We found 17210 price guide item(s) matching your search

A bronze sculpture of Art Deco design in the form of a man with raised arms having stylised wing like projections, on a veined marble base View on staceyauction.com

Contemporary bronze sculpture of a figure in arched pose - indistinctly signed and dated `97, 8.5 cm highFurther images and condition reports are available at www.reemandansie.com

Sir Eduardo Paolozzi (1924 - 2005) sifted bronze sculpture of a snail, signed with initials - E P and dated 71, 18cm long x 11.5cm highFurther images and condition reports are available at www.reemandansie.com

A BRONZE SCULPTURE OF A PRANCING HORSE standing on a mahogany plinth base, 8" high overall, together with a small quantity of various silver plate and brass ware, an Art Nouveau pottery and silver plate mounted biscuit barrel etc

A Carlton Ware Bryant and May`s Match Holder, Wade Piccadilly large Ashtray, A/F, an RMS Queen Mary bakelite Ashtray and a modern bronze sculpture

WILLIAM FEATHERSTONE Sculpture. Bronze and slate. Initialled to the underneath. Height 12.8cm. (See illustration)

ÉTIENNE FORESTIER (19TH/20TH CENTURY) Footballers Sculpture, signed to the base, Bronze, 19 1/2" height , 21 1/4" width

MARCEL DÉBUT (1865-1933) `Prix de Rome`, sculpture of an orange seller, bronze, signed `Debut to base` and stamped `Bronze Garanti au titre`, 12 1/2"

PIERRE-JULES MENE (1810-1879) Sculpture of a horse next to a fence, bronze, 11 3/8" x 15 3/8"

20TH CENTURY BRONZE SCULPTURE of a knight in armour on horseback, bronze, on wooden plinth, 10" x 6"

20TH CENTURY BRONZE SCULPTURE Of a stag standing on a rock, bronze , with a onyx base, 16 1/2" x 15 1/4"

After Charles Lemoine, French b.1839, North American Indian on horseback, a large bronze sculpture, signed, the horse rearing up as the man leans sideways, holding the horse`s hair to attack with his spear, digging his knees in to hold on, height 47 cm.

A BRONZE SCULPTURE of a prancing horse, 17 1/2" high

A bronze sculpture of Winston Churchill, surveying the troops in North Africa, presented to the British Consulate in Porto in 1945, signed verso and dated 1944, 36cm high.

A large Italian, bronze sculpture of a man on horseback. On oval base. Approx 108cm high x 80cm wide.

A Bronze Stag sculpture on a Marble base, signed `Milo` (born in Paris, 1939).

SYLVIA GILLEY (1908- ) "Seated female nude, her left hand holding her hair back", bronze sculpture, unsigned, 18 cm high (ILLUSTRATED)

A BRONZE SCULPTURE of an eagle with wings outstretched on a stone base, 16"

A bronze sculpture of dancing deer on oval base, 20cm long; painted bronze `Pepe Le Pew` cartoon figures on an onyx base, signed Ron 1993, limited edition 1904/2750, 15cm long; an enamelled box with angel fish; two white horse cloisonné ashtrays; and a Sylvac dog. (6)

Jackie McKenna, 20th Century MEETING PLACE (1988) Bronze, 9 1/2" x 10 1/2" (24 x 26.5cm) Also known as `The Hags with the Bags`, this is the maquette for the sculpture situated on the North Quays beside the Halpenny Bridge.

After Frederick Remington, Large Bronze Sculpture on Marble Base `Indian Buffalo Hunter in Trouble` 82cm high

Modern Bronze Sculpture of Female Bust signed Goyeau

Bronze Sculpture of Samurai Warrior

A 20th Century Bronze Sculpture of an Ibex, standing on a stoneware plinth, indistinctly signed at foot, possibly Mike Verrie, 19” high overall

JEANNE RYNHART (IRISH 20TH CENTURY) - a cold cast bronze sculpture depicting a horse and foal.

Spinario: A Carved Alabaster Figure after the Antique, of a young boy taking a thorn out of his foot, seated on rocks, upon an integral oval plinth, 67.5cm high This sculpture is also called Fidele, and is based on a Greco-Roman bronze sculpture now in the Palazzo Dei Conservatori, Rome.

Siggy Puchta: a bronze sculpture of a squirrel, limited edition 330/500, together with a Beswick and F Warne & Co Ltd Beatrix Potter figure modelled as Squirrel Nutkin, gold backstamp, and a Beswick babycham deer. (3)

HANNAH FRANK (1908-2008) SEATED FIGURE (1979) Bronze sculpture, signed and dated 1979 Cast by Michael Gaskin and Philip Friensener at the Art Bronze Foundry, London height 33 cm Note : This bronze was exhibited at both The Royal Scottish Academy and The Royal Glasgow Institute in 1987.

A COLD CAST RESIN BRONZE SCULPTURE of a seated farmer by Jeanne Rynhart, 9 1/22 high, together with a sculpture of a fisherman and his son by the same artist, 6 1/2" high (2)

A gilt bronze sculpture, late 19th century, modelled as a lion with wings, a cast iron doorstop also modelled as a lion and a Victorian cast iron doorstop of scroll work form, with a loop handle, the later 41cm high (3).

A wall mounted bronze sculpture of a sleeping lady. 29cm long

A FRENCH BRONZE SCULPTURE OF CHIEN BRAQUE, AFTER PIERRE JULES MÊNE rich golden red/brown patina, rubbed in places, 20cm h ++In good condition with old polish residue

A bronze leaping satyr mirrored sculpture, central figure with arms outstretched leaping over a circular mirrored pond, flanked by two frogs, signed E. Pironi, height 35 cm.

THE JOHN PLAYER BRITISH GRAND PRIX TROPHY, in silver with a hardstone base by George Breuer-Weil, London 1973, signed `G. Weil` to a gilt reserve, rectangular and constructed of overlapping rough cast squares with circles cut-out, the base with two plaques, engraved `John Player Grand Prix Trophy` and `1972 Emerson Fittipaldi / John Player Special // 1973 Peter Revson / Yardley McLaren // 1974 Jody Schecter / Tyrrell // 1975 Emerson Fittipaldi / Texaco McLaren // 1976 Niki Lauda / Ferrari // 1977 James Hunt / Marlboro McLaren // 1978 Carlos Reutemann / Ferrari`, 46.5cm (18.25in) high, loaded. The official programme for the 1972 British Grand Prix, the first to be sponsored by John Player, included a picture of this trophy to introduce it to race followers around the world. It was awarded alongside the already familiar Fred Craner Memorial Trophy, a twin-handled covered cup, which the Royal Automobile Club customarily presented to the highest placed British driver to finish in the British Grand Prix. As sponsors of this event John Player replaced the R.A.C. (1950-70) and R.A.C. Woolmark (1971) and were, in turn, succeeded by Marlboro (1979-85). The 1972 British Grand Prix was held at Brands Hatch on 15th July. Emerson Fittipaldi finished 4.1 seconds ahead of Jackie Stewart to claim this trophy. Fittingly, he was behind the wheel of a Lotus 72D `John Player Special`, resplendent in what would become a legendary colour scheme of black and gold. For 1973 the British Grand Prix moved to Silverstone. The race will be remembered for a first lap pile-up when Jody Scheckter spun out on the final corner into the centre of the track. In the ensuing carnage Andrea de Adamich was to receive injuries of such severity that he was forced to retire from the sport. Jackie Stewart had taken the lead up until that point, going from fourth to first in half a lap, but he was unable to repeat the performance from the restart and spun off on lap 6 trying to regain the lead. Peter Revson went on to take first place, pushing himself into fifth spot of the Drivers` Championship, with only 10 points. In 1974 there was a return to Brands Hatch, and Jody Scheckter emerged victorious, finishing 15.3 seconds ahead of his nearest rival, Emerson Fittipaldi. Silverstone again hosted the British Grand Prix of 1975, destined to become one of the most incredible ever seen. Despite taking place on July 19th the race was marred from lap 53 by a tremendous hail storm. Jody Scheckter, James Hunt and John Donohue aquaplaned and crashed at the same corner, which then claimed Wilson Fittipaldi, Jochen Mass and John Watson. When the storm abated only six cars were left running, prompting the R.A.C. to declare that the race had offically finished on the lap when most cars were still in contention. This they deemed to be lap 55, as a result of which Emerson Fittipaldi was awarded his last ever Grand Prix title. These events tend to overshadow the fact that this race was the first Grand Prix to use a light system for the start instead of the traditional National Flag. The 1976 British Grand Prix at Brands Hatch was, arguably, the most controversial ever held in the country. James Hunt was involved in a first corner crash, but instead of completing his lap back to the pits he took a short cut via an access road on the Cooper Straight. This prompted race officials to declare that, since Hunt was not on the circuit when the red flag was waved, he could not take part in the restart. When this judgement reached the partisan British crowd they began to continually chant James Hunt`s name. Fearing crowd trouble the officials recinded their verdict and sanctioned Hunt to continue. Niki Lauda led the race for 45 laps until he developed gearshift trouble which allowed Hunt to slip through and go on to win, ahead of Lauda in his ailing Ferrari. Two months later at a special hearing in France, after protests from the Italian team, Hunt was stripped of the win which was then credited to Lauda. Having initially claimed, without success, that Hunt had not completed the first lap, Ferrari then sided with two other constructors who, on the day of the race, had maintained that Hunt`s car had been pushed by mechanics, warranting his disqualification. The British Grand Prix of 1977 at Silverstone brought revenge for James Hunt who emphatically won the race without argument or debate, defeating second place Niki Lauda by a margin of 18.31 seconds. There were so many entries in this year that a pre-qualifier had to be held on the Wednesday before the race, where the Canadian Gilles Villeneuve made his debut. Also appearing for the first time was a turbo-charged car, the Renault RS01, driven by Jean-Pierre Jabouille. Ironically he was to retire from this race, and the following year`s, with turbo problems. In 1978 Carlos Reutemann took the chequered flag in the British Grands Prix, played out at Brands Hatch, to put him third in the Drivers` Championship, just above Niki Lauda, with a shared 31 points. George Breuer-Weil was born in Vienna in 1938. His family moved to England one year later. Weil studied at the Central School of Art & Craft, and at St. Martin`s School of Art in London. In 1956 he set up a studio for jewellery design and manufacture, while continuing his sculpture and painting. He made his first sculpture at the age of four. His sculptures include bronze portrait busts of Winston Churchill, Charles de Gaulle and David Ben-Gurion, and have been exhibited in London, Geneva, Tokyo and San Francisco. His work is to be found in famous private collections worldwide as well as several museums, including the British Museum. At the end of the 1970s, Weil sold his successful jewellery business and decided to concentrate exclusively on his sculpture, especially netsuke. His most famous sculpture, the King David Award, was commissioned by the State of Israel in 1970 and is presented to leading show-business personalities.

JOSEF LORENZL Stunning patinated bronze sculpture of a ballerina mounted on a marble base by Josef Lorenzl. This rarely seen sculpture depicts a young ballerina standing on pointes, left arm outstretched, kissing the finely held fingers of her right hand. Signed LORENZL and stamped AUSTRIA. 29.5cm tall.

Salvador Dali bronze sculpture "Carmen-Castanets" limited edition 151/2500, 25cm overall on black marble plinth base with certificate

A Thai bronze Buddha, full length seated in lotus position, height 33 cm, an African stone figural sculpture, height 36 cm, (2).

A bronze sculpture of The Wrestlers, after the Antique, signed CP Tupson, of the Pankration,on a black marble base, 26 by 16cm.

A 1980`s Jill Sanders bronze sculpture on perspex base, limited edition 6/100

Good quality late nineteenth century Japanese bronze sculpture of a Tiger mauling an Ox, three character marks impressed on base, standing on carved hardwood plinth, length 34.5cm, height 19cm Further images and condition reports are available at www.reemandansie.com

A bronze sculpture "Missie & Silver" by James Osborne Studios

A modern bronze sculpture of a young lady wearing a flowing dress on a square base, supplied by the Bronzart Casting Company, initialled AF, 26 cms high.

Reproduction bronze style sculpture `Descanso` depicting a nude woman on marble base 36cm.

A large bronze effect sculpture depicting a Marley horse after Costou 50cm high.

HILL, Peter, `Whithorn & ST. Ninian`, The Excavation of A Monastic Town 1984-91` Sutton Publishing, 1998. Fo. in d/w. Tog.with CARTER, Joseph Coleman, `The Sculpture of The Sanctuary of Athena Polias at Priene`, Thames & Hudson, 1983. in d/w. Plus GETZ-GENTLE, Pat, `Stone Vessels of The Cyclades in The Early Bronze Age`, Pennsylvannia, 1996, in d/w. Plus related interest. 10

A Chinese bronze sculpture in the form of monkeys in a tree, with square seal-type signature, 26cm high.

Anita Mandl - `Otter and Cub II`, patinated bronze sculpture number 3 of edition of 9, 16 cm high

Green patinated bronze sculpture of a Grecian style horses head, indistinctly signed, possibly `Chifrry`, on slate plinth, 28.5 cm high

Fibreglass Golden Bronze Sculpture on black slate base

After Milo : a cast bronze sculpture of a setter (dog) on a marble plinth. 7 ½" high x 10" long,

A patinated bronze animalier sculpture group, as a lioness bringing down a stag, rectangular naturalistic base, signed `Adubal` and dated (19)23, rectangular marble plinth, 33cm high

BRONZE SCULPTURE, 20th century, study of a child reading, 34cm H overall.

"20thC bronze sculpture of hare and leveret, 45cm h"

T Henfield/ Ballet Dancer/with Meridian foundry stamp/bronze sculpture, raised on a marble column and circular base, 63.5cm (25") high.

Sir Alfred Gilbert RA, MVO, DCL (1854-1934) A bronze bust of George Frederick Watts, signed in the bronze A Gilbert ARA Sc 17cm. high Literature Richard Dorment Alfred Gilbert, Yale page 93 plate 50 for the full size bronze, 1888 in the Tate collection Richard Dorment Alfred Gilbert Royal Academy of Arts 1986 catalogue, catalogue number 25 for the original cast. The bust of George Frederick Watts was commissioned by Mary Watts in a letter dated 1888. Watts, held in high professional esteem by Gilbert, sat some 18 times for the two foot high bust held in the Tate Gallery collection. The bust was also produced in this smaller version. Watts described the beauty of the realistic draped clothing which rebuffed the bathing-towel folds of modern sculpture. It is recorded that Sir Alfred Gilbert refused payment for the bust, and in return received a portrait of himself painted by Watts.

Sir Alfred Gilbert RA, MVO, DCL (1854-1934) `Victory` a bronze sculpture on a black veined spherical onyx base, with waisted bronze socle base unsigned 20cm.high Literature Modern British Sculpture Royal Academy catalogue, page 108 for an illustration of the Jubilee Memorial of Queen Victoria, the original version of this figure is situated on the orb in her left hand. Richard Dorment, Alfred Gilbert Royal Academy of Arts, 1986 page 129 catalogue number 34 for an example of this figure. Dorment explains that this figure was produced in several sizes in both bronze and silver and was a favourite present Gilbert gave to friends.

`Charity` an Art Union of London patinated bronze sculpture, by Phoebe Stabler, dated 1907 signed and dated in the cast 25cm. high

Jean Pavie (1876 - 1928), bronze sculpture of a fox on rectangular base, signed, 35.5cm long Further images and condition reports are available at www.reemandansie.com

*David Cornell (b 1935) bronze sculpture of Nijinsky with Lester Piggott up, entitled - Champion Finish, signed and dated 1985, on black slate base, 19cm high x 19cm wide Further images and condition reports are available at www.reemandansie.com

*Catharni Stern (b 1925) bronze sculpture depicting three jockeys on horses entitled - Over the Hurdles, on rectangular oak base, 21cm high x 50cm long Further images and condition reports are available at www.reemandansie.com