Fine Art and Antiques Auction

Charles Thomas Burt (1823-1902) Coastal Path, a shepherd and sheepdog resting amongst the gorse with his flock grazing in the dunes, signed and da...

Attributed to George Cole (1810-1883) Shepherd Resting with his Grazing Flock in a rural landscpe, a river and windmill in the distance beyond, at...

William Henry Mander (1850-1922) A Scotch River in the Trossachs, signed and dated 1902 lower right, oil on canvas, 50.5 x 76 cm, frame 83.5 x 116...

Daniel Sherrin (1868-1940) In the Highlands, Highland cattle watering from an upland stream, signed lower left, 60.5 x 116.5 cm, 92 x 138 cm Pro...

Robert Freebairn (1768-1808) The Ferry Crossing, oil on canvas, 46 x 61 cm, frame 55 x 71 cm Provenance: private Shropshire collection, sold thro...

Joseph Thors (1835-1920) Lady Gathering Kindling in a Country Landscape, signed lower left, oil on canvas, 73 x 87 cm, frame 104 x 120 cm

Samuel Calvert (1828-1913) Off Ramsay, Isle of Man, fishing boats in rough coastal waters, signed lower left, oil on canvas, 51 x 77 cm, frame 70 ...

Kirk van Hoom (Dutch 19th-20th Century) A Pair of Dutch Harbour Scenes, showing fishing boats unloading their catch at the harbours edge, signed, ...

Campbell A Mellon (1876-1955) Richmond Bridge and Castle, signed lower left, oil on canvas, 26 x 35.5 cm, frame 38 x 48 cm Provenance: private Ch...

Albert Dürer Lucas (1828-1918) Still Life study with primroses, spring flowers and a dandelion, signed and dated 1888 lower right, additionally si...

Thomas Prytherch (1864-1926) The Interior of St Pauls Cathedral, signed and dated 1909 lower right, oil on canvas, 93.5 x 93.5 cm Prytherch was a...

J Langlois (c.1855-1904) A Large Oil of Terriers at a Rabbit Hole, in a landscape, signed lower left, oil on canvas, 77 x 128 cm, frame 88 x 140 c...

Attributed to Albert Anker (Swiss 1831-1910) Hospitality, possibly a preparatory study for the artist's known oil painting 'Hospitality' which was...

After Anthony Van Dyk (1599-1641) Crucifxion of Christ, with cherubs collection his blood, oil on canvas, 54 x 39 cm, frame 64 x 51 cm

Circle of William Hogarth (1697-1764) Portrait of the Right Honourable Lady Mary Forbes, inscribed lower left, oil on canvas, 77 x 63 cm, frame 97...

Follower of Thomas Musgrave Joy (1812-1866) Portrait of Henry Charles Howard (1791-1856) 13th Duke of Norfolk KG PC and Earl of Surrey, titled ver...

Pieter van der Werff (1665-1722) Oval Portrait of a Lady with a blue velvet wrap, oil on canvas, 80 x 64 cm, frame 100 x 86 cm

After Thomas Lawrence (1769-1830) Portrait of Lady Elizabeth Mary Grosvenor (1797-1891) née Leveson Gower, oil on canvas, 76 x 64 cm, frame 101 x ...

After Joshua Reynolds (1723-1792), King Lear, oil on canvas, 75 x 62 cm, frame 91 x 78 cm

ARR Anna Zinkeisen (1901-1976) Portrait of Anna Christina MacKay, head and shoulders portrait, looking to dexter, wearing a pink roll neck top wit...

ARR Anna Katrina Zinkeisen (1901-1976) Pan on the Battlefield, signed lower right, charcoal drawing, 50 x 35 cm, frame 54 x 38 cm Provenance: Con...

Anna Katrina Zinkeisen (1901-1976) The Madonna and Child, initialled lower right, oil on board with embellishments of beads, gems and semi-preciou...

ARR Anna Zinkeisen (1901-1976) Portrait of Helene Babbett-Philp, shown full length seated, looking to dexter, wearing a white dress with draped wh...

ARR Anna Katrina Zinkeisen (1901-1976) Paso Doble Dancers, pencil and watercolour, 32 x 23 cm Provenance: Consigned by descendants of the artist

ARR Tom Carr RUA ARWS (1909-1999) Jug With Roses, signed lower left, c.1987, oil on canvas, 30.5 x 25 cm, frame 45 x 40 cm Provenance: with The T...

Adrian Allison (1890-1959) Seascape, figures padding in the shallows on the seashore, oil on board, 31.5 x 39 cm, frame 46 x 53 cm Provenance: pr...

ARR John Anthony Park (1880-1962) The Beachfront, St Ives, signed lower right, oil on board, 32 x 40 cm, frame 42 x 50 cm Provenance: private col...

ARR John Anthony Park (1880-1962) Evening Tide, St Ives, signed lower left, oil on board, 35 x 45 cm, frame 44 x 54 cm Provenance: private collec...

An ammonite specimen (Placenticeras meeki)75- to 72-million-years-old (Late Cretaceous)Bearpaw Formation, Alberta, CanadaWith areas of red ammolit...

A good iridescent ammonite specimen (Placenticeras meeki)75- to 72-million-years-old (Late Cretaceous)Bearpaw Formation, Alberta, CanadaWell prese...

An Egyptian faience shabtiCirca 300 BCThe pale blue-green pottery of typical form, wearing a tripartite wig with plaited beard, the arms are cross...

A Sasanian incantation bowl6th-7th century ADThe buff earthenware bowl of conical form, the interior inscribed with a spiralling Aramaic script.16...

A Roman wrought iron trident spearheadCirca 3rd-4th century ADThe three tines with barbed points, likely a fishing spear for catching flat fish or...

Two Roman earthenware pitchersCirca 2nd century ADThe buff pottery of ovoid form with pinched spouts and plain strap handles.28cm and 20cm high (2...

A Roman pale green glass footed dishJordan, 2nd-3rd century ADThe shallow bowl with straight slightly flaring sides, on a pedestal base, with pont...

A 17th century and later English oak court cupboardThe top section comprising a projecting carved canopy with turned knobs at the front corners ov...

A 17th century oak court cupboardThe top rail carved with strapwork and a central monogram RMB and dated 1684 on turned baluster supports, above t...

After Christophe Gabriel Allegrain (French, 1710-1795): A 19th century bronze figure of the Bathing VenusThe nude figure with left leg resting on ...

After Etienne Maurice Falconet (French, 1716-1791): A 19th century bronze figure of the Bathing VenusThe nude figure standing beside a tree stump,...

An 18th century oak dresser and rack, South WalesWith a three-tier graduated plate rack with openwork frieze, on a base with three cockbeaded and ...

A George II mahogany tripod tableCirca 1745-60, the circular dished top pivoting on a birdcage platform above a turned column raised on scroll sup...

A George II feather-banded walnut bureau cabinetThe top cabinet, probably associated, with a single mirrored door, the bevelled mirror with gilt b...

A framed stumpwork picture, 18th centuryOval aspect and worked with a scene of a classical maiden in a landscape playing a lyre, within a moulded ...

A George III oak and cross-banded painted dial longcase clockThe dial signed Crane, BromsgroveThe hood with swan-neck pediment and turned full col...

A George III oak brass dial longcase clockThe dial signed Robert Burfield, ArundelThe moulded cornice above a square glazed door flanked by simple...

A George III mahogany brass dial longcase clockThe dial signed James Gordon, PerthThe hood with cavetto cornice above a blind fretwork arch suppor...

George III mahogany kneehole deskThe cross-banded top above a single frieze drawer, the kneehole flanked by six drawers with a cupboard behind, ra...

A George III inlaid satinwood sofa tableThe rosewood banded rectangular top with reeded edge, having two frieze drawers opening to one side, two d...

A Regency Sheraton style mahogany and walnut-veneered bonheur de jourThe hinged writing surface cross-banded and inlaid, opening to a green leathe...

A Regency inlaid walnut tea caddyOf oval form, inlaid with marquetry trophies, swags and patera.14.5cm wide x 11cm highCondition:Exterior good wit...

A William IV Irish mahogany breakfront sideboardThe flame figured back between turned columns, the moulded breakfront top with re-entrant corners,...

A Chinese cloisonne tea service, 19th centuryWorked with shaped panels of auspicious flowers and foliage to mid and pale blue reserved against a b...

An Anglo-Indian carved rosewood cabinet, 19th centuryThe top with pierced gallery back carved with acanthus foliage and buds, the base with bow-fr...

A early-mid 19th century ash and elm Windsor armchairOf hoop-back form, the shaped splat with pierced wheel, the saddle seat raised on ring-turned...

A Victorian rosewood tea caddyOf sarcophagus form with twin ring handles, inlaid with mother-of-pearl flowers and foliage, the cover enclosing a f...

A Victorian framed needlework samplerBy Susannah Griffin, aged 12, dated 27 May 1852, typically formally arranged with the alphabet above a verse ...

A Victorian walnut writing slopeWith mother-of-pearl inlay, the interior with tooled and gilt leather and velvet skiver, typical pen and stationar...

A Victorian inlaid rosewood sewing boxOf sarcophagus form with twin ring 'handles', inlaid with mother-of-pearl flowers and foliage, the top cover...

A Victorian Tunbridge ware walnut sewing boxWith two bands of 'Greek key' parquetry inlay, the interior lined in dark green velvet with lift-out t...

A rare and very unusual late Victorian carved mahogany mirror-back taxidermy sideboardAttributed to Lewis Hutton or William HineOf breakfront form...