We found 17210 price guide item(s) matching your search

* A bronze sculpture of a female ice-skater, early / mid 20th century, accompanied by the plaster maquette of the same sculpture. Each 32cm high. (2)

A Bruno Lucchesi bronze sculpture, a woman with baby breast-feeding, signed with foundry mark, height 34cms

HERIBERTO JUAREZ (20th Century School) A patinated bronze sculpture of a horse`s head, signed to the reverse, on a marble plinth, 8 3/4" high

ATTRIBUTED TO GANU GANTCHEFF (20th Century) A bronze sculpture of a seagull set atop of an anchor, on a rectangular marble base, unsigned, 17 3/4" high

A patinated bronze sculpture of ‘Gattamelata’ after Donatello, in 19th century style, the figure aloft a horse on plinth base, 65cm high, 58.5cm wide, 30.5cm deep

FRANTA BELSKY (CZECH, 1921-2000), "DUET", BRONZE, signed, on an integral oval plinth. 22cm Note: Belsky is perhaps best known for his portrait heads, most famously sculpting busts of four generations of the Royal Family. He has several works in the National Portrait Gallery and many large scale public sculptures in Central London. For an illustration of a larger scale version of the subject work see "Franta Belsky, Sculpture", intro. Christopher Lom, pub. London 1992, a copy of which is sold with this lot.

Mid 19thC French olive green patinated bronze sculpture of Greco Roman woman seated. Impressed mark to base. G x S medaille D`or 1867. Ht. 12 ins.

Modern bronze sculpture of hare

* Russia, Sculpture: A cast bronze sculpture of a Cossack in full robes, attacking on all fours and armed with rifle and pistol, by Yevgeny Alexandrovich Lanceray (1848-1886), length 200mm, with foundry mark, in good very fine condition

Sydney March, ‘Mafeking 1900’, bronze sculpture, copyright Elkington & Co Ltd, 29cm high

BRONZE SCULPTURE, by Gordon Chism, D-type Jaguar, raced by Mike Hawthorn, 16cm H x 24cm W x 60cm L.

A FRENCH BRONZE SCULPTURE OF AN ALSATIAN AFTER RENÉ MARQUET even mid brown patina, 40cm h, early 20th c ++In good condition with one or two minor old scratches

After Giambologna, a 19th century bronze figure of Fortuna, her upper body framed by her flowing shawl as she runs, one foot touching a wheel, the black marble mounted cylindrical base cast in relief with putti representing art and sculpture, 80.5cm (31.75in) high

J Freer. A bronze sculpture of a woman`s shoulder and breast. 15ins.

MARCELLE QUINTON: 1974: Bronze Sculpture of Mare`s Head, from series of female of the species, 13in, With original receipt when purchased for £1200 in 1974

Alfred Drury, RA (British, 1859-1944), a bronze group of a mother and child, dark brown patination, signed in the maquette and dated 1920, on a veined green onyx base, 33cm high overall. See sale Sotheby’s London ‘European Sculpture & Works of Art’ 20th April 2005, lot 105 for a similar example

20th/21st Century Contemporary: A Metal Sculpture Modelled as a Nude Male, with arms outstretched holding staking chairs, raised on a circular stand and four legs, 80cm high; and A 20th/21st Century Contemporary Bronze Human/Industrial Form Figure, with arms suspending a cog and an eye, 40cm by 22cm (2)

A modernist bronze sculpture in the form of an owl, signed indistinctly 10/20, 12½" high

A modern cold cast bronze limited edition sculpture by Phil Vanderiei, modelled as `Sea Lions` 66/250 with certificate

A BRONZE RESIN SCULPTURE OF A HORSE

After Moigniez modern bronze sculpture of a huntsman on horseback with hound 34cm

A Tom Bennett sculpture of a dancing nude female, on a circular base, the bronze 12.5"h.

A Tom Bennett bronze sculpture of a dancing nude female, on circular base, 15"h.

Hein Derich Sweiler - a bronze sculpture of a goat, being Hennes 1.FC Koln (Cologne) club mascot. These mascots were produced in a limited edition and only presented on special occasions. Signed `Hein Derich Sweiler, Maskottchen 1 FC Koln`, 9.75"h.

French bronze sculpture of a cherub and a dog, 28cm high

Steve Winterburn (born 1959); bronze sculpture "Kudu", height 46cm.

Modern bronze sculpture of a dancing figure

Barbara Worth (1925-2010), ten sculptures. This collection of the work of the late Barbara Worth has been consigned for sale by her executors following her death in January 2010. It comprises 10 pieces in various styles from different stages of her career, supported by her own notes of exhibitions, lists of sculpture, photographs, press cuttings, letters and other information about her career. She was born as Barbara Wigglesworth in London in 1925 and never married, adopting the professional name of Barbara Worth. After the War she worked as a Youth Leader until taking up a place at London University and obtained a Diploma in Social Studies 1948-1952. She went to Canada 1953 -57 travelling and working in TV and Radio as well as in the Probation Service in Vancouver. She travelled extensively around the world before returning to the UK in 1958. Then she pursued her artistic training at the City & Guilds School (1958-9, Sculpture and Modelling); Hammersmith College of Art (1959-62, Sculpture and Modelling); Chelsea School of Art (1960-62, Drawing), before returning to Canada in 1962. More courses followed at the University of British Columbia (1963-4 Bachelor of Education) and Seattle University (1964, Summer School in Bronze Casting). She was sculpting and exhibiting in Canada in this period, mainly in Vancouver. She returned to London in 1964 where she remained for the rest of her life, combining increasing success with her sculpture, exhibiting at some well know galleries alongside Moore and Epstein, and taking a wide variety of jobs to support her artistic career through the 1960s - 1980s. In later life she turned increasingly to painting in watercolour and pastels, drawing inspiration from her passion for music which was reflected in her earlier abstract sculptures, and busts and drawings of well known orchestral conductors. There are a number of lists typed by the artist of her work and places exhibited, with photographs taken at the time of some of them. There is also some copy correspondence about specific commissions. The pieces offered here are: Chinese Man, on a wood base, 35cm high overall (1963?). The Parting,on a wood base, 33.5cm high overall (exhibited 49th annual exhibition of Northwest artists, Seattle, 1963). Abstract bronze, on marble base, 22.5cm long overall (1960s?). Winged Victory, bronze, 25.5cm high, and a plaster copy 1960s? Eskimo Hunter, on a wood base, 35cm high overall (1967?). Head of Girl (1970s?). Plaque of Debbie (1972?). Bronze bust of an unidentified Norwegian man, on wood base, 37cm high overall (1970s). Bust of Rudolph Kempe, on wood base, 42.5cm high overall (1974). Barbara Worth exhibited only two works with the Society of Women Artists both in 1978, no. 543 Prof. Denis Gabor, bronze (£750) and no. 544, Aram Khatchaturian, bronze (£1000)

J STIFF bronze sculpture - female mask, 24 ins high, 3.75 ins wide on a square slate base

A BRONZE SCULPTURE after the Antique of a boy holding a large shell standing on a turned hardstone socle, 18" high.

A 20th Century bronze sculpture of a reclining nude figure, hand raised holding a sconce, 43cm high

DDS. Tim Shaw (British) Silenus Maquette, 2007, Bronze sculpture, Signed and numbered 3 of 8 on reverse, 27cm x 10cm (10 1/2in x 4in) Provenance: Goldfish Contemporary Fine Art, London Art Fair, 2007. Accompanied by a receipt of purchase from Goldfish Contemporary Fine Art.

A FRENCH GILTMETAL MANTEL CLOCK THE DRUM CASED MOVEMENT FLANKED BY FIGURES, LATE 19TH C FAULTS AND A BRONZE - RESIN SCULPTURE OF THE HEAD OF A HORSE ON MARBLE PLINTH

`Enclosure` polished bronze abstract sculpture, cast from a model by Naomi Blake FRBS, on square marble base paper label to base 34cm. high. Naomi Blake has confirmed the authenticity of this sculpture.

A French bronze equestrian group entitled ‘L’Accolade’, cast from a model by Pierre Jules Mene (1810-1871), last quarter 19th century, the naturalistically cast base signed P. J. MENE, 35cm high, 52cm wide, 22cm deep. For another similar example see Christie’s King Street, London, Nineteenth Century Furniture, Sculpture and Works of Art, 29 March 2007, Lot 55. ‘Entitled Tachiani et Nedjébé, chevaux arabes, the present model, now known as L’Accolade, was first exhibited in wax at the Salon of 1852 (no. 1479). A bronze cast was exhibited the following year (no. 1440) and, along with two other works, the re-submitted wax won M?ne a medal at the Paris Exposition universelle in 1855. Subsequently becoming one of the sculptor’s most popular models, L’Accolade was cast in three sizes by the Susse foundry’.

Jose Louis De Casa Sola Bronze sculpture

A Chola Bronze Figure of the Saint Andal, South India, 12th century standing with her body slightly flexed, her left hand raised with the dove perched on it, her hair tied in a bun For a slightly larger version of this subject matter in the Los Angeles County Museum of Art, see P. Pal, Indian Sculpture, Los Angeles, 1988, Vol. II, no.156 8.3cm Condition: some corrosion and old minor damage View on auctionatrium.com

* Cemmick (David, 1955-). Jambo the Gorilla, a fine life size foundry bronze sculpture of Jambo the Gorilla, by David Cemmick and Sebastian Wylder, standing in characteristic pose on all fours looking to his right, one of a limited edition of 6, 145 x 160cm, approx. 200 kg. This remarkable life size bronze sculpture is based on drawings made by David Cemmick in 1987, when he visited Jersey to sketch Jambo and other gorillas at Jersey Zoo, following the sensational story of Jambo and a five year old boy who fell into the gorilla enclosure at the zoo on 31st August 1986. Levan Merrit was knocked unconscious after falling into the enclosure and his mother looked on in horror as the huge silver-back male gorilla walked over to the boy. However, Jambo sat down and appeared to guard him from other gorillas until the child was rescued by the fire brigade. Footage of the event, taken by amateur cameraman Brian Le Lion was sent around the world, and Jambo the Gentle Giant became instantly famous. This extraordinary work produced in an edition of six only, perfectly captures the huge strength of the animal, combined with a sense of quiet protectiveness. (1)

* This is a later casting after Fauginet, not by Fauginet (Jacques Auguste, 1809-1847). An Arab Stallion, a 20th century bronze sculpture, with brown patina, signed Fauginet to base, of a stallion with left leg raised, height 33.5cm (13.25ins) Please note: small casting fault to rear right leg (1)

* Merculiano (Giacomo, 1859-1935). Prowling Tiger , bronze sculpture, with brown patina, signed, height 18cm (7ins), length 33cm (13ins) (1)

A bronze sculpture of a stag standing on a rose, granite base, 8" long

After Bonheur Bronze sculpture of man feeding pig (impressed Bonheur)

St Ives School - Possibly Dame Barbara Hepworth - A bronze sculpture based on Chinese calligraphy raised to a green marble base, unmarked, height 33 cm. Provenance - This piece was originally given to the previous owner by Dame Barbara Hepworth in 1968 while clearing out her studio. Authenticated by the Newlyn Museum of Art in March 2006, complete with current owners purchase paperwork and details, height 33 cm. ILLUSTRATED

"Bronze sculpture, Mexican women, by Willi Soukop, London"

Modern Bronze Sculpture of a Horse on a rectangular plinth base.

A CONTEMPORARY BRONZE SCULPTURE mounted on a plinth, and a smaller bronze sculpture, possibly marked AM, 10 1/2" across and 6" high

Modernist bronze sculpture of a dancer. Label on verso reading `Series 1 masquerade No 6` 13in. (33.02cm)

A patinated bronze sculpture, early 20th century, depicting Neptune slaying a mythological dolphin, signed Bandini and raised on rectangular marble base, (lacking trident), 41.8 cm high.

George Voulgarelis, Greek late 20th/early 21st century- Male nude; bronze sculpture, on wooden plinth, signed, 27cm., high including plinth (may be subject to Droit de Suite)

ADRIAN WISZNIEWSKI R.S.A (SCOTTISH B.1958) MALE HEAD Signed with initials and dated `90, painted bronze 44cm (17.25in) high Note:On leaving the architecture course at Glasgow School of Art Wiszniewski originally thought of studying sculpture. Faced with producing a portfolio quickly paintings and drawings proved a more straightforward solution and he graduated in that discipline. This bronze was cast with four different patinas at the Powerhall Foundry in Edinburgh.Wiszniewski painted this example before burying it in the garden for five years to achieve the required effect.

A CIRE PERDUE PATINATED BRONZE SCULPTURE OF A MAN IN A DOUBLE BREASTED SUIT BY FRANCESCO (FRANCIS) LA MONACA CIRCA 1920 on black marble plinth, with impressed foundry mark CIRE PERDUE A.VALSUANI and marked in the bronze Lamonaca 31in. (79cm.) high View on Christie's.com

A SILVERED AND COLD-PAINTED BRONZE SCULPTURE BY Z. KOVATS CIRCA 1925 modelled as a female nude, resting on brown onyx plinth, marked in the bronze KOVATS Z 16¾in. (42.5cm.) high View on Christie's.com

Thomas J Clapperton A bronze sculpture of Robert Louis Stevenson, standing with arm resting on hip, the other outstretched with cigarette Signed and dated 1909, on a marble base, 66cm high

A Colombian standing plaster Cycladic figure, modelled with hands towards face, raised on square base, height 24 cm, a mixed media shoe sculpture, painted green and silver, height 27 cm, a perspex clock part paperweight, height 13 cm, a bronze male figure and a cross, a terracotta pin dish, width 15 cm, a concrete sculpture, height 67 cm, (7).

Donald Greig bronze sculpture of an elephant, signed and dated 2001 and marked Bronze Age in wooden box, 10.5cm high x 17cm long

A bronze sculpture depicting a female nude mounted on a marble plinth

A bronze sculpture depicting a fish, 60 cm (length)

A CAST BRONZE SCULPTURE OF A SEATED ELEPHANT with trunk raised, on a green alabaster base, 6½" high.

A CAST BRONZE SCULPTURE OF A SEATED TIGER sitting on a naturalistic base, cast with the initials "MA", 4½" high.

AFTER EMMANUEL FREMIET: A CAST BRONZE SCULPTURE OF A CAT FEEDING HER KITTENS, with cast signature to the fringe, on a rectangular base, 8½" wide. See illustration.