We found 2342 price guide item(s) matching your search

William De Morgan, an Arts and Crafts ruby lustre Hoopoe tile, Chelsea, circa 1880, painted with a bird facing left, on a foliate tufted ground, Wedgwood blank, apparently unmarked, 15cm square

William De Morgan, an Arts and Crafts ruby lustre Dodo tile, Chelsea, circa 1880, painted with a bird facing right, red beak, on a foliate tufted ground, Wedgwood blank, apparently unmarked, 15cm square

William De Morgan, an Arts and Crafts ruby lustre Ornate Bird or Peacock tile, Chelsea, circa 1880, painted with a bird facing left, on a foliate and tulip tufted ground, Wedgwood blank, apparently unmarked, 15cm square

William De Morgan, an Arts and Crafts ruby lustre Ornate Bird or Peacock tile, Chelsea, circa 1880, painted with a bird facing right, on a foliate and tulip tufted ground, Wedgwood blank, apparently unmarked, 15cm square

William De Morgan, a pair of foliate ruby lustre tiles, Chelsea, circa 1880, with two flowers to each, probably on Wedgwood or Minton blanks, 15cm square (2)

William De Morgan, an Arts and Crafts ruby lustre Ornate Bird or Peacock tile, Chelsea, circa 1880, painted with a bird facing left, on a foliate and tulip tufted ground, Wedgwood blank, apparently unmarked, 15cm square

William De Morgan, an Arts and Crafts ruby lustre Hoopoe tile, Chelsea, circa 1880, painted with a bird facing right, on a foliate tufted ground, Wedgwood blank, apparently unmarked, 15cm square

William De Morgan, an Arts and Crafts ruby lustre Dodo tile, Chelsea, circa 1880, painted with a bird facing left, taupe beak, on a foliate and tulip tufted ground, Wedgwood blank, apparently unmarked, 15cm square

William De Morgan, an Arts and Crafts ruby lustre Peacock tile, Chelsea, circa 1880, painted with a bird facing right, on a foliate tufted ground, Wedgwood blank, apparently unmarked, 15cm square

J Hersey for William de Morgan, a lustre vase, circa 1890, shouldered form, painted with foliate sprigs below a zigzag neck of alternating serpent tails, impressed tulip mark, initial JH, 18cm high

William De Morgan, an Arts and Crafts ruby lustre Partridge tile, Chelsea, circa 1880, painted with a bird facing right, with head turned, on a foliate tufted ground, Wedgwood blank, apparently unmarked, 15cm square

William De Morgan, a pair of foliate ruby lustre tiles, Chelsea, circa 1880, with two flowers to each, probably on Wedgwood or Minton blanks, 15cm square (2)

Circle of William de Morgan (English, 1839-1917). A pair of 19th-century Arts & Crafts cartoons for a stained-glass window, designs depicting a crane [the presence of a log and the eating of a frog suggesting Aesop's fable of The Frogs Who Desired a King], unsigned, possibly Clement Heaton for Heaton, Butler and Bayne, watercolour, on heavy wove paper with no evidence of a manufacturer's watermark, 48 x 59.5cm, some closed tears, some pasted paper verso, tape residue at top edges verso [c. 1875] (2)

'Antelope after William De Morgan' a Dennis China Works limited edition Etruscan vase designed by Sally Tuffin, dated 2006, shouldered form, glazed in shades of red and pink with golden lustre leaves, impressed and painted marks, numbered 2/25, 35.5cm. high

A large William De Morgan pottery Persian vase by Fred Passenger, shouldered, ovoid form with knopped neck, painted with stylised flowers and palmettes in blue, turquoise, green and aubergine on a white ground, impressed tulip mark, painted FP monogram, minor professional restoration, 38.5cm. high

A William De Morgan small charger by Fred Passenger, painted with panels of radiating foliate palmettes, in ruby red on a white ground, painted FP monogram, 28cm. diam.

A William De Morgan small charger by Fred Passenger, painted to the well with an eagle and crocodile fighting, in ruby lustre, the rim with a border of stylised flowers, painted FP monogram to reverse, 28cm. diam.

A William De Morgan ruby lustre Waders tile, probably Wedgwood blank, on scroll ground, unsigned, 14.8cm. square LiteratureMartin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 131 figure1038 for the original design illustrated.

A tall William De Morgan pottery Persian twin-handled vase, shouldered form, painted with a frieze of swimming scaly fish, swimming in a river between bands of scrolling carnations and foliage, in turquoise, green and blue, the base with a similar band of scaly fish, the neck with flower panels, unsigned, professional restoration to one handle and neck, 53cm. high ProvenancePrivate collection.

A William De Morgan ruby lustre Rabbits tile, on Minton Hollins blank, on scroll ground, unsigned, impressed Minton mark, minor glaze nicks,15.2cm. square LiteratureMartin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 124 figure 944 for the original design illustrated.

A large William De Morgan ruby lustre bowl by Fred Passenger, painted with a frieze of scaly fish swimming amongst waterweed in ruby lustre on a white ground, the interior glazed ruby lustre painted William De Morgan Fulham, FP, 35cm. diam. 12cm. high ProvenanceDecorative Arts and Design, Sotheby's Olympia 25th November 2003, lot 257.private collection.

A William De Morgan small charger by Fred Passenger, painted with panels of radiating foliate palmettes, in ruby lustre on a white ground, painted FP monogram, 28cm. diam.

A William De Morgan ruby lustre Waders tile, probably Wedgwood blank, painted with two wading birds, on scroll ground, unsigned, light surface wear,14.8cm. square LiteratureMartin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 131 figure1038 for the original design illustrated.

A rare William De Morgan eight tile panel, for the fireplace mantel, painted with a frieze of a central owl flanked by four eagles to each side, glazed in colours on a blue ground, framed,marks concealed, 20.5cm square (each tile)169.5 x 26cm (frame) ProvenanceHalsey Ricardo, thence by descent. LiteratureJon Catleugh William De Morgan Tiles, Trefoil, page 171 for a watercolour of a child by Edith Brinton, 1912, featuring the tiles above the fireplace in the background.

A William De Morgan ruby lustre Hares tile, probably Wedgwood blank, on scroll ground, unsigned, minor glaze nicks, 15cm. square LiteratureMartin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 124 figure 943 for the original design illustrated.

Sally Tuffin for Dennis China Works - a large charger by Rory McLeod and Vanessa Whitemore, slip lined and glazed decoration of two fish in deep red/burgundy on a cream ground in the manner of William de Morgan, the underside glazed with bands of varying width and depth of colour in burgundy on a cream ground. Printed marks 'Dennis China Works', '2001E' and 'RMc' and painted marks 'S.T.Des after W.De.M. R.D.Gallery' and monogram 'VMW'. By repute a unique example made for sale in the Richard Dennis Gallery, Kensington. Diameter 36.5cm. Height 5.8cm.

A William De Morgan (1839-1917) a Sands End Pottery tile, 1880-1900, painted with a flower in yellow and green on a white ground, impressed marks, 15.5cm squareCondition ReportCrazing throughout. nibbles to the edges.1cm thick. Chips to the corners and edges - photos added

A Moorcroft pottery panel snowdrop pattern, in a silvered frame, 20.5 x 9.5cm. and a Moorcroft William De Morgan tile, framed, both with boxes.

William de Morgan ruby lustre 'BBB' tile, 20.5cm x 20.5cm

William de Morgan ruby lustre 'galleon' charger, with monogram for Halsey Ricardo, Christie's 2003 label verso, 36cm diameterThere is a small crack (approx 4cm long) near the rim at about 8 o'clock. A tiny piece of glaze is missing. It does not stretch any further than this. There is some light crazing. Otherwise in very good condition.

A GROUP OF ARTS AND CRAFTS STYLE TILES AND A WMF PEN TRAY, comprising a WMF pewter pen tray decorated with cyclamen, stamped marks verso and no '168', length 25.5cm, together with a J C Edwards tile painted with a stylised flower, in the manner of William de Morgan, approximately 15.5cm square, a tile decorated in four sections with painted green foliate patterns, a smaller blue and white painted tile measuring approximately 12.5cm square, and a tile decorated with grape vines (5) (Condition Report: generally good condition, pen dish has some scratches, tiles appear ok, with some chips/losses verso, nibbles/tiny chips on the fronts, some cement residue, a little light crazing, scratches and wear)

WILLIAM DE MORGAN (1839-1917): THREE SANDS END POTTERY 'GILLOW' TILES, early Fulham period, tin-glazed earthenware, impressed marks to the undersides, each 15.3cm square (3)

WILLIAM DE MORGAN FOR FULHAM POTTERY:A RUBY LUSTRE POTTERY DISH, the centre decorated with a galleon, surrounded by a broad rim of fish and foliage, the underside with a central coiled serpent surrounded by concentric circles, 22cm diameter (def)

William De Morgan (1839-1917), an Oblique pattern tile, circa 1875, 15 x 15cm; together with another De Morgan tile with blue foliate design, 15.5 x 15.5cm (2)Some all over crazing and the usual very minor fritting to rims in places, but in generally good condition.

After William de Morgan (1839-1917)A set of four Persian Fish Frieze Tiles, mounted and framed, approx. 14cms x 60cms (5 1/2" x 23 1/2) painted frame. (1)

William De Morgan (1839-1917), an Arts and Crafts ruby lustre tile, decorated with scrolling foliate motifs, impressed factory mark and signed 'W. De. Morgan. &. Co. Fulham London',15.5cm squareCondition ReportSmall chips and nibbles to the edges. Some wear, minor scratches and crazing.

* De Morgan (William, 1839-1917). An early Fulham period Persian ovoid pottery vase decorated by Joe Juster, birds and foliage sprays in aubergine, green, turquoise and blue on a white ground, impressed mark, painted 'JJ' to base, 19 cm (7.5 ins) high, light crazing, very small areas of wear to rim QTY: (1)NOTE:Provenance: M. D. E. Clayton-Stamm, thence by family descent.This vase is illustrated in colour in William Gaunt and M. D. E. Stamm, William De Morgan, (London: Studio Vista, 1971), item 72, page 92.

* De Morgan (Evelyn, 1855-1919). Study of the head of a bearded man, coloured chalks and pastel on buff paper, in profile to the left, looking downwards, visible sheet size 25 x 17.2 cm (9 3/4 x 6 3/4 ins), framed and glazed (41 x 31.5 cm)QTY: (1)NOTE:Provenance: English private collection formed circa 1950-1970, thence by descent.This may be a study for the seated bearded man in Evelyn De Morgan's By the Waters of Babylon (1882-83). The figure also bears a passing resemblance to Evelyn's husband William de Morgan (1839-1917).

* Boldini (Giovanni, 1842-1931). Portrait of Lady Charlotte Russell, circa 1870, oil on canvas, signed G. Boldini to centre left, the sitter wears a white chiffon court dress with applied flowers and a train, she stands beside a carved gilt rococo chair in a sumptuously decorated room, numerous notes to frame verso, including: manuscript research note in black ink listing owners and sitter, old auction stencil 'WS300', modern Christie's label with barcodes, typed postcard circa 1968 from Sir Robert Abdy to M. D. E. Clayton-Stamm, canvas stamped to verso GEO. ROWNEY & CO. / 52, Rathbone Place / AND / 29, OXFORD STREET, W / LONDON., canvas size 49 x 33.4 cm (19 1/4 x 13 ins), in a gilt frame with turquoise inlay (56 x 44 cm) QTY: (1)NOTE:Provenance: Russell family collection; Sir Robert Abdy (1896 - 1976) owner of the Ferrer Gallery, London, SW1; where purchased by M. D. E. Clayton-Stamm, art collector and bibliophile (and an authority on the work of William de Morgan and Pre-Raphaelite ceramics); thence by family descent. Accompanied by an old typed postcard circa 1968, to M. D. E. Clayton-Stamm from Sir Robert Abdy "The Boldini nothing like as pretty as yours made £4500 today. Best wishes, Yours sincerely, Sir Robert Abdy" with a manuscript note in pencil "Christies / 6 Dec 68".

A collection of Art and Design reference books and catalogues, including; Erte Graphics, Erte Sculpture, Erte at 95 the Complete New Graphics Mary Seton Watts Unsung Heroine of the Art Nouveau, Icart by Michael Schnessel, The Designs of William De Morgan, The Designs of CFA Voysey by Stuart Durrant, Arts and Crafts and Art Deco by Judith Miller, The Best of Clarice Cliff, The Bizarre Affair, Clarice Cliff L'Odeon catalogue, and Erte by Charles Spencer, (a lot) ProvenanceThe collection of William Billy Kidd and Elizabeth Kidd.

WILLAM DE MORGAN (1836-1917) ARTS & CRAFTS RUBY LUSTRE CHARGER, CIRCA 1890 lustre glazed earthenware 31cm diameter Literature: Greenwood M. The Designs of William de Morgan, Richard Dennis 1989, p. 217, pl. 107 illus. for a similar variant.

WILLIAM DE MORGAN (1839-1917) ARTS & CRAFTS 6-INCH TILE, LATE FULHAM PERIOD, CIRCA 1898 glazed ceramic, depicting a galleon, impressed maker's mark 15.4cm square Literature: Catleugh, J. William de Morgan Tiles Richard Dennis 1983 p.130, pl. 185 where this design is illustrated

WILLAM DE MORGAN (1836-1917) 8-INCH 'BEDFORD PARK DAISY' TILE, MERTON ABBEY PERIOD, CIRCA 1885 glazed earthenware, 28cm square; together with a 6-INCH 'BBB' CARNATION TILE, LATE 1890S, glazed ceramic, Poole blank, 15cm square (2)  Literature: Catleugh, J, William De Morgan Tiles, London, 1983, p. 60, pl. VI b. where a similar design is illustrated (Bedford Park Daisy Tile)

WILLAM DE MORGAN (1836-1917) PAIR OF MERTON ABBEY PERIOD TILES, CIRCA 1885 decorated and glazed ceramic, impressed Merton Abbey mark (2) each 15.3cm x 23cm  Provenance: Sotheby's London High Victorian Decorative Arts and Design, 12th and 13th November 1992, Lot 323 Literature: Greenwood M. The Designs of William de Morgan, Richard Dennis 2007, p. 164, pl. 479 for a comparable tile design

WILLIAM DE MORGAN (1839-1917) ARTS & CRAFTS 8" TILE, CIRCA 1890 glazed earthenware, mounted in an oak frame tile 20.5cm square, frame 27cm square Literature: Catleugh J. William de Morgan Tiles Richard Dennis 1983 p. 159, pl. 251 where similar examples are illustrated

FRED PASSENGER FOR WILLIAM DE MORGAN (1839-1917) TWIN-HANDLED IZNIK-STYLE VASE, CIRCA 1890 painted and glazed earthenware, impressed maker's mark, painted artist's initials F.P. 20.8cm high

WINGBACK ARMCHAIR, early 20th century English Edwardian with William de Morgan style upholstery and square tapering supports, 66cm W.

A William de Morgan ruby lustre vase with fish design, 8 1/2" high (rim extensively restored)

A William de Morgan ‘Galleon ship’ plate, Fulham period (1888-1898), decorated by Charles Passenger, painted in colours with a galleon ship and fish on high seas, the reverse with concentric bands around the inscribed mark ‘WDM FULHAM’ and artist’s monogram ‘CP’, 25cm diameter Natural crackle throughout the glaze, one small rim chip at 2 o'clock otherwise very good.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

William De Morgan, an Arts and Crafts double lustre charger, circa 1890, the central eagle in iridescent taupe, on a fruiting bush, within a Persian scale and lotus cartouche tulip and rosette border, the reverse in ruby with central serpent within a triangular lapped border, 36cm diameter

William de Morgan, an Arts and Crafts double lustre charger, circa 1890, painted with a peacock in profile in full plumage, on a leafy bough, the feather eyes depicted in taupe, central rosette of radiating lappets and spirals, within a foliate vine border, 36.5cm diameter

William de Morgan, an Arts and Crafts double lustre charger, circa 1890, painted with a peacock in full plumage, on a foliate ground, the feather eyes highlighted in iridescent taupe, the reverse with concentric rings in ruby within a tadpole lappet border, 36cm diameter

A pair of William De Morgan Persian designed tiles, painted with a floral design in turquoise, green and other colours on a white ground. Both with impressed Sands End marks to the reverse, 15cms square. (2). *CR One tile, chips along the right edge of the tile with some glaze loss, general crazing, small chip to the top left corner, mark a little indistinct on the reverse. The other, general crazing, small chip to bottom right corner.

Mary De Morgan - On a Pin Cushion and Other Fairytales, with illustrations by William de Morgan, Seeley, Jackson and Halliday 1877

William de Morgan ruby lustre pottery vase, decorated with foliate patterns, impressed mark and inscribed 'FP' for Fred Passenger, 23.5cm high, together with carved wood baseThere are some nibbles / glaze rubbing around the rim, and what appear to be some firing imperfections around the neck. Otherwise in good condition.

A William De Morgan BBB patterned tile The yellow flower decorated tile on a Poole 'Architectural Pottery' blank as used by De Morgan.15cm squareQty: 1In generally good condition with only minor niggles to the edge and signes of previous attachment to the reverse.

SIDE CHAIR, 1960s Howard Keith style with William de Morgan print upholstery and swept supports, 64cm W.

William De Morgan, Earthenware Tile of Persian Style Flowers. Height: 15cm Width: 15cm Depth: 1cm

William De Morgan, Two Earthenware Tiles. One in the BBB design a/f, the other with Rampant Lion and Lioness with Brown Glaze. Height: 15cm Width: 15cm Depth: 1cm

William De Morgan, red lustre baluster vase of Persian design, decorated with exotic birds and stylised scrolls, impressed marks to base, 27.5cm highCrazing all over the vase, some firing marks as shown in photos, otherwise in good condition. No signs of restoration.