textured bulbous body decorated with repeat flowers in cream against black and heightened in gilt, the flared neck gilded with birds in circular reserves against a dense scroll, leaf and bird filled ground, the base with two scroll and two lion paw and mask feet, supporting a slice cut reservoir and Hinks & Son patent burner, with opaque white shade and chimney, stamped on the base "Messenger", {72cm overall}

A Lorenzl Patinated, Polychrome Bronze and Ivory Figure of a Dancer, standing on tiptoe with one foot raised and hands held half-up, signed Lorenzl on the circular base, upon an alabaster and black marble base, {21cm}

An Art Deco Bronze and Ivory Figure by Lugerth, of a young lady standing holding a tennis racket, her ivory head with coiled and knotted coiffure, on a shallow glass plinth, signed and monogrammed, {12cm} See lot 880 for illustration.

A Lorenzl Patinated Bronze Figure of a Dancer, wearing high heels, short skirt and numerous bangles around her wrists, with hands clasped and demure expression, signed 'Lorenzl Austria' on her shoes, upon an alabaster cylinder pedestal, {22.5cm} See lot 880 for illustration.

A Bergman Cold Painted Bronze Figure of a North African Boy, seated cross-legged writing on a slate, and wearing a red turban and white robe, foundry mark, {8cm} See lot 880 for illustration.

Dominique De Alonzo - An Art Deco Gilt Bronze and Ivory Figure, of a girl standing in a curtsey, with ivory head, her hair knotted at the sides of her head, on an onyx circular plinth, signed, {21cm} See lot 880 for illustration.

ALONZO Dominique De Alonzo - An Art Deco Gilt Bronze and Ivory Figure, of a medieval lady standing reading a book, with ivory head and hands, on a stepped onyx plinth, signed, {25cm}, slight damage. See lot 880 for illustration.

An 18th Century Bronze Figure of Venus, standing with one leg bent, removing her long flowing robe, on a waisted cylindrical socle, {19cm}

A 19th Century French Gilt Bronze Figure Group after Duchoiselle, depicting a classical maiden seated on a rock, with Cupid in attendance, on a verde antico marble oblong plinth, bears signature, {35cm}

A Gilt Bronze Lamp Base, modelled as a coy winged cherub, standing wearing a loose drape, his hands raised to his lips, on a rouge marble waisted cylindrical socle, {58cm}

A Gilt Bronze Group, inscribed 'Clodion', A Group of Three Bacchic Infants Cavorting Around an Overturned Wine Jar] {40.5cm, 19th Century}

Auguste Moreau - A Pair of 19th Century French Bronze and Ormolu Candlestick Figures, one modelled as Neptune standing with one foot resting on the head of a dolphin, and holding a trident; the other modelled as Juno standing with a peacock, both holding leafy candle branches, on rouge marble shallow plinths and fish and shell cast bases, {underside applied with Houdebine foundry label, 30.5cm}

A Pair of Late 19th Century Bronze and Parcel Gilt Two Branch Candelabra, each as a classical maiden supporting a cushion and two leaf wrapped candle branches on her head and standing on a cylindrical socle with milled circular base, {40.5cm}

A Victorian Bronze Two Handled Urn, the cylindrical body cast with Bacchanalian figures and a goat, with fruiting vine cast handles, on an acanthus sheathed stem, circular base and square verde antico marble plinth with re-entrant angles, inset with metal liner, {34cm}

A Victorian Bronze Two Handled Urn, the cylindrical body cast with Bacchanalian figures and a goat, with high fruiting vine cast handles, on an acanthus sheathed stem and square plinth with re-entrant angles, inset with metal liner, {42cm}

A 19TH Century Bronze Urn, modelled after the Townley Vase, with gilt metal liner, {31cm}

A 17th Century Bronze Large Mortar, of flared cylindrical form, the rim and body cast with a band of lattice strapwork and fleur de lys, with swelling base, {26cm}, {possibly Whitechapel}

A Bronze Bust of Lord Kitchener, after Richard Bolt, on a waisted square socle and plinth, the back inscribed 'Reduction of Bust in War Office', bears signature, {41cm}

Gilbert Ledward - A Bronze Maquette of a Nude Woman, standing, her hands raised to the back of her head, on a rectangular plinth, initialled GL, green patination, {56cm}. See lot 903 for illustration.

Charles Leonard Hartwell: An Early 20th Century Bronze Maquette "The Trumpeter" for a War Memorial at Hove, Sussex,cast as a soldier of the First World War standing on a rock and blowing a bugle, {28cm} See lot 903 for illustration.

An 18th Century Bronze Large Mortar and Pestle, the mortar of flared cylindrical form with swelling collared base, {22cm, pestle 30cm}

A Pair of Bronze, Ormolu and Marble Three Branch Candelabra, each with vine cast semi-fluted campana urns on acanthus sheathed upswept branches issuing from three ram's heads in ormolu, upheld by a bronze infant kneeling on rocks, on a veined rouge marble fluted base with toupie feet, {48.5cm high}, now adapted as electric table lamps (nozzles drilled)

A Pair of French Gilt Bronze Six Light Candelabra, in Rococo style, each modelled as an infant supporting five scrolling branches and a central light with pierced pans, raised on a rocaille scroll base, {56cm high}

A Pair of Louis XVI Style Bronze and Ormolu Two Branch Table Lights, each modelled as a draped putto standing supporting a flower urn with leaf sheathed candle branches on his head, on a white marble shallow circular plinth and flower cast feet, {29cm} (one foot detached)

A Pair of Louis XVI Style Bronze and Ormolu Candlestick Lamps, each modelled as a draped putto holding aloft a cornucopia which forms the candle socket, on a fluted cylindrical pedestal and square base with re-entrant angles, fitted for electricity, {44cm}

A Late 19th Century Gilt Bronze Table Lamp, in French Restoration style, with urn shaped nozzle, reeded tapering stem issuing from acanthus leaves on lion paw monopodea and triform plinth, fitted for electricity, with shade, {72cm}

A French Gilt Bronze Fire Fender, in Louis XVI style, the two main uprights modelled as tripod and swag enriched vases with flambeau finials, on dwarf columns enriched with berried wreaths, with cone finials to the angles, {179cm wide, 37cm deep}, 19th Century

A Green Onyx Ashtray, of rounded rectangular form, surmounted by a shoal of three cold painted bronze trout swimming among reeds, {14cm}

A Pair of White Opaline Glass Cornucopia Vases, of trumpet form with waved rims, issuing from chiselled gilt bronze ram masks enriched with acanthus, upon black slate rectangular plinths, {19cm high}

A pair of Gilt Bronze Mounted Glass Cornucopia, 19th Century, each octofoil shape issuing from the head of a ram enriched with acanthus, on white marble rectangular plinths, 20.5 cm high (chipped)

A Large Stone Baluster Column, 18th Century, half fluted, upon a stepped circular base, {129cm}, now fitted with a later bronze sundial

A Carriage Clock, by James McCabe London, No 3296, the fusee movement with ratchet tooth lever with plain balance and ruby end-stone, the silvered dial with seconds and traces of signature below 6, in a bronze case with fluted band and handle, the top glass with repeating button, the shuttered back with slides for regulation and strike/silent, {circa 1860, 22cm high} (handle lowered)

A French Provincial Clock], of lantern style, the posted anchor movement with blue and white enamelled cartouches upon a cast bronze mask, probably Franche Comte, circa 1790, {35cm}

1939-45 Star, (2) Aircrew Europe Star & Two War Medals, also a Churchill Bronze Medal and a Gilt Medal. (7)

A BRONZE FIGURE of a naked young woman seated on drapery on a rock and leaning forwards, with water beneath. Height 9".

A LIFE SIZE BRONZE FIGURE OF DAVID after Mercie, the young man naked except for a loin cloth, sheathing his sword, his right foot on the head of Goliath, the circular base inscribed "A Mercie". Height 70".

A Pair of Bronze Vases of elongated ovoid shape, cast with relief iris plants with applied high relief flowers. Height 9".

A Chinese Bronze Two Handled Censer of squat circular form, the convex sides with continuous relief decoration, the rim with key fret pattern, on three feet. Diameter 21". Height 12".

A Royal Worcester Leaf Moulded Green Bronze Gilded Jug. Green transfer printed factory and date mark for 1903. Height 4".

Pierre Jules Mene a good bronze figure of a grazing ram on oval naturalistic base, signed P.J. Mene {13cm (5in) high}

'Clodion', a large bronze figure group 'Foreplay', Pan with his right arm holding a tambourine above his head, his left arm holding a naked young woman with long flowing hair, her left hand tugging at Pans beard on circular naturalistic base, signed 'Clodion' {69cm (27ins) high} restored

Edouard Drouot, a French bronze figure of a young Eastern woman with long hair and headdress, with loose fitting robes and sash waistband, her right arm pointing, her left arm supporting a lyre on a pedestal behind her on rocky base, signed E Drouot {64cm (25in) high}

Ferdinand Pautrot, a bronze figure of a pheasant his head crouched and tail raised, on naturalistic and green onyx base, signed F Pautrot {34cm (13in) high)}

Jenyns (R. Soame and William Watson.) Chinese Art, 1 vol. only (of 2), New York, 1963 ~ Lion-Goldschmidt (Daisy) and Jean-Claude Moreau-Gobard. Chinese Art, Bronze, Jade, Sculpture, Ceramic, New York, 1962 ~ Craven (Thomas, editor ) A Treasury of Art Masterpieces from the REnaissance to the Present Day, New York, 1939 ~ Dvorakova (Vlasta), et al. Gothic Mural Painting in Bohemia and Moravia 1300-1378, 1964, plates, illustrations, some coloured, original cloth, some dust-jackets; and a quantity of others, Fine Arts, v.s. (qty).

A Bronze figure of a Girl, her naked form is raised on tip-toe and she dreamily tugs at a lock of hair with one hand whilst the other is raised above her head, it has overall golden patination, on marble column and base, 28cm. high, signed on metal 'D. Simon'

A Bouraine dark greenish-brown patinated bronze figure of a Girl, she strikes a stylish pose as her naked body is framed within the hoop with which she dances, above a square-section marble base, 54cm. high to top of hoop. signed on the underside of one foot.

An Austrian bronze and ivory figure, with carved ivory head and hands, modelled as a young Pierrot, with ruff collar, having pom-poms on the front of his waisted coat, on his cuffs and his shoes, he holds a large folded fan in his arms, on square marble base, 18.5cm. high, signed 'Luguth', foundry mark for Arthur Rosenberg and 'Austria'.

A Lorenzl bronze figure of female dancer, she adopts a stylish pose above a waisted square onyx base, with naked body her modesty is preserved by a fine diaphanous veil, 18.5cm. high, signed on metal 'Lorenzl'

An Art Deco carved ivory and bronze figure, by Ferdinand Preiss, modelled as a slender young woman wearing a short and clinging costume with frilled skirt, golden tights and a plumed scullcap, in tones of copper, she adopts a stylish pose above a shaped marble base, 21.5cm. high, signed on bronze support 'F. Preiss' (losses to two fingers).

George III (1760-1820), crown, 1819 LIX, some minor scuffs but good very fine and toned; other crowns, 1663, 1822, halfcrowns, 1817, 1879, florins, 1885, 1895, et infra (6), mostly poor or fair; modern crowns, 1953 (2), 1977 (6), 1980 (8), 1981 (16), generally mint state; together with a quantity of British regal cupro-nickel and bronze, mixed grades; and a small official silver medal for the 1902 Coronation -lot

George IV (1820-30), crown, 1821, William IV, halfcrown, 1836, good to fair; later crowns (6), 1935, 1951 (4), 1953, mostly extremely fine and boxed as issued; 1953 plastic sets (2); Royal Mint proof sets (10), 1984, 1985, 1986, 1987, 1988, 1990, 1991, 1992, all £1 - 1p. or _p., 1986, £2 - 1p., 1989 (2), £2 - 1p. (both include 2 x £2), and silver proof 5p. two-coin set, 1990, all mint state and cased as issued; with sundry other mostly modern coins and sets etc., a £1 note and a 150th Anniversary bronze medal for the Great Western Railway -lot

George IV (1820-30), farthing, 1825, extremely fine; Victoria, half-farthing, 1844; later regal bronze (24), including pennies, 1891, 1902 HT, halfpennies, 1901, 1902, and third-farthings, 1902, 1913 (2), mixed grades but the listed coins mostly extremely fine, with original lustre; and a small selection of George VI issues (33), including several 1950 and 1951 pennies, mixed grades but generally very fine or better, a useful lot -59

Edward VII (1901-10), Coronation, 1902, crown; other earlier milled silver (8), comprising halfcrown, 1663, shillings, 1745 Lima, 1747, 1787, 1887 J.H., and sixpences, 1696Y, 1787, generally fair to fine; with a small bronze medallion for the wedding of Albert Edward, Prince of Wales, 1863, by L.C. Wyon, 32mm., this good extremely fine, in fitted case of issue -10