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AFTER SALVADOR DALI (1904-1989) `Carmen-Castanets`, a polished bronze sculpture, a lost wax casting after the original, inscribed with a signature and numbered M5/25A.P.250F, on a circular green marble plinth, with certificate, 34cms overall

A small framed bronze sculpture of The Last Supper, understood to have been bought back from World war I.

Bronze sculpture of a stag, 5" long x 5"high on a quartz/granite naturalistic base

|After A Leonard (1841-1923), Bronze sculpture of a dancer impressed `A Leonard` to the reverse, 13 ½" high and mounted on a 3 ¼" marble base

After Milo (XIX/XX), bronze sculpture of 12 pointer bellowing stag, impressed `Milo` to right base, 3 ½" x 8 ¾" x 11" high, mounted on a rectangular marble plinth

KING (XX), Standing female figure, bronze, signed and numbered 500, square plinth, height of sculpture 27cm

A 20th century abstract bronze sculpture mounted on a wooden plinth, initialled JB, 12" x 9", 100-200

A modern hollow bronze sculpture of a goat in the manner of Picasso on an oblong black marble base, 12 x 7 ins

THE FOLLOWING LOT RELATES TO THE ARTISTIC CAREER OF ERIC WINTERS, FOUNDER MEMBER OF THE SOCIETY OF PORTRAIT SCULPTORS ERIC WINTERS (BRITISH 1921-1968) A RARE AND UNIQUE LIFE SIZE BRONZE PORTRAIT BUST OF TOTTENHAM HOTSPUR AND NORTHERN IRELAND INTERNATIONAL LEGEND DANNY BLANCHFLOWER signed and dated `Eric Winters, 1960` bronze on original marble base 17.3/4in. (41.5cm) high Exhibited: London, Royal Academy, 1962, No.1191 Eric Winters represented the fifth generation of sculptors in the Winters family, learning sculpture under the experienced eye of his father Leo Hill Winters, a carver and letter designer. He went on to study at St. Martins School of Art and in April 1939 at the age of 18 was awarded the only open scholarship to attend the Royal Academy Sculpture School where he was the youngest student Eric`s studies were interrupted during the war years, only being resumed from 1947-52 when the Academy re-opened. His achievements in his student days were most impressive and include four Landseer prizes for figurative sculpture (three in 1947 and one in 1950), representation of Great Britain and bronze medal in the XVIth Olympiad Sport in Art exhibition at the Victoria and Albert Museum (1948) and travelling scholarship to France: The Edward Stott Award for a group of figures (1949) Winters exhibited annually at the Royal Academy Summer Exhibition throughout the 1950s. Driven by his early success in portraiture and genuine passion for this branch of sculpture, Eric was already starting to pave the way for the formation of a new society even before completing his studies at the Royal Academy Schools. He had a close rapport with several of his professors including Sir Charles Wheeler, Maurice Lambert and Alfred Hardiman whose influence and support were significant at the time The newly formed Society of Portrait Sculptors presented its first annual exhibition from November 1952 to December 1953. Winters was a keen exhibitor at the Society`s exhibitions in London and elsewhere, contributing to many very fine portraits over the years, probably his most well known head is that of the footballer Danny Blanchflower modelled from life and exhibited at the Society`s 1960 annual exhibition

SIR WILLIAM `HAMO` THORNYCROFT (1850-1925) Artemis and Her Hound, dated 1909, a bronze cast from a model by Hamo Thornycroft of a scantily-clad huntress carrying a bow and drawing an arrow from her quiver, with greyhound at her side, on a naturalistic base, inscribed `Hamo Thornycroft Sc` to the top of the base, inscribed and dated `Hamo Thornycroft 1909` to the side of the base, initialled `HT` twice, and titled `ARTEMIS` to the front of the base, all on a green marbled rectangular base, the bronze 25" high, 13" wide, 6 3/4" deep. Note: Originally modelled in 1879, when Thornycroft was heavily influenced by the poet and literary critic Edmund Gosse, Artemis was one of the first examples of `The New Sculpture`, seeking to re-examine Classical sculpture for a new age. In 1880 Thornycroft showed a life-sized plaster of Artemis and Her Hound at the Paris Salon. Subsequently The Duke of Westminster commissioned a life size marble statue which was exhibited at the Salon in 1882 before being installed at Eaton Hall in Cheshire. Artemis and Her Hound was well received by the critics, and one noted that `a great advance was proclaimed...by the epoch-making "Artemis"...The attitude and arrangement are altogether admirable, as well as original...from every point of view the group is beautiful`. A half-size bronze version of Artemis was exhibited by Thornycroft at the Royal Academy in 1911 [1799] and another bronze statuette at the Royal Scottish Academy in 1917-18. Literature: S. Beattie, The New Sculpture, New Haven: Yale University Press, 1983, p. 149 E. Manning, Marble & Bronze, The Art & Life of Hamo Thornycroft, London: Trefoil Books Ltd., 1982 M. H. Spielmann, British Scupture and Sculptors of To-day, London, 1901, p.39

AFTER JOSEF LORENZL A silvered bronze dancing figure with arms outstretched, bears signature `Lorenzl`, on onyx base, the sculpture 19" high

KARIN JONZEN (1914-1998) Dreaming girl leaning on a pillar, 1976, bronze resin, 23" high, 16" across Illustrated: Karin Jonzen Sculpture, Cambridge: Silent Books, 1994, p.71 Provenance: Collection of Eric de Mare (1910-2002) Note: This lot is sold together with two Karin Jonzen books.

A 20th Century patinated bronze effect sculpture of two naked ladies, each standing back to back with arms raised above their heads, standing on a reconstituted square moulded plinth base, 92 cm high

BRONZE ROCKING HORSE, sculpture of a young cowboy on a hobby horse, 125cm H.

BRONZE SCULPTURE, French study of Peter The Great, 71cm H overall.

AN ORIENTAL BRONZE SCULPTURE OF A DEITY seated on two writhing dragons, 31" high (see illustration)

A BRONZE SCULPTURE OF A GIRL with long hair carrying two baskets, bearing signature to the base August Moreau, 47" high overall (see illustration)

An unsigned bronze sculpture of a discus thrower on circular marble base.

A monumental Khmer bronze figure of Avalokiteshvara, Angkor period, Bayon style, c.1300, cast with eight radiating arms, the hair, neck, upper arms, ankles and toes with small figures of the Buddha, with seated figures of what appear to be Prajnaparamita (The Goddess of Transcendent Wisdom) on the chest, holding various attributes, the hair in a raised chignon bearing a seated figure of Amitabha, 49.5cm. Provenance: a private Scottish collection. A metallographic analysis conducted by Frank Preusser and Associates Inc., Los Angeles is available. This figure of Avalokiteshvara, the Boddhisatva of Compassion, is a bronze version of one of the twenty three stone images of King Jayavarman VII sent to different parts of the kingdom in 1191 in memory of his father. Two other bronze radiating figures of similar size are known, an incomplete example in the Musee Guimet, and another in the Walters Art Gallery, Baltimore, see cat. no. 97 in Angkor et dix siecles d`art Khmer, and cat. no. 28 in H W Woodward The Sacred Sculpture of Thailand: The Alexander B Griswold Collection.

Cold cast bronze sculpture of two stylised rabbits.

After Pierre Jules Mene (1810-1879) Bronze sculpture of a hunstman on foot with his dog , impressed PJ Mene to the rear, 13" x 8" x 17" high on a 1 1/2" red marble base

After Rene Paul Marquet (1875-1939) Bronze sculpture of the Art Deco "Kernalan Indian Dancer" impressed `Kernalan` 12" high on a 3 1/2" stepped marble base

A cold cast bronze sculpture of two stylised rabbits.

Emiel Hartman (20th century), Falcon on a glove, bronze sculpture, signed Emiel H to base, mounted on a square black marble plinth, 88cm (34.32in). Emiel Hartman was born in South Africa, but studied at the Slade School of Art in London and served in the Royal Navy during the First World War. He was a fellow of the Royal Society of British Sculptors and held solo exhibitions at the Grosvenor Gallery, The BH Corner Gallery, and took part in group exhibitions at the Redfern Gallery, Alwyn Gallery, the Royal Academy and elsewhere.

Royal British Academy of Painting, Sculpture and Architecture Bronze Medallion to George May, 1869, 2 ¾” diam

Bronze effect horse head sculpture inscribed Albert Hinrich Hussinni on black wood socle 36cm

A well detailed bronze sculpture in the form of a crane with open wings and gait, standing on a naturalistic base cast with lily leaves and foliage View on staceyauction.com

David Goode (b.1966)`Isabel`s Goblin`,signed and numbered 66/90 and numbered 1998, bronze with granite base, Provenance; David Goode Sculpture Ltd, October 2000,15.5in

A PAINTED BRONZE MODEL OF A MOUSE AND SHOE, TWO ITEMS OF SPELTER SCULPTURE AND A PAPIER MÂCHÉ PEN BOX

A bronze sculpture of an owl, 20th century, on a green vein marble base, probably an emblem from the Army Staff College at Camberley, 16cm high

A bronze commemorative sculpture `Broadgate 1990`, by Nathan David, limited edition 6/9, the plinth base with applied plaque `Broadgate 1990 / presented by Construction News`, 32cm high. Provenance: British Rail Board (Residuary) Ltd. Note: The Broadgate complex of offices was built on a derelict 29-acre British Rail site close to Liverpool Street station in east London.

A bronze sculpture of an eagle, 10" high, set on a marble plinth.

A Hagenauer silvered bronze sculpture modelled as a stylised figure sailing a boat stamped mark 37cm. high

Bronze figural sculpture "Shepherd and Flock" signed to base G. Tiney 1980.

A GROUP OF GANDHARAN SCULPTED SCHIST, STUCCO AND RED SANDSTONE FRAGMENTS, C1ST-4TH CENTURY, A NEPALESE BRONZE LAMP, 18TH CENTURY AND TWO WOODEN OBJECTS largest sculpture 18cm h (12) ++The sculpture damaged and chipped etc, several items mounted on wood stands

** A 19th Century exquisite "Muse des Bois" antique bronze sculpture of a nude nymph playing pipes, signed "Fec Lichele 96" and inscribed "Punksky & Kuhno Bedin", chocolate brown patina, mounted on a rouge marble and gilt bronze base, Height 44 cms, illustrated inside front cover

** A 20th Century Bronze Sculpture by Adam Barsby (b1969, British), "Love`s Voyage", signed Limited Edition No: 220/350, 19.5cm x 21cm (boxed)

A bronze sculpture of a young Mozart after Jean Louis Gregoire, signed, height 77cm. (See illustration)

A SMALL CONTINENTAL BRONZE SCULPTURE OF A SLEEPING CHILD, indistinctly signed, 2 1/2" wide, a bronze sculpture of a girl doing the cake-walk, signed C Kauba, 6" high, together with a spelter figure of a lion and a spelter bison (4)

Auguste Moreau, a patinated bronze sculpture modelled as two dolphins, signed and numbered 48/99.

A patinated bronze group of the infants Romulus and Remus being suckled by the she-wolf, early 20th century, on a rectangular base, 15.5cm long The Capitoline Wolf (Latin: Lupa Capitolina) is a bronze sculpture of a she-wolf suckling twin infants, inspired by the legend of the founding of Rome. According to the legend, when Numitor, father of the twins Romulus and Remus, was overthrown by his brother Amulius, the usurper ordered the twins to be cast into the Tiber River. They were rescued by a she-wolf who cared for them until a herdsman, Faustulus, found and raised them. The Capitoline Wolf has been housed since 1471 in the Museo Nuovo in the Palazzo dei Conservatori, Rome, Italy.

A polished bronze sculpture depicting a horse and rider on a rustic marble base, by Arthur Dooley (1929-1924) 17" x 15" approx. View on www.staceyauction.com

A polished bronze sculpture, The Return of the Hero, depicting a man relying on a crutch, on a rustic marble base, 15" tall View on www.staceyauction.com

A polished bronze sculpture entitled `The Kiss` by Arthur Dooley, on a square marble base, standing 18" tall View on www.staceyauction.com

A polished bronze sculpture of a courting couple by Arthur Dooley, on a square marble base, 19" tall View on www.staceyauction.com

A polished bronze sculpture of a man with a staff by Arthur Dooley, standing 23" tall on a rustic marble base View on www.staceyauction.com

AFTER THE ANTIQUE, PATINATED BRONZE SCULPTURE, depicting The Venus De Milo in classical pose. 42" High. Signed The Venus De Milo.

A bronze sculpture by E Gilmore circa 1970, depicting a couple in romantic embrace, foundry stamp for `Livingstone`, 40cm wide.

* A bronze sculpture of a female ice-skater, early / mid 20th century, accompanied by the plaster maquette of the same sculpture. Each 32cm high. (2)

A Bruno Lucchesi bronze sculpture, a woman with baby breast-feeding, signed with foundry mark, height 34cms

HERIBERTO JUAREZ (20th Century School) A patinated bronze sculpture of a horse`s head, signed to the reverse, on a marble plinth, 8 3/4" high

ATTRIBUTED TO GANU GANTCHEFF (20th Century) A bronze sculpture of a seagull set atop of an anchor, on a rectangular marble base, unsigned, 17 3/4" high

A patinated bronze sculpture of ‘Gattamelata’ after Donatello, in 19th century style, the figure aloft a horse on plinth base, 65cm high, 58.5cm wide, 30.5cm deep

FRANTA BELSKY (CZECH, 1921-2000), "DUET", BRONZE, signed, on an integral oval plinth. 22cm Note: Belsky is perhaps best known for his portrait heads, most famously sculpting busts of four generations of the Royal Family. He has several works in the National Portrait Gallery and many large scale public sculptures in Central London. For an illustration of a larger scale version of the subject work see "Franta Belsky, Sculpture", intro. Christopher Lom, pub. London 1992, a copy of which is sold with this lot.

Mid 19thC French olive green patinated bronze sculpture of Greco Roman woman seated. Impressed mark to base. G x S medaille D`or 1867. Ht. 12 ins.

Modern bronze sculpture of hare

* Russia, Sculpture: A cast bronze sculpture of a Cossack in full robes, attacking on all fours and armed with rifle and pistol, by Yevgeny Alexandrovich Lanceray (1848-1886), length 200mm, with foundry mark, in good very fine condition

Sydney March, ‘Mafeking 1900’, bronze sculpture, copyright Elkington & Co Ltd, 29cm high

BRONZE SCULPTURE, by Gordon Chism, D-type Jaguar, raced by Mike Hawthorn, 16cm H x 24cm W x 60cm L.

A FRENCH BRONZE SCULPTURE OF AN ALSATIAN AFTER RENÉ MARQUET even mid brown patina, 40cm h, early 20th c ++In good condition with one or two minor old scratches