129
A Group of Set Stills from Paramount Pictures Film Noir Films
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Description
A Group of Set Stills from Paramount Pictures Film Noir Films Including Murder with Pictures, Florida Special, Illegal Traffic, Disbarred, Ambush, Persons in Hiding, Among the Living, The Night of January 16th, Fly-By-Night, Street of Chance, The Man in Half Moon Street, The Unseen, Desert Fury, I Walk Alone, Night Has a Thousand Eyes, Rope of Sand, The Accused, Dark City, Peking Express, Detective Story, Tropic Zone, and Hell's Island. Please note that there may be some duplication of photographs in each film folder. Murder with Pictures (Paramount Pictures, 1936). Director Charles Barton. Film Noir. Approximately 105 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with photographer 'A.E. Freudeman' stamped to verso. Florida Special (Paramount Pictures, 1936). Director Ralph Murphy. Film Noir. Approximately 18 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with photographer 'A.E. Freudeman' stamped to verso. Illegal Traffic (Paramount Pictures, 1938). Director Louis King. Film Noir. Approximately 50 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with 'Set Dressing (36)' stamped to verso. Disbarred (Paramount Pictures, 1939). Director Robert Florey. Film Noir. Approximately 20 silver gelatin photographs, 8 x 10 in., most with location descriptions handwritten in ink to border, some with 'Set Dressing' stamped to verso. Ambush (aka I Robbed a Bank) (Paramount Pictures, 1939). Director Kurt Neumann. Film Noir. Approximately 35 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with 'Set Dressing (36)' stamped to verso. Persons in Hiding (Paramount Pictures, 1939). Director Louis King. Film Noir. Approximately 90 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with 'Set Dressing (36)' stamped to verso, some with photographer 'A.E. Freudeman' stamped to verso. Among the Living (Paramount Pictures, 1941). Starring Susan Hayward, Frances Farmer. Director Stuart Heisler. Film Noir. Approximately 230 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to border, some stamped 'Interior Decorating (36)' to verso. The Night of January 16th (Paramount Pictures, 1941). Director William Clemens. Film Noir. Approximately 120 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. Fly-By-Night (Paramount Pictures, 1942). Director Robert Siodmak. Film Noir. Approximately 110 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. Street of Chance (aka The Black Curtain) (Paramount Pictures, 1942). Director Jack Hively. Film Noir. Approximately 70 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso. The Man in Half Moon Street (Paramount Pictures, 1944). Director Ralph Murphy. Film Noir. Approximately 65 silver gelatin photographs, 4 x 5 in., some with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso. Together with 15 larger photos, 8 x 10 in. The Unseen (aka Fear) (Paramount Pictures, 1945). Director Lewis Allen. Film Noir. Approximately 55 silver gelatin photographs, 8 x10 in., many with location descriptions handwritten in ink to border, some date stamped (May-June 1944) and some with 'Interior Decorating (36)' stamped to verso. Together with approximately 9 smaller photos, 4 x 5 in. Desert Fury (aka Desert Town) (Paramount Pictures, 1947). Starring Lizabeth Scott, Burt Lancaster. Directed by Lewis Allen. Film Noir. Approximately 35 silver gelatin photographs, 8 x 10 in. Together with approximately 30 smaller photographs, 4 x 5 in., almost all with descriptions in upper border handwritten in ink, some with 'Interior Decorating (36)' stamped to verso, a few featuring Lizabeth Scott, Wendell Corey, and John Hodiak. I Walk Alone (aka Deadlock) (Paramount Pictures, 1947). Starring Burt Lancaster. Director Byron Haskin. Film Noir. Approximately 25 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso. Together with 4 smaller photos, 4 x 5 in. Night Has a Thousand Eyes (Paramount Pictures, 1948). Starring Gail Russell. Director John Farrow. Film Noir. Approximately 60 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso. Together with 2 smaller photos, 4 x 5 in. Rope of Sand (Paramount Pictures, 1949). Starring Burt Lancaster, Claude Rains. Director William Dieterle. Adventure. Film Noir. Approximately 75 silver gelatin photographs, 8 x 10 in., many with 3-hole punches to border, a few featuring Burt Lancaster. Together with 180 smaller photos, 4 x 5 in., many with location descriptions handwritten in ink to border, 2 featuring Burt Lancaster. The Accused (Paramount Pictures, 1949). Director William Dieterle. Film Noir. Approximately 90 silver gelatin photographs, 4 x 5 in., almost all with descriptions on border handwritten in ink, some with 'Interior Decorating (36)' stamped to verso, 3 featuring Loretta Young (one with Robert Cummings). Together with 4 larger photos, 8 x 10 in. Dark City (aka Bitter Victory) (Paramount Pictures, 1950). Starring Charlton Heston. Director William Dieterle. Film Noir. Approximately 280 silver gelatin photographs, 4 x 5 in., almost all with descriptions in upper border handwritten in ink, some date stamped (Oct.-Nov. 1948), and some with 'Interior Decorating (36)' stamped to verso, 2 featuring Charlton Heston, one featuring Lizabeth Scott, and 2 featuring director William Dieterle. Together with 9 larger photos, 8 x 10 in., screen grabs of Lizabeth Scott. Peking Express (Paramount Pictures, 1951). Director William Dieterle. Film Noir. Approximately 35 silver gelatin photographs, 4 x 5 in., almost all with location descriptions handwritten in ink to border, some date stamped (Feb.-March 1951) and some with 'Interior Decorating' stamped to verso. Detective Story (Paramount Pictures, 1951). Starring Kirk Douglas. Director William Wyler. Film Noir. Approximately 30 silver gelatin photographs, 4 x 5 in., most with location descriptions handwritten in ink to border, some date stamped (Feb.-March 1951) to verso. Tropic Zone (Paramount Pictures, 1953). Director Lewis R. Foster. Film Noir. Approximately 30 silver gelatin photographs, 4 x 5 in., most with location descriptions handwritten in ink to border, some date stamped (March-April 1952) and some with 'Interior Decorating' stamped to verso, one featuring Rhonda Fleming. Together with 3 larger photos, 8 x 10 in. Hell's Island (aka Love is a Weapon) (Paramount Pictures, 1955). Director Phil Karlson. Film Noir. Approximately 75 silver gelatin phot For further information about this lot please visit the lot listing
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A Group of Set Stills from Paramount Pictures Film Noir Films Including Murder with Pictures, Florida Special, Illegal Traffic, Disbarred, Ambush, Persons in Hiding, Among the Living, The Night of January 16th, Fly-By-Night, Street of Chance, The Man in Half Moon Street, The Unseen, Desert Fury, I Walk Alone, Night Has a Thousand Eyes, Rope of Sand, The Accused, Dark City, Peking Express, Detective Story, Tropic Zone, and Hell's Island. Please note that there may be some duplication of photographs in each film folder. Murder with Pictures (Paramount Pictures, 1936). Director Charles Barton. Film Noir. Approximately 105 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with photographer 'A.E. Freudeman' stamped to verso. Florida Special (Paramount Pictures, 1936). Director Ralph Murphy. Film Noir. Approximately 18 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with photographer 'A.E. Freudeman' stamped to verso. Illegal Traffic (Paramount Pictures, 1938). Director Louis King. Film Noir. Approximately 50 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with 'Set Dressing (36)' stamped to verso. Disbarred (Paramount Pictures, 1939). Director Robert Florey. Film Noir. Approximately 20 silver gelatin photographs, 8 x 10 in., most with location descriptions handwritten in ink to border, some with 'Set Dressing' stamped to verso. Ambush (aka I Robbed a Bank) (Paramount Pictures, 1939). Director Kurt Neumann. Film Noir. Approximately 35 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with 'Set Dressing (36)' stamped to verso. Persons in Hiding (Paramount Pictures, 1939). Director Louis King. Film Noir. Approximately 90 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with 'Set Dressing (36)' stamped to verso, some with photographer 'A.E. Freudeman' stamped to verso. Among the Living (Paramount Pictures, 1941). Starring Susan Hayward, Frances Farmer. Director Stuart Heisler. Film Noir. Approximately 230 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to border, some stamped 'Interior Decorating (36)' to verso. The Night of January 16th (Paramount Pictures, 1941). Director William Clemens. Film Noir. Approximately 120 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. Fly-By-Night (Paramount Pictures, 1942). Director Robert Siodmak. Film Noir. Approximately 110 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. Street of Chance (aka The Black Curtain) (Paramount Pictures, 1942). Director Jack Hively. Film Noir. Approximately 70 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso. The Man in Half Moon Street (Paramount Pictures, 1944). Director Ralph Murphy. Film Noir. Approximately 65 silver gelatin photographs, 4 x 5 in., some with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso. Together with 15 larger photos, 8 x 10 in. The Unseen (aka Fear) (Paramount Pictures, 1945). Director Lewis Allen. Film Noir. Approximately 55 silver gelatin photographs, 8 x10 in., many with location descriptions handwritten in ink to border, some date stamped (May-June 1944) and some with 'Interior Decorating (36)' stamped to verso. Together with approximately 9 smaller photos, 4 x 5 in. Desert Fury (aka Desert Town) (Paramount Pictures, 1947). Starring Lizabeth Scott, Burt Lancaster. Directed by Lewis Allen. Film Noir. Approximately 35 silver gelatin photographs, 8 x 10 in. Together with approximately 30 smaller photographs, 4 x 5 in., almost all with descriptions in upper border handwritten in ink, some with 'Interior Decorating (36)' stamped to verso, a few featuring Lizabeth Scott, Wendell Corey, and John Hodiak. I Walk Alone (aka Deadlock) (Paramount Pictures, 1947). Starring Burt Lancaster. Director Byron Haskin. Film Noir. Approximately 25 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso. Together with 4 smaller photos, 4 x 5 in. Night Has a Thousand Eyes (Paramount Pictures, 1948). Starring Gail Russell. Director John Farrow. Film Noir. Approximately 60 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso. Together with 2 smaller photos, 4 x 5 in. Rope of Sand (Paramount Pictures, 1949). Starring Burt Lancaster, Claude Rains. Director William Dieterle. Adventure. Film Noir. Approximately 75 silver gelatin photographs, 8 x 10 in., many with 3-hole punches to border, a few featuring Burt Lancaster. Together with 180 smaller photos, 4 x 5 in., many with location descriptions handwritten in ink to border, 2 featuring Burt Lancaster. The Accused (Paramount Pictures, 1949). Director William Dieterle. Film Noir. Approximately 90 silver gelatin photographs, 4 x 5 in., almost all with descriptions on border handwritten in ink, some with 'Interior Decorating (36)' stamped to verso, 3 featuring Loretta Young (one with Robert Cummings). Together with 4 larger photos, 8 x 10 in. Dark City (aka Bitter Victory) (Paramount Pictures, 1950). Starring Charlton Heston. Director William Dieterle. Film Noir. Approximately 280 silver gelatin photographs, 4 x 5 in., almost all with descriptions in upper border handwritten in ink, some date stamped (Oct.-Nov. 1948), and some with 'Interior Decorating (36)' stamped to verso, 2 featuring Charlton Heston, one featuring Lizabeth Scott, and 2 featuring director William Dieterle. Together with 9 larger photos, 8 x 10 in., screen grabs of Lizabeth Scott. Peking Express (Paramount Pictures, 1951). Director William Dieterle. Film Noir. Approximately 35 silver gelatin photographs, 4 x 5 in., almost all with location descriptions handwritten in ink to border, some date stamped (Feb.-March 1951) and some with 'Interior Decorating' stamped to verso. Detective Story (Paramount Pictures, 1951). Starring Kirk Douglas. Director William Wyler. Film Noir. Approximately 30 silver gelatin photographs, 4 x 5 in., most with location descriptions handwritten in ink to border, some date stamped (Feb.-March 1951) to verso. Tropic Zone (Paramount Pictures, 1953). Director Lewis R. Foster. Film Noir. Approximately 30 silver gelatin photographs, 4 x 5 in., most with location descriptions handwritten in ink to border, some date stamped (March-April 1952) and some with 'Interior Decorating' stamped to verso, one featuring Rhonda Fleming. Together with 3 larger photos, 8 x 10 in. Hell's Island (aka Love is a Weapon) (Paramount Pictures, 1955). Director Phil Karlson. Film Noir. Approximately 75 silver gelatin phot For further information about this lot please visit the lot listing
Gone with the Wind: The Walter O'Connor Collection
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