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Carole MCDOWALL (1944) Anima Mundi Oil on canvas, signed and titled verso, 107cm x 112cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.

Carole MCDOWALL (1944) Carver's Path Oil on canvas, signed and titled verso, 153cm x 160cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.

Carole MCDOWALL (1944) Susurris Oil and mixed media on canvas, signed and titled verso, dated '98/99, 148cm x 153cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.The frame shows previous signs of worm and would benefit from being treated. The canvas is fragile in areas affected by this.

Carole MCDOWALL (1944) Sancreed No.3 Oil on canvas, signed, titled and dated '92 verso, 138cm x 147cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.

Carole MCDOWALL (1944) Traces II Acrylic on canvas and paper, signed and titled verso, 140cm x 140cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.

Carole MCDOWALL (1944) Unnamed Collage Mixed media and oil on canvas, signed and titled, Royal West of England Academy label verso, 153cm x 160cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.

Carole MCDOWALL (1944) Dark Ambition Mixed media on canvas, signed and titled verso, 133cm x 110cm framed. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.

Carole MCDOWALL (1944) Madron II Acrylic on canvas, signed and titled verso, 140cm x 166cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.

Carole MCDOWALL (1944) Sancreed No 1 (Blue) Oil on canvas, signed, titled and dated '92 verso, 139.5cm x 169cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.

Carole MCDOWALL (1944) Madron Oil on canvas, signed and titled verso, 166cm x 140cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.

A stained wood wall mounted wine rack, 150 x 37 cm

A brass lamp base, another in the form of a column, a set of six wine glasses, a cut glass bowl and assorted glassware, a Chinese blue and white vase, with four character mark to base, converted to a lamp, 30 cm high, a Chinese embroidered panel, decorated a scene from the Hundred Boys, 56 x 62 cm (qty)Blue and white vase - old repair and a large loss

A set of six wine glasses, with conical bowls and cut swag decoration, a set of six wine glasses, with floral decoration and a similar set of four glasses

A group of green and other glass, including rummers, finger, wine glass rinsers and other items (2 boxes)

Port wine label . Sheffield 1976

Large pierced and engraved wine label for Madeira. 3.25 in wide. Birmingham 1827 By L & W

Pair of wine labels for Port and Sherry. Birmingham 1939

A collection of Thomas Webb crystal glassware, including twelve Wellington white wine goblets, 13cm tall, ten larger wine goblets, 14.6cm tall, a salt and pepper set, a sugar dredger with silver plate top, along with a three unmarked textured shot glasses and a candlestick holder. All with original boxes.

Barolo Ravera 2010, Elvio Cogno, 2 magnums in owcPrivate collection, Cambridgeshire95Pts Wine Enthusiast

Chateau Troplong Mondot, St Emilion Grand Cru 2015, 6 bottles in owc(removed from storage at the Wine Society)

Louis Jadot, Domaine Gagey, Nuits-St-Georges 1er Cru Les Boudots, 2016, 6 bottles in owc(removed from storage at the Wine Society)

Barolo "Villero" Cru 2016, Giacomo Fenocchio, 3 bottlesPrivate collection, Cambridgeshire96Pts Wine Enthusiast

La Croix de Beaucaillou, St Julien 2016, 6 bottles in owc(removed from storage at the Wine Society)

Barbaresco 9 bottle Mixed Cru Case 2013, Produttori del Barbaresco (Horizontal Tasting wooden case)Private collection, Cambridgeshire92-98 Pts (Wine Enthusiast)

Barolo Ravera 2013, Elvio Cogno, 1 magnum in owc Private collection, Cambridgeshire 97Pts Wine Enthusiast

Chateau Ducru Beaucaillou, St Julien 2eme Cru 2015, 6 bottles in owc(removed from storage at the Wine Society)

Domaine Jean Chauvenet Nuits-St-Georges 1e Cru Les Damodes 2016, 6 bottles in carton(removed from storage at the Wine Society)

Chateau Angludet, Margaux 2016, 6 bottles in owc(removed from storage at the Wine Society)

2 TILE TOP 70'S SIDE TABLES, MAHOGANY FOLDING TOP WINE TABLE, COLLECTORS MAHOGANY FRAMED WALL SHELF

Ca. 300 - 200 BC. A kylix vessel cast from high quality silver. This was designed as a wine cup and rests upon a foot with a loop handle that curve dramatically out and inward for the drinker to grip. This is a truly exceptional kylix, as silver would have been a tremendously scarce and valuable material during the Hellenistic period. For similar see: Group of objects said to have been found at Prusias. Greek, second half of fourth century B.C. Bequest of Walter C.Baker, 1971. Ex coll. Wilhelm Fabricius Size: 260mm x 195mm; Weight: 500g Provenance: Property of a European collector; formerly in the famous Alison Barker collection, a retired London barrister; acquired between the early1960s to 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 500 BC. A bronze basin or phiale, a special libation bowl used for holding wine, with a hollow, rounded, raised boss, known as an omphalos, in the centre. The omphalos is thought to have symbolised the navel of the Earth, the central point of power that all things revolved around. The lower part of the bowl is scalloped/fluted, above which is a corseted neck that flares outward into a wide, smooth mouth with an unpronounced rim. For similar see: Ancient Iranian metalwork, Ann C. Gunther and Paul Jett, fig. 2. Size: 45mm x 155mm; Weight: 200g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Ca. 500 - 700 BC. An Byzantine ring featuring a garnet set between two birds. Modelled in gold, the ring displays a knife-edge style shank that flares into two doves perched on the shoulders, which flank a deep wine-coloured rectangular garnet in a protruding golden bezel setting. Size: D:14.48mm / US: 3 1/4 / UK: G; Weight: 2.84g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Han Dynasty, Ca. BC 202 - AD 220. A terracotta Fang Hu vase. This ceremonial wine vessel was used as a burial object. The hu-formed body is painted with brown and black pigments, decorating the piece with floral motifs, geometrical patterns and two mythical beasts, possibly chilongs. Size: 340mm x 170mm; Weight: 2.3kg Provenance: Property of an American collector, acquired from the US estate collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 1200. A superb bronze bowl of circular form and extra-large size with elaborate Kufic calligraphy and engraved details of an army running around the internal rim, set amongst geometric and floral motifs. Decorated internally with the image of a seated couple recieving toasts and blessings, possibly inspired by Persian illumination. In the late 12th century, subjects such as hunting scenes and human figures drinking wine, which refer to the function of the vessel; appeared as decorations on objects. Size: L:85mm / W:200mm ; 1.78kg Provenance: From the collection of a London gentleman; formerly in a collection of A. Kotlar, since the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Set of eight wine glasses with twisted stems, together with another set of six wine glasses, Stewart glasses, Edinburgh crystal and other glassware

Vinyl - 21 Heavy Metal / Rock 7” singles including demos promos to include: Aerosmith (promo), April Wine, Black Sabbath (vertigo), Blue Oyster Cult x 3 (2 promos), Dogs D’amour (promo) Praying Manits (promo), Motorhead x 4, Hawkwind and related x 5., Kick (promo), Bracos Band and other. Condition at least VG overall

A XIX Century Wine Glass, the ogee bowl raised on white enamel twist stem and domed circular foot, 15cm high and a pair of shot glasses, the funnel bowls etched with ribbons and swags, raised on short stems and circular feet, 12cm high. (3)Wine glass with small chip to top rim and large chip to base rim

A Peter Heap, Wetwang 'Rabbit Man' Oak Wine Table, with octagonal top with leather inset and raised on square cut support and four feet, carved rabbit signature, 19cm high.watermarks to leather top with losses to edge, watermarks to feet. Feet do not fit flush to column.

Wine - Four Bottles of Red Wine and One White Wine, in carton. (5)

Wine - Madeira Wine 5 Years Old, Reserve Sweet; Madeira Wine Boal 1996 Borges; Creme de Casis de Nuits Saint Georges; Rieussec Sauternes 1983 Chateau 1er Grand Cru Classe, 37.5cl.; Chateau Rabaud Promis Sauternes 1988 premier Cru Classe, 37.5cl., 2 bottles. (6)

Wine - Clos Des Papes Chateauneuf Du Pape, 750ml., 14% Vol.

Wine - Chateauneuf Du Pape 1999, Domaine Font De Michelle, 750ml., 14% Vol., two bottles. (2)

Wine - Two bottles of Prosecco, Cava and Port. (4)

A Georgian Mahogany Port Wine Boot, of shaped rectangular form, 24.5cm long and a corkscrew with turned bone handle, 14cm long. (2)

Wine - 2001 Cote Rotie, Rene Rostaing, 750ml., 12.5% Vol., two bottles. (2)

Wine - Baron Amarillo Rioja Reserva, 3 bottles; Chiaretto di Bardolino 2021, 4 bottles. (7)

Wine - Georges Gardet Brut Special Champagne; G. H. Mumm & Co. Cordon Rouge 1947 Magnum Champagne; Prosecco, Selection of Ales. (11)1947 Mumm Champagne bottle does leak slightly, the ullage can just be seen under the label when bottle is standing upright.

Wine - Clos Du Bourg Vouvray 1990 Moelleux, 750ml., 12% Vol.

Wine - Barolo 2019, Silvano Bolmida Le Coste Di Monforte, 750ml., 14% Vol., case of 6 bottled, sealed.

Wine - Grappa di Barolo, 50cl.; Dessert Wine, 50cl.; Royal Tokaji Late Harvest 2015, 50cl.; Botrytis Semillon 2005, 37.5cl.; L'Epiphanie De Sauternes 2018, 37.5cl.; Hermits Hill Botrytis Semillion Vintage 2014, 37.5cl., two bottles. (7)

A Saint Louis crystal glass service, "Thistle" modelComprising 18 water glasses, 24 red wine glasses, 12 white wine glasses, 12 liqueur glasses, 12 flutes, 1 bowl, 3 rinsing bowls, 1 jug, and 1 decanter with cover_x000D_In moulded and cut Saint Louis crystal_x000D_Gold decoration_x000D_Marked on the base_x000D_France, 20th century_x000D_(minor signs of use)Height: 30 cm (jug)

A part drinking glasses setStained glass, red and blue, with gilded scrolls and foliage motifs decoration _x000D_Comprising of 12 water glasses, 12 red wine glasses, 11 white wine glasses and 12 flutes_x000D_Europe, 20th centuryHeight: 21 cm (larger)

GEORGIAN BRASS TRIVET, LATE 18TH / EARLY 19TH CENTURY modelled in the form as a wine table, on tripod leg base30cm highCondition generally good. Additional images now available.

SET OF SIX SILVER WINE GOBLETS, TIFFANY & CO with conical shaped bowls and circular baseseach 11cm highQty: 534g gross

A Vintage Hallmarked Silver Wine Funnel and Strainer, (makers mark rubbed), Birmingham 1976, of baluster design (110grams).

CHÂTEAU MONBAZILLAC DESSERT WINE 2015six 75cl bottles, OWC

CHÂTEAU MOULIN DU CADET ST EMILION 1972one 75cl bottle, Château bottled; Château Grand Saint-Julien Cru Borgeois Superieur 1972, one 75cl bottle and two other bottles of red wine (4)

CHÂTEAU PHELAN SEGUR SAINT ESTEPHE 1971Château La Haye Saint-Estephe 1977; Château Chantegrive Bordeaux Superieur 1979; three other bottles of vintage wine; and two bottles of Claret, all 75cl (8)

CHÂTEAU SEPTY MONBAZILLAC 1979labelled as Eldridge Pope & Co's 'The Chairman's Dessert Wine', one 73cl bottle; together with Seppelt Chardonnay 1986, one 75cl bottle imported by Eldridge Pope & Co (2)

A carved foot stool and an inlaid wine table