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Pens - a Parker fountain pen with 14k gold nib, brushed steel, boxed; 13.5cm; a Sheaffer fountain pen, in grey and gold, boxed, mid-20th century; a Sheaffer's Australia snorkel fill self filling fountain pen, 14cm, boxed; a Sheaffer USA 40 Medium fountain pen, boxed; a Waterman fountain pen, boxed; a Parker ball point pen, boxed (6)
Taylor (John) - Bible [English]. Verbum Sempiternum [and] Salvator Mundi, [by John Taylor], London: F. Collins for T. Ilive, 1693, imprimatur leaf 'A' (with small drop of red sealing wax to recto) and The Bible & New Testament half-titles all with typographical borders at head and foot, blank leaf K8 present bearing 18th/19th-century ownership signature Henry Jonathan Clarke, final leaf of Revelation present (h5) but lacking final 3 leaves h6-h8 (h7 & h8 blanks), some light marginal fraying, occasional light pencil markings to few leaves, very light blue stain at head of leaves d1-g8, leaves slightly sprung, upper edge of leaves with initials 'M. R.', upper pastedown with ownership inscription John Clarke November 18th 1812', contemporary calf, initials 'M. R.' in blind to boards, lacking clasps, 64mo (48 x 37 mm)QTY: (1)NOTE:Provenance: Ralph Ewart Ford (1897-1974), precision engineer and founder of Fords (Finsbury) Ltd. In Bedford. A member of the Bibliographical Society, he formed one of the largest collections of English Bibles in England. During the coronation of Queen Elizabeth II in 1953, a selection of the rarest and most important early English Bibles from Ralph Ford’s collection went on display in a touring exhibition across England, including the Chapter House at Westminster Abbey.ESTC R184924; Wing T525; Adomeit B12; Bondy pp.14-15. A Thumb Bible in verse, which Wing records as 32mo. There were two 1693 editions, the first (as here) is that printed by F. Collins in London for T. Ilive, and the second edition, 'with amendments', of the same size, bears only the T. Ilive imprint. Many more editions followed during the next century and the latest, reprinting the 1693 edition, were published by Longman in London in 1850. The great popularity of these texts is perhaps explained by the fact that this Thames waterman turned poet had, as Harvey's Oxford Companion to English Literature remarks, "a marked talent for expressing himself in rollicking verse and prose" (Bondy).
A collection of pens and fountain pens including a cased Parker fountain pen with 14ct yellow gold nib, two matching Parker fountain pens, both with 18ct yellow and white gold nibs, gold plated propelling fountain pen with gold plated nib, and a leather wallet enclosing ten ballpoint and fountain pens including Parker, Waterman, etc.
KENT, Eastchurch, Will Manyringe, Halfpenny, 1.81g/6h (N 2548; BW. 244); Edenbridge, Katherine Huberd, Halfpenny, 1.97g/3h (N –; BW. 246); Elham, William Partridg, Farthing, 0.83g/6h (N 2550; BW. 248); Erith, Robert Dutton, Halfpenny, 1667, 2.49g/12h (N 2552; BW. 253); Faversham, John Ellis, Halfpenny, 1667, 1.96g/9h (N 2560; BW. 270), Robert Hogben, Halfpenny, 1.38g/6h (N 2561; BW. 271), William Knight, Halfpence, 1666 (2), 2.37g/9h, 1.36g/3h (both N 2562; BW. 272), Francis Waterman, Farthing, 0.59g/12h (N 2566; BW. 277); Goudhurst, Stephen Stringer, Halfpenny, 1661, 2.96g/6h (N –; BW. 286); Gravesend, Thomas Boone, Farthing, 0.76g/12h (N –; BW. 290), Robert Day, Halfpenny, 1667, 0.84g/12h (N 2578; BW. 295), Thomas Hill, Farthing, 0.72g/6h (N 2579; BW. 296), John May, Farthing, 1666, 0.96g/12h (N 2580; BW. 297), Jacob Parsson, Farthing, 1651, 0.91g/6h (N 2583; BW. 302), John Pike, Farthing, 0.61g/9h (N –; BW. 303), John Watson, Farthings, 1653 (2), 1.04g/6h (N 2587; BW. 308), 1.78g/6h (N 2588; BW. 308), A[rthur] W[hite], Farthings (2), 0.71g/6h, 0.58g/6h (both N 2590; BW. 306), Thomas Wood, Farthing, 1657, 1.11g/12h (N 2589; BW. 310) [21]. Varied state, N 2561 pierced £60-£80 --- Provenance: N 2578 bt M. Shaw 2018; BW. 286 bt B. Frank
A well-stocked autograph album containing various signatures obtained by the vendor during her time working at The Empire Theatre in Liverpool, including Margaret Lockwood, Guy Middleton, Barbara Knox (Rita from Coronation Street), Dora Bryan, Donald Sinden, Georges Goviloff from the Festival Ballet Empire November 1962, Barry McGrath, Angela Rippon, Stuart Damon (The Champions), Freddie and the Dreamers signed black and white photograph containing six signatures, David Kossoff, Stan Laurel & Oliver Hardy black and white photograph signed at The Empire 1947, Ann Todd, various signatures from the Red Navy Show May 1965, a handwritten letter to the vendor signed 'Jimmy Tarbuck' dated 4th January 1965, Franky Douglas, a further signed black and white photograph of Jimmy Tarbuck and a further autograph by Shamil Yagudin, Elena Kholina and Victor Smirnov from the Bolshoi Ballet 1963, Maya Plisetskaya (the prima ballerina from the Bolshoi Ballet Empire) August 1963, John Gilpin, Margot Miklosy, Kenneth Moore, Kevin Keegan, Ernie Wise, Dennis Waterman and John Thaw, Joe Loss, Billy Bingham, a typed letter to the vendor on letterheaded paper from Danny La Rue with monogram, etc.
A collection of six books, all signed by the authors, comprising Chuck Palahniuk 'Not Forever but for Now', Natalie Haynes 'Divine Might', David Nichols 'Us', Salman Rushdie 'Knife', Alistair Moffat 'Scotland's Forgotten Past', together with Richmal Crompton 'William - The Rebel' also signed by Dennis Waterman (6).Condition Report: - We have not authenticated these signatures, please satisfy yourself as to the veracity of the item prior to bidding.
Sweeney interest. An original menu for the Flying Squad 1918-1978 Diamond Jubilee Dinner & Dance, 2nd October 1978, signed inside by Dennis Waterman, Garfield Morgan & John Thaw, also with several signatures to rear cover including Elton John, menu size 14.5cm x 22cm approx., together with a colour photograph of various guests at the event
EDWIN THOMAS DOLBY (1824-1902) 'The Iron Steam Yacht Alexandria'lithograph, 29 x 44.5cmNote: The ship was built for H.I.M. the Emperor of Russia by C. I. Mare & Co of Blackwall, designed by Mr Waterman Junr. and fitted with engines of 140 horse power by Sir John & Mr George Rennie. See the Royal Museums Greenwich, ID PAH8699.
WATERMAN, SERENITE, THE PHOENIX A SPECIAL EDITION MAKI-E FOUNTAIN PEN, NO. 20/60 Cap and Barrel: The curved lacquered wood cap and barrel with phoenix and feather design with abalone pearl radan inlay detail and bamboo design band, white coloured clip Nib and Filling System: Medium white coloured nib stamped 18K and 750, cartridge converter filling system, inked Accessories: Waterman lacquered box, guarantee and information booklet, blue and black ink cartridges and outer card box
WATERMAN, SERENITE, WHITE SNAKE A SPECIAL EDITION MAKI-E FOUNTAIN PEN, NO. 26/60 Cap and Barrel: The curved lacquered wood cap and barrel with snake design with abalone pearl raden inlay eyes and bamboo design band, white coloured clip Nib and Filling System: Medium white coloured nib stamped 18K and 750, cartridge converter filling system, inked Accessories: Waterman lacquered box, guarantee and information booklet, blue and black ink cartridges and outer card box
WATERMAN, SERENITE, RISING DRAGON A SPECIAL EDITION MAKI-E FOUNTAIN PEN, NO. 22/120 Cap and Barrel: The curved lacquered wood cap and barrel with dragon design with abalone pearl radan inlay detail, bamboo design band, white coloured clip Nib and Filling System: Medium white coloured nib stamped 18K and 750, cartridge converter filling system, uninked Accessories: Waterman lacquered box, guarantee and information booklet, blue and black ink cartridges and outer card box
A BOX OF PENS, to include a boxed 'Sheaffer' ball point, a green barrel 'Parker' fountain pen with 14k nib, a blue marble effect 'Waterman Paris' fountain pen, together with other boxed 'Parker' fountain and ball point pens and a compass (condition report: pens have not been tested for working order, some used conditions, general light wear)
Theatre. Five sammelbands of plays, 18th-early 19th c, including first editions and Irish imprints, comprising: 1) seven bound as one: Fielding (Henry), [Rape upon Rape]/ The Coffee House-Politician; or, The Justice Caught in his own Trap, London: J. Watts, 1730; idem., The Modern Husband, conforming imprint and date to the latter; idem., The Letter-Writers, same imprint, 1750; King (Thomas), Love at First Sight, London: T. Becket and P.A. De Hondt, 1763; Carey (Henry) & Smith (John Christopher), Teraminta. An Opera, first edition, London: J. Watts, half-title, extra-illustrated with a cut-out frontispiece, defective; [&] Miller's The Mother-in-Law, second edition, London: John Watts, 1735; 2) [Ireland] eight bound as one: Havard's King Charles I, London: John Bell, 1777, frontispiece; Gay's The Beggar's Opera, eleventh edition, London: s.n., n.d; Dibdin's The Waterman, first Irish edition, Dublin: Printed by Permission of the Company of Booksellers for John Beatty, 1777; Sheridan's The Governess, first edition, Dublin: s.n., 1777; Murphy's Know your own Mind, first Irish edition, Dublin: Printed by P. Higly, 1778, half-title; Mendez (Moses), The Chaplet, London: W. Oxlade, 1777, frontispiece, uncut; Young's The Revenge, Dublin: Printed for G. and A. Ewing, et al, 1764; [&] Garrick's Lethe, sixth edition, Dublin: Printed for G. and A. Ewing, 1759, contemporary Irish quarter-calf over marbled boards, early 19th c armorial bookplate of David Rochfort of County Limerick to pastedown, 12mo in 6s; 3) seven bound as one: Burgoyne's The Heiress, lacking title; Garrick's Clandestine Marriage, a comedy, lacking title; Whitehead's The Roman Author, first edition, London: R. Dodsley, 1750; Milton's Comus, seventh edition, London: R. Dodsley, 1744, half-title; Brooke's Rosina, thirteenth edition, London: T Cadell, 1790; Bickerstaffe's The Maid of the Mill, first edition, London: J. Newbery, et al, 1765; [&] Murphy's The Old Maid, London: P. Vaillant, n.d., late 18th c calf over marbled boards, vellum tips, 8vo; 4) Lee (Nathaniel), four dramas as one: The Rival Queens; Mithridates, King of Pontus; Cæsar Borgia; [&] Theodosius, London: Printed for J. Darby, et al., 1727-1728, the last two titles lacking their respective titles/divisional titles, contemporary speckled calf gilt, ffep with contemporary ownership manuscript inscription: Edm:d Brydges, No. 21, 12mo in 6s; 5) Selection Selection of English Plays, containing: Sheridan's The School for Scandal; Addison's Cato; Colman's & Garrick's The Clandestine Marriage; Cumberland's The West-Indian; [&] Sheridan's Pizarro, Paris: Printed for Theophilus Barrois, 1804, general half-title and divisional titles, bound in contemporary Parisian polished calf gilt, marbled endpapers, 12mo in 6s, (5)
The Pen Collection of a Shropshire Gentleman, Part II - A large assortment of fountain pens, most in need of attention, but with 14ct gold nibs, together with biros and other writing equipment. The fountain pens by: Burnham, Carter, Eclipse, Esterbrook, Parker, Swan, Conway Stewart, Platinum, Mont Blanc, Waverley, Waterman etc. (quantity)Condition:Please refer to additional images
CLASSIC ROCK, POP AND SOUL LP COLLECTION - a collection of approximately 60 Classic Rock, Pop and Soul LPs including 12" singles. Collection to include: Led Zeppelin, The Beatles, David Bowie, The Rolling Stones, Fleetwood Mac, Yes, Stevie Wonder, Bruce Springsteen, Michael Jackson, Barclay James Harvest, Emerson Lake & Palmer, Genesis, Dire Straits, Wings, REO Speedwagon, Pete Townshend, Foreigner, The Isley Brothers, Stevie Nicks, Supertramp, The Kinks, Al Stewart, Odyssey, The Greatest Hits of 1986, The Stylistics, Christopher Cross, Hi-Tension, Dionne Warwick, Sock Aitken Waterman, Daryl Hall & John Oates, Haircut 100, Madness, Boston and more. Collection generally VG+ to Ex.
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5067 item(s)/page