130
A Group of Set Stills from Paramount Pictures 1940-1970 Comedy Films
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Description
A Group of Set Stills from Paramount Pictures 1940-1970 Comedy Films Including Dancing on a Dime, The Quarterback, The Farmer's Daughter, Comin' Round the Mountain, A Night at Earl Carroll's, Seventeen, I Want a Divorce, Glamour Boy, There's Magic in Music, Las Vegas Nights, World Premiere, Buy Me That Town, You're the One, Kiss the Boys Goodbye, West Point Widow, True to the Army, Night in New Orleans, Mrs. Wiggs of the Cabbage Patch, My Heart Belongs to Daddy, Lady Bodyguard, True to Life, The Good Fellows, National Barn Dance, You Can't Ration Love, Masquerade in Mexico, The Affairs of Susan, Cross My Heart, The Perfect Marriage, Easy Come, Easy Go, Hazard, Dream Girl, Miss Tatlock's Millions, The Goldbergs, Dear Brat, Darling, How Could You!, The Mating Season, Anything Can Happen, The Girls of Pleasure Island, We're No Angels, The Birds and the Bees, The Buster Keaton Story, The Matchmaker, The Rat Race, The Pleasure of His Company, All in a Night's Work, Who's Got the Action?, Who's Been Sleeping in My Bed?, Papa's Delicate Condition, Wives and Lovers, A New Kind of Love, For Those Who Think Young, The Last of the Secret Agents?, The Swinger, The Caper of the Golden Bulls, The Spirit is Willing, and Catch 22. Please note that there may be some duplication of photographs in each film folder. Dancing on a Dime (Paramount Pictures, 1940). Director Joseph Santley. Comedy. Approximately 85 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. The Quarterback (aka Touchdown) (Paramount Pictures, 1940). Director H. Bruce Humberstone. Comedy. Approximately 150 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. The Farmer's Daughter (Paramount Pictures, 1940). Director James P. Hogan. Comedy. Approximately 45 silver gelatin photographs, 8 x 10 in., almost all with descriptions in upper border handwritten in ink, some with 'Interior Decorating (36)' stamped to verso. Comin' Round the Mountain (Paramount Pictures, 1940). Director George Archainbaud. Comedy. Approximately 95 silver gelatin photographs, 8 x 10 in., most with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. A Night at Earl Carroll's (Paramount Pictures, 1940). Director Kurt Neumann. Comedy. Approximately 40 silver gelatin photographs, 8 x 10 in., almost all with descriptions in upper border handwritten in ink, some with 'Interior Decorating (36)' stamped to verso. Seventeen (Paramount Pictures, 1940). Director Louis King. Comedy. Approximately 50 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. I Want a Divorce (Paramount Pictures, 1940). Starring Joan Blondell, Dick Powell. Director Ralph Murphy. Comedy. Approximately 80 silver gelatin photographs, 8 x 10 in., almost all with descriptions in upper border handwritten in ink, some with 'Interior Decorating (36)' and photographer 'A.E. Freudeman' stamped to verso. Glamour Boy (Paramount Pictures, 1941). Directors Ralph Murphy and Ted Tetzlaff. Comedy. Approximately 120 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to verso, some with 'Interior Decorating (36)' stamped to verso. There's Magic in Music (aka The Hard-Boiled Canary) (Paramount Pictures, 1941). Director Andrew L. Stone. Comedy. Approximately 150 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. Las Vegas Nights (Paramount Pictures, 1941). Director Ralph Murphy. Comedy. Approximately 190 silver gelatin photographs, 8 x 10 in., most with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. World Premiere (Paramount Pictures, 1941). Starring John Barrymore, Frances Farmer. Directors Ted Tetzlaff and Otis Garrett. Comedy. Approximately 120 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso, one featuring John Barrymore. Buy Me That Town (Paramount Pictures, 1941). Director Eugene Ford. Comedy. Approximately 190 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso. You're the One (Paramount Pictures, 1941). Director Ralph Murphy. Comedy. Approximately 130 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. Kiss the Boys Goodbye (Paramount Pictures, 1941). Director Victor Schertzinger. Comedy. Approximately 70 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to border, some stamped 'Interior Decorating (36)' to verso, one featuring Don Ameche. West Point Widow (aka Little Miss Muffett) (Paramount Pictures, 1941). Director Robert Siodmak. Comedy. Approximately 140 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso, one featuring Anne Shirley. True to the Army (Paramount Pictures, 1942). Director Albert S. Rogell. Comedy. Approximately 100 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. Night in New Orleans (aka The Morning After) (Paramount Pictures, 1942). Director William Clemens. Comedy. Approximately 150 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso, one featuring Preston Foster. Mrs. Wiggs of the Cabbage Patch (Paramount Pictures, 1942). Director Ralph Murphy. Approximately 65 silver gelatin photographs, 8 x 10 in., many stamped 'Interior Decorating (36)' to verso. My Heart Belongs to Daddy (Paramount Pictures, 1942). Director Robert Siodmak. Comedy. Approximately 110 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso. Lady Bodyguard (Paramount Pictures, 1943). Director William Clemens. Comedy. A group of 4 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten to border in ink, some with 'Interior Decorating (36)' stamped to verso, 2 featuring Eddie Albert. True to Life (Paramount Pictures, 1943). Starring Dick Powell. Director George Marshall. Comedy. Approximately 70 silver gelatin photographs, 4 x 5 in., many with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso, 2 featuring Dick Powell and one featuri For further information about this lot please visit the lot listing
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A Group of Set Stills from Paramount Pictures 1940-1970 Comedy Films Including Dancing on a Dime, The Quarterback, The Farmer's Daughter, Comin' Round the Mountain, A Night at Earl Carroll's, Seventeen, I Want a Divorce, Glamour Boy, There's Magic in Music, Las Vegas Nights, World Premiere, Buy Me That Town, You're the One, Kiss the Boys Goodbye, West Point Widow, True to the Army, Night in New Orleans, Mrs. Wiggs of the Cabbage Patch, My Heart Belongs to Daddy, Lady Bodyguard, True to Life, The Good Fellows, National Barn Dance, You Can't Ration Love, Masquerade in Mexico, The Affairs of Susan, Cross My Heart, The Perfect Marriage, Easy Come, Easy Go, Hazard, Dream Girl, Miss Tatlock's Millions, The Goldbergs, Dear Brat, Darling, How Could You!, The Mating Season, Anything Can Happen, The Girls of Pleasure Island, We're No Angels, The Birds and the Bees, The Buster Keaton Story, The Matchmaker, The Rat Race, The Pleasure of His Company, All in a Night's Work, Who's Got the Action?, Who's Been Sleeping in My Bed?, Papa's Delicate Condition, Wives and Lovers, A New Kind of Love, For Those Who Think Young, The Last of the Secret Agents?, The Swinger, The Caper of the Golden Bulls, The Spirit is Willing, and Catch 22. Please note that there may be some duplication of photographs in each film folder. Dancing on a Dime (Paramount Pictures, 1940). Director Joseph Santley. Comedy. Approximately 85 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. The Quarterback (aka Touchdown) (Paramount Pictures, 1940). Director H. Bruce Humberstone. Comedy. Approximately 150 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. The Farmer's Daughter (Paramount Pictures, 1940). Director James P. Hogan. Comedy. Approximately 45 silver gelatin photographs, 8 x 10 in., almost all with descriptions in upper border handwritten in ink, some with 'Interior Decorating (36)' stamped to verso. Comin' Round the Mountain (Paramount Pictures, 1940). Director George Archainbaud. Comedy. Approximately 95 silver gelatin photographs, 8 x 10 in., most with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. A Night at Earl Carroll's (Paramount Pictures, 1940). Director Kurt Neumann. Comedy. Approximately 40 silver gelatin photographs, 8 x 10 in., almost all with descriptions in upper border handwritten in ink, some with 'Interior Decorating (36)' stamped to verso. Seventeen (Paramount Pictures, 1940). Director Louis King. Comedy. Approximately 50 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. I Want a Divorce (Paramount Pictures, 1940). Starring Joan Blondell, Dick Powell. Director Ralph Murphy. Comedy. Approximately 80 silver gelatin photographs, 8 x 10 in., almost all with descriptions in upper border handwritten in ink, some with 'Interior Decorating (36)' and photographer 'A.E. Freudeman' stamped to verso. Glamour Boy (Paramount Pictures, 1941). Directors Ralph Murphy and Ted Tetzlaff. Comedy. Approximately 120 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to verso, some with 'Interior Decorating (36)' stamped to verso. There's Magic in Music (aka The Hard-Boiled Canary) (Paramount Pictures, 1941). Director Andrew L. Stone. Comedy. Approximately 150 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. Las Vegas Nights (Paramount Pictures, 1941). Director Ralph Murphy. Comedy. Approximately 190 silver gelatin photographs, 8 x 10 in., most with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. World Premiere (Paramount Pictures, 1941). Starring John Barrymore, Frances Farmer. Directors Ted Tetzlaff and Otis Garrett. Comedy. Approximately 120 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso, one featuring John Barrymore. Buy Me That Town (Paramount Pictures, 1941). Director Eugene Ford. Comedy. Approximately 190 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso. You're the One (Paramount Pictures, 1941). Director Ralph Murphy. Comedy. Approximately 130 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. Kiss the Boys Goodbye (Paramount Pictures, 1941). Director Victor Schertzinger. Comedy. Approximately 70 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to border, some stamped 'Interior Decorating (36)' to verso, one featuring Don Ameche. West Point Widow (aka Little Miss Muffett) (Paramount Pictures, 1941). Director Robert Siodmak. Comedy. Approximately 140 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso, one featuring Anne Shirley. True to the Army (Paramount Pictures, 1942). Director Albert S. Rogell. Comedy. Approximately 100 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. Night in New Orleans (aka The Morning After) (Paramount Pictures, 1942). Director William Clemens. Comedy. Approximately 150 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso, one featuring Preston Foster. Mrs. Wiggs of the Cabbage Patch (Paramount Pictures, 1942). Director Ralph Murphy. Approximately 65 silver gelatin photographs, 8 x 10 in., many stamped 'Interior Decorating (36)' to verso. My Heart Belongs to Daddy (Paramount Pictures, 1942). Director Robert Siodmak. Comedy. Approximately 110 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso. Lady Bodyguard (Paramount Pictures, 1943). Director William Clemens. Comedy. A group of 4 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten to border in ink, some with 'Interior Decorating (36)' stamped to verso, 2 featuring Eddie Albert. True to Life (Paramount Pictures, 1943). Starring Dick Powell. Director George Marshall. Comedy. Approximately 70 silver gelatin photographs, 4 x 5 in., many with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso, 2 featuring Dick Powell and one featuri For further information about this lot please visit the lot listing
Gone with the Wind: The Walter O'Connor Collection
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