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A large quantity of cameras lenses, tele converters etc, to include Minolta 75-300mm; Tamron tele-converter 2x; Bolex aspheron; Sigma for Minolta 35-80mm; Prinz Galaxy etc Provenance: The estate of the late Doug Palmer, of D. Palmer, Postcards and Cameras, Bridport

A Eumig S926 GL Stereo sound optical level system; a Eumig Mark 605D; and a Bolex Paillard 18-5 (3)Provenance: The estate of the late Doug Palmer, of D. Palmer, Postcards and Cameras, Bridport

Bolex 8mm sound projector in carry case with built in speaker, 1970s model S321, Swiss made, plug/cables to inside, vinyl case, 49cm x 40cm x 27cm, from Eric's office.

Two Bolex 8mm Cine Cameras, a Bolex K2, motor runs, body G-VG, with Vario Switar 8-36mm f/1.9 lens, elements G-VG and a B8SL, motor runs, with Kern Paillard 13mm f/1.9 lens, elements G

A Bolex Sonorizer, untested, for adding sound to 8mm cine film, with Sure 514B microphone, recording hear, cables, in case, case would benefit from a clean

A Bolex H8 Reflex Cine Camera, serial no 221191, body G-VG, with Kern Paillard 5,5mm f/1.6 Switar, 12.5,, f/1.3 Macro Switar & 36mm f/1.4 Macro Switar lenses, barrels G, elements G, in Bolex case

A Group of 8mm Bolex Cine Cameras a D8L, motor runs, with lenses, G, B8L, motor runs, with lenses, G, two C8 & two D8L bodies, with motor issues, G

A Group of Cine Projectors, a Beuer T`1S Super, Bolex 18-3 Duo, M8, 18-5, Slima 110, Cinerex 707 Auto, Kaydon P-438 and a Hanimez zoom 8mm, all untested, all with lenses, G

A Group of Cine Cameras, a Bolex 551 XL Sound, 150 Super, P4, Kowa RC-2, Canon 514 XL, Zoom 310 Super 8 and a Bolex K2, all untested, G

A Group of 8mm Cine Cameras an Ensign Simplex Pockette, Bolex B8, D 8L, C 8SL and a Keystone Model B-8, all motors run, all with lenses, G

A Tray of Bolex Cine Cameras, two Bolex 155 Super, a 160 Super, 450, 280 Macrozoom, 7.7 Macrozoom, four B/8 bodies and B8SL body, all untested, AF

Three Bolex Cine Projectors, a Bolex Multimatic Super 8 cartridge projector, G-VG, a SM8 Super 8 projector, G, with microphone, cables, in bolex case and a SM8, AF

A Bolex H16 Cine Camera, serial no 62595, motor runs, body G, some light blemishes, with Cook Ivotal 2 inch f/1.4, Kern Paillard 75mm f/1.9, 25mm f/1.4 Switar, 16mm f/2.8 Yvar & P Angenieux 25mm f/1.4 lenses, barrels G, elements F, fungus, in Bolex case

A Bolex S 321 16mm Cine Projector, untested, G, with 50mm f/1.3 lens, elements G, power and speaker cable

Seven Bolex 8mm Cine Projectors, five Bolex M8, three in makers boxes, one on home adapted wooden base, two would benefit from a clean, a 18-15 Super and two 18-5, one in maker's carry box (VG), all with lenses, all untested

Four Bolex Cine Projectors, a Bolex Model G 916, set up for 9.5mm, with 16mm kit, transformer, in Bolex case, G, A Model G 16, set up for 9.5mm, with transformer, in Bolex case, Model D, G, set up for 16mm, with 9.5mm kit, with transformer, in unbranded case and a Model DA, AF, all with lenses, all untested

A Bolex Auto Cine A 16mm Cine Camera, first model, motor runs, body G, with Anastigmat Hermagis 25mm f/3.5 lens, elements G, in worn maker's box

Two Boxes of Cine Cameras, including a Bolex 280 Macro Zoom, Canon Auto Zoom 518, Elmo Super 110, C-200, C-300, Eumig Vienette 5, Eumigette Zoom. Quartz Zoom, 5, M, Meopta Admica 8F and other examples, all untested, G

A Bolex Paillard projector and case

A Bolex Paillard H16 Reflex 16mm cine camera. With an 11.5-90mm f2.1 Canon TV Zoom lens, Bolex tripod head and what appears to be an external motor drive.

A Bolex Paillard B8SL 8mm cine camera. With two lenses; a Kern-Paillard 13mm f2.8 Yvar and a Kern-Paillard 36mm f2.8 Yvar both with front caps. Together with tan case, instruction manual, pistol grip and lens hood.

A large collection of projection lenses. To include a Leitz Hektor 10cm f2.5, a Leitz Elmaron 100mm f2.8, a Leitz Elmaron 85m f2.8, and other examples by Kodak, Taylor Hobson, Sankor, Isco, Snaplite, Wray, Bolex Paillard, Bell & Howell and more. Approximately 50. Some with boxes.

Two tripods and a monopod. To include a Velbon VS-3, an unbranded 7 draw example, together with a Bolex Paillard monopod.

A Bolex Paillard B8L 8mm cine camera. With two lenses; a Kern-Paillard 36mm f2.8 Yvar, and a Schneider-Kreuznach 13mm f1.9 Xenoplan. Together with an instruction manual, pistol grip, various light meters, lights and other accessories.

A Bolex H16 EBM Electric 16mm cine camera body. Together with a film magazine, and Nikon F-mount lens adaptor.

A Bolex 680 Macro Zoom super 8 cine camera. With a Bolex Macro-Zoom 7-56mm f1.8 lens, lens cap and case.

A Bolex Paillard H16 Reflex 100mm under water housing. Serial number 1213. Fits Bolex H16 Reflex 16mm models. In fitted wooden case with accessories.

This retro set includes a film projector for Super 8 and 16mm films, featuring a high-quality optical system, user-friendly design, and adjustable speed settings. It comes with an attached case and carrying handle, along with a movie camera light designed to mount on the side of the Bolex 155 Movie Camera, complete with its own carrying case. Bolex-Paillard branding. Light dimensions: 4.5"L x 4.5"W x 3.25"H (Plus cord). Light case dimensions: 9"L x 5"W x 4"H. Projector: 9.5"L x 5.75"W x 8.5"H. Issued: c. 1960Dimensions: See DescriptionManufacturer: Bolex-PaillardCountry of Origin: SwitzerlandCondition: Age related wear. Movie light needs light bulb replaced. Functionality not guaranteed.

Outstanding Swiss Paillard Bolex H16 Reflex Camera with original leather case. This professional level movie camera boasts three lenses and includes all instructions. Trigger handle grip included. Sticker on leather case for U.S. Customs inspected Nassau. Camera dimensions: 10"L x 6"W x 9"H. Box dimensions: 10"L x 6"W x 9"H. Issued: c. 1960Dimensions: See DescriptionCountry of Origin: SwitzerlandCondition: Age related wear.

A quantity of vintage cameras, including Paillard Bolex, Minolta-ER, Kodak, box cameras, etc.

A Bakelite cased radio, sold as a collectors item; a Bolex 18-5 projector and another Bolex projector and case

A cased Bolex Paillard, a cased electric record player and a vintage Murphy radio (3).

BOX OF VINTAGE AND MODERN CAMERAS, to include a Konica KD-400Z 4.0 mega pixels, Canon Ixus 24-48mm f4.5-6.2, Lumix 4.0 mega pixels, Lumix 12 mega pixels, Vivitar automatic tele converter 2x-21, Starblitz 3200BT- TWIN-S, 16m - SLAVE, vintage Bolex zoom reflex P1 camera, in original case, Voiglander fitted with colour - skopar 2.8/50 lens in leather case, Electro 35 camera fitted with a Yashinon - Dx f 4 5 mm, in case, Olympus Trip 35 camera fitted with 1:2.8 f = 40mm lens in case etc. (sd/af), (1 box)

ONE BOX AND LOOSE CAMERAS AND AUDIO EQUIPMENT, to include a modern Roberts 'Vintage' radio, a Zeiss Ikon 'Ikonta' folding camera, a Panasonic X16 digital zoom Palmcorder, a boxed View-master, a Bell & Howell Sportster IV, a Minolta 7000 camera with a Sigma zoom lens 200mm, a Minolta zoom lens 35-70mm, a Bolex - Paillard D8L camera with instruction booklet and leather case and a boxed 'IQ Video' sound mixer/transfer unit, etc. (s.d) (1 box + loose)

A Paillard Bolex H16 EBM Electric 16mm Cine Camera, 1970-, black/chrome, serial no. 304664, with Kern Vario-Switar f/1.9 16-100mm lens, black, serial no. 1118207, body, VG, untested, lens, VG, complete with H16 RX 400ft magazine, bellows rail, monopod, filters, synchro units and more, in maker's fitted case

A BOLEX 18-3 DUO PROJECTOR WITH INSTRUCTIONS

Cameras: five pairs of binoculars, to include Carl Zeiss Jenoptem 8x30W; together with a Bolex 250 movie camera, boxed with instructions.

Bolex H8, um 1960Paillard, Schweiz. Filmkamera für Doppel-8-Filme auf bis zu 30m-Tageslichtspulen. Suchersystem: Spiegelreflex. Objektive: Kern Macro-Switar H8 RX 1,3/12,5 mm und Kern Macro-Switar H8 RX 1,4/36 mm in üblicher C-Mount-Fassung. Federwerkantrieb 12–64 Bilder läuft. Start Price: EUR 240 Zustand: (3+/2-)Bolex H8 Film Camera, c. 1960Paillard, Switzerland. For double-eight films on reels of up to 30 meters, 12–64 fps spring-drive turret with Kern Macro-Switar H8 RX 1.3/12.5 mm and Kern Macro-Switar H8 RX 1.4/36 mm lenses with meter engraving in usual C-mount, working. Start Price: EUR 240 Condition: (3+/2-)

A Collection of Cameras and equipment, to include a Pentax SMC 28mm f/2.8 lens, a Nikon fit AF 70-300mm Sigma DG lens, a Bolex B8L movie camera with two lenses

A Collection of Cameras to include a Sankyo Supertronic Sound XL-320, a Bolex S1, three compact digital cameras, three pairs of binoculars

A Collection of Cameras, including Panasonic Lumix G1 with 14-45mm lens, an Olympus Trip 35, a black Canon FTBn-QL with 50mm lens, a Canon Powershot S311, a cased Bolex B8 three lens 8mm movie camera

Linhof Technika IV Rollex 6x9 Camera together with Paillard Bolex B8, Linhof Sheet Film Holder Polaroid 320 and a Lipca Rollop together with camera accessories and ephemera (1 Tray)

A COLLECTION OF CAMERAS AND EQUIPMENT TO INCLUDE, A EUMIG SPLICER SUPER 8, ZEISS IKON FLASH ATTACHMENT, CAMERA ACTUATOR EXTENDER, CANON EOS 5000 CAMERA, TWO LARGE CABLE EXTENSIONS WITH MALE AND FEMALE JACK PLUGS, BRAUN NICO 136 CINE CAMERA, OLYMPUS 49MM LENS, ZEIS JENA LENS 2.8/50, OLYMPUS OM707 CAMERA, BOLEX PAILLAD CAMERA WITH INSTRUCTIONS, ETC

Collection of vintage cameras, including Yashica CinemaX, Kodak brownie, Ensign Auto Kinecam, Bolex Paillard cine camera, etc

A Group of Cine Cameras, to include a Eumig C3, body G, motor runs, with three lenses, a Eumig C5, untested, a Eumig 860, body G, untested, a Bolex 155 super, body G, untested, a Paillard-Bolex mechanical camera, untested, and a Bolex 233, body F-G, untested.

Bolex Cine Camera, Zeiss Ikon Camera, Agfa and Fuji Cameras

Paillard Bolex cine camera, with three lenses; Dallmeyer Speed Anastigmat F/1.5 204319, Dallmeyer Popular Telephoto and Dallmeyer Wide Angle Antistigmatic 202768, in fitted case with ephemera and accessories

Paillard Bolex cine camera, with three lenses; YVAR 1:2.5 f=75mm AR no. 64352, Switar 1:1.4 f=25mm AR no. 77066 and YVAR 1:2.8 f=16mm AR no. 184953, in fitted case with brochure, other ephemera and accessories

William Kentridge (South African, born 1955)Monument I signed and dated 'KENTRIDGE/ 90' (lower right)charcoal on paper119.7 x 148.7cm (47 1/8 x 58 9/16in).Footnotes:ProvenanceA private collection.This image is taken from William Kentridge's second Drawings from Projection film Monument (1990) which thematically explores notions of exploitation, passivity, responsibility, and power. The year that this work was created in was contextually a period of transition from the Apartheid. Kentridge calls into question how the Apartheid will be remembered, commemorated, and even appropriated. Deriving from Samuel Beckett's short play Catastrophe the narrative of the film displays a worker carrying a heavy load outside the city walls before disappearing from sight. Soho Eckstein, the character of a mine owner commonly used by Kentridge in his oeuvre, is presented in this film as the 'civic benefactor' who, after delivering a speech seemingly expressing gratitude, has a statue unveiled presenting an image of the worker, highly celebrated by the surrounding crowd. 'One expects, of course, that the heroic image within the wrapping will turn out to be that of Soho Eckstein himself (Dan Cameron, Carolyn Christov-Bakargiev, J.M. Coetzee, William Kentridge, (London: Phaidon, 1999), p. 57)). However, when the statue starts breathing at the end of the film, therefore resisting the structural control, the viewer is indeed faced with the fact that the representational figure is indeed human. Conceptually, while it may seem that Soho is acting in a position of gratitude and indeed commemorating the labourer, we are reminded of the complex issues of humanity and representation and the continuing social structure issues that remain ongoing. 'By means of this ritualistic, formulaic gesture of homage to the oppression of the poor, the capitalist position of power and dominance would seem to be confirmed, even extended.' (Cooke, p. 41). Correlations are drawn reflectively by Kentridge between himself and the character of Soho in the complexity of representation. However, differing from Soho, Kentridge displays a sense of self-awareness and a refusal of complicity and ignorance in his position as a spectator.The present work, Monument I, captures the moment just prior to the statue's unveiling. As the crowd is gathered awaiting the concealed lonely figure to be revealed, the work crystallises a moment of anticipation. Trumpets, billboards, and speakers of an urbanised landscape contrast the barren landscape that was seen at the beginning of the film. The concealed figure stands tall, central, and concealed from the landscape (from what we understand in the context of the film) that they had physically created. 'The classic antagonism between the masses rising up in solidarity against the oppressive exploiter, which fuels Monument, or the hostile reciprocity between the dominating class and the victimized individual.' (Lynne Cooke, 'Mundus Inversus, Mundus Perversus, William Kentridge, (Chicago: Museum of Contemporary Art and New York: Harry N. Abrams Publishers, 2001), p. 50.)Kentridge's process of re-working and altering a singular drawing numerous times to display animated movement in the film has resulted in this conclusive drawing. 'The technique I use is to have a sheet of paper stuck up on the studio wall and, half-way across the room, my camera, usually an old Bolex. A drawing is started on the paper, I walk across to the camera, shoot one or two frames, walk back to the paper, change the drawing (marginally), walk back to the camera, walk back to the paper, to the camera, and so on. So that each sequence as opposed to each frame of the film is a single drawing. In all there may be twenty drawings to a film rather than the thousands one expects. It is more like making a drawing than making a film (albeit a gray, battered and rubbed about drawing).' (Lecture, 1993, published in Cycnos: Image et Langage, Problemes, Approches, Méthodes, Nice, vol. 11 no.1, (1994), pp. 163-168. Republished in C. Christov-Bakargiev, William Kentridge, William Kentridge, Societe des Expositions du Palais de Beaux-Arts, (Bruxelles 1998), pp. 61-64)BibliographyLilian Tone, William Kentridge Fortuna, (London: Thames & Hudson, 2013)Margaret K. Koerner, Smoke, Ashes, Fable, William Kentridge In Bruges, (New Haven and London: Yale University Press, 2017)Mark Rosenthal, William Kentridge, Five Themes, (New Haven and London: Yale University Press, 2009)Matthew Kentridge, The Soho Chronicles, 10 Films by William Kentridge, (London, New York & Calcutta: Seagull Books, 2015)Carolyn Christov-Bakargiev, William Kentridge, (Brussels: Societe des Expositions du Palais des Beaux-Arts de Bruxelles/Vereniging voor Tentoonstellingen van het Paleis voor Schone Kunsten Brussel, 1998)Dan Cameron, Carolyn Christov-Bakargiev, J.M. Coetzee, William Kentridge, (London: Phaidon, 1999)Lynne Cooke, William Kentridge, (Chicago: Museum of Contemporary Art and New York: Harry N. Abrams Publishers, 2001)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

A pair of ceramic cart horses with wagon, a Bolex K2 film camera and other cameras.

A collection of assorted vintage film cameras. Including Kadak Instamatic 133 in original box, a Paillard - Bolex cine camera, etc.

A vintage Bolex P2 Zoom Reflex video camera, with handle, spool reel and lens cap, in original case and outer box.

A Paillard Bolex H16 16mm cine camera, serial no. 110557, with Kern Switar 25mm lens serial no. 324439, comes with Rondo splicer and Weston Master II cine exposure meter, in fitted leather Bolex leather case with original guarantee.

A Brass Microscope in Case, by Baker, no 3138, Paillard Bolex cine camera in case, Canon Super 8 Zoom 518 cine camera and two boxes of films, magic lantern slides, prisms, etc (qty)

Collectable cameras to include Pentax auto110 with 1:2.8 20-40mm, 1:2.8 18mm, 1:2.8 24mm and 1:2.8 50mm lenses, Zenit-E, Duo-Ensign box camera, box Brownie, Balda Baldinette II, Ensign Midget model 22 folding camera, Halina 35X, Voigtlander Vitessa, Japanese Wester, Zeiss Ikon Contina and Paillard-Bolex B8 cine camera

Paillard Bolex D8L cine camera outfit, serial number 772268 with Yvar 1:1.8 f=13mm, Yvar 1:2.8 f=36mm and Pizar 1:2 f=55mm lenses, hand grip, leather case, instructions, tripod and cased M8 projector

Paillard Bolex H16 cine camera outfit, serial number 195622 with Switar 1:1.8 f=16mm, Pizar 1:1.5 f=25mm and Yvar 1:2.5 f=75mm lenses, Taylor & Hobson Serital 1 inch f1.9 lens, light meter, hand grip and remote, in leather case with instructions and wood and aluminium tripod

Paillard Bolex H8 cine camera; projector; screen and stand

A Bolex Paillard B8 8mm cine camera. With two lenses; a Dallmeyer Popular 1 1/2 inch f4 and a Yvar 13mm f1.9. Together with instruction manual and case.

A Bolex 233 compact cine camera in original box and a Agfa camera in travelling case