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Marie Laurencin (1883-1956)  Woodcut "Vendredi (1913)" signed in pencil and dated 1913, 19cm x 17cm, framed and glazed  Original receipt from Elizabeth Harvey-Lee, North Aston, Oxfordshire dated 24th March 2005. From the collection of the late Maurice Costley

LONDON- STOW, John: The Survey of London. Printed by Elizabeth Purslow, 1633, 4th. Edn. Enlarged. With Woodcut illustrations of coats of arms and head and tail pieces. Folio, PP: (xiii) lacks one leaf to signature A, (I) blank, 939, (xxviii) Tables, (I) blank. Cont. full leather and later spine. The blank corner of the dedication leaf torn with small loss.

*LEON UNDERWOOD (1890-1975) 'Crab and Dog', 1928, signed and dated in pencil to the margin, woodcut on paper, from the edition of 50, the image 13.4cm x 8cm, Framed dimensions: 32.5cm x 25.5cm

*GEORGE TUTE (b. 1933) 'Sunflower Field', 1986, signed, titled, dated and numbered 67/75 in pencil to the margin, woodcut engraving, the image 40cm x 30cm, Framed dimensions: 64.5cm x 53.5cm

*MICHAEL ROTHENSTEIN (1908-1993) 'Purple Flowers', 1989, numbered 14/29 in pencil to the margin, colour woodcut printed in green, blue, black, pink, red and orange-yellow, published in an edition of 29 proofs, printed by Anna Elinson at the Argus Studio in May 1989, image size 48cm x 41cm, Framed dimensions: 61cm x 55.5cm

*LEON UNDERWOOD (1890-1975) 'The Inventor', signed in pencil to the margin, woodcut on paper, from the edition of 50, the image 13.5cm x 8.2cm, Framed dimensions: 32.5cm x 25.5cm

§ Tom Hammick (1963-) Snowfallsigned and dated 'Hammick 2012' (lower right); numbered EV 9/15woodcut with hand painting44 x 58.5cmProvenance:With Flowers Galleries, LondonFramed and glazed, with deckled edge and float mounted behind glass. The top centre edge with a small pinhole, otherwise in nice, clean condition. See additional images.

DODGSON (Campbell) Contemporary English Woodcuts, no. 156/550 copies, Baynard Press for Duckworth & Co, 1922, 4to, with 26 (of 27) woodcut plates, lacking pl. 8 by Greenwood, cloth backed boards

§ Gertrude Hermes OBE, RA (1901-1983) Stonehengesigned and dated 'Gertrude Hermes 1963' (lower right); numbered 17/30woodcut28 x 37.5cmIn good overall condition, minor stains to the surface, in the margin. See additional images.

§ John Edgar Platt (1886-1967) The Plough signed 'John Platt' (lower centre) triptych, woodcut printed in colours on Japanese papertotal measurements 38 x 68cmLiterature:Hilary Chapman, John Edgar Platt Master of the Colour Woodcut, Sansom & Company, 2018, pp. 58 - 59 (col.ill) A copy of this book is included with the present lotNot examined out of the frame, outermost edges are obscured by the mount and are, therefore, not available for inspection. With an overall faded appearance, the flanking panels each with some minor accretions to the surface.

John Hall Thorpe (1874-1947)'Sweet Peas', woodcut in colours, pencil signed in the margin and titled,23.5 x 29cm

John Hall Thorpe (1874-1947)Sweet Peas, circa 1922, signed in pencil, woodcut, 28 x 22cm.

John Hall Thorpe (1874-1947)A vase of mixed flowers, woodcut in colours, pencil signed in the margin, 16.5 x 15cm

Rees, landscape with fir trees, colour woodcut, signed and dated '33, 22.5cm x 15cm

Fernand Siméon (1884-1928) woodcut print - Le Bar, signed, titled and dated 1927, 21cm x 16cm, in glazed frame

Jack Butler Yeats - 'An Old Slave', 20th century hand-coloured woodcut, published by the Cuala Press, 32cm x 21.5cm, within an ebonized wood frame

Topography – Blackie (W. G., PhD (ed.)) The Imperial Gazetteer: A General Dictionary of Geography, Physical, Political, Statistical; and Descriptive, 2 Vols., Glasgow, Blackie & Son., 1855, marbled edges, brown endpapers, bound embossed calf, spine with four raised bands with gilt titles to black reserve, rubbed, Vol I: A to I, 1308pp 700 woodcuts, plan, maps and diagrams, Vol II: J to Z 1288pp, over 700 woodcut illustrations etc., spine splitting; Illustrated London News, Vol. 14 for 1849 bound as one volume, London, William Little, 1849, numerous woodcuts and appendix, bound folio quarter moquette over brown boards, embossed spine, five raised bands, spine splitting; England – Montague (William Henry), A New Universal History of England from the Earliest Authentic Accounts to the end of the Year 1772, Vol. I of two, London, J. Cook, n. d. (1773), large 4to, 570pp with index, engr. frontis., numerous engraved plates, bound quarter calf over marbled boards, six raised bands, gilt lines and titles on red reserve to spine; Cassell & Co.’s Picturesque Europe, The British Isles, London, Cassell & Co., n. d. 4to 288pp, steel engr. frontis. with 12 other plates and numerous woodcuts, black endpapers, coloured embossed green boards, gilt titles with gilt titles to spine, boards loosening; Oliver Wendell Homes – Homes (Oliver Wendell, Sr., 1809-1894), The Poet of the Breakfast Table, London, Walter Scott, n. d. 320pp frontis photograph; The Autocrat of the Breakfast Table, 271pp photographic frontis. of author; Elsie Venner: a Romance of Destiny, 362pp, all three 12mo, bound with en suite publisher’s maroon boards, gilt lines and titles to spines; also Orczy de Orci (Baroness Emma Magdalena Rozália Mária Jozefa Borbála, 1865-1947), The Nest of the Sparrowhawk: A Romance of the Seventeenth Century, popular edn., London, Greening, 1911, 12mo, 320pp, frontis, bound embossed red boards black vignette and titles, also to spine (9)

Lucien Pissarro (French, 1863-1944) -'In the Field' -Colour Woodcut -12 x 8cm -Lucien Pissarro created 12 illustrations, five of which were in colour, for Margaret Rust's 'The Queen of the Fishes' in 1894.

Original color woodcut on paper depicting two Children in Aizu by Japanese Master Kiyoshi Saito, a pivotal member of the Sosaku Hanga (Creative Print) group and winner of the Sao Paulo Biennale in 1951. Red seal on lower left with graphite signature below: Kiyoshi Saito. Housed in the original gilt and black frame with an off-white mat. Sight size: 8.75"L x 14"H. Frame dimensions: 13.75"L x 19.50"H x 1"W. Artist: Kiyoshi Saito (Japanese 1907-1997)Issued: c. 1945Dimensions: See DescriptionCountry of Origin: JapaneseCondition: Age related wear.

Original color woodcut on paper by Japanese woodblock artist Kaoru Kawano who represents two black and white kittens on an orange-rust background. Seal on upper left. Housed in the original gilt and black frame with an off-white mat. Sight size: 14.50"L x 10"H. Frame dimensions: 19.50"L x 15.50"H x 1"W. Artwork can be unframed and rolled for shipment. Artist: Kaoru Kawano (Japanese 1916-1965)Issued: c. 1950Dimensions: See DescriptionCountry of Origin: JapanCondition: Age related wear.

Original color woodcut on paper attached to mat by Japanese woodblock artist Kaoru Kawano who represents a red kimono dancing Kamuro whom he places on a dark brown mat. Red seal on lower right. Housed in the original gilt and black frame with an off-white mat. Sight size: 8.75"L x 14"H. Frame dimensions: 13.75"L x 19.50"H x 1"W. Artist: Kaoru Kawano (Japanese 1916-1965)Issued: c. 1950Dimensions: See DescriptionCountry of Origin: JapanCondition: Age related wear.

Original color woodcut on paper attached to mat by Japanese woodblock artist Kaoru Kawano who represents a young girl with calla lilies. Red seal on lower left. Housed in the original gilt and black frame with an off-white mat. Sight size: 8.75"L x 14"H. Frame dimensions: 13.75"L x 19.50"H x 1"W. Artist: Kaoru Kawano (Japanese 1916-1965)Issued: c. 1950Dimensions: See DescriptionCountry of Origin: JapanCondition: Age related wear.

Fanny Harlfinger Zakucka (Austrian, 1873 - 1954), portrait of a lady playing a harp, circa 1908, woodcut, 16 x 15cm, framed and glazed

Three Ceramic Items to include Carter Stabler Adams Poole Vase, Wedgwood Jasperware lidded dish and Flambe Woodcut pin dish a/f (3)

‡ PAUL PETER PIECH (American-Welsh 1920-1996) limited edition (14/25) woodcut - quote from English poet John Donne, 'No Man is an Island..', signed and dated 1990, 64 x 52cms together with another woodcut print, 'Build a Bomb..' signed and dated 1988, 70 x 50cms (2)Provenance: private collection OxfordshireComments: unframed, some creasing

ANTIQUARIAN (HERELDRY & GENEALOGY): Imhof (Jacob Wilhelm). Regum Pariumque Magnae Britanniae Historia Genealogica, half-title, engraved frontispiece, 4 engraved plates or full-page illustrations of coats-of-arms, woodcut initials & head-pieces, Appendix with separate title dated 1691, contemporary vellum, yapp edges, manuscript title to spine, Nuremberg, heirs of Johann Andreas Endter, 1690Provenance: sold on behalf of Gregynog Hall, surplus to the collection

‡ PAUL PETER PIECH (American-Welsh 1920-1996) - limited edition (15/75) woodcut - quote from Japanese journalist and professor, 'Love is Basic..' signed and dated 1972, 76 x 51cms together with another limited edition (13/75) woodcut - quote from Martin Luther King, 'The Ultimate Measure of Man..' signed and dated 1972, 77 x 52cms (2)Provenance: were gifted by the artist to the Bertrand Russell Peace Foundation, proceeds will help pay for renovations of Russell's old home in Cornwall, private collection NottinghamshireComments: both unframed, light creasing

‡ PAUL PETER PIECH (American, lived / worked Wales 1920-1996) a selection of five woodcut prints, various topics and quotes, all unsigned, sizes vary largest being 88 x 34cms (5)Provenance: Bertrand Russell Peace Foundation, gifted to the organisation by the artist, proceeds assist with renovations of Bertrand Russell's former home in CornwallComments: all unframed, creasing and some staining/water marks

‡ PAUL PETER PIECH (American-Welsh 1920-1996) woodcut - image of South African activist Steve Biko with the slogan ,'Martyr of Hope', unsigned, 62 x 40cmsProvenance: private collection South WalesComments: light creasing, framed and glazed

‡ PAUL PETER PIECH (American, lived / worked Wales 1920-1996) limited edition (1/75) woodcut - image and quote from William Shakespeare, 'The Evil That Men Do..', signed and dated 1972, 59 x 51cms together with another limited edition (1/75) woodcut print - quote from Howard Marks, 'Thats Murder...', signed and dated 1972, 60 x 48cms (2)Provenance: Bertrand Russell Peace Foundation, gifted to the organisation by the artist, proceeds assist with renovations of Bertrand Russell's former home in CornwallComments: both unframed, light creasing

‡ PAUL PETER PIECH (American-Welsh 1920-1996) woodcut - image of Martin Luther King, unsigned, 61 x 43cmsProvenance: private collection South WalesComments: creasing, water stains, framed and glazed

‡ PAUL PETER PIECH (American-Welsh 1920-1996) woodcut - quote from Mahatma Gandhi, 'Make Injustice Visible', signed and dated 1987, 44 x 71cmsProvenance: private collection South WalesComments: creasing, framed and glazed

‡ DAVID JONES (1895-1974) woodcut - Crucifixion, with Mary Magdelene at the foot of the cross, unsigned,15.5 x 12cmsProvenance: private collection CardiffComments: framed and glazed.

‡ PAUL PETER PIECH (American-Welsh 1920-1996) woodcut - quote from American singer and songwriter Joan Baez, 'I Would Say I'm a Non-Violent Soldier...', signed and dated 1987, 70 x 45cmsProvenance: private collection South WalesComments: large water stain, creasing, framed and glazed

‡ PAUL PETER PIECH (American, lived/worked Wales 1920-1996) a selection of five woodcut prints, various topics and quotes, all unsigned, sizes vary largest being 76 x 50cms (5)Provenance: Bertrand Russell Peace Foundation, gifted to the organisation by the artist, proceeds assist with renovations of Bertrand Russell's former home in CornwallComments: all unframed, light creasing

Aldine Press.- Flaminio (Marcantonio) In librum psalmorum brevis explanatio, woodcut printer's device to title, tiny paper repair to title upper fore-edge corner, a couple of very minor instances of soiling, ?eighteenth century vellum with red and black morocco labels to spine, spine slightly toned, [Edit16 CNCE 19235], 8vo, Venice, Aldo Manuzio, heirs of, 1545.

Eusebius (Bishop of Emesa). Opera, collation: A-Z AA-ZZ8 complete, woodcut device on title, corner of EE4 defective with slight loss of text, occasional soiling and minor staining, stub of medieval manuscript on parchment at beginning, old calf, stamped in gilt and blind, rebacked preserving original spine, bit worn with piece of leather missing from lower cover, 8vo (162 x 96mm.), Paris, Michael Sonnius, 1575. *** Provenance: Robert Temple (ink signature at head of title); P. Morrey (ink signature on front free endpaper). Literature: Adams E1062.

Broadside.- Bread Riots.- Town of Nottingham. The Magistrates feel happy in having it in their Power to communicate to the Public any Intelligence which may at all tend to allay the present Fermentation, by affording a Prospect of a Supply of Flour, printed broadside, Nottingham, Burbage and Stretton, 1800; To the Inhabitants of the Town of Nottingham. The Magistrates are very much concerned to observe the continuance of riot and depredation in this town ..., Nottingham, Burbage and Stretton, 1800, woodcut device to head, ex-Nottingham library with blindstamp to head, laid onto linen, c.280 x 220 mm., (2). 

Lt. Gen. John Maunsell's copy.- [Acts] & Rules and Articles for the better government of his Majesty's Horse and Foot Guards, 2 parts in 1, woodcut royal arms to first title, inter-leaved with occasional contemporary ink notes (faded in places), some water- or damp-staining, occasional spotting, lightly browned, contemporary limp marbled boards, spine worn, soiled, rubbed and scuffed, 8vo, Dublin, Boulter Grierson, 1765.    *** Lieutenant General John Maunsell's copy, with his annotations. Maunsell (1724-1795), fought at Culloden and the battles of the Plains of Abraham in Quebec in 1759, and participated in the victory over the French under Montcalm. He died in New York, and is buried in Trinity Church cemetery, Manhattan.  Provenance: 'This book came with the accounts of major General John Maunsell, British Army, French and Indian War and the Revolution. Without doubt the two are General Maunsell's' (20th century note loosely inserted).

Bonardo (Giovanni Maria) Le Ricchezze dell'Agricoltura, half-title, woodcut head- and tail-pieces, browning, pastedowns of printer's waste in arabic letters, contemporary limp vellum, Bassano, Antonio Remondini, [17th century] § Caro (Annabile) L'Eneide di Virgilio, 14 copper-engraved plates, contemporary vellum, Venice, Antonio Comin, 1783; and 3 others, 17th & 18th centuries, vellum, 8vo (5) 

Broadside.- Bread riots.- Lamentation (The) of the sorrowful Cornfactors, Badgers, Farmers, Millers, Bakers, Huxters. &c. &c. for the Loss of the Enormous Profits on Corn and Flour, printed broadside, 2 woodcut illustrations at head, faint spotting, laid onto paper, c.320 x 210 mm., Nottingham, S. Tupman, [c.1800].   *** Rare. Seemingly unrecorded.  A number of bread riots took place across England during the late eighteenth and early nineteenth centuries as a result of poor harvests and the war with France. Napoleon's continental blockade of Britain preventing the import of wheat and grain couple with the poor harvests, pushed the coast of flour and therefore the cost of a loaf of bread to an all time high. 

Catholic Church.- Rituum ecclesiasticorum siue sacrarum cerimoniarum S.S. Romanae Ecclesiae, libri tres, non ante in Germania impressi, printer's woodcut device to title, early ink ownership inscriptions to title and front endpaper (verso) head, woodcut initials, contemporary vellum, blue-stained edges, faded, [VD16 R 2585], 8vo, Cologne, Arnold Birckmann, 1557. *** First German edition, printed in the Catholic stronghold of Cologne, of this ceremonial on the inner workings of the Papacy, including election of the Pope, crowning of an emperor, canonisation of saints, the Sistine Chapel and others. Never originally intended for publication when composed in 1488, much of its content still highly secret, the work's first publication 1516 caused outrage in some  quarters and attempted suppression but it came to be a seminal text with many subsequent editions.  

Navigation.- Wakely (Andrew, Mathematician) The Mariner's compass rectified, edited by J[ames] Atkinson, 'Teacher of the Mathematics', half-title with advertisements for navigation books verso, woodcut illustrations, closely trimmed at head, stained, spotting or foxing, mostly lightly browned throughout, contemporary panelled calf, covers detached, worn, 8vo, Printed for W. and J. Mount and T. Page, 1749.

Ovidius Naso (Publius) Opera, 3 vol. in 1, engraved additional pictorial title (frayed at gutter, a couple of tiny worm holes), divisional titles each with printer's woodcut device, some browning and minor soiling, contemporary vellum, discoloured, Amsterdam, Elzevier, 1652 § Le Mercure Hollandois, 3 vol., mixed vol., 2 with engraved additional titles, woodcut printer's devices to titles, several engraved folding plates (most small tears at edges), eighteenth century vellum-backed patterned paper-covered boards, worn, Amsterdam, Henry & Theodore Boom, 1673-1680 § Suetonius Tranquillus (Gaius) Caius Suetonius tranquillus, cum annot. diversorum, engraved title with sphere device at centre and small portraits of Roman emperors, A7-8 small chip top corner (loos of letters), modern cloth, head darkened, Amsterdam, Blaeu, 1630, 12mo (5)

Broadside Ballad.- Bonaparte's Exile from Paris, printed broadside, woodcut illustration at head, ex-Nottingham library with blindstamp (trimmed), laid onto paper, c.240 x 180 mm., Nottingham, J. [Plant], [c.1815].   *** Scarce. Only one record found, at the Bodleian. 

Law.- Derbyshire.- Charles II (King of England) [Decision relating to a land dispute in the Belper, Chevin and Holland [sic] wards of Derbyshire], broadside, woodcut decorative initial, folds, piece out of lower margin, little spotted, verso lightly soiled, creased, lightly browned, a wide-margined copy, 415 x 323mm., no printer, 19th June, 1663.    *** Seemingly unrecorded broadside giving the decision in a land dispute between William, Earl of Newcastle and Sirs William Smyth & Thomas Hook. 

Astrology.- [Yves de Paris], "Franciscus Allaeus". Astrologiae nova methodus, 3 parts in 1 vol., second edition, woodcut device on title, 5 volvelles over 3 figures only, all losely inserted, with ?later marker threads, damp-staining to head, modern half calf, spine rubbed and faded, folio, [Houzeau and Lancaster 5217], n.p., 1654. *** The second edition of this curious astrological work, printed in the same year as the first. The first edition was suppressed and burned after some of its predictions were deemed heretical. 

Boccarini (Guglielmo) Dui Libri del Veneto Senato, first edition, printer's woodcut device to title, woodcut decorations and initials, some faint marginal water staining, Venice, Domenico Farri, 1583 § Capelloni (Lorenzo) Vita del Prencipe Andrea Doria, woodcut printer's device to title and final f. verso, one whole-page woodcut portrait illustration only (of 2; lacking *1), woodcut decorations and initials, some foxing and browning, Venice, Gabriel Giolito de' Ferrari, 1565 § Antiquitatum variarum autores, woodcut printer's device to title, browned, edges stained red, Lyon, Setbastien Gryphe, 1560, all in contemporary vellum, variously stained or soiled, 4to & small 8vo (3)  

Supernatural.- Bond (William) The Supernatural Philosopher: or, the Mysteries of Magick, second edition, engraved frontispiece and 3 plates, 16pp. publisher's advertisements at rear, woodcut decorations, contemporary speckled calf, gilt border, spine with morocco label, joints cracking, upper split at head, spine ends chipped, 8vo, E. Curll, 1728 *** Scarce. A curious work covering demons, geniis and 'familiar spirits', a discourse on second sight, a discussion of the existence of spirits and witches, dreams, spectres, omens and apparitions, enchantment, necromancy inspired from the life of Mr Duncan Campbell, the contemporaneously famous Scottish-born deaf and mute soothsayer. A reissue of the 1720 'Life of...', with 'Verses to Mr. Campbell' and 'A remarkable passage of an apparition 1665' (together 33pp.) bound before the 'Life of... Duncan Campbell'. Also includes a tract by Dr Wallis entitled 'The Method of Teaching Deaf and Dumb Persons to Read, Write and Understand a Language'. 

Cookery.- Lusting after the cook.- Beautiful Cookey, printed slip song, hand-coloured (in muted tones) woodcut vignette at head, woodcut tail-piece, couple of marginal tears, that at foot resulting in piece almost detached, lightly browned, 253 x 93mm., Birt, 39 Great St. Andrew Street, Seven Dials, [c.1850].    *** Rare, with only one copy recorded by WorldCat (BL). A 'saucy' slip song with much cookery themed innuendo. Thomas Birt worked out of 39 Great St. Andrew St. from 1824-1841, succeeded by Ann, Mary, and George Birt, who were variously at the same address until 1851. 

Leuven printing.- St. Isidorus Hispalensis. De officiis ecclesiasticis libri duo, 1564, bound with Pope Innocent III. De contemptu mundi, woodcut printer's device final leaf verso, 1574, and also St. Ildefonsus Toletanus. De illibata virginitate sanctae genitricis Dei, Mariae, liber unus. Sancti Illefonsi vita, 1569, together 3 works in 1, each title with woodcut printer's device, woodcut initials, first title and front endpaper with early ink ownership inscriptions, slight trimming generally to lower margins, sometimes affecting catchwords or signatures, contemporary vellum, upper cover soiled at foot, yapp edges, also with contemporary divisional markers in vellum at fore-edges, 16mo, Leuven, Hieronymus Welleus.  *** A sammelband of three scarce religious works published by Hieronymus Welleus. Neither USTC or WorldCat list copies in the BL for any of these three editions. 

Vergilius (Polydorus) Polydori Vergilii Urbinatis De inuentoribus rerum libri tres nouiter impressi emendatique quam diligentissime quibusdam additis, woodcut initials, of which 3 ten-lines, some early ink notes to margins, upper hinge cracked and front endpaper working loose, eighteenth century vellum-backed patterned-paper-covered boards, a few tiny wormholes to spine, 4to, [Edit16 CNCE 49715], Venice, Johannes Tacuinus de Tridino, 1516. *** An attractive Venetian edition which, like the first edition of 1499, consists of the first three books on the 'origin of things' including from the gods, man and languages, to wine, marriage, medicine, poetry, geography and law. It notably includes an account of the origin of printing, attributing its birth to Peter Schoeffer, rather than Gutenberg. 

Hume, Rousseau & Voltaire.- Exposé succinct de la contestation qui s'est élevée entre M. Hume. et M. Rousseau, avec les pieces justificatives, woodcut typographic ornament to title, woodcut head- and tail-pieces, 'Londres' [but Paris], 1766 bound with Justification de J.J. Rousseau dans la contestation... avec M. Hume, woodcut floral ornament to title, woodcut head-piece, 'Londres' [but Paris], 1766 and 5 others, related, including Voltaire, occasional later pencil marginalia, occasional spotting or light staining, lightly browned, contemporary calf, worn, 8vo   *** A good group of works relating to the Hume-Rousseau affair. In 1762 Hume learned that Rousseau wanted to relocate to England. Accordingly, he found him lodgings and secured a pension for him from George III. However, things soon turned sour, with Rousseau accusing Hume of plotting his humiliation and disgrace. A pamphlet war ensued. 

LIVY TITUS.  Historiarum Quod Extat, cum Perpetuis Gronovii et Variorum Notis. 3 vols. 997pp. Eng. title to vol. 1. Woodcut headpieces & initials. Vellum covered brds., a good set. Bookplate of Majolier. Amsterdam, Elzevir, 1665.

LAWRENCE D. H.  Look! We Have Come Through. Woodcut illus. by Felix Hoffman. Orig. vellum backed cloth in d.w. Ark Press, 1971; also a carton of others, modern poetry, etc.

Country Pursuits. WALTON & COTTON. The Complete Angler, 5th edition 1791, 12mo, plates, modern binding; FRANCIS (F) A Book on Angling, 6th edition, 1885, 8vo, coloured plates, modern binding; PAYNE-GALLWEY (Sir R) The Fowler in Ireland, 1882, 8vo, illustrated, modern binding; The Sportsman's Dictionary, 1778, 4to, lacks frontis, all other plates present, double column text, tree calf, rebacked preserving spine strip; MILLAIS (J G) The Wildfowler in Scotland, 1901, 4to, photogravure plates, binding stained with torn spine strip; The Complete Art of Fowling, Pt. IV, pp.119-173, folio, woodcut illustrations, modern half morocco; others (9)

MACKERELL (Benjamin) The History and Antiquities of the Flourishing Corporation of King's-Lynn in the County of Norfolk, London: E. Cave, 1738, 8vo, 10 engraved plates including folding frontis and Workhouse plate, woodcut armorials and illustrations, all slightly toned and spotted, 19th century green half morocco, armorial bookplate of Richard Turner; [Cromwell (Thomas Kitson)] Excursions in the County of Suffolk, 2 vols., 1818, 8vo, wide margins, folding map, plates, some light foxing, half morocco; BOSWELL (James) Life of Samuel Johnson, in 4 vols, 1824, 8vo, light foxing, calf with good reback (7)

Fine binding, Vale Press: MILTON (John) Early poems, printed by the Ballantyne Press, [1896], 4to, one of 310 copies, with woodcut full-page frontis with vine border and intertwined woodcut initials, fine full green morocco gilt tooled binding signed ‘C E G’ [Captain C E Gladstone RN, d.1919], to inside front board, with silk doublures, top edge gilt There are several bits of spotting and a stain on the pages at the start. Overall in good condition, please refer to the additonal images.

Norfolk interest. MACKERELL (Benjamin) The History and Antiquities of the Flourishing Corporation of King's-Lynn in the County of Norfolk, London: E. Cave, 1738, 8vo, 10 engraved plates including folding frontis and Workhouse plate, woodcut armorials and illustrations, contemporary calf back marbled boards; [CROMWELL (T K)] Excursions in the County of Norfolk, 2 vols. in one, 1818, 8vo, folding map anmd plan, half calf; TAYLOR (William) The Antiquities of King's Lynn, 1844, plates, slightly toned, half calf, rubbed; another copy in half calf with several hotel stamps to first leaves; another copy in modern cloth and a 4th copy with added manuscript (facsimile?) index; 2 other copies; QUARLES (Rev. T) The History and Antiquities of Foulsham in Norfolk, 1842, small 8vo, cloth; a framed early 19th century broadside 'Articles and Orders... Friendly Society meeting at the Sign of the Compasses, at Snettisham ... kept by William Parfrement'; few other books, mostly Norfolk, including 3 titles by H Le Strange in original cloth; (28)There are crease lines, staining to the bottom left. There is burn-hole to to the left bottom quadrant. There are thrips bugs under the glazing and a few other tears along the crease lines. Please refer to the pictures for further detail.

Emile Wilhelmus Dehé. 1887 - 1947. Pointillist forest view. Woodcut on paper. Dimensions: H 7 x W 26 cm. In good condition.