125
A Group of Set Stills from Paramount Pictures 1930s Drama Films
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Description
A Group of Set Stills from Paramount Pictures 1930s Drama Films Including The Right to Love, Young Eagles, The Devil's Holiday, Once a Lady, The Magnificent Lie, The Road to Reno, Women Love Once, Confessions of a Co-Ed, An American Tragedy, Working Girls, Rich Man's Folly, Husband's Holiday, The Secret Call, 24 Hours, The Beloved Bachelor, Lady and Gent, Forgotten Commandments, Tomorrow and Tomorrow, New Morals for Old, Thunder Below, The World and the Flesh, The Broken Wing, The Miracle Man, Dancers in the Dark, Two Kinds of Women, Sky Bride, Hell and High Water, Cradle Song, Jennie Gerhardt, Big Executive, Luxury Liner, The Story of Temple Drake, Wharf Angel, Behold My Wife!, You Belong to Me, 8 Girls in a Boat, The Virginia Judge, So Red the Rose, Annapolis Farewell, Without Regret, Valient is the Word for Carrie, And Sudden Death, Straight from the Shoulder, Hollywood Boulevard, Girl of the Ozarks, Hold 'Em Navy, Scandal Street, The Night of Nights, and Our Leading Citizen. Please note that there may be some duplication of photographs in each film folder. The Right to Love (Paramount Pictures, 1930). Starring Ruth Chatterton. Director Richard Wallace. Drama. Approximately 45 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Young Eagles (Paramount Pictures, 1930). Director William Wellman. Drama. Approximately 15 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso, one featuring Charles 'Buddy' Rogers and Stu Erwin. The Devil's Holiday (Paramount Pictures, 1930). Director Edmund Goulding. Drama. A group of 10 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Once a Lady (Paramount Pictures, 1931). Starring Ruth Chatterton. Director Guthrie McClintic. Drama. Approximately 45 silver gelatin photographs, 8 x 10 in., many with photographer 'A.E. Freudeman' stamped to verso. The Magnificent Lie (aka Laurel and the Lady) (Paramount Pictures, 1931). Starring Ruth Chatterton. Director Berthold Viertel. Drama. Approximately 65 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso, one featuring Ralph Bellamy and 2 publicity photos featuring Ruth Chatterton. The Road to Reno (Paramount Pictures, 1931). Director Richard Wallace. Drama. A group of 11 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Women Love Once (Paramount Pictures, 1931). Director Edward Goodman. Drama. Approximately 55 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Confessions of a Co-Ed (Paramount Pictures, 1931). Starring Sylvia Sidney. Directors David Burton and Dudley Murphy. Drama. Approximately 25 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. An American Tragedy (Paramount Pictures, 1931). Starring Sylvia Sidney. Director Josef von Sternberg. Drama. Approximately 30 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso, one featuring Sylvia Sidney. Working Girls (Paramount Pictures, 1931). Director Dorothy Arzner. Drama. Approximately 65 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso, one featuring Charles 'Buddy' Rogers. Rich Man's Folly (Paramount Pictures, 1931). Director John Cromwell. Drama. Approximately 100 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Husband's Holiday (Paramount Pictures, 1931). Director Robert Milton. Drama. Approximately 60 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. The Secret Call (Paramount Pictures, 1931). Director Stuart Walker. Drama. Approximately 25 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. 24 Hours (Paramount Pictures, 1931). Starring Kay Francis, Miriam Hopkins. Director Marion Gering. Drama. Approximately 50 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso, one featuring Kay Francis and one featuring Miriam Hopkins. The Beloved Bachelor (Paramount Pictures, 1931). Starring Paul Lukas, Dorothy Jordan. Directed by Lloyd Corrigan. Drama. Approximately 45 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Lady and Gent (aka The Challenger) (Paramount Pictures, 1932). Director Stephen Roberts. Drama. Approximately 20 silver gelatin photographs, 8 x 10 in., many with photographer 'A.E. Freudeman' stamped to verso. Forgotten Commandments (aka The New Ten Commandments) (Paramount Pictures, 1932). Directors Louis J. Gasnier, William Schorr. Drama. Approximately 85 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Tomorrow and Tomorrow (Paramount Pictures, 1932). Starring Ruth Chatterton. Director Richard Wallace. Drama. Approximately 35 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. New Morals for Old (Paramount Pictures, 1932). Starring Robert Young. Director Charles Brabin. Drama. Approximately 15 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Thunder Below (Paramount Pictures, 1932). Director Richard Wallace. Drama. Approximately 60 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso, one featuring Tallulah Bankhead. The World and the Flesh (aka Red Harvest) (Paramount Pictures, 1932). Starring Miriam Hopkins. Director John Cromwell. Drama. Approximately 50 silver gelatin photographs, 8 x 10 in., many with photographer 'A.E. Freudeman' stamped to verso, including 3 unretouched photos featuring Miriam Hopkins. The Broken Wing (Paramount Pictures, 1932). Director Lloyd Corrigan. Drama. Approximately 55 silver gelatin photographs, 8 x 10 in., many with photographer 'A.E. Freudeman' stamped to verso, 3 featuring Lupe Velez. The Miracle Man (Paramount Pictures, 1932). Starring Sylvia Sidney, Chester Morris. Director Norman Z. McLeod. Drama. Approximately 50 silver gelatin photographs, 8 x 10 in., many with photographer 'A.E. Freudeman' stamped to verso, 2 featuring Sylvia Sidney. Dancers in the Dark (Paramount Pictures, 1932). Starring Miriam Hopkins. Director David Burton. Drama. Approximately 35 silver gelatin photographs, 8 x 10 in., many with photographer 'A.E. Freudeman' stamped to verso. Two Kinds of Women (Paramount Pictures, 1932). Starring Miriam Hopkins. Director William C. deMille. Drama. Approximately 45 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso, one featuring Miriam Hopkins and Phillips Holmes. Sky Bride (Paramount Pictures, 1932). Director Stephen Roberts. Drama. Approximately 75 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' sta For further information about this lot please visit the lot listing
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A Group of Set Stills from Paramount Pictures 1930s Drama Films Including The Right to Love, Young Eagles, The Devil's Holiday, Once a Lady, The Magnificent Lie, The Road to Reno, Women Love Once, Confessions of a Co-Ed, An American Tragedy, Working Girls, Rich Man's Folly, Husband's Holiday, The Secret Call, 24 Hours, The Beloved Bachelor, Lady and Gent, Forgotten Commandments, Tomorrow and Tomorrow, New Morals for Old, Thunder Below, The World and the Flesh, The Broken Wing, The Miracle Man, Dancers in the Dark, Two Kinds of Women, Sky Bride, Hell and High Water, Cradle Song, Jennie Gerhardt, Big Executive, Luxury Liner, The Story of Temple Drake, Wharf Angel, Behold My Wife!, You Belong to Me, 8 Girls in a Boat, The Virginia Judge, So Red the Rose, Annapolis Farewell, Without Regret, Valient is the Word for Carrie, And Sudden Death, Straight from the Shoulder, Hollywood Boulevard, Girl of the Ozarks, Hold 'Em Navy, Scandal Street, The Night of Nights, and Our Leading Citizen. Please note that there may be some duplication of photographs in each film folder. The Right to Love (Paramount Pictures, 1930). Starring Ruth Chatterton. Director Richard Wallace. Drama. Approximately 45 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Young Eagles (Paramount Pictures, 1930). Director William Wellman. Drama. Approximately 15 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso, one featuring Charles 'Buddy' Rogers and Stu Erwin. The Devil's Holiday (Paramount Pictures, 1930). Director Edmund Goulding. Drama. A group of 10 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Once a Lady (Paramount Pictures, 1931). Starring Ruth Chatterton. Director Guthrie McClintic. Drama. Approximately 45 silver gelatin photographs, 8 x 10 in., many with photographer 'A.E. Freudeman' stamped to verso. The Magnificent Lie (aka Laurel and the Lady) (Paramount Pictures, 1931). Starring Ruth Chatterton. Director Berthold Viertel. Drama. Approximately 65 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso, one featuring Ralph Bellamy and 2 publicity photos featuring Ruth Chatterton. The Road to Reno (Paramount Pictures, 1931). Director Richard Wallace. Drama. A group of 11 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Women Love Once (Paramount Pictures, 1931). Director Edward Goodman. Drama. Approximately 55 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Confessions of a Co-Ed (Paramount Pictures, 1931). Starring Sylvia Sidney. Directors David Burton and Dudley Murphy. Drama. Approximately 25 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. An American Tragedy (Paramount Pictures, 1931). Starring Sylvia Sidney. Director Josef von Sternberg. Drama. Approximately 30 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso, one featuring Sylvia Sidney. Working Girls (Paramount Pictures, 1931). Director Dorothy Arzner. Drama. Approximately 65 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso, one featuring Charles 'Buddy' Rogers. Rich Man's Folly (Paramount Pictures, 1931). Director John Cromwell. Drama. Approximately 100 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Husband's Holiday (Paramount Pictures, 1931). Director Robert Milton. Drama. Approximately 60 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. The Secret Call (Paramount Pictures, 1931). Director Stuart Walker. Drama. Approximately 25 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. 24 Hours (Paramount Pictures, 1931). Starring Kay Francis, Miriam Hopkins. Director Marion Gering. Drama. Approximately 50 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso, one featuring Kay Francis and one featuring Miriam Hopkins. The Beloved Bachelor (Paramount Pictures, 1931). Starring Paul Lukas, Dorothy Jordan. Directed by Lloyd Corrigan. Drama. Approximately 45 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Lady and Gent (aka The Challenger) (Paramount Pictures, 1932). Director Stephen Roberts. Drama. Approximately 20 silver gelatin photographs, 8 x 10 in., many with photographer 'A.E. Freudeman' stamped to verso. Forgotten Commandments (aka The New Ten Commandments) (Paramount Pictures, 1932). Directors Louis J. Gasnier, William Schorr. Drama. Approximately 85 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Tomorrow and Tomorrow (Paramount Pictures, 1932). Starring Ruth Chatterton. Director Richard Wallace. Drama. Approximately 35 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. New Morals for Old (Paramount Pictures, 1932). Starring Robert Young. Director Charles Brabin. Drama. Approximately 15 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso. Thunder Below (Paramount Pictures, 1932). Director Richard Wallace. Drama. Approximately 60 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso, one featuring Tallulah Bankhead. The World and the Flesh (aka Red Harvest) (Paramount Pictures, 1932). Starring Miriam Hopkins. Director John Cromwell. Drama. Approximately 50 silver gelatin photographs, 8 x 10 in., many with photographer 'A.E. Freudeman' stamped to verso, including 3 unretouched photos featuring Miriam Hopkins. The Broken Wing (Paramount Pictures, 1932). Director Lloyd Corrigan. Drama. Approximately 55 silver gelatin photographs, 8 x 10 in., many with photographer 'A.E. Freudeman' stamped to verso, 3 featuring Lupe Velez. The Miracle Man (Paramount Pictures, 1932). Starring Sylvia Sidney, Chester Morris. Director Norman Z. McLeod. Drama. Approximately 50 silver gelatin photographs, 8 x 10 in., many with photographer 'A.E. Freudeman' stamped to verso, 2 featuring Sylvia Sidney. Dancers in the Dark (Paramount Pictures, 1932). Starring Miriam Hopkins. Director David Burton. Drama. Approximately 35 silver gelatin photographs, 8 x 10 in., many with photographer 'A.E. Freudeman' stamped to verso. Two Kinds of Women (Paramount Pictures, 1932). Starring Miriam Hopkins. Director William C. deMille. Drama. Approximately 45 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' stamped to verso, one featuring Miriam Hopkins and Phillips Holmes. Sky Bride (Paramount Pictures, 1932). Director Stephen Roberts. Drama. Approximately 75 silver gelatin photographs, 8 x 10 in., some with photographer 'A.E. Freudeman' sta For further information about this lot please visit the lot listing
Gone with the Wind: The Walter O'Connor Collection
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