Star Trek: Voyager Crew Jacket and related memorabilia – includes, Star Trek: Voyager, black padded crew jacket, fully lined, with TV series title embroidered in white and gold across the back, full-zip front with snap fasteners, rolled hood and detachable zip sleeves, snap fastener front pockets, label reads ‘Result, Paramount Pictures 1998’, size M, unworn as new; together with, Star Trek: Wrath of Khan, uniform badge, boxed (x2); Star Trek: No Contact, stainless steel pen boxed (x2); Star Trek: Generations, journal; Star Trek pins; Star Trek Paramount Pictures CD case holder; Star Trek: Hypermouse II, computer mouse; Star Trek Sony watchmen; and Star Trek Paramount Pictures paperweight. (12) Provenance:The vendor worked as a receptionist for 15 years with Cinema International Corporation (CIC) film distribution company started by Paramount Pictures and Universal Pictures in the early 1970s.
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Paramount Studios and Antz (1998) Two Crew Jackets and Cast signed Frasier photograph –Paramount Studios, black padded jacket with brown suede sleeves, fully lined, with the Paramount logo embroidered in brown and gold across the back, snap fasteners to front, label reads ‘Paramount, USA type’, size XL, unworn as new; Antz (1998) black and white padded crew jacket, fully lined, film title embroidered on left breast, film title and image of an ant under a microscope across the back all in black, green, and brown, snap fasteners to front, label reads ‘JSR Industries Inc., USA type’, size XL, unworn as new; together with, Frasier (American TV series, 1993-2004) Cast signed publicity photograph, signatures include, Kelsey Grammer, John Mahoney, Peri Gilpin, David Hyde Pierce, Jane Leeves and Moose (Eddie), 8 x10 inches, framed and glazed, 11 x 13 inches. (3) Provenance:The vendor worked as a receptionist for 15 years with Cinema International Corporation (CIC) film distribution company (started by Paramount Pictures and Universal Pictures in the early 1970s).
A late 19th/early 20th century Indian yellow coloured metal, old cut diamond and green stone snake bracelet, the head and tail inset with diamonds, testing as high carat gold, 91.7 g (all in)Overall condition good, body of the bracelet has slight wear, but no noticeable kinks or creases, diamonds are old cut, some variation of colour, most bright white, no visible repairs
A collection of jewellery, comprising: a sapphire and diamond tank track bracelet, length 17cm, stamped 14K, a cultured pearl necklace to a silver clasp, length 41cm, stamped 925, a white gold ring set with single-cut diamonds, size O, signed Damas, stamped 750, a 9ct gold ring set with single-cut diamonds, size J1/2, British hallmarks, stamped 375, a three-tone gold ring, size M1/2, a 9ct gold clasp, length 2.5cm, British hallmarks, a cultured mabé pearl gold pendant and an aquamarine silver pendant, three gold charms, a gold bangle, and two gold pairs and one silver pair of gem-set stud earrings
A collection of nine fob seals, 19th century, comprising: a large blank swivel seal in faceted citrine, length 3.1cm; two bloodstone and carnelian swivel seals mounted in gold, British hallmarks; three fob seal pendants set with citrine, bloodstone and white chalcedony, each in floral gold mounts, tallest 2.7cm; and three fob seals in gilt metal
A collection of gem-set jewels, comprising: a three-stone diamond ring in 9ct gold, size N, British hallmarks; a blue zircon ring in 9ct gold, British hallmarks; a triangular aquamarine and simulant diamond ring in 9ct gold, British hallmarks; a step-cut blue topaz and diamond ring in 9ct gold, British hallmarks; a pink Malaya garnet ring mounted in 9ct gold, British hallmarks; a ring set with three rows of circular-cut sphenes in 9ct gold, British hallmarks; a ring set with blue topaz cabochons in gilt silver; and a pendant set with triangular orange sapphires, mounted in 9ct white gold, British hallmarks
λ A mixed group of jewellery, including: an abstract diamond ring, set with round brilliant-cut diamonds in white gold, total approximate diamond weight 0.85cts, size K, a diamond half hoop ring, set with six circular-cut diamonds in fluted white gold setting, stamped 18K, size K, a demantoid garnet pendant with a diamond-set bail and a mid 19th century coral and seed pearl oval brooch, length 3cm
An enamel and seed pearl watch and chain, early 20th century, the watch with a circular golden dial with enamel indicators and blue steel hands, within a case applied with pale blue guilloché enamel, the back set with rose-cut diamonds, length 5.5cm including bail, interior with French assay mark for gold, numbered 6645, manual winding movement, to a necklace composed of baton links applied with blue guilloché and white enamel, on a chain threaded with seed pearls, length 59cm, French assay and maker's marks, pearls untested
A signed agate cameo and enamel pendant, first half 19th century, set with an oval agate cameo depicting a laureated Zeus in profile, within a foliate border applied with black, white and orange enamel, within an outer frame of gold rope twist, length 5.4cm including bail, cameo initialed AM
A natural pearl and diamond necklace, early 20th century, designed as a single strand of graduated natural pearls measuring 3.1-2.1mm, to a cluster clasp set with circular-cut diamonds, mounted in white gold, length 47cmAccompanied by GCS report no. 5784-3292, dated 1st August 2024, stating that the 103 pearls are natural saltwater.
A collection of eight egg pendants, Russia, late 19th/early 20th century, comprising: one egg pendant in gold with a chased finish, length 1.6cm excluding larger bail; and seven in silver, including one applied with red guilloché enamel with the initials XB in reserve, one in blue guilloché enamel and one in pink guilloché enamel, one in white guilloché enamel with a painted enamel design of forget-me-nots and the initials XB, one in blue guilloché enamel with a painted enamel design of roses, and two accented with blue enamels and also initialled XB, largest 2.3cm including bail, all with partial assay marks
A sapphire and diamond cluster ring, the oval-cut sapphire weighing 13.16cts within a surround of pear-shaped and brilliant-cut diamonds in white gold, stamped 750, maker's mark JK, size N1/2Accompanied by GCS report no. 5784-1700, dated 8th March 2024, and facsimile GRS report no. GRS2013-101694, dated 13th November 2013, both stating that the sapphire is of Myanmar (Burma) origin, with no evidence of heat treatment.
Fabergé, a dendritic agate miniature animal study, early 20th century, realistically modelled as a reclining Gloucester Old Spot pig, finely carved in dendritic agate, its eyes set with cabochons of red paste, measuring 8.0 x 3.0 x 2.1cm, eyes later replacements The quality of this carving and the sensitive treatment of its subject compare favourably with a number of hardstone animal studies produced by the workshops of the Russian imperial jeweller Fabergé. Animal carvings are among the jeweller's most celebrated creations, adored and collected by some of the most prominent figures of the early 20th century. Russia's stone carving industry centred on the city of Yekaterinburg, where Fabergé acquired the workshop of lapidary Karl Woerffels around 1884, and it was this workshop that produced the majority of them - the carvers Kremlev, Derbyshev and Svetchnikov, managed by the German Alexander Meier. The stones were carefully selected by Carl Fabergé's son Agathon, and were mostly of Russian origin, taking advantage of the rich mineral resources of the Ural mountains and Siberia. The animal carvings found immense popularity with a number of the firm's key patrons, most notably the British Royal Family, whose collection boasts more than 350 animals, and Léopold de Rothschild, who had his racehorses similarly immortalised by Fabergé's sculptors. The dendritic or 'moss' agate used here is an unusual choice for an animal study, its distinctive patterning more commonly employed by Fabergé for inlays and panels in its jewels and objets de vertu. Traditionally found in India but eventually sourced by Fabergé from Siberia, its use here is likely a clever attempt to mimic the distinct patternings of a particular breed of pig known as the Gloucester Old Spot, whose 'lop' ears are also distinctively forward folding as in the present carving, partially shielding its eyes. A number of realistically modelled farm animals including pigs were produced from life at the Sandringham estate in 1907, following a suggestion made to King Edward VII by Fabergé's London agent Henry Bainbridge that the firm recreate a number of the animals across the estate. With subjects ranging from the King's own terrier dog Caesar, to the cows, pigs, ducks and chickens that populated the farmland around them, the animals of this 'Sandringham Commission' were reproduced in wax sculptures by the carver Boris Frödman-Cluzel, before being sent back to the Russian workshops to be immortalised in hardstone. They were then sent back to Fabergé's London branch for purchase, mostly, but not exclusively, by those who wished to gift them back to the Royal Family. Such was the appeal that some were even acquired by members of the family themselves, such as Princess Victoria, who bought a model of a recumbent white sow in pale pink aventurine quartz in 1912 (RCIN 40041). It is not known whether the present study would have been part of the Sandringham commission, but the close attention to detail and the choice of this lesser known breed of pig reflect a close observation of the animal, likely in its agricultural setting, and a desire by the sculptor to capture the distinctive characteristics of this specific breed. King Edward VII was particularly proud of his pigs and sent the best of his herd to The Royal Society Show in June 1911. Pigs were one of Fabergé's more popular animal studies in their native Russia, with several examples recorded in the collection of Empress Maria Feodorovna, and are also among the most humorous and varied of their miniature sculptures. Cf.: a series of carved hardstone pigs by Fabergé in the Royal Collection, collection nos. RCIN 40041, 40038, 40421 and 40422, commissioned by the Royal Family and studied by Fabergé's sculptor Boris Frödman-Cluzel from life at the Sandringham estate in 1907. Cf.: The Robert Strauss Collection of Works of Art by Fabergé, Christie's, 9th March 1976, lot 28, and A. Kenneth Snowman, The Art of Carl Fabergé, 1972, no.237, for studies of dalmatians, their spotted coat also depicted in dendritic agate Cf.: A La Vieille Russie, Fabergé exhibition catalogue, New York April-May 1983, no. 445, for a dendritic agate model of a spaniel with an enamelled gold collar by the chief workmaster Henrik Wigström. An English private family collection
Four gentleman's gold watches, mid 20th century, and two stainless steel watches, comprising: two watches of rectangular outline, and two with circular dials in cases of rounded square outline, all with silvered dials and subsidiary seconds dials at 6 o'clock cased in gold, with later leather straps, case widths 2.0-2.9cm, manual winding movements, two signed JW Benson, one numbered 2528, one signed Rotary Super Sports, British hallmark for 9ct gold, one signed Record; and a gold deployant clasp, signed Gobbi, stamped 750, case; and two stainless stainless steel wrist watches by Tiffany & Co. and A Barthelay, the Tiffany watch with rectangular dial in white enamel, cased in stainless steel, to a black leather strap, case width 2.0cm excluding winder, quartz movement, signed Tiffany & Co., case and box stamped Tiffany & Co.; the A Barthelay watch of similar design with a date wheel aperture, accented with gilt screw motifs to the bezel, to a brown leather strap, case width 2.5cm excluding winder, signed A Barthelay, numbered 600 57, stamped Or 18KT et Acier, pouch and papers
A collection of 10 gem-set rings, comprising: an oval morganite and diamond ring; two emerald and white zircon rings; two sphene rings; two tanzanite rings; two green garnet and diamond rings; and a blue topaz and diamond ring, all mounted in 9ct gold, British hallmarks, accompanied by two certificates of authenticity
A ruby and diamond suite of jewellery, comprising a ruby and diamond ring by Romaine Herzo, the oval ruby set within diamond-set shoulders and gallery in white gold, French control marks and rubbed maker's mark, size M, with a ruby and diamond necklace, formed of graduated clusters of ruby and diamonds on a ruby chain in white gold, length 43cm, with a pair of matching ruby and diamond earrings in white gold, post and clip fittings, length 3.1cm
A diamond cluster ring, designed as an abstract floral motif, centring on a brilliant-cut diamond weighing 1.25 carats within smaller brilliant-cut diamonds in stylised petal formations, mounted in white gold, total approximate diamond weight 1.71 carats, size N1/2, stamped 750 and D.1.71Accompanied by GIA report no. 2195686538, dated 20th September 2018, stating that the diamond weighs 1.25 carats, H colour, VVS2 clarity, no fluorescence.
A ruby, emerald and diamond brooch, designed as a butterfly in flight, its wings partially articulated, its antennae mounted en tremblant, set with single-cut and baguette diamonds, circular-cut rubies, channel-set with lines of calibré-cut emeralds, and brilliant-cut diamonds of yellow, brown and greenish tints, mounted in white gold, length 8cm, diamonds not tested for natural colour origin, case
An early 20th century labradorite necklace and brooch, the fine oval-link chain set with graduated labradorite cabochons, centring on an articulated labradorite and white stone drop on knife-edge links, necklace length 38cm, with a similar labradorite and diamond brooch, with a carved labradorite eagle within starburst surround of graduated old-cut diamonds in gold, width 4.3cm, fitted case by E.W.Payne
A garnet and enamel ring, late 19th century and later, designed in the Renaissance Revival style, collet-set with a cushion-shaped almandine garnet, within a square mount applied with black and white enamel in geometric patterns, to a band applied with bands of black enamel, mounted in gold, size K1/2, garnet possibly a later replacement
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261836 item(s)/page