We found 1200 price guide item(s) matching your search
There are 1200 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
1200 item(s)/page
An English tortoiseshell ware soup bowl in the manner of Thomas Whieldon, mid to late 18th century, of shaped octagonal form with relief moulded ribbed rim, S.R. Twigg collection label verso, 23.5cm wide; with a similarly decorated Whieldon type miniature teapot and cover, mid to late 18th century, S.R. Twigg collection label verso, 6.5cm high (at fault) CONDITION REPORT:Soup bowl: Shows fine surface crazing throughout (developing into hairlines in places), firing pits and frits (particularly to the underside), and an area of staining to the underside.Teapot: Shows fine surface crazing throughout, developing into hairlines visible on the interior in places. The spout shows a firing crack filled with glaze. The cover shows firing cracks around the finial, and a square opening (possibly a vent) which appears to have been blocked by a firing frit.
An 18th Century Whieldon-type pottery Plate with shaped rim and fruiting vine decorations, A/F, 8 1/2in Diam, a pearlware figure of 'Winter' on square hollow base, 5 1/2in H, another figure of a girl holding a golden pheasant, 4 1/2in H, and another pearlware bocage figure on hollow square base, A/F, 6in HThe Whieldon - type Plate - there are four small chips to shaped rim, crazing on back of Plate, no majorly obvious faults that we can see.The Girl holding the Pheasant has been restored looks like it may have been broken of its square base. The Bocage Figure - the bocage is damaged with quite a bit missing, she looks like she's meant to be holding something and its broken off and is missing, the bottom of the tree trunk looks to have been restored and repainted. Figure of Winter - has some small chips in places, a crack in the square base (The Figure looks to have been restored especially around the base).
Leonard Jarvis - A Limited edition No 7 commemorative glazed pottery Toby Jug modelled as Winston S Churchill in the style of Thomas Whieldon, inscribed to base " The RT. Hon. Winston S Churcdhill O:M, C.H, F.R.S, M.P" along with an accompanying letter to a previous owner (A/F - some damage) 7" high. Handle has been broken off and been in two pieces and has been glued back (but not very well damage and joins are very visible), large hairline cracks either side of the Figures Head that are running down the body, paintbrush tips have been broken off.Please see the images..
A pair of Whieldon ware plates of octagonal form, having notched rims decorated with tortoiseshell glaze, 21.5cm diameter, together with oriental ceramics to include vases and ginger jars, with a large stoneware flagon. There is a 1cm chip to the notched rim on one octagonal plate (the dark brown plate) also crazing to the glaze.The other octagonal plate has a 3cm long hairline crack to the rim, and crazing to the glaze.
Fishing Books: a good selection to include Trout Loch of Scotland Bruce Sandison 1992, Gone Fishing Michael Hordern 1995, The Complete Guide to Fishing Skills Tony Whieldon 1988 P/B, Advanced Custom Rod Building Dale P Clemens 1978, Emergers Doug Swisher and Carl Richards 1991, The Collectors Guide to Antique Fishing Tackle Sivio Calabi 1989, 2 Hardy Book of Flies and an Abu 7000 instruction booklet
Ten Fishing Books - Salmon and Trout in Moorland Streams 1928 Major Kenneth Dawson, Modern Angling Series Reservoir Trout Fishing 1977 Bob Church, Stillwater Trout 1995 Tony Whieldon, Still Water Fly-Fishing 1975 T.C Ivens, Fishing Reels Collecting for all 1993 Phil Waller, Fishing for Lake Trout 1972 Conrad Voss Bark, Stillwater Flies how & when to fish them 1982 John Goddard, Stillwater Trout A month-by-month guide 1994 Brian Musgrove, Trout Angler's Angles An Approach to Stillwaters 1990 Alan Pearson, Catching Lake Trout 1990 John Gale - mixed condition
A Whieldon type creamware plate. Circa 1770, of silver shape, with a moulded edge and mottled tortoiseshell glazes, diameter 20.5cm, together with a similar larger plate (2).There is no restoration. The smaller plate has little scratching and minimal rim abrasions and nibbles. The larger plate has a significant crack, much scratching and rim nibbles.
A Whieldon pottery teapot with spongeware decoration, the cover with a mushroom finial,18cm wide15cm hightogether with another similar example,with fruiting vines and mask decoration,18cm wide12cm high (2)Condition ReportCrazing throughout. Chips and cracks to the mushroom finial. The second example with hairline cracks to the rim and handle.
A Whieldon-Type Creamware Hare, circa 1770, naturalistically modelled crouching, with manganese markings on a mound base applied with flowerheads 10cm longProvenance: With paper label for Jonathan Horne Antiques No restoration. Glaze widely crazed. Flat chip under the base towards the rear of the model, another smaller chip close by. Horizontal crack on the rear of the base. Firing tears at the top of the front legs.
Unusual Whieldon-glazed pottery figure of a Chinese musician, probably mid 18th century, of Ralph Wood I type, modelled seated, wearing a conical hat and robes, playing a stringed instrument, on integral rectangular base, concave beneath, unmarked, 17.5cm high (losses)Deceased estate, North Somerset.
‡  A STAFFORDSHIRE CREAMWARE 'PINEAPPLE' TEAPOT AND COVER CIRCA 1765-75, POSSIBLY THOMAS WHIELDON, FENTON VIVIAN Of globular form, with green-glazed rolled cabbage leaf spout and serpent handle, the body and cover as a yellow pineapple growing from spiky leaves, the finial as similar leaves rising from a star-shaped leaf terminal 12.5cm high TOGETHER WITH A STAFFORDSHIRE CREAMWARE 'PINEAPPLE' SUGAR-BOWL AND COVER CIRCA 1770-75, POSSIBLY WILLIAM GREATBATCH Of hemispheric form, the slightly domed cover with flower finial and set into the everted mouth, naturalistically moulded and glazed 10.5cm diameter AND A PAIR OF STAFFORDSHIRE CREAMWARE 'PINEAPPLE' TEA-CANISTERS AND COVERS CIRCA 1770-75, POSSIBLY WILLIAM GREATBATCH Each of rounded rectangular form, naturalistically moulded and coloured, the cover with green spiky leaves similar to those extending up the sides of the cannister Each 11.5cm high The attribution to Thomas Whieldon's factory at Fenton Vivian is based on the excavation at this site of a biscuit earthenware teapot cover similar to the present example. However, other manufacturers are known to have used the form. See Leslie B. Gigsby, English Pottery, 1650-1800, The Henry H. Weldon Collection, pp. 192, 193, pl. 91, no. 380. Condition Report: Pineapple sugar bowl rim with small chip and two small stress-cracks, cover with restored rimOne canister with restoration to neck and glaze crack to base, the other is chipped to the neck rim.Please see additional images available from the Dept. upon request.Condition Report Disclaimer
‡  A STAFFORDSHIRE CREAMWARE FIGURE OF A TURK CIRCA 1760 Of Whieldon type, standing wearing a turban and in a flowing cloak over a buttoned coat tied with a sash, his right hand holding a dagger at his waist, splashed in grey, green, blue and yellow glazes on a circular mound base 14.5cm high Provenance: The Price Glover Collection of Fine English Pottery; Christie's London, 14 June 1988, lot 110. Cf. Leslie B. Grigsby in English Pottery, 1650-1800 The Henry H. Weldon Collection, pl. 300, no. 85 for a similar example; also Christie's, London, 10 October 1988, lot 116. Condition Report: Restored at the neckPlease see additional images available from the Dept. upon request.Condition Report Disclaimer
‡  A STAFFORDSHIRE CREAMWARE 'LANDSKIP' TEAPOT AND COVER CIRCA 1760-65, POSSIBLY WHIELDON, FENTON VIVIAN Moulded in the traditional pattern with cows and sheep, splashed in manganese, green and cobalt, with recumbent lamb finial 12.5cm high Provenance:The Property of Lady Gollancz, sold, Sotheby's, London, November 19, 1968, lot 93 David Newbon, London The Harriet Carlton Goldweitz Collection; Sotheby's, New York, 20 January 2006, lot 131 Exhibited: Boston, Massachusetts, Boston Public Library, 1973. Literature: H. Sandon, Coffee Pots and Teapots for the Collector, 1973, p. 63, pl. 72. H. Carlton Goldweitz, An American Collection of English Pottery: A Chronology 1635-1778, English Ceramic Circle Transactions, Vol. 12, part 1, 1984, p. 19 and pl. 26e. Condition Report: Some restoration to the finial, spout with glued section Cracks through the base The lamb's ear on the cover has been restored Crack under the lid of cover Additional images available for further inspectionCondition Report Disclaimer
‡ A STAFFORDSHIRE WHITE SALT-GLAZED STONEWARE 'LANDSKIP' TEAPOT AND COVER CIRCA 1755-1765, PROBABLY WHIELDON OR WEDGWOOD With recumbent lamb finial, foliate and beaded spout and foliage scroll handle, moulded with a puce and turquoise house, yellow sheep, brown cows and green trees on shaped panels of diaper and bands of beading 11.5cm high Provenance: A.C.J. Wall CollectionSee the example formerly in the Garbisch collection at 'Pokety Farms', Cambridge Maryland, sold Sotheby Parke-Bernet Inc., 22nd-23rd May 1980, lot 28 where acquired by Herbert and Sylvia Jacobs, sold to Robert J. Kahn, Villanova, PA in their eponymous sale at Christie's, New York, 24 January 1994, lot 50 and subsequently sold in his estate sale at Christie's, New York, 29 January 2002, lot 465 C.f. A 'Landskip' teapot, circa 1765 probably by Josiah Wedgwood, W.B. Goodwin, collection no. 65., Christie's, English pottery and Chinese Export Art, 28th January 2003, lot 319Note: The attribution of these so-called 'Landskip' teapot has been extensively debated. See Robin Reilly, Wedgwood, Vol. I, fig. 153 for an example with identical handles and spout; also see fig. 150 for a closely related block mould now at the Wedgwood Museum, Barlaston. Based on an invoice 11 January 1764 from William Greatbatch to Josiah Wedgwood which lists payment for a 'Landskip Tpt, Saus Bt., Cream Bt. & Sugr. Box' and on the rediscovery of related blocks at the Wedgwood factory in Etruria, the origin of the block design was tentatively ascribed to William Greatbatch. To date, there is no archeological evidence to support that Greatbatch made landscape-molded wares. Shards in this pattern have been found at several sites in Staffordshire, suggesting that Wedgwood was not the only potter making wares in this type. Condition Report: restoration to tip of spoutPossible crack to underside Small rim chips to cover Please see additional images for visual reference to condition Condition Report Disclaimer
‡  A STAFFORDSHIRE CREAMWARE TEAPOT AND COVER CIRCA 1765, POSSIBLY THOMAS WHIELDON, FENTON VIVIAN Moulded with Chinoiserie figures below an arched arcade 11.5cm high Provenance: Bryan T. Harland Collection, bearing collection label no. M. 8 David Newbon, London The Harriet Carlton Goldweitz Collection; Sotheby's, New York, 20 January 2006, lot 141 Exhibited: Boston, Massachusetts, Boston Public Library, 1973. Milton, Massachusetts, Museum of the American China Trade, I-hsing Ware and its Influence on European Ceramics, 1980, no. 1390.14 Literature: H. Sandon, Coffee Pots and Teapots for the Collector, 1973, p. 54, pl. 63. G. A. Godden, British Pottery, An Illustrated Guide, 1974, p. 100, fig. 123. H. Carlton Goldweitz, An American Collection of English Pottery: A Chronology 1635-1778 Condition Report: small chip under cover rimPlease see additional images available from the Dept. upon request.Condition Report Disclaimer
‡  A STAFFORDSHIRE CREAMWARE FIGURE OF A LEVERET CIRCA 1760 Of Whieldon type, modelled with brown slip eyes and crouching on an oval mound base, splashed in manganese, the base enriched with green, with touches of green and grey 8.5cm long Provenance: The Charles Lomax Collection, no. 55.K; Sotheby's & Co. Inc., London, 7 April 1938, lot 136 The Price Glover Collection of Fine English Porcelain; Christie's London, 14 June 1988, lot 109 For similar example see" Rous Lench Collection, Sotheby's London, 1 July 1986, lot 126 (a salt-glazed stoneware version) (£9,500). Condition Report: No damage or restoration detected by Dreweatts (please see terms and conditions of sale).Please see additional images available from the Dept. upon request. Condition Report Disclaimer
An 18th century Worcester blue and white two-handled saucer boat, An 18th century Worcester saucer dish and cream jug decorated with floral swags and flowers and a Whieldon type 'tortoiseshell' moulded plate (7)Two handled sauceboat has old repair to one side, with old rivet marks (rivets now removed) glue somewhat discoloured and visible now.Jug with grey and gilded husk trail. possible small flakes to spout, rubbing to gilding on the handleMatching saucer - some pitting from firing, two chips to the foot, abrasion to the rim gilding band in places.Whieldon dish - some crazing to the glaze and old repair to the rim, firing crack to centre approx .75mm and some pitting.Please see additional image of interior of the sauce boat
A group of seven 'Whieldon' slipware plates, 18th century, English, to include five 'tortoiseshell' examples, each of octagonal form with a beaded edge, marbled in browns and greens to a buff ground,six approximately 22cm wideone larger, 27cm wide (7)Provenance: York's Tenement, Yoxford, Suffolk.For another 'tortoiseshell' example, see Victoria & Albert Museum accession number C.10-1940.Condition ReportCrazing present to the glaze on the plates. Two plate with a small area restored, one with with staples. A hairline crack present to the lightest coloured plate. Rubbing and wear throughout. Scratches and small nibbles to the rims and pooling/pitting to the glazes. See additional images.
A collection of twenty pottery and porcelain reference books, including Delftware, Michael Archer, English Delftware in the Bristol Collection, Frank Britton, English Delft Pottery, Major R.G. Mundy, Astbury, Whieldon and Ralph Wood Figures & Toby Jugs, Captain R.K. Price, The Leeds Pottery 1770-1881, John D. Griffin, Vols one and two, and Bow Porcelain On-glaze Prints and their Sources, Gordon & Sue Guy-Jones. Provenance: from the private collection of David Armitage, former conservator to the Department of Eastern Art at the Ashmolean Museum, Oxford, between 1970 and 1999.
Two Kevin de Choisy studio pottery jars and covers, the first of rounded square form, covered in a blue glaze with yellow, green and black highlights, raised on four feet, height 15cm, the second with vertical panels of ochre and green glaze in Whieldon style, height 12cm, impressed seal marks to bases.
A Staffordshire Whieldon creamware cow creamer standing on an oblong base, sponge decorated in shades of green and brown. Original cover and tail. Circa 1765-70. Size 12cm high 13cm diameter Condition. Original tail broken off and re attached. (Not restored). Original cover, tiny chip to rim.
A Creamware Chestnut Basket and Cover, circa 1780, probably Leeds, with ropetwist handles and knop and having lobed rim 24cm wide A Similar Open Basket, of ovoid form 26cm wide A Lozenge Shaped Stand, with pierced border 30cm wide A Mug, with entwined strap handle 11.5cm high A Plate, with feather mould border and decorated in Whieldon type glazes 24.5cm wide Another Pair of Feather Moulded Plates, with pierced borders 22cm diameter A Pierced Dish, moulded with swags 21cm wide A Further Pierced Plate 21.5cm diameter (10)Provenance: the basket with Jonathan Horne Basket - cover with a hair crack, base with some restorationOpen basket - crackedLozenge stand - crazed, cracked, section of the foot lostDish with moulded swags - crackedWhieldon plate - broken and re stuck
Dolls’ house porcelain, including Chinese and Japanese vase including a Canton vase —2in. (5cm.) high, a Sang de Boeuf style vase, blue and white items including a pair of vase with covers; a pair of German reclining French bulldogs, two pairs of figurines, a pair of Whieldon type pottery bowls and other items (slight damage)
FOURTEEN MARBLED-GLAZE POTTERY PLATES IN EIGHTEENTH CENTURY STYLE POSSIBLY BY ATELIER SAINT ANDRE PERRIN, FRENCH, MODERN Slip-glazed in a variety of colours, with shaped borders in the Wedgwood/Whieldon manner, 29.5cm diameter Condition Report: One plate rings flat when struck yet the crack if there is one has not been possible to detect. As the plates are pottery and the 'ring' test is not entirely reliable, as against porcelain, it is a mute point as to whether there is a crack or not. The remainder all 'ring' when struck and have no visible damage or restoration.Condition Report Disclaimer
George III and Queen Charlotte: a Whieldon type teapot and cover with floral knop, moulded with crowned heads and an exotic bird, each flanked by scrolling thistle, shamrock and foliage, glazed in alternating bands of green and yellow resembling a melon, circa 1761, 115mm, restored.(commemorative, commemorating, royalty, monarch).
-
1200 item(s)/page