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PUGIN (A Welby) The True Principles of Pointed or Christian Architecture, 1895, 4to, illustrated, cloth; Glossary of Ecclesiastical Ornament and Costume, 1846, 4to, coloured title and plates, some marginal staining, original cloth, rubbed; Pugin and Le Keux's Specimens of the Architectural Antiquities of Normandy, 1847, 4to, engraved plates, 2 with hand colour, cloth; rebacked; Fifteenth and Sixteenth Century Ornaments, in Four Parts. 1904, 4to, light spotting to first and last leaves, title and plate list with nibbled lower corner, cloth; Chancel Screens and Rood Lofts, 1851, repaired cloth; FERREY (B) Recollections of Pugin, 1861, 8vo, calf, rebacked; (6)

Lady Alfred Welby original autobiography in typescript, written in her 76th year and dedicated to her children titled 'From The Golden Age To The Kitchen Sink, The Memories of a Grandmother', containing a photographic portrait of the artist at work in her studio, 130 numbered pages and copy of a letter from Lucy Baldwin at 10 Downing Street, she describes visiting H.G. Wells “he gave me the impression of a shy rather awkward diffident little man”, another of meeting Bernard Shaw “from what I could make out Bernard Shaw was only interested in and wished to talk of Bernard Shaw”, that it was around 1919 she started her career as a sculptor encouraged by Frank Dicksee, that one of her works was purchased by the Princess Royal, she talks of working on a portrait of Mrs Churchill but after her sitter fell ill the work was postponed...and was never completed. Another time whilst working on a bronze portrait of Baden-Powell and having difficulty creating the little 'wolf' badge he wore she went to the Scouts HQ and asked if they could lend her one, to which the clerk replied sternly “what do you mean, never has there been such a request, don’t you know that only the chief and His Majesty the King are entitled to wear the wolf” [Disiree Welby 1878-1969 – Sculptor, with works in the V&A)

to include a set of 12 Hanoverian pattern teaspoons, by Daniel & John Welby, London 1907, a set of 4 berry spoons, by Charles Boyton, London 1896, a pair of sugar tongs, makers mark "H.P", London c.1750, a Victorian fish slice, by H.J Lias & Sons, London 1864, 2 Dutch spoons, 6 coffee bean spoons, 6 pistol-grip knives (steel blades), and a Victorian teaspoon, by different makers & dates, some of the above crested; 29.5ozt (33) *Marshal of the Royal Air Force The Viscount Trenchard GCB, OM, GCVO, DSO (1873 - 1956). *CR All items with wear & in mixed conditions, the tongs the worst with repairs. Please contact Connor for further information connor.swanwick@lawrences.co.uk.

a George V small silver tankard, tapering circular form, with a volute thumbpiece, an 'S'-scroll handle, decorated with stiff leaves around the lower body and engraved with the arms & motto of The Worshipful Company of Merchant Taylors', inscribed "Merchant Taylors Co. 1st Charter 1327", by D & J Welby, London 1926, together with a George V silver double-lipped jug, with a fruiting vine border, twin 'S'-scroll handles mounted with classical figures playing instruments, the body with embossed festoons & part-fluting, gilt interior, by Messrs Barnard, London 1917 and a George III silver milk jug on a square base, crested, makers mark "H.A", unascribed, London 1788; the tankard 3.3" (8.5cm) high; 19.8ozt (3). *CR Each with wear & in mixed conditions, reasonable. Please contact Connor for further information connor.swanwick@lawrences.co.uk.

Actor Robert Young signed vintage 6 x 4 b/w photo. Robert George Young was an American film, television, and radio actor best known for his leading roles as Jim Anderson, the father character, in Father Knows Best and the physician Marcus Welby in Marcus Welby, M.D. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

A 1920s THREE-PIECE TEA-SERVICE D & J WELBY LTD., LONDON 1923 comprising a teapot, twin-handled sugar basin and a milk jug, all of oval baluster form, gadrooned border, each raised on four ball feet; together with a twin-handled strainer, Viners, Sheffield and associated slop bowl 1962 (5) 13cm (height of teapot), 25.4oz (gross weight)

A GEORGE V SILVER BOWLby D & J Welby, London 1923; together with a Chester silver ink desk blotter; a silver desk capstan inkwell; two silver topped tortoiseshell dressing table jars; a silver topped glass dressing table bottle; two silver napkin rings; a silver sconce (marks rubbed); and two silver pepperettes, 11 tr.ozs combined gross weight (11)

An Edwardian repousse silver porringer, Daniel & John Welby, London, 1905, height 73mm, together with a late Victorian silver two handled sugar vase with blue glass liner, London, 1895. Condition - fair

Grub Street recluse.- Welby (Henry) [or Thomas Heywood]. The Phoenix of these late times: Or the Life of Mr. Henry Welby, Esq, first edition, engraved frontispiece provided in facsimile, trimmed to or just inside the platemark and laid down, trimmed close to headline and touching odd letter, B4 with small loss to head affecting headline, tiny marginal worming (C4 to end), title and B4 with small loss to corners and expert restoration, scattered spotting and soiling, blue morocco by Ramage, g.e., richly gilt spine, gilt inner dentelles, [STC 25227], small 4to, by N. Okes, and are to be sold by Richard Clotterbuck, 1637.  *** A scarce account of the recluse Welby, one of Grub Street's early residents. He was the owner of the estate of Goxhill in Lincolnshire. In 1592 his half-brother attempted to shoot him with a pistol. Shocked, he took a house on Grub Street and remained there, in near-total seclusion, for the rest of his life. He died in 1636 and was buried at St. Giles in Cripplegate.

EDWARDIAN SILVER FRUIT BOWL Decorated with grape vine motif repousse work, and handles featuring Rams head masks. Diameter 18.7cm, standing 9.0cm tall. Hallmarked London 1905. Maker Daniel & John Welby. Weight 660.5 grams

A pair of George V pierced silver mounted wine coasters, by Daniel & John Welby, with turned wooden bases, London, 1910, diameter 13.2cm.**conditionreport**Signs of minor wear. Hallmarks clear.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A William IV Rococo Revival silver compressed ovoid teapot, chased with flowers and scrolls, hinged domed cover with flower finial, splay feet, 28cm long, John Welby 1837, 821g grossIvory Submission Reference P1Y3PJHS

A set of three George V silver wine labels, of George III design, Brandy, Rum and Whisky, gadrooned borders, 5cm wide, D & J Welby, 1933, others, plated (7)

CHURCHILL, Winston Spencer (1875-1964) - A collection of c.30 books mostly about Churchill, most FIRST EDITIONS, PRESENTATION COPIES, inscribed by their authors to the late Lady Jane Williams of Elvel. Please see the more detailed listing below. (c.30)CHURCHILL, Winston Spencer (1875-1964) - A collection of c.30 books about Winston Churchill, most FIRST EDITIONS, PRESENTATION COPIES, inscribed by their authors to the late Lady Jane Williams of Elvel, including William Manchester's The Last Lion (Boston, 1983, inscribed, "For Jane Williams - with gratitude and admiration from Bill Manchester"), Mary Soames' Speaking for Themselves. The Personal Letters of Winston and Clementine Churchill. Edited by their Daughter (London, 1998, inscribed, "For dear Jane, with love from, Mary"), Robin Brodhurst's Churchill's Anchor. Admiral of the Fleet Sir Dudley Pound (London, 2000, inscribed, "For Jane, With all best wishes and happy memories of a memorable day at Bladon and Blenheim, Robin Brodhurst"), David Reynolds' In Command of History (London, 2004, inscribed, "For Jane and Charles, with best wishes, David"), Robert Lloyd George's David & Winston (London, 2005, inscribed, "For Jane and Charles with very best wishes from the author"), Martin Gilbert's Churchill and America (London, 2005, inscribed, "To Jane and Charles - with the author's warmest regards and all good wishes, Martin"), Celia Sandys' Churchill by his Granddaughter (London, 2011, inscribed, "Darling Jane, with much love, Celia"), Cita Stelzer's Dinner with Churchill (2 copies, one: London, 2011, inscribed, "For Jane and Charles - Jane: much of this book is due to your help and encouragements, love Cita"; the other: New York, 2012, inscribed, "For my dear friend Jane with love from Cita (the first US Edition)"), Graham Farmelo's Churchill's Bomb (London, 2013, inscribed, "To Jane, With my best wishes, Graham"), David Lough's Darling Winston (London, 2018, inscribed, "To Jane, With great appreciation of your encouragement and Friendship, David"), Paul Rafferty's Winston Churchill. Painting on the French Riviera (London, [2020], inscribed, "To Jane, with all my good wishes, Paul Rafferty"), Annie Gray's Victory in the Kitchen. The Life of Churchill's Cook (London, 2020, inscribed, "Lady Williams, Thank you for sharing your memories - I hope I've done everyone justice, Annie") and Celia Sandys' Churchill's Little Redhead (London, 2021, inscribed, "Darling Jane, with so much love, Celia"); together with Elizabeth Longford's The Pebbled Shore. The Memoirs (London, 1986, finely-bound in prize black half morocco gilt, with "Historical Biography" prize label laid down at the front signed by Charles Williams; and with 3 duplicate menus for the "Elizabeth Longford Prize Dinner. Moro Restaurant. 14 June 2006", all signed by various attendees including Jane Williams). Please note that only a small part of the lot is illustrated. Provenance: The late Lady Williams of Elvel (1929-2023). Lady Jane Williams (née Portal) was Churchill's personal secretary from 1949 to 1955, a niece of the deputy Prime Minister "Rab" Butler and mother to the present Archbishop of Canterbury, Justin Welby (b.1956). Please see the following link for more information about Lady Williams of Elvel and her long professional relationship with Winston Churchill. (c.30)https://www.bellmans.co.uk/story/the-late-lady-williams-of-elvel-1929-2023 

NORWICH, John Julius (1919-2018). A Christmas Cracker, [Shrewsbury], 1991-2018, 26 numbers (lacking 1994 & 2013), 8vo, wrappers, all but the last INSCRIBED, "Charles and Jane [Williams], With Christmas love, John." Please see the note on provenance. (26)NORWICH, John Julius (1919-2018).  A Christmas Cracker being a commonplace selection. [Shrewsbury or no place: Livesey Limited or no publisher], 1991-93, 1995-2012, 2014-2018 (i.e. lacking the numbers for 1994 and 2013 in the sequence). 26 numbers, 8vo (204 x 131mm). Original decorated vari-coloured wrappers. With the exception of the last, each number is INSCRIBED BY JOHN JULIUS NORWICH on the upper wrapper, "Charles and Jane [Williams], With Christmas love, John." John Julius Norwich put together his first delightfully eclectic Christmas Cracker in 1969; the last, for 2018 - and the only one not inscribed by him in this collection - was proof-read from his hospital bed before his death on 1 June 2018. Provenance: The Late Lady Williams of Elvel (1929-2023). Lady Jane Williams (née Portal) was Churchill's personal secretary from 1949 to 1955, a niece of the deputy Prime Minister "Rab" Butler and mother to the present Archbishop of Canterbury, Justin Welby (b.1956). (26)

An Early 20th Century Theatrical Interest Postcard Album An Early 20th Century Theatrical Interest Postcard Album, housing approximately two-hundred and forty-five cards of music-hall stars circa 1912-36, assembled by an Ivy Grant of Manchester with many signed or inscribed to or from the collector, including Thomas Welby, Jimmy Loft, Ivor Vintnor, George Rae and many more.The album heavily worn and spine detached, postcards varied.

After E. Welby, pair of coloured prints of children in the snow, contained in Oxford style frames

Willis Restaurant - Printed menu, Edouard. Menu - 1894 (4 May) Willis's Restaurant Printed Menu, Edouard. m/s Lord Welby. Menu - Victorian Ornamental Menu, good condition

A 19th Century W. T Copeland 8 inch dust pressed tile decorated in the manner of Augustus Welby Pugin with a Gothic Revival design with fleur de leys with foliate scrolls over a buff ground, together with two similar printed examples from Maw & Co and Minton Hollins & Co. (3)

A 19th Century Mintons China Works 8 inch dust pressed Gothic Revival tile, decorated in colours with a design by Augustus Welby Pugin, showing lilies issuing from a Gothic vase embellished with fleur de lys within a sexafoil panel punctuated with florets and foliage, relief moulded marks.

A 19th Century Mintons China Works 8 inch dust pressed tile, transfer printed with a Gothic Revival design with a frieze of stylised flowering plants against a black ground with repeat daisy border after designs by Augustus Welby Pugin, together with a further example with an oak bough and acorn roundel and a smaller 6 inch example decorated with a passion flower border, all with relief marks. (3)

A 19th Century Mintons China Works 6 inch dust pressed tile, transfer printed with a repeat pattern of stylised snow drops between repeat floral borders after designs by Augustus Welby Northmore Pugin, together with a similar period example also attributed to Pugin with a roundel of ivy leaves in colours. (2)

Architecture; The History and Antiquities of the Collegiate Church of Southwell. By K. B. Killpack, with a descriptive account by T.H. Clarke. 1839. Small slim folio, with 22 plates. With four other volumes including; The True Principles of Pointed or Christian Architecture, A Welby Pugin 1853, slim 4to, with damp staining. And Winkles Architectural and Picturesque Illustrations. 3 vol, 1836-1852, half calf and cloth, spines chipped.

Y&nbspA PAIR OF TORTOISESHELL, ROSEWOOD, EBONISED AND GILT METAL MOUNTED CABINETS ON STANDS 18TH CENTURY AND LATER Both with an arrangement of drawers centred by a male and female gilt metal figure respectively each 136cm high, 104cm wide, 40cm deep Provenance: The Welby family of Harlaxton Manor and Denton Manor, and thence by descent until 1939 This pair of cabinets are shown in the painting, The House Builders, by Frank Dicksee P.R.A. (1853-1938), depicting Sir William Welby-Gregory, 4th Baronet and his wife Victoria, only daughter of the Earl of Wharncliffe. Identifiable with their ebony ripple moulding, tortoiseshell panels and brass handles, one of the cabinets is visible behind Lady Victoria as the couple are shown pouring over Sir Arthur Bloomfield's model and drawings for Denton Manor. When the painting was exhibited the house had been in progress for a year and it would be completed four years later.

Silver trophy with cover, London 1936, D&J Welby Limited, with twin scrolling handles and beaded edge, raised on a circular gadrooned foot, with a presentation engraving, on ebonised stand, trophy 12cm, 5.85ozt 

A Pair of Edward VII Silver Vases by Daniel and John Welby of Cylindrical Form with Flared Rims and Floral Scrolled Decoration, London Hallmark 1904, 13cm High 266g

A rare Minton Pottery Gothic tea set designed by Augustus Welby Northmore Pugin, comprising; milk-jug and slop basin, six cups, saucers and side plates, and two cake plates, printed in blue to the well with a tracery roundel, the rim with a stylised flower repeat in blue on a white ground, impressed Minton marks, printed Gothic mark, 23.5cm. diam. (cake plates) (22) ProvenancePrivate collection ExhibitedPugin V&A Museum, catalogue number 117, this actual set exhibited. This design was the first by Pugin produced by Minton.

A stoneware lemonade set in the manner of Augustus Welby Northmore Pugin, comprising lobed, fitted tray with jug and two mugs cast in low relief with geometric bands, in shades of blue and black on a grey ground, and another set similar with beakers painted marks, impressed regd diamond to jug, 36cm. wide (tray), (8)

A Mintons Pottery majolica Lazy Susan in the manner of Augustus Welby Northmore Pugin, circular, cast in low relief with radiating fleur de lys panels and stylised foliage, in colours, the underside with strapwork panels, impressed factory marks, professional restoration, 46cm. diam. ProvenancePrivate collection.

A Minton Gothic dinner service designed by Augustus Welby Northmore Pugin, comprising; large platter, large soup tureen, cover and stand, ten soup bowls, eleven dinner plates, printed in blue to the well with a tracery roundel, the rim with a stylised flower repeat in blue on a white ground, the tureen with gilt highlights, impressed and printed marks, minor damages, 47.5cm. wide, (platter), (25) ProvenancePrivate collection. LiteratureThe John Scott Collection, Architect-Designers From Pugin to Voysey, volume 8, The Fine Art Society, catalogue no.31 for a comparable side plate.

A Minton Pottery plate designed by Augustus Welby Northmore Pugin, printed to the rim with Gothic Revival flowers and inscribed A merry heard doeth good like medicine but a broken spirit drieth the bones, in green and gold on a white ground, impressed factory marks, printed regd diamond, hairline crack and chip to back of rim, date code for 1845, regd diamond for 1844, 26cm. diam. ProvenancePrivate collection. LiteratureThe John Scott Collection, Architect-Designers From Pugin to Voysey, volume 8, The Fine Art Society, catalogue no.30 for a comparable plate with different motto.

A Mintons Pottery majolica Lazy Susan in the manner of Augustus Welby Northmore Pugin, circular, cast in low relief with radiating fleur de lys panels and stylised foliage, in colours, the underside with strapwork panels, impressed factory marks, museum restored, date code 1873, 46cm. diam. ProvenancePrivate collection.

A THREE-ROW NATURAL AND CULTURED PEARL NECKLACE Composed of three graduated rows of natural pearls, the central strand interspersed with nineteen cultured pearls, to an early 19th century garnet and split pearl clasp with glazed hairwork centre Size/dimensions: 64.5cm (shortest strand) Gross weight: 60.0 gramsOffered for sale with a Gemmological Certification Services (GCS) report, no. 5784-2018, dated 9th April 2024, stating: Variety Natural Nacreous Pearl Environment Saltwater Comment: Contains 19 beaded cultured pearlsProvenance: Property of Barbara Lind Welby, the great grand daughter of the famed opera singer Jenny Lind, and a soprano herself Condition Report: Clasp has three vacant loops, so could fit a six strand necklace. The present necklace might have been converted into a long three strand necklace and extended with the 19 cultured pearls at some point.Pearls are mostly off round with a cream body colour and medium lustre and mixed nacre. Some crazing and peeling Clasp with some nicks and abrasion, closes securelyCondition Report Disclaimer

9th-8th century B.C. Featuring a convex cutting edge and wedge-shaped cheeks with crescentic blade; socket damaged in antiquity. Cf. MacGregor, A., Antiquities from Europe and the Near East in the collection of the Lord McAlpine of West Green, Ashmolean Museum, 1987, nos.11.12-11.21, for the typology. 88 grams, 63 mm (2 1/2 in.). UK gallery, early 2000s.The remains of the axe seem to be linked with the Welby type or closely related to it. During the Ewart Park period of the Late Bronze Age (LBA II, 9th-8th century B.C.) there were several regional varieties of ribbed socketted axes. The Welby type was mainly distributed in southern and eastern England. [No Reserve]

An attractive Georgian style two handled Trophy Cup, by D. & J. Welby, London, c. 24 ounces, the domed loose top with shaped finial over a plain body with "S" shaped handles, inscribed "Peterborough Fox Hound Show - 1924 - Champion Cup - given by the President, John C. Strater Esq., M.F.H., for the Best Dog Hound, exhibited in any of the Classes won by..." hallmarked. (2) Provenance: The Russell Family, Seafield, Co. Waterford.

(Gastronomy, Cookery.) Thirteen assorted titles, including Edward Bawden (illustrated); Magda Joicey: 'Cook-Book Note-Book. With Notes by Angela Carter', London, Westhouse, 1947, 2nd printing, 10 full page b/w ills. plus title and contents page headpiece by Edward Badwen as called for, original pictorial cloth, dust wrapper; T. Earle Welby: 'The Dinner Knell. Elegy in an English Dining-Room', L, Methuen, 1932, 1st edition, orig. cloth gilt; Ruth & Thomas Lowinsky: 'Lovely Food: A Cookery Notebook', L, The Nonesuch Press, 1931, 1st edition, original cloth gilt; Nancy Quennell: 'The Epicure's Anthology', L, The Golden Cockerel Press, 1936, 2nd impression, b/w ills. by Osbert Lancaster, orig. cloth gilt, dust wrapper; P. Morton Shand: 'A Book of Food', L, Cape, 1927, 1st edition, orig. cloth gilt; "Pilaff Bey" [i.e. Norman Douglas]: 'Venus in the Kitchen, or Love's Cookery Book', Intro. Graham Greene, L, Heinemann, 1952, 1st edition, b/w frontis, decorations/ills. throughout by Bruce Roberts, orig. cloth gilt, d/w; Paul Reboux: 'Food for the Rich', L, Anthony Blond, 1958, 1st edition, a translation of 'Plats Nouveaux', 1927, by re-edited and translated by Margaret Costa, ill. Heather Standring, orig. cloth, d/w; F.T. Marinetti: 'The Furturist Cookbook', London, Trefoil Publications, 1989, 1st UK edition, original cloth gilt, d/w; Joseph Vecchi: "The Tavern is My Drum", L, Odhams, 1948, signed & inscribed presentation from author on FFEP, orig. cloth gilt; plus 4 others X. Marcel Boulestin, Quaglino, Elisabeth Ayrton etc. (13)

An Edwardian silver hot water pot and matching sugar bowl and cream jug, Daniel & John Welby, London, 1908/9, gross weight 45oz.

An Elizabeth II presentation silver Armada dish and two Armada pin dishesfirst London, 1952, Coronation mark, D & J Welby Ltd, embossed with Tudor rose to centre and with feature marks, engraved E.V.E from his friends N.T.G.B 1949-1953 together with the pin dishes, London, 1963 and 1969 by William Comyns Ltd, with feature marks, one engraved 6.11.69, (3)first diameter 15cm., weight approx. 7.93oztCondition: Good condition commensurate with age. Surface wear

A Minton encaustic stoneware bread plate, c.1850, designed by Augustus Welby Northmore Pugin (1812-1852), the blue rim with motto 'Waste not want not' in Gothic script interspersed with cinquefoil motifs, the brown centre with a radiating wheatsheaf design, impressed to the base '430',33cm diameterCondition ReportThe rim with some minor scuffs and gray marks. These occur throughout the non glazed sections of the plate. No detected cracks or structural imperfections.

A large Victorian silver rounded rectangular table snuff box, the hinged cover set with a polychrome print of children on a woodland path, gilt interior, 11.5cm wide, D & J Welby, London 1900, 212g gross

An Arts & Crafts style hexagonal majolica garden seat with foliate decoration, in the manner of Augustus Welby Pugin for Mintons. 41x53cmGood condition. Marks to base include the raised stamp of "England" and an S within a shield.

Pugin (Augustus Welby). Contrasts; or, a Parallel between the Noble Edifices of the Fourteenth and Fifteenth Centuries and similar buildings of the present day; shewing the present decay of taste; accompanied by appropriate text, 1st edition, London: printed for the author and published by him at St. Marie's Grange, near Salisbury, Wilts, 1836, etched frontispiece, additional etched title lettered in red, letterpress title printed in red and black, 14 etched plates, first few leaves from additional title onwards with damp stain, some light spotting, previous owner inscriptions dated 1840 at front, bookplate of Mark Girouard, contemporary half morocco, joints and edges rubbed and scuffed, 4to, together with the True Principles of Pointed or Christian Architecture: set forth in two lectures delivered at St. Marie's, Oscott, 1st edition, London: John Weale, 1841, engraved frontispiece lettered in red, title printed in red and black with device, 9 engraved plates, illustrations (2 in colour with show-though to verso), occasional light spotting, bookplate of John Hopton (1782-1870), of Canon Frome Court, Herefordshire, his inscription dated July 1844, bookplate of Mark Girouard, all edges gilt, original green blindstamped cloth gilt, spine faded with small tears at ends, a few light stains, 4toQTY: (2)NOTE:Fowler 265 & 266.The first work is Pugin's manifesto in which he contrasts urban buildings of the time with their mediaeval equivalent and argues for a revival of the Gothic style (as well as the social structure and faith of the Middle Ages).

Pugin (Augustus Welby). Contrasts: or, a Parallel Between the Noble Edifices of the Fourteenth and Fifteenth Centuries and Similar Buildings of the Present Day; shewing the present day decay of taste, 2nd edition, London: Charles Dolman, 1841, etched frontispiece, 18 plates bound at rear, some light spotting, endpapers renewed, presentation inscription, bookplate of Mark Girouard, original blindstamped cloth, spine a little faded, a few light stains, 4to, together with An Apology for the Revival of Christian Architecture in England, 1st edition, London: John Weale, 1843, half-title, etched frontispiece, title printed in red and black, 10 plates, a little minor spotting, front hinge broken, original cloth gilt, spine faded with loss at head, some fading and damp stains, 4to, plus A Treatise on Chancel Screens and Rood Lofts, their antiquity, use, and symbolic signification, 1st edition, London: Charles Dolman, 1851, frontispiece and 13 plates, hinges broken, textblock detached, original cloth, spine defective, covers detached, 4to, with an autograph letter from Benjamin Ferrey (Pugin biographer), dated April 1884 bound-in, with 3 others, a 3rd edition of Contrasts, or a Parallel Between the Noble Edifices, 1841 or later, and another edition of The True Principles of Pointed or Christian Architecture, 1853 (lacking spine) and Pugin's Gothic Furniture, reissue edition circa 1889? QTY: (6)NOTE:Fowler 265, 268, 272 for first three titles.

Pugin (Augustus Welby). The Present State of Ecclesiastical Architecture in England, 1st edition, London: Charles Dolman, 1843, 32 etched and engraved plates, illustrations, advertisements and catalogues bound at rear, a few light stains, bookplate of Mark Girouard and bookseller ticket of W. Montignani, Edinburgh, original blindstamped cloth, spine a little faded, a few small stains, 8vo, together with Pugin (Edward Welby). Who Was the Art Architect of the Houses of Parliament. A statement of facts, founded on the letters of Sir Charles Barry and the diaries of Augustus Welby Pugin, 1st edition, London: Longmans, Green and Co., 1867, 11 mounted albumen photographic prints, including a portrait of A. W. Pugin, 120 pp., plus a 4 pp. pamphlet 'Pugin v. Barry', reviewed in the Building News, November 15th, 1867 (paginated pp. 120-123), bound with Barry (Alfred). The Architect of the New Palace at Westminster. A Reply to a Pamphlet by E. Pugin, Esq., entitled "Who was the Art-Architect of the Houses of Parliament?", 2nd edition, London: John Murray, 1868, mounted albumen print frontispiece, 120 pp. addendum leaf, bound with Pugin (Edward Welby). Notes on the Reply of the Rev. Alfred Barry, D. D. Principal of Cheltenham College to the "Infatuated Statements" made by E. W. Pugin on the Houses of Parliament, 2nd edition, revised and enlarged, London: Longmans, Green & Co., 1868, 29 pp., together 3 works bound together, blank leaves bound at end, some light spotting, inscribed at front 'E. Welby Pugin, March 11th, 1868', additional signature beneath, bookplate of Mark Girouard, contemporary morocco with Gothic design in gilt to covers and titled 'The Barry and Pugin Controversy' to upper cover, upper joint split and front cover detached, spine and edges rubbed, 8vo, plus Recollections of A. N. Welby Pugin and his father Augustus Pugin, by Benjamin Ferrey, [1861], ex-libris with stamps and lacking front endpaper QTY: (3)NOTE:First work Fowler 267.

Pugin (Agustus Charles). Specimens of Gothic Architecture; selected from various antient edifices in England, 2 volumes in 1, 1st edition, London: printed for J. Taylor, 1821, additional engraved titles, 113 engraved plates, some light spotting and offsetting, bookplate of Mark Girouard, contemporary calf gilt, losses to spine, upper cover detached, some edge wear, 4to, together with Pugin (Augustus Welby). Photographs from Sketches, by Stephen Ayling, 2 volumes, 1st edition, London: S. Ayling, 1865, chromolithograph titles, 500 mounted albumen prints on 250 sheets, some light spotting, cut and pasted signature at front, bookplate of Mark Girouard, original morocco-backed boards, spines faded, a little rubbed and scuffed, 4to, with 2 others: Pugin and Le Keux's Specimens of the Architectural Antiquities of Normandy, 1827, and Details of Antient Timber Houses of the 15th & 16th centuries selected from those existing at Rouen, Caen, Beauvais, Gisors, Abbeville, Strasbourg, 1836 QTY: (5)NOTE:Fowler 256; 273; 257 & 264 respectively.

Pugin (Augustus Welby). Floriated Ornament, 1st edition, London: Henry G. Bohn, 1849, 31 chromolithograph plates, including frontispiece and additional title, bookplate of Mark Girouard, top edge gilt, original morocco-backed boards gilt, spine a little faded, joints and edges rubbed, some spotting to covers, 4toQTY: (1)NOTE:Fowler 270.

Architecture. LANGLEY (Batty and Thomas) Gothic Architecture improved by Rules and Proportions in many Grand Designs..., London: printed for I. & J. Taylor circa 1742, 4to, engraved title, 64 plates, without adverts at end, variable light spotting, mainly to outer margins and moreso to first/last leaves, later half calf; VIOLLET-LE-DUC. Dictionnaire Raisonne de l'Architecture Francaise.., 10 vols. Paris 1868-73, 8vo, half red morocco, lightly rubbed; BLOMFIELD (Sir R) A History of French Architecture 1494-1661, and 1661-1774, in 4 vols., 1911 & 1921, small 4to, plates, quarter red morocco; PUGIN (A WELBY) Contrasts: Or, a Parallel between the Noble Edifices of the Middle Ages, and Corresponding Buildings of the Present Day; shewing the Present Decay of Taste, 2nd edition, Edinburgh 1898, 4to, added engraved title and 20 plates, original cloth

A GEORGE V SILVER TEA SETby D&J Welby, London 1936, with squat oval bodies on ball feet, comprising teapot, milk jug and sugar basin, the teapot with bakelite handle, 35 tr. ozs combined gross

In the manner of Augustus Welby Pugin (1812-1852) Glastonbury style chair, with gothic style carved tracery rail, with an overstuffed red upholstered seat having studded detail, 63cm wide x 76cm high x 65cm deep Wear, marks and scratches in places, consistent with age and use. Some watermarks in places. Surface dust and dirt, otherwise seems ok.

Mixed Lot: A large Victorian silver mustard, oval plain form, domed lid with a plain thumb piece and scroll handle, having reeded edges and having a blue glass liner, hallmarked London 1895, makers mark for Daniel and John Welby, hallmarked silver octagonal shaped pepper, 12cm tall, a small show jumping dish engraved with a show jumper and "Presidents Trophy", hallmarked London 1972, makers mark for Garrard & Co Ltd, 10cm diameter together with a large silver cauldron salt supported on three hoof blue glass feet, London 1895, makers mark for Daniel John Welby, silver weight 330gms

A George V Brittania standard silver baluster sugar caster, Daniel & John Welby, London, 1927, 21cm, 16oz.

A Victorian Silver Salver, by Daniel and John Welby, London, 1898 in the George II-style, shaped circular and on three tapering panel feet, engraved with a coat-of-arms 25.5 cm diameter, 21oz 8dwt, 666grProvenance: Dutton Manor, Lancashire Fully marked underneath. The marks are clear. There is some overall surface scratching and wear, consistent with age and use. There is a bruise near the rim on one side and some small areas of pitting.

A large early Art Deco silver fruit bowl, of lobed circular form, with engraved decoration, and on a stepped flaring foot, maker D&J Welby Ltd, London 1913, 63.7ozt, dia.31cm

Leicester Bank, for Bellairs, Welby & Co., £5, 4 December 1812, serial number O244, split and rejoined, trimmed around edges for postage, very good to about fine Outing 1166b £80-£100

A pair of sterling silver mustards of bulbous form on circular stepped foot by D&J Welby Ltd, London, 1911. 362g, and sterling silver spoons

Local, CAMBRIDGESHIRE, Trinity Hall Boat Club, Cambridge, a silver award medal by Munsey, arms, rev. wreath, named (The Ellis Challenge Pairs, won by Bow H. Shinwell, Stk O. Shinwell, Steerer 1906), 51mm, 62.30g; Magdalen College Boat Club, Oxford, a silver award medal, unsigned, edge named (Commoners Four 1864, P.J.E. Welby Bow, R.H. Anstice 2, W.C. Masters 3, M.G. Knight Stroke, H.R Hyndman Coxn), 51mm, 60.00g [2]. Very fine or better £80-£100

A Georgian silver cruet stand, support loose, with four cut bottles and stoppers, by Chesterman, c1791, retailed by Welby o Garrick Street

An important 19th Century period Gothic style oak Library Armchair, in the manner of Augustus Welby Pugin (1812 - 1852), possibly by Morel & Seddon, the arched back with pierced design and inserted padded back over a padded leather drop in seat, the straight arms supported by open arches on front square legs with porcelain castors. (1)

An Edwardian planished Britannia standard silver two handled cup, by Daniel & John Welby, London, 1902, height 77mm, together with a silver shallow two handled dish, a pierced silver oval dish and a silver waiter, 24.4oz.

Lugar (Robert). [Architectural sketches for cottages, rural dwellings, and villas, in the Grecian, Gothic, and fancy styles, with plans; suitable to persons of genteel life and moderate fortune. Preceded by some observations on scenery and character proper for picturesque buildings, London: Printed by T. Bensley for J. Taylor, 1805], title page lacking, with 38 aquatint plates and plans, some light spotting and damp-staining mostly to margins, contemporary dark blue straight-grain morocco, rubbed and light wear, 4to, together with:Robinson (Peter Frederick). Rural Architecture; or, A Series of Designs for Ornamental Cottages, 4th edition, London: Henry G. Bohn, 1836, additional lithograph title, 96 lithograph plates, occasional spotting and offsetting, contemporary morocco-backed cloth, morocco title label to upper board, spine worn at head, 4to, Pugin (Augustus). A Series of Ornamental Timber Gables, from Existing Examples in England and France, of the Sixteenth Century, 2nd edition, London: Henry G. Bohn, 1839, additional lithograph title, 30 lithograph plates, scattered spotting, hinges split, original cloth, lower joint partly split, 4to, and others related including Ferrey (Benjamin). Recollections of A. N. Welby Pugin, and his father, Augustus Pugin, London: Edward Stanford, 1861; Dallaway (James). Observations on English Architecture, Military, Ecclesiastical, and Civil..., London: J. Taylor, 1806; Scott (George Gilbert). Remarks on Secular & Domestic Architecture, Present & Future, London: John Murray, 1857, and Scott (George Gilbert). Personal and Professional Recollections..., London: Sampson Low, Marston, Searle, & Rivington, 1879QTY: (7)