We found 2051 price guide item(s) matching your search
There are 2051 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
2051 item(s)/page
BOX OF VINTAGE AND MODERN CAMERAS, to include a Konica KD-400Z 4.0 mega pixels, Canon Ixus 24-48mm f4.5-6.2, Lumix 4.0 mega pixels, Lumix 12 mega pixels, Vivitar automatic tele converter 2x-21, Starblitz 3200BT- TWIN-S, 16m - SLAVE, vintage Bolex zoom reflex P1 camera, in original case, Voiglander fitted with colour - skopar 2.8/50 lens in leather case, Electro 35 camera fitted with a Yashinon - Dx f 4 5 mm, in case, Olympus Trip 35 camera fitted with 1:2.8 f = 40mm lens in case etc. (sd/af), (1 box)
ONE BOX AND LOOSE CAMERAS AND AUDIO EQUIPMENT, to include a modern Roberts 'Vintage' radio, a Zeiss Ikon 'Ikonta' folding camera, a Panasonic X16 digital zoom Palmcorder, a boxed View-master, a Bell & Howell Sportster IV, a Minolta 7000 camera with a Sigma zoom lens 200mm, a Minolta zoom lens 35-70mm, a Bolex - Paillard D8L camera with instruction booklet and leather case and a boxed 'IQ Video' sound mixer/transfer unit, etc. (s.d) (1 box + loose)
A Paillard Bolex H16 EBM Electric 16mm Cine Camera, 1970-, black/chrome, serial no. 304664, with Kern Vario-Switar f/1.9 16-100mm lens, black, serial no. 1118207, body, VG, untested, lens, VG, complete with H16 RX 400ft magazine, bellows rail, monopod, filters, synchro units and more, in maker's fitted case
Bolex H8, um 1960Paillard, Schweiz. Filmkamera für Doppel-8-Filme auf bis zu 30m-Tageslichtspulen. Suchersystem: Spiegelreflex. Objektive: Kern Macro-Switar H8 RX 1,3/12,5 mm und Kern Macro-Switar H8 RX 1,4/36 mm in üblicher C-Mount-Fassung. Federwerkantrieb 12–64 Bilder läuft. Start Price: EUR 240 Zustand: (3+/2-)Bolex H8 Film Camera, c. 1960Paillard, Switzerland. For double-eight films on reels of up to 30 meters, 12–64 fps spring-drive turret with Kern Macro-Switar H8 RX 1.3/12.5 mm and Kern Macro-Switar H8 RX 1.4/36 mm lenses with meter engraving in usual C-mount, working. Start Price: EUR 240 Condition: (3+/2-)
A COLLECTION OF CAMERAS AND EQUIPMENT TO INCLUDE, A EUMIG SPLICER SUPER 8, ZEISS IKON FLASH ATTACHMENT, CAMERA ACTUATOR EXTENDER, CANON EOS 5000 CAMERA, TWO LARGE CABLE EXTENSIONS WITH MALE AND FEMALE JACK PLUGS, BRAUN NICO 136 CINE CAMERA, OLYMPUS 49MM LENS, ZEIS JENA LENS 2.8/50, OLYMPUS OM707 CAMERA, BOLEX PAILLAD CAMERA WITH INSTRUCTIONS, ETC
William Kentridge (South African, born 1955)Monument I signed and dated 'KENTRIDGE/ 90' (lower right)charcoal on paper119.7 x 148.7cm (47 1/8 x 58 9/16in).Footnotes:ProvenanceA private collection.This image is taken from William Kentridge's second Drawings from Projection film Monument (1990) which thematically explores notions of exploitation, passivity, responsibility, and power. The year that this work was created in was contextually a period of transition from the Apartheid. Kentridge calls into question how the Apartheid will be remembered, commemorated, and even appropriated. Deriving from Samuel Beckett's short play Catastrophe the narrative of the film displays a worker carrying a heavy load outside the city walls before disappearing from sight. Soho Eckstein, the character of a mine owner commonly used by Kentridge in his oeuvre, is presented in this film as the 'civic benefactor' who, after delivering a speech seemingly expressing gratitude, has a statue unveiled presenting an image of the worker, highly celebrated by the surrounding crowd. 'One expects, of course, that the heroic image within the wrapping will turn out to be that of Soho Eckstein himself (Dan Cameron, Carolyn Christov-Bakargiev, J.M. Coetzee, William Kentridge, (London: Phaidon, 1999), p. 57)). However, when the statue starts breathing at the end of the film, therefore resisting the structural control, the viewer is indeed faced with the fact that the representational figure is indeed human. Conceptually, while it may seem that Soho is acting in a position of gratitude and indeed commemorating the labourer, we are reminded of the complex issues of humanity and representation and the continuing social structure issues that remain ongoing. 'By means of this ritualistic, formulaic gesture of homage to the oppression of the poor, the capitalist position of power and dominance would seem to be confirmed, even extended.' (Cooke, p. 41). Correlations are drawn reflectively by Kentridge between himself and the character of Soho in the complexity of representation. However, differing from Soho, Kentridge displays a sense of self-awareness and a refusal of complicity and ignorance in his position as a spectator.The present work, Monument I, captures the moment just prior to the statue's unveiling. As the crowd is gathered awaiting the concealed lonely figure to be revealed, the work crystallises a moment of anticipation. Trumpets, billboards, and speakers of an urbanised landscape contrast the barren landscape that was seen at the beginning of the film. The concealed figure stands tall, central, and concealed from the landscape (from what we understand in the context of the film) that they had physically created. 'The classic antagonism between the masses rising up in solidarity against the oppressive exploiter, which fuels Monument, or the hostile reciprocity between the dominating class and the victimized individual.' (Lynne Cooke, 'Mundus Inversus, Mundus Perversus, William Kentridge, (Chicago: Museum of Contemporary Art and New York: Harry N. Abrams Publishers, 2001), p. 50.)Kentridge's process of re-working and altering a singular drawing numerous times to display animated movement in the film has resulted in this conclusive drawing. 'The technique I use is to have a sheet of paper stuck up on the studio wall and, half-way across the room, my camera, usually an old Bolex. A drawing is started on the paper, I walk across to the camera, shoot one or two frames, walk back to the paper, change the drawing (marginally), walk back to the camera, walk back to the paper, to the camera, and so on. So that each sequence as opposed to each frame of the film is a single drawing. In all there may be twenty drawings to a film rather than the thousands one expects. It is more like making a drawing than making a film (albeit a gray, battered and rubbed about drawing).' (Lecture, 1993, published in Cycnos: Image et Langage, Problemes, Approches, Méthodes, Nice, vol. 11 no.1, (1994), pp. 163-168. Republished in C. Christov-Bakargiev, William Kentridge, William Kentridge, Societe des Expositions du Palais de Beaux-Arts, (Bruxelles 1998), pp. 61-64)BibliographyLilian Tone, William Kentridge Fortuna, (London: Thames & Hudson, 2013)Margaret K. Koerner, Smoke, Ashes, Fable, William Kentridge In Bruges, (New Haven and London: Yale University Press, 2017)Mark Rosenthal, William Kentridge, Five Themes, (New Haven and London: Yale University Press, 2009)Matthew Kentridge, The Soho Chronicles, 10 Films by William Kentridge, (London, New York & Calcutta: Seagull Books, 2015)Carolyn Christov-Bakargiev, William Kentridge, (Brussels: Societe des Expositions du Palais des Beaux-Arts de Bruxelles/Vereniging voor Tentoonstellingen van het Paleis voor Schone Kunsten Brussel, 1998)Dan Cameron, Carolyn Christov-Bakargiev, J.M. Coetzee, William Kentridge, (London: Phaidon, 1999)Lynne Cooke, William Kentridge, (Chicago: Museum of Contemporary Art and New York: Harry N. Abrams Publishers, 2001)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Collectable cameras to include Pentax auto110 with 1:2.8 20-40mm, 1:2.8 18mm, 1:2.8 24mm and 1:2.8 50mm lenses, Zenit-E, Duo-Ensign box camera, box Brownie, Balda Baldinette II, Ensign Midget model 22 folding camera, Halina 35X, Voigtlander Vitessa, Japanese Wester, Zeiss Ikon Contina and Paillard-Bolex B8 cine camera
HEAVY/ BLUES/ PROG - ROCK LP RARITIES PACK. A super selection of 4 rock LP rarities. Artists/ titles include The John Dummer Band - Blue (6360 055, UK Vertigo. Swirl labels, swirl inner. Record VG+/ sleeve VG), Hard Stuff - Bolex Dementia (TPSA 7507, UK Purple. Record VG+, has some light scuffs, nothing feelable of note. Sleeve VG+), Clouds - Scrapbook (ILPS 9100, UK pink Island/ black block labels. VG+/ VG) and McDonald And Giles (ILPS 9126. UK Island. Pink/ large white i labels. Ex/ VG).
5 Bolex-Schmalfilmkameras, um 1960C. Paillard, Schweiz. Alle Kameras für 7,5m-Doppel-Acht-Spulen. 3 Kameras für jeweils 2 Objektive (Kern Paillard), 2 Kameras für 3 Objektive (Kern Paillard). Alle Kameras sind betriebsfähig, Federwerke laufen. Zwei mit eingebauten Belichtungsmessern, mit Zubehör. Diese Bolex-Kameras waren teure Spitzengeräte ihrer Zeit. Start Price: EUR 120 Zustand: (2-/2-)5 Bolex N-8 Film Cameras, c. 1960C. Paillard, Switzerland. All cameras for 7.5-meter double-eight spools, with spring motors (working), 3 cameras with Kern-Paillard double-lens turrets, 2 with triple-lens turrets by the same maker, two with built-in light meters, with assorted accessories. Top-of-the-range equipment of its time. Start Price: EUR 120 Condition: (2-/2-)
A quantity of vintage cameras to include a Kodak folding camera in an Omnica leather camera bag, a further leather camera bag, a Nikon D3100 digital SLR, a Practiflex camera, a Kodak Brownie in canvas case, a Super Paxette in leather case, a Leitz Elmar camera in leather case and a Paillard-Bolex cine camera, etc, together with various filters, eyepieces, etc (2).
ONE BOX AND LOOSE VINTAGE CAMERAS, to include a Praktica B100 electronic camera with aluminium travel case, a Gnome 'Baby Pixie' camera, a Paillard-Bolex cine camera, a Polaroid SX-70 Land Camera, a Praktica BMS electronic camera, an Agfa Colour King 200 tele, a boxed Agfamatic pocket LUX 234, a boxed waterproof WP-CP3 camera with user's manual, a boxed Rollei Prego dp6000 camera with instruction manual, etc. (s.d/a.f) (1 box + loose)
A vintage Ensign Cine Pan, wooden tripod with stainless steel extension with dual tips, rubber and spiked for studio/outdoor filming, with its original leather and canvas case, together with a smaller vintage West German Susis Telescopic Camera tripod with its original leather zip up pouch, extending from 18cm to 110cm, a GB Bell & Howard tri-lens 8mm cine camera with a leather case further GB Bell and Howell viceroy tri-lens 8mm cine camera and a Velbox telescopic tripod and case and an instruction manual, a vintage cameras and cine camera including Bolex Paillard C8 cine camera, instruction manual and leather case, A Zeiss ikon Ikonta camera with a leather case, a Fujica 35 Automagic camera with a leather case, and an Ensign box camera.
A Bolex H16 Reflex Cine Camera, black, body G, eyepiece has perished, motor runs, has facility for 400 foot cartridges, also supplied with a 400 foot cartridge, with lenses Switar f/1.4 25mm, barrel VG, optics VG with the lightest of dust, and a Switar f/1.8 16mm, barrel VG, optics VG, lightest of dust, and a C-mount to Nikon F-mount adaptor.
A Bolex H8 Reflex 8mm Motion Picture Camera Outfit, black, body G-VG, motor winds & runs well, viewfinder clear & in-focus, together with a Switar f/0.9 13mm AR lens, body VG, optics G, some light haze & fungus present, together with a Switar f/1.8 5.5mm AR lens, body VG, optics G-VG, also with a Yvar f/2.8 36mm lens, body VG, optics G, light dust present, also with a Yvar f/2.5 25mm lens, body VG, optics F, some fungus present, also with a cine Yashinon f/1.4 38mm lens, body VG, optics VG, lightest of dust present, with base plate pistol grip, missing Octofinder, fitted leather case, and accessories, lens cases, and two rolls of expired Ferrania film.
-
2051 item(s)/page