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A large late 19th century Chinese Canton enamel famille rose punch bowl. Decorated to the inside walls with four panels of figural scenes depicting an elder in a wheelchair, a group of immortals, etc, with a round scene to the well of children playing with a dragon costume and a fish lantern, further figural panels to the outside, all surrounded by flowers, butterflies and good luck symbols. Diameter 36cm. (restored) Condition Report: Traces of age, scratches, rubbed enamels. Long crack visible under UV light, restored in places.
Fairfax Saddles: Champagne Workshop Tour for x6 Guests in Walsall including £500 Performance Bridle Voucher Donated by: Fairfax Saddles The Country Trust is delighted to present this unique experience for you and your 5 guests to enjoy a private tour of the world-renowned Fairfax Saddles Workshop in Walsall, in the West Midlands. Chosen and trusted by some of the best riders in the world, Fairfax Saddles is recognised for its scientific design, development and testing. Experienced saddlers make handcrafted saddles, girths and bridles by blending traditional techniques with cutting-edge technology that are proven to relieve pressure and improve the horse’s performance. Fairfax Saddles innovative designs are proven by science and protected by patents, their ground-breaking research is regularly published in reputable scientific journals and presented at veterinary conferences worldwide. The origins of Walsall's leather industry date back to the Middle Ages. Although there are only a few references to leatherworkers, there are many to saddlers. Many of the town's leather-goods trade pioneers were bridle cutters. By settling in Walsall, they could call upon the skills of local loriners for their bits and buckles. In the early 19th century leatherworking became an important local trade. The private tour for up to x6 guests includes Champagne and a £500 Premium Bridle Voucher which can be redeemed for a snaffle bridle (black or brown) with diamante or pearl browband or a bridle double (black) with a plain browband. https://fairfaxsaddles.com/ Terms & Conditions: Date for the tour for x6 guests to be mutually agreed with Fairfax Saddles and the final bidder and to be redeemed by 31 October 2025 with a minimum of 4 weeks’ notice Weekdays and during office hours only Please note certain areas of the workshop are not wheelchair accessible Transport & accommodation are not included £500 Performance Voucher cannot be part exchanged against the purchase of a higher-value product – expiry date 31 October 2025 Workshop Tour and Vouchers are not to be resold or re-auctioned We are hosting this auction on behalf of The Country Trust - please contact Victoria Cable if you require further information about the individual lots.
A large late 19th century Chinese Canton enamel famille rose punch bowl. Decorated to the inside walls with four panels of figural scenes depicting an elder in a wheelchair, a group of immortals, etc, with a round scene to the well of children playing with a dragon costume and a fish lantern, further figural panels to the outside, all surrounded by flowers, butterflies and good luck symbols. DIameter 36cm. Condition Report: Appears in a very good condition for its age, no chips, cracks or restoration, there is light surface scratches and wear to the decoration, loss to the gilt around the rim.
From the Henry De Silva Collection A collection of Posters (36) to include: 1975: Tyneside Tournament, Whitley Bay (49 x 38 cm). [Henry de Silva won this Open Epee tournament at the age of 42]. 1978: Vets Epee Championship, Nice, France (65 x 45 cm). 1980: Epee Masters, San Remo, Italy (49 x 34 cm). 1990: Commonwealth Federation Championships, Stockport (60 x 43 cm). 1990: Jean Goffin Sabre Challenge, Liege, Belgium (60 x 44 cm). 1992: French Olympic Foil Champion Philippe Omnes (80 x 60 cm). 1993: Men’s Foil World Cup, Paris (80 x 60 cm). 1993: Men’s Foil World Cup, Brut de Fabergé, Paris (60 x 40 cm). 1995: GB Olympic Camp, Tallahassie, USA (61 x 45 cm). 1995: Houtrust Sport, Den Haag, Netherlands (62 x 42 cm). 1996: Veterans European Championships, Keszthely, Hungary (50 x 35 cm). 1997: Veterans European Championships, San Remo, Italy (1 m x 70 cm). 1997: Veterans World Championships, Cape Town (RSA) – 60 x 42 cm. 1998: World Championships, La Chaud-de-Fonds (SWI) – 42 x 30 cm. 1999: Veterans World Championships, Siofok (HUN) – 61 x 43 cm. 1999: Paralympic World Cup, Oviedo (ITA) – 65 x 45 cm. 1999: Wheelchair World Cup, Warsaw (POL) – 69 x 48 cm. 2000: Olympic Games, Sydney (AUS) – 74 x 43 cm. 2000: Veterans European Championships, Godollo (HUN) – 59 x 42 cm. 2000: Wheelchair World Cup, Budapest (HUN) – 57 x 41 cm. 2000: World Cup Challenge Bernadotte, Varja Herrar (SWE) – 42 x 30 cm.2000: World Cup Satellite, Helsinki (FIN) – 42 x 29 cm. 2001: Wheelchair European Championships, Madrid (ESP) – 68 x 48 cm. 2001: Veterans Commonwealth Championships, Wrexham – 42 x 30 cm. 2001: Veterans European Championships, Cologne (GER) – 84 x 60 cm. 2001: Veterans World Championships, Martinique (FRA) – 60 x 40 cm. 2002: BFA Centenary Dinner, Connaught Rooms, London – 30 x 21 cm. 2003: Veterans European Championships, Moscow (RUS) – 84 x 60 cm & 59 x 42 cm. 2005: Wheelchair European Championships, Madrid (ESP) – 68 x 48 cm. 2006: Veterans World Championships, Bath – 42 x 30 cm. 2006: Veterans European Championships, Turku (FIN) – 42 x 30 cm. 2009: Veterans European Championships, Balontonfured (HUN) – 59 x 42 cm. 2009: The History of Fencing, Balontonfured (HUN) – 59 x 42 cm. 2017: Veterans European Championships, Chiavari (ITA) – 48 x 33 cm. 2017: Foil Marathon Challenge CEP, Paris (FRA) – 59 x 42 cm. Undated: Fencing, A Modern Sport, Hurrastus (BOL) – 50 x 35 cm.
James Lynn PITT (1875-1922) Fine Weather Oil on lined canvas, signed, titled verso, 30cm x 45cm, 40.5cm x 56cm framed. Oil on canvas, signed, 29cm x 45cm, 41cm x 56cm framed. The artist, a member of the notable Pitt family, which had produced two former prime ministers, arrived in St Ives accompanied by a manservant to assist him, as he was disabled and confined to a wheelchair. One of his sisters lived nearby in Norway Square, while two other sisters stayed at the family home in Clifton, Bristol. His work is signed Lynn Pitt and for many years, when it turned up in salerooms, it was assumed to be a female artist. It was only since Marion Whybrow researched her book 'St Ives, 1883-1993, Portrait of an Art Colony', that he has been identified as one of the early St Ives artists and, during his lifetime, was very well known and respected. Pitt worked from the White Studio, a wooden chalet on the cliffs at Porthmeor Beach, which was open to the public and is now the site of the St Ives Tate Gallery. He painted views of The Island and Clodgy Point and showcased his work during the St Ives Show Days in 1911 and 1913. After returning from Clifton in 1920 following an illness, he discovered that his studio had been broken into and it was eventually destroyed in a storm. He is buried in Barnoon Cemetery, where a headstone in the form of a painter's palette marks his grave. Shipping is available from £32.50 to a UK Mainland address.
James Lynn PITT (1875-1922) The End Of The Fine Weather Oil on canvas, signed, 29cm x 45cm, 41cm x 56cm framed. The artist, a member of the notable Pitt family, which had produced two former prime ministers, arrived in St Ives accompanied by a manservant to assist him, as he was disabled and confined to a wheelchair. One of his sisters lived nearby in Norway Square, while two other sisters stayed at the family home in Clifton, Bristol. His work is signed Lynn Pitt and for many years, when it turned up in salerooms, it was assumed to be a female artist. It was only since Marion Whybrow researched her book 'St Ives, 1883-1993, Portrait of an Art Colony', that he has been identified as one of the early St Ives artists and, during his lifetime, was very well known and respected. Pitt worked from the White Studio, a wooden chalet on the cliffs at Porthmeor Beach, which was open to the public and is now the site of the St Ives Tate Gallery. He painted views of The Island and Clodgy Point and showcased his work during the St Ives Show Days in 1911 and 1913. After returning from Clifton in 1920 following an illness, he discovered that his studio had been broken into and it was eventually destroyed in a storm. He is buried in Barnoon Cemetery, where a headstone in the form of a painter's palette marks his grave. Provenance: Previously sold WH Lane & Son, 26th January, 2006.
BENNINGTON BEEBY, wheelchair accessible carriage, suitable for single 12-13.2hh, with dark wood panelled exterior to black metal body work and shafts on pneumatic tyres with disc brakes. Q straight 4 point system to secure the wheel chair in place and 'unwin' tracking for secure access and prevent movement while in motion. Ramps to rear with detachable double seat complete with a flat cushion, detachable single seat complete with a flat cushion and side padding, detachable AB whip's seat, 15" wide. Complete with flat cushion, no side padding. 2 stainless steel quick release fasteners pony size, 4" fitted onto swingle tree, welded for added strength and prevent vibration. Includes additional items: access steps for the front incorporating a wooden top, covered in rubber matting; waterproof black spares bag (attaches with velcro onto the dashboard); waterproof carriage cover; individual waterproof seat covers; pair of waterproof shaft covers; pair of Zilco quick releases with loops to attach onto curly hook swingle tree; wooden foot rest; 2 stainless steel quick release fasteners cob/horse size; 2 spanners 17mm and 19mm with a vinyl pouch and a Zilco cob classic harness with sliding back band.
FRASER BRENDAN: (1968- ) American-Canadian actor, Academy Award winner. Signed colour 8 x 10 photograph of Fraser seated in a full-length pose, in a wheelchair, in costume from his Best Actor Oscar winning performance as the gay, reclusive and morbidly obese English instructor Charlie from the American psychological drama film The Whale (2022). Signed by Fraser in blue ink with his name alone to the image. A pencil annotation in the hand of a collector to the verso indicates that the signature was obtained in person at the Hotel Imperial in Vienna following the Kurier Romy awards ceremony held on 22nd April 2023 (at which Fraser was awarded with the Romy International). EX
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