126
A Group of Set Stills from Paramount Pictures Crime Films
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Description
A Group of Set Stills from Paramount Pictures Crime Films Including The Return of Dr. Fu Manchu, The Vice Squad, Ladies of the Big House, Murder by the Clock, Silence, The Lawyer's Secret, The Crime of the Century, Pick Up, Terror Aboard, Come on, Marines!, Miss Fane's Baby is Stolen, The Witching Hour, Forgotten Faces, The Accusing Finger, Night of Mystery, King of Gamblers, Sophie Lang Goes West, Prison Farm, Ride a Crooked Mile, Sons of the Legion, Stolen Heaven, Parole Fixer, The Magnificent Fraud, Grand Jury Secrets, The Way of All Flesh, Women Without Names, Queen of the Mob, The Monster and the Girl, Adventure in Diamonds, Dr. Broadway, The Atomic City, Blueprint for Robbery, and Warning Shot. Please note that there may be some duplication of photographs in each film folder. The Return of Dr. Fu Manchu (Paramount Pictures, 1930). Starring Warner Oland, Jean Arthur. Director Rowland V. Lee. Crime. Approximately 30 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso, one featuring Neil Hamilton. The Vice Squad (aka Night Court) (Paramount Pictures, 1931). Starring Kay Francis. Director John Cromwell. Crime. Approximately 30 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Ladies of the Big House (Paramount Pictures, 1931). Director Marion Gering. Crime. Approximately 70 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso, one featuring Sylvia Sidney. Murder by the Clock (Paramount Pictures, 1931). Director Edward Sloman. Crime. Approximately 75 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Silence (Paramount Pictures, 1931). Starring Clive Brook. Directors Louis J. Gasnier and Max Marcin. Crime Drama. Approximately 20 8 x 10 photos, some with photographer 'A.E. Freudeman' stamped to verso. The Lawyer's Secret (Paramount Pictures, 1931.) Starring Jean Arthur, Fay Wray, Buddy Rogers, Richard Arlen. Directors Louis J. Gasnier and Max Marcin. Crime. Approximately 41 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. The Crime of the Century (Paramount Pictures, 1933). Director William Beaudine. Crime. Approximately 30 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Pick Up (Paramount Pictures, 1933). Starring Sylvia Sidney. Director Marion Gering. Crime. Approximately 50 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Terror Aboard (aka Dead Reckoning) (Paramount Pictures, 1933). Director Paul Sloane. Crime. Approximately 55 silver gelatin photographs, 8 x 10 in., many with photographer 'A.E. Freudeman' stamped to verso, one featuring Neil Hamilton. Come on, Marines! (Paramount Pictures, 1934). Director Henry Hathaway. Crime. Approximately 45 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with photographer 'A.E. Freudeman' stamped to verso. Miss Fane's Baby is Stolen (Paramount Pictures, 1934). Director Alexander Hall. Crime. Approximately 70 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso, featuring 2 of Dorothea Wieck (one with director Alexander Hall) and 3 scene stills with Wieck. The Witching Hour (Paramount Pictures, 1934). Director Henry Hathaway. Crime. Approximately 55 silver gelatin photographs, 8 x 10 in., many with photographer 'A.E. Freudeman' stamped to verso. Forgotten Faces (aka Something to Live For) (Paramount Pictures, 1936). Director E.A. Dupont. Crime. Approximately 90 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with photographer 'A.E. Freudeman' stamped to verso. The Accusing Finger (aka The Turning Point) (Paramount Pictures, 1936). Director James P. Hogan. Crime. Approximately 80 silver gelatin photographs, 8 x 10 in., most with location descriptions handwritten in ink to border, some with photographer 'A.E. Freudeman' stamped to verso, 2 featuring Marsha Hunt. Together with 9 smaller photos, 4 x 5 in. Night of Mystery (Paramount Pictures, 1937). Director Ewald Andre Dupont. Crime. Approximately 40 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Set Dressing (36)' stamped to verso. King of Gamblers (aka Kid from Paradise) (Paramount Pictures, 1937). Director Robert Florey. Crime. Approximately 55 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with 'Set Dressing (36)' stamped to verso. Sophie Lang Goes West (aka Sophie Lang in Hollywood) (Paramount Pictures, 1937). Director Charles Reisner. Crime. Approximately 60 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with handwritten notations in pencil and/or 'Set Dressing (36)' stamped to verso, one featuring Lee Bowman and Buster Crabbe and an uncredited Betty Grable. Prison Farm (Paramount Pictures, 1938). Director Louis King. Crime. Approximately 45 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with 'Set Dressing (36)' stamped to verso. Ride a Crooked Mile (aka Escape From Yesterday) (Paramount Pictures, 1938). Starring Akim Tamiroff, Leif Erickson, Frances Farmer. Director Alfred E. Green. Crime. Approximately 65 8 x 10 in. Stamped 'Set dressing (36)' on verso. Sons of the Legion (aka Next Generation) (Paramount Pictures, 1938). Director James P. Hogan. Crime. Approximately 30 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Set Dressing (36)' stamped to verso, one featuring Evelyn Keyes. Stolen Heaven (Paramount Pictures, 1938). Director Andrew L. Stone. Crime. Approximately 60 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Set Dressing (36)' stamped to verso. Parole Fixer (aka Federal Offense) (Paramount Pictures, 1939). Director Robert Florey. Crime. Approximately 75 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. The Magnificent Fraud (Paramount Pictures, 1939). Director Robert Florey. Crime. Approximately 80 silver gelatin photographs, 8 x 10 in., most with location descriptions to border, some with 'Interior Decorating (36)' stamped to verso. Grand Jury Secrets (Paramount Pictures, 1939). Director James P. Hogan. Crime. Approximately 45 silver gelatin photographs, 8 x 10 in., most with location descriptions to border, some with 'Set Dressing (36)' stamped to verso. The Way of All Flesh (Paramount Pictures, 1940). Director Louis King. Crime. Approximately 70 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with 'Interior For further information about this lot please visit the lot listing
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A Group of Set Stills from Paramount Pictures Crime Films Including The Return of Dr. Fu Manchu, The Vice Squad, Ladies of the Big House, Murder by the Clock, Silence, The Lawyer's Secret, The Crime of the Century, Pick Up, Terror Aboard, Come on, Marines!, Miss Fane's Baby is Stolen, The Witching Hour, Forgotten Faces, The Accusing Finger, Night of Mystery, King of Gamblers, Sophie Lang Goes West, Prison Farm, Ride a Crooked Mile, Sons of the Legion, Stolen Heaven, Parole Fixer, The Magnificent Fraud, Grand Jury Secrets, The Way of All Flesh, Women Without Names, Queen of the Mob, The Monster and the Girl, Adventure in Diamonds, Dr. Broadway, The Atomic City, Blueprint for Robbery, and Warning Shot. Please note that there may be some duplication of photographs in each film folder. The Return of Dr. Fu Manchu (Paramount Pictures, 1930). Starring Warner Oland, Jean Arthur. Director Rowland V. Lee. Crime. Approximately 30 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso, one featuring Neil Hamilton. The Vice Squad (aka Night Court) (Paramount Pictures, 1931). Starring Kay Francis. Director John Cromwell. Crime. Approximately 30 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Ladies of the Big House (Paramount Pictures, 1931). Director Marion Gering. Crime. Approximately 70 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso, one featuring Sylvia Sidney. Murder by the Clock (Paramount Pictures, 1931). Director Edward Sloman. Crime. Approximately 75 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Silence (Paramount Pictures, 1931). Starring Clive Brook. Directors Louis J. Gasnier and Max Marcin. Crime Drama. Approximately 20 8 x 10 photos, some with photographer 'A.E. Freudeman' stamped to verso. The Lawyer's Secret (Paramount Pictures, 1931.) Starring Jean Arthur, Fay Wray, Buddy Rogers, Richard Arlen. Directors Louis J. Gasnier and Max Marcin. Crime. Approximately 41 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. The Crime of the Century (Paramount Pictures, 1933). Director William Beaudine. Crime. Approximately 30 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Pick Up (Paramount Pictures, 1933). Starring Sylvia Sidney. Director Marion Gering. Crime. Approximately 50 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Terror Aboard (aka Dead Reckoning) (Paramount Pictures, 1933). Director Paul Sloane. Crime. Approximately 55 silver gelatin photographs, 8 x 10 in., many with photographer 'A.E. Freudeman' stamped to verso, one featuring Neil Hamilton. Come on, Marines! (Paramount Pictures, 1934). Director Henry Hathaway. Crime. Approximately 45 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with photographer 'A.E. Freudeman' stamped to verso. Miss Fane's Baby is Stolen (Paramount Pictures, 1934). Director Alexander Hall. Crime. Approximately 70 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso, featuring 2 of Dorothea Wieck (one with director Alexander Hall) and 3 scene stills with Wieck. The Witching Hour (Paramount Pictures, 1934). Director Henry Hathaway. Crime. Approximately 55 silver gelatin photographs, 8 x 10 in., many with photographer 'A.E. Freudeman' stamped to verso. Forgotten Faces (aka Something to Live For) (Paramount Pictures, 1936). Director E.A. Dupont. Crime. Approximately 90 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with photographer 'A.E. Freudeman' stamped to verso. The Accusing Finger (aka The Turning Point) (Paramount Pictures, 1936). Director James P. Hogan. Crime. Approximately 80 silver gelatin photographs, 8 x 10 in., most with location descriptions handwritten in ink to border, some with photographer 'A.E. Freudeman' stamped to verso, 2 featuring Marsha Hunt. Together with 9 smaller photos, 4 x 5 in. Night of Mystery (Paramount Pictures, 1937). Director Ewald Andre Dupont. Crime. Approximately 40 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Set Dressing (36)' stamped to verso. King of Gamblers (aka Kid from Paradise) (Paramount Pictures, 1937). Director Robert Florey. Crime. Approximately 55 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with 'Set Dressing (36)' stamped to verso. Sophie Lang Goes West (aka Sophie Lang in Hollywood) (Paramount Pictures, 1937). Director Charles Reisner. Crime. Approximately 60 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with handwritten notations in pencil and/or 'Set Dressing (36)' stamped to verso, one featuring Lee Bowman and Buster Crabbe and an uncredited Betty Grable. Prison Farm (Paramount Pictures, 1938). Director Louis King. Crime. Approximately 45 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with 'Set Dressing (36)' stamped to verso. Ride a Crooked Mile (aka Escape From Yesterday) (Paramount Pictures, 1938). Starring Akim Tamiroff, Leif Erickson, Frances Farmer. Director Alfred E. Green. Crime. Approximately 65 8 x 10 in. Stamped 'Set dressing (36)' on verso. Sons of the Legion (aka Next Generation) (Paramount Pictures, 1938). Director James P. Hogan. Crime. Approximately 30 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Set Dressing (36)' stamped to verso, one featuring Evelyn Keyes. Stolen Heaven (Paramount Pictures, 1938). Director Andrew L. Stone. Crime. Approximately 60 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Set Dressing (36)' stamped to verso. Parole Fixer (aka Federal Offense) (Paramount Pictures, 1939). Director Robert Florey. Crime. Approximately 75 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. The Magnificent Fraud (Paramount Pictures, 1939). Director Robert Florey. Crime. Approximately 80 silver gelatin photographs, 8 x 10 in., most with location descriptions to border, some with 'Interior Decorating (36)' stamped to verso. Grand Jury Secrets (Paramount Pictures, 1939). Director James P. Hogan. Crime. Approximately 45 silver gelatin photographs, 8 x 10 in., most with location descriptions to border, some with 'Set Dressing (36)' stamped to verso. The Way of All Flesh (Paramount Pictures, 1940). Director Louis King. Crime. Approximately 70 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with 'Interior For further information about this lot please visit the lot listing
Gone with the Wind: The Walter O'Connor Collection
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