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WILLIAM DE MORGAN (1839-1917): THREE SANDS END POTTERY 'GILLOW' TILES, early Fulham period, tin-glazed earthenware, impressed marks to the undersides, each 15.3cm square (3)

WILLIAM DE MORGAN FOR FULHAM POTTERY:A RUBY LUSTRE POTTERY DISH, the centre decorated with a galleon, surrounded by a broad rim of fish and foliage, the underside with a central coiled serpent surrounded by concentric circles, 22cm diameter (def)

William De Morgan (1839-1917), an Oblique pattern tile, circa 1875, 15 x 15cm; together with another De Morgan tile with blue foliate design, 15.5 x 15.5cm (2)Some all over crazing and the usual very minor fritting to rims in places, but in generally good condition.

William De Morgan (1839-1917), an Arts and Crafts ruby lustre tile, decorated with scrolling foliate motifs, impressed factory mark and signed 'W. De. Morgan. &. Co. Fulham London',15.5cm squareCondition ReportSmall chips and nibbles to the edges. Some wear, minor scratches and crazing.

WINGBACK ARMCHAIR, early 20th century English Edwardian with William de Morgan style upholstery and square tapering supports, 66cm W.

A William de Morgan ruby lustre vase with fish design, 8 1/2" high (rim extensively restored)

A William de Morgan ‘Galleon ship’ plate, Fulham period (1888-1898), decorated by Charles Passenger, painted in colours with a galleon ship and fish on high seas, the reverse with concentric bands around the inscribed mark ‘WDM FULHAM’ and artist’s monogram ‘CP’, 25cm diameter Natural crackle throughout the glaze, one small rim chip at 2 o'clock otherwise very good.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

William De Morgan, an Arts and Crafts double lustre charger, circa 1890, the central eagle in iridescent taupe, on a fruiting bush, within a Persian scale and lotus cartouche tulip and rosette border, the reverse in ruby with central serpent within a triangular lapped border, 36cm diameter

William de Morgan, an Arts and Crafts double lustre charger, circa 1890, painted with a peacock in profile in full plumage, on a leafy bough, the feather eyes depicted in taupe, central rosette of radiating lappets and spirals, within a foliate vine border, 36.5cm diameter

William de Morgan, an Arts and Crafts double lustre charger, circa 1890, painted with a peacock in full plumage, on a foliate ground, the feather eyes highlighted in iridescent taupe, the reverse with concentric rings in ruby within a tadpole lappet border, 36cm diameter

A pair of William De Morgan Persian designed tiles, painted with a floral design in turquoise, green and other colours on a white ground. Both with impressed Sands End marks to the reverse, 15cms square. (2). *CR One tile, chips along the right edge of the tile with some glaze loss, general crazing, small chip to the top left corner, mark a little indistinct on the reverse. The other, general crazing, small chip to bottom right corner.

Mary De Morgan - On a Pin Cushion and Other Fairytales, with illustrations by William de Morgan, Seeley, Jackson and Halliday 1877

William de Morgan ruby lustre pottery vase, decorated with foliate patterns, impressed mark and inscribed 'FP' for Fred Passenger, 23.5cm high, together with carved wood baseThere are some nibbles / glaze rubbing around the rim, and what appear to be some firing imperfections around the neck. Otherwise in good condition.

A William De Morgan BBB patterned tile The yellow flower decorated tile on a Poole 'Architectural Pottery' blank as used by De Morgan.15cm squareQty: 1In generally good condition with only minor niggles to the edge and signes of previous attachment to the reverse.

SIDE CHAIR, 1960s Howard Keith style with William de Morgan print upholstery and swept supports, 64cm W.

William De Morgan, Earthenware Tile of Persian Style Flowers. Height: 15cm Width: 15cm Depth: 1cm

William De Morgan, Two Earthenware Tiles. One in the BBB design a/f, the other with Rampant Lion and Lioness with Brown Glaze. Height: 15cm Width: 15cm Depth: 1cm

William De Morgan, red lustre baluster vase of Persian design, decorated with exotic birds and stylised scrolls, impressed marks to base, 27.5cm highCrazing all over the vase, some firing marks as shown in photos, otherwise in good condition. No signs of restoration.

Mary de Morgan - On a Pin Cushion and Other Fairytales, with illustrations by William de Morgan, Seeley, Jackson and Halliday 1878 second edition, together with other early Children's books

After William De Morgan. Limited edition 40 of 40, 21st century ceramic vase depicting white antelopes in a dense forest. Excellent tube-lining. White, blue, green and purple colorations. Dennis Chinaworks stamped. Artist initials. Artist: Sally TuffinIssued: 2000Dimensions: 6.5"W x 14"HEdition Number: 40 of 40Manufacturer: Dennis ChinaworksCountry of Origin: EnglandCondition: Age related wear.

Ceramics.- Atterbury (Paul) & others. The Parian Phenomenon: A Study of Victorian Parian Porcelain Statuary & Busts, Shepton Beauchamp, 1989 § Greenwood (Martin) The Designs of William de Morgan: A Catalogue, Shepton Beauchamp, 1989 § Jokelson (Paul) Sulphides: The Art of Cameo Incrustation, one of 500 copies signed by the author, New York, 1968 § Meteyard (Eliza) The Life of Joseph Wedgwood, 2 vol., facsimile reprint, Ilkley, 1980 § Lewis (J. & G.) Pratt Ware...1780-1840, revised edition, Woodbridge, 1993 § Koch (Robert) Louis C Tiffany, Rebel in Glass, second edition, New York, 1966, illustrations, some colour, the first three with book-label of James Stirling, original cloth or boards, the third & fourth with slip-cases, the rest dust-jackets, a little rubbed; and c.30 others on ceramics & glass, 4to & 8vo (c.35)

Leicestershire. Prior (John), To the Right Honourable Francis Earl of Huntingdon, Baron Hastings, Hungerford, Newmark, Peverel, Botreaux, Molins, Moet and de Homet, by his Lordship's Permission. This Map of Leicestershire from an Actual Survey, Begun in the Year 1775, and Finished in the Year 1777..., [William Dawson, London, J. Gregory, Leicester, 1779 - 1819], large scale map engraved by John Luffman, sectionalised and laid on linen, sparse contemporary outline colouring, inset map of a plan of Leicester, large uncoloured cartouche, stained and dust-soiled, small puncture holes affecting the printed image, trimmed along the lower margin with loss of the publication line, 1115 x 1210 mm, together with Mawson, Swan & Morgan (printers & publishers). Mawson, Swan & Morgan's New County Map of Northumberland, Newcastle-on-Tyne, circa 1900, large-scale colour lithographic map, sectionalised and laid on linen, calligraphic title, inset map of Newcastle-on-Tyne and a table of reference, 1630 x 1200 mm, marbled endpapers, bound in publisher's blue gilt cloth boards, slight wear to extremities, with Furnival (J. & E. Land Surveyors). North Wales, published J. & E. Furnival, Llanymynech near Oswestry, June 1st 1814, engraved map with contemporary outline colouring, sectionalised and laid on linen, inset trigonometrical diagram of North Wales, slight dust soiling, 550 x 615 mm, contained in a contemporary marbled calf slipcase, case worn and rubbed, plus Cook (Robert J & Hammond, publishers). The Right Honourable Lord Tredegar to the Alexandra (Newport & South Wales) Docks & Railway Company, circ 1880, folding lithographic map with contemporary outline colouring, some small near-contemporary red ink annotations, 865 x 1040 mm, bound in publisher's blue cloth gilt boards, size when folded, 340 x 140 mmQTY: (4)

A William de Morgan tile, Merton Abbey period, 1882-1888, painted in two tones of red copper lustre with a doe on tin glaze impressed with wavy tufts, 15.5 x 15.5cm, impressed mark Surface/edge chips as evident from image; intact; no restoration; old adhesive residue on reverse

Two Ruby lustre Tiles, one decorated with a Sunflower by Craven Dunnill & Co, Jackfield, Salop 6" square and the other decorated with a Griffin, no makers marks possibly by William De Morgan, 5 3/4" square.

William De Morgan, two Carnation tiles, circa 1890s, pink flowers and green foliage, impressed Sands End and DM98 marks, 15.5cm diameter (2)

William De Morgan, two Carnation tiles, circa 1898, pink flowers and green foliage, impressed DM98 marks, 15.5cm diameter (2)

William De Morgan for Sands End pottery, a red lustre vase, circa 1890, bulbous form, later silver plated rim, impressed marks, 21cm high

A pair of William De Morgan tiles, Persian inspired design of flowers and foliage, circa 1880, maker's stamp to reverse, 15.2cm square1 tile has a small chip to edge, both have small surface abrasions but general good condition

A pair of William De Morgan tiles, Persian inspired flower and foliage, maker's stamp to reverse, 15.6cm squareBoth tiles have a large chip to side, 1 with chip to corner and crazing to surface, no other breaks or repairs

William De Morgan, a ruby lustre-glazed pottery charger, late 19th century, the well painted with Cupid carrying his flaming torch and holding the mane of a lion, within a broad rim painted with stylised foliage and centred by a pair of angels blowing horns, unmarked (restoration to much of the rim, small chip to underside of rim). Diameter 30cm. 

William De Morgan (1839-1917), a ruby lustre 'BBB' tile, c.1880, with a faint Fulham Pottery mark to the verso, 16cm square, anda Persian-inspired tile, with a gridded foliate pattern in blue, stamped with a Merton End mark to the verso, 16cm square (2)Provenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportThe ruby lustre example with even crazing. Some wear to the edges. Some minor marks to the centre. The Persian inspired example with a cup to the edge. With crazing throughout.

William De Morgan (1839-1917), a pair of 'Oblique' tiles, designed c.1875, each decorated in green with blue details, impressed to the verso with Sands End marks, 15.5cm square (2)Provenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportWith some scuffs tot he tops of both. With even crazing. The edges with scuffs from previous mounts.

William De Morgan (1839-1917), a pair of 'BBB' tiles, late 19th century, each decorated with a yellow flower, impressed with Fulham Pottery marks to the verso (D.M 98),16cm square (2)Provenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportThe marks worn to both. With scuffs to the edges from previous mounting brackets. Even crazing to the surface of both.

William De Morgan (1839-1917), a pair of 'Cavendish' tiles, c.1880, each painted with a blue flower amongst green foliage, stamped to the base with Merton End marks, 15.5cm square (2)Provenance: The Estate of Max Clendinning and Ralph Adron.Condition ReportOne with chipped corners. The other example with two flat chips. Both with wear to the edges from previous mounts. Each with even crazing.

WILLIAM DE MORGAN (1839-1917); an Arts & Crafts ceramic tile decorated with a Persian carnation, impressed Sands End Pottery mark, 20.5cm x 20.5cm.

WILLIAM DE MORGAN; an Arts & Crafts ceramic tile with floral decoration, impressed marks, 15 x 15.5cm.Condition Report: Glaze crazing, scratches to the glaze, minor chipping to the edges.

WILLIAM DE MORGAN; an Arts & Crafts ceramic tile with floral decoration, impressed marks, 15.5 x 15.5cm.Condition Report: Glaze crazing, light scratches, minor flea bite chips to the edges.

William De Morgan (British, 1839-1917) Study of a female figure holding a candle and a cherub riding a lionink and pencil7 x 12cm

A William De Morgan Sand's End Pottery 6 inch plastic clay tile decorated in the K L Rose pattern, painted in shades of pink, green and brown on blue ground, impressed factory mark.

A large William De Morgan Late Fulham period Pottery 6 inch plastic clay tile, decorated in a carnation inspired design, painted in shades of pink, green and brown on a white ground, impressed factory mark DIP.

A 19th Century William De Morgan 6 inch plastic clay Bedford Park Daisy tile, decorated with quarter zig-zag panels of daisies and flowers in tonal blue, green and yellow, impressed W.D.E Morgan.

A 19th Century William De Morgan tile relief embossed with lions passant picked out in a tonal brown to magenta to brown glaze, impressed Sands End Pottery Fulham rose mark.

A William De Morgan Sand's End Pottery 6 inch plastic clay two tile run, decorated in a Persian inspired design of flower heads and scrolling leaves, painted in shades of blue and green with black tendrils on off-white ground, impressed factory mark.

A large William De Morgan Sand's End Pottery 8 inch plastic clay tile decorated in the Double Carnation pattern, painted in shades of yellow, green and brown on a white ground, impressed factory mark.

A 19th Century William De Morgan 6 inch plastic clay tile decorated with trailing chrysanthemum, with green swirling leaves and turquoise highlights, impressed Sands End Pottery mark.

A 19th Century William De Morgan 6 inch plastic clay tile, painted in tonal greens and blues with flowering sprigs in the Boston design, impressed Sands End Marks verso.

A 19th Century Carter & Co Architectural Pottery 6 inch red clay dust pressed tile decorated by William De Morgan in the Marlborough pattern (lower section) with two stylised flower heads in yellow on green, framed in a pine surround, relief moulded marks.

A collection of dust pressed 6 inch tiles, to include a Kenneth Clark Ceramics reproduction of a William de Morgan tile with an image of a gazelle in tonal green, on a H&R Johnson Tile Company back, a Richards Group tile with abstract decoration in black and white against the buff ground, a Pilkington Carter tile decorated with stylised leaves in brown, a H&R Johnson tile with concentric circles in metallic copper against the blue ground, and a handmade clay tile by Catherine Rich with a handpainted lustre and pastel geometric design. (5)

A large 19th Century William De Morgan 8.5 inch plastic clay tile, hand painted with a flowering rose bough with large open bloom and half open bud, impressed W. De Morgan, Merton Abbey period.

A 19th Century William De Morgan 6 inch plastic clay tile decorated with a stylised Persian floral motif in tonal blue and green, impressed Merton Abbey oval impressed mark.

A 19th Century William De Morgan 6 inch plastic clay Bedford Park Daisy tile decorated with yellow flower heads and leaves on a cream ground, impressed Late Fulham circle mark, D.M 98.

A late 19th Century William De Morgan 6 inch dust pressed tile, from panel 77 for Membland Hall, Plymouth 1877, decorated with a design by William Morris, hand painted with stylised blue glaze floral motifs and stylised green leaves over a deep blue ground.

A William De Morgan Sand's End Pottery 8 inch plastic clay tile decorated with clusters of berries and leaves, painted in shades of yellow and green on a turquoise ground, impressed factory mark.

A William De Morgan BBB tile, painted in shades of green, blue and aubergine on a white ground and another William De Morgan tile, framed marks concealed, 38 x 22.5cm (frame)

A large William De Morgan Merton Abbey BBB tile, painted with a Persian Carnation flower in shades of blue, aubergine and green on a white ground, impressed factory mark, 20.5cm. square

A William De Morgan Early Fulham period Galleon two tile panel, painted with a manned galleon rowing past a classical landscape, whilst the sails are raised, in shades of green on a white ground, impressed factory marks, 15.3cm. square (2) ProvenanceThe Nick King collectionThe David Sheard collection. LiteratureMartin Greenwood The Designs of William De Morgan, Richard Dennis, page 176 figure 470. for a comparable panel.

A William De Morgan Lion and Lioness tile, modelled in low relief with two heraldic lions, glazed blue, and two Art Nouveau tiles, De Morgan tile unsigned, impressed marks to Art Nouveau tiles, 15.3cm. square (3)

A William De Morgan Sunset and Moonlight suite lustre wall plate by Charles Passenger, painted with an eagle attacking a smaller raptor to the centre, the large bird with wings stretched around the rim, in blue and pink triple lustre, painted CP monogram, 25cm. diam. LiteratureMartin Greenwood, The Designs of William De Morgan, Richard Dennis Publications, page 45 catalogue number 1244 for the original design illustrated.

A pair of William De Morgan Early Fulham period Moffatt tiles, each painted with flowers in green and aubergine on a turquoise blue ground, framed, impressed factory marks, 15cm. square (tiles) ProvenanceThe David Sheard collection.

A William De Morgan Gillow three tile panel, painted in shades of yellow and green on a cream ground with two carnation flowers, framed, marks concealed, 52 x 22cm. LiteratureMartin Greenwood The Designs of William De Morgan Richard Dennis, page 133 catalogue number 719 for the original design illustrated.