We found 1653 price guide item(s) matching your search
There are 1653 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
1653 item(s)/page
Victorian Children's Books - Harrison Weir, Walter Crane, et al, Mother Goose's Jingles (George Routledge & Sons, London, 1878); Cicely Mary Barker, Flower Fairies of the Summer (Blackie & Son Ltd., London); others, Flower Fairies of the Spring, Flower Fairies of the Autumn; A Little Book of Ryhmes New and Old; The Story of Snips (6)
Bindings. GRIMM (Brothers) Household Stories, Translated by Lucy Crane, illustrated by Walter Crane, London: Macmillan & Co 1882, large 8vo, slight spotting at head of title and frontis, cloth spine strip pasted in at the front, fine full morocco gilt signed ‘C E G’ [Captain C E Gladstone RN, d.1919], to inside front board, silk doublures, top edge gilt, some fading to spine and boards; RUSKIN (John) The Two Paths, being Lectures on Art, 1859, small 8vo, half title and 2 plates, light foxing, full green morocco gilt signed ‘C E G’ [Captain C E Gladstone RN, d.1919], to inside front board, top edge gilt, slight fading to spine lettering; with a slim 8vo vol. in polished red calf by Zaehnsdorf (contents blank leaves); and another binding in morocco gilt, all edges gilt; and 2 others 12mo (6)
Approximately 1500 vintage and modern bookmarks including a series of twenty five by George Studdy, others by Beatrix Potter and Enid Blyton, advertising examples for Edinburgh Book Festival, Northern Assurance, Scottish Widows ‘ Fund with designs by Walter Crane, National Savings, Sunlight Soap, India Tyres, Esso and New Zealand Tour of England 1990 (one of 175), Oriental silk textured cards, celluloid, designs for Carroll's Alice in Wonderland, The Beatles, Marvel, Garfield, Elvis, Avengers, Star Trek, Dr. Who, Tintin etc, housed in nine binders, together with two albums of film and advertising postcards (11)
charcoal on paper mounted, framed and under glass image size 16cm x 24cm, overall size 33cm x 40cm Provenance: the artist's studio sale, Thomson Roddick. Note: Charles Oppenheimer was born in Manchester in 1875. His mother was Scottish and the family owned a mosaic manufacturing business. He studied under Walter Crane at Manchester School of Art and in Italy. Although not a native Scot, (he didn't settle in Scotland until he was in his mid-thirties) he was passionate about his adopted home town of Kirkcudbright and found an endless source of subject matter in the 53 years he lived in the town. Kirkcudbright drew some of Scotland's greatest artists, such as Cadell and Fergusson, and many painters gathered here following the lead of E.A. Hornel. They were primarily attracted to the effect of the light on the hilly ground which produced soft colours and a spectrum of grey. Oppenheimer was a keen fisherman and many of his paintings dealt with the effect of light on water. His views of The Solway Coast and Whitby were used by British Rail for their advertising campaign 'See Britain By Rail'. He retained a love of Italy and produced some excellent canvasses of Venice and Florence. He exhibited regularly at the Royal Scottish Academy in Edinburgh, where he became a full member in 1934.
Essex House Press.- Ashbee (C.R., editor) [Great Poems of the Language series], 10 vol., limited editions (between 50 and 165 copies), all printed on vellum, hand-coloured frontispieces by Reginald Savage, George Thomson, C.R.Ashbee, Edith Harwood, William Strang and Walter Crane, initials and decorations supplied by hand in colours (some in gold), gilt-stamped red morocco book-label of W.A.Foyle of Beeleigh Abbey, original blind-stamped vellum, spines titled in gilt, uncut, some a little spotted, spines lightly soiled, 8vo, printed at the Essex House Press of Chipping Campden, 1900-04.*** An excellent set of 10 of the volumes from this charming series, lacking only a few titles, comprising: Keats's St. Agnes' Eve, number 27 of 125 copies, 1900; Gray's Elegy, number 30 of 125 copies, 1901; Walt Whitman's Hymn on the Death of President Lincoln, number 73 of 125 copies, 1901; Epithalamion of Spenser, number 5 of 150 copies, 1901; Chaucer's The Flower and the Leaf, number 89 of 165 copies, 1902; Burns' Tam O'Shanter, number 10 of 150 copies, 1902; Milton's Comus, number 51 of 150 copies, colophon with artist's name corrected in manuscript, 1901 [1902]; Wordsworth's Ode on the Intimations of Mortality, number 30 of 150 copies, 1903, Coleridge's Rime of the Ancient Mariner, number 71 of 150 copies, 1903; Dryden's Alexander's Feast, number 54 of 140 copies, 1904.
* CHARLES OPPENHEIMER RSA RSW (BRITISH 1875 - 1961), SKETCH OF GARDEN AND HOUSE charcoal on papermounted, framed and under glass image size 16cm x 24cm, overall size 33cm x 40cm Provenance: the artist's studio sale, Thomson Roddick.Note: Charles Oppenheimer was born in Manchester in 1875. His mother was Scottish and the family owned a mosaic manufacturing business. He studied under Walter Crane at Manchester School of Art and in Italy. Although not a native Scot, (he didn't settle in Scotland until he was in his mid-thirties) he was passionate about his adopted home town of Kirkcudbright and found an endless source of subject matter in the 53 years he lived in the town. Kirkcudbright drew some of Scotland's greatest artists, such as Cadell and Fergusson, and many painters gathered here following the lead of E.A. Hornel. They were primarily attracted to the effect of the light on the hilly ground which produced soft colours and a spectrum of grey. Oppenheimer was a keen fisherman and many of his paintings dealt with the effect of light on water. His views of The Solway Coast and Whitby were used by British Rail for their advertising campaign 'See Britain By Rail'. He retained a love of Italy and produced some excellent canvasses of Venice and Florence. He exhibited regularly at the Royal Scottish Academy in Edinburgh, where he became a full member in 1934.
Shakespeare. Paton (Sir J. Noël, RSA, illustrator), The National Shakespeare: A Fac-simile of the Text of the First Folio of 1623, three volume set, London: William Mackenzie, n.d. [1888-89], black-ruled double-column, photogravure plates, original publisher's green cloth, pictorial gilt, slight wear, top edges gilt, others uncut, folio (41.5 x 27cm); Staunton (H., editor), Memorials of Shakespeare [...] Reproduced in Exact Fac-simile by Photo-lithography [...], first edition, London: Day & Son, n.d. [1864], split, original publisher's cloth, Cambridge Free Library: Shakespeare Library Shelf 26 No. 19, label, folio (39.5 x 25.5cm); [&] Crane (Walter, illustrator), Eight Illustrations to Shakespeare's Tempest, London: Dallastype Press, 1893, loose gatherings as issued, original publisher's cloth portfolio, folio (38 x 31cm), (5) Withdrawn ex-library stock, with their bookplates and labels, stamps &/or stickers. Some stamps might affect letterpress or plates. Unexamined and sold with all possible faults and not subject to return.
POE, Edgar Allan. Poe’s Tales of Mystery and Imagination, first edition illustrated by Arthur Rackham, original publisher’s dark green Morocco with Rackham pictorial design in gilt, 12 plates well preserved with captioned tissue guards, ffep with offsetting, free endpapers detached along top of guttering, spotting at prelims and at fore/foot edge, gilt head edge, internally clean, London: George G. Harrap, 1935._LANG, Andrew (ed.). The Yellow Fairy Book, FIRST ed., original yellow cloth with beautiful pictorial design in gilt, fantastic illustrations by H. J. Ford, owner inscription at half-title page, light spotting in places, toning ffep verso, rubbing at extremities, fading at spine, London: Longman’s, 1894._ Household Stories of Grimm, Illustrated by Walter Crane, FIRST ed., original cloth with pictorial design, browning to frontispiece tissue guard, some spotting to prelims, some bumping to boards and scratch along spine, London: Macmillan, 1882._POWYS, T. F. Fables, d.j., SIGNED ltd ed. 669/700, spotting around edges, London: Chatto & Windus, 1929_MOORE, George. Peronnik the Fool, ltd ed. of 750, near fine, New York, Edwin Rudge, 1926._KIPPLING, Rudyard. Just So Stories, FIRST ed., original cloth with attractive pictorial design, internally some spotting and marks with two small tears, text block a little shaken, bumping to extremities, some loss foot of spine, London: Macmillan, 1902._ BARRIE, J. M. Quality Street, illustrated by Hugh Thomson, original cloth with highly decorative design, bumping and fading to spine, London: Hodder & Stoughton, 1913._BALZAC, H. Les Contes Drolatiques, ltd ed. 2233/3000, bright solid copy, light wear on spine, Paris: Gilbert Jeune, 1940._LETCHFORD, Albert. Illustrations to Arabian Nights, FIRST of this ed., series D on plate paper, original cloth with highly decorative pictorial design in gilt, scattered spotting throughout, bumping to extremities, London: H. S. Nichols, 1897._CRANE, Walter. The Baby’s Opera, original cloth backed with attractive illustration, some wear and splitting at hinges, London Frederick Warne & co., undated [1876]._CARROLL, Lewis. Alice’s Adventures in Wonderland (1893) and Through the Looking Glass (1899), people’s ed., later Morocco binding, London, Macmillan and co. (2) (12)
Rumbo Rhymes; Or, the Great Combine: a Satire; Written by Alfred C. Calmour, Rendered Into Pictures by Walter Crane. 1911. First Edition. Original decorated cloth. titles in red to the spine. Decorated endpapers. Half title, coloured titles over two pages. 22 full page coloured plates. first gathering starting to pull. occasional light marks.
ATTRIBUTED TO WALTER CRANE (BRITISH, 1845-1915) (4)Charcoal burners path watercolour and gouache 18 x 17.5cm together with Girl in an elegant interior, watercolour, manner of James Hayllar; Two women on a balcony, watercolour and bodycolour, English School; Classical woman with instrument, watercolour, manner of Robert of Fowler (4)
Pilkington's Royal Lancastrian Sea Maiden vase, by Walter Crane and William Slater Mycock, on a blue ground, impressed mark 1905-1913, cyphers for Walter Crane and William Slater Mycock, no 2472, H25.5cm (restored)Condition Report:The rim restored (see photographs), otherwise very light and minimal surface scratching
Walter Crane, 6 titles: 'Echoes of Hellas. The Tale of Troy & the Story of Orestes from Homer & Aeschylus', London, Marcus Ward, 1887, 1st edition, 82 illustrations in black & red throughout by Walter Crane as called for, folio (38 x 29cm), original pictorial vellum gilt, top edge gilt, others uncut, 'Echoes of Hellas. Pianoforte Arrangement of the Music', L, Marcus Ward, 188, 1st edition, 66pp, folio (38 x 29cm), original pictorial vellum, top edge gilt, others uncut, 'The Sirens Three', L, Macmillan, 1886, 1st edition, illustrated in b/w by Walter Crane throughout, large 4to (28 x 22cm), orig. quarter cloth, pictorial paper covered boards, 'Slate and Pencil-vania: Being the Adventures of Dick on a Desert Island', L, Marcus Ward, 1885, 1st edition, colour illustrated leaves by Walter Crane throughout, 4to (22 x 22cm), orig. quarter cloth, pictorial paper covered boards, 'Cinderella's Picture Book; Containing Cinderella: Puss in Boots: and Valentine & Orson', L, John Lane the Bodley Head, [1897], 1st edition thus, full page colour illustrations by Walter Crane throughout as called for, p.6 & 7 of 'Cinderella' with marginal repaired tears (just affecting corners of illustrations), 4to (28 x 24cm), orig. pictorial cloth, rebacked retaining original backstrip, 'The Baby's Opera', L, Routledge, [nd], c.1899, colour illustrated leaves by Walter Crane throughout (2 leaves with professionally repaired tears), small 4to (18.5 x 19cm), original cloth backed pictorial paper covered boards (6)
Five tiles to include two Minton & Co examples, one with depiction of St Michael and three after designs by Walter Crane, one framed, largest 15.5 cm x 15.5 cm. [W] Condition Report: Minton tile depicting St Michael has a couple of chips to one of the front edges, largest 10 mm x 5 mm, crazing to the glaze, hairline cracks to the back, the other Minton tile has one chip to one of the front edges, some hairlines with some surrounding glaze loss and crazing. The unframed tiles after Walter Crane designs have some small areas of loss to the front edges, crazing throughout, some chipping / losses verso (more extensive to one), framed example has possible hairline crack visible to the front and some losses / chipping verso and a small depiction of a robin.
[Aubrey Beardsley etc] The Yellow Book: An Illustrated Quarterly published Elkin Matthews & John Lane 1894-1897 in 13 volumes (complete) with illustrations by Aubrey Beardsley, Walter Crane, Laurence Housman, Max Beerbohm etc, and with literary contributions by Kenneth Grahame, H.G. Wells, William Butler Yeats, Henry James and others, bound in original yellow and black pictorial cloth with pages mostly unopened
Religion – Birket Foster (Myles), illus. Sabbath Bells Chimed by the Poets, new edn., London, Ward, Lock & Tyler, n. d. (1874), 8vo, unpaginated, chromolithographic frontis., numerous engraving and vignettes, some in colour, gilt edges, bound black and gilt embossed bevelled boards with titles to front board and spine; Severin (Mark) and Reid (Andrew), European ex Libris 1950-1970: Engraved Bookplates, Pinner (Middlesex) Private Libraries Association 1972, royal 8vo, 176pp, profuse monochrome illus., orange end-papers matching printed dust wrapper, green cloth boards, virtually mint; Book of Common Prayer, stereotype edition, Cambridge 1822, small 8vo, Acts and Preliminaries, tables, etc. 32 + 33-60 + addendum: prayers and forms of service for use at sea, gunpowder Treason, Restoration of the Royal Family, King’s Accession, Articles of Religion, Tables of Kindred and Affinity, bound with Tate (Nahum 1652-1715) & Brady (Nicholas, 1659-1726), A New Version of the Psalms of David, Cambridge 1824, 84pp, heraldic book plate, arms of de Rodes in garter with motto and crest above, Barlborough Hall below, gilt edges, blue endpapers, bound maroon boards, gilt lines and lettered Barlbro’ Hall/1826 to front board, five raised bands and gilt titles to spine with date 1822, front board and spine coming away (2) *** The prayer book is from the domestic chapel of Barlborough Hall, Derbyshire, one of a number commissioned by Cornelius Heathcote de Rodes, (d. 1825) the squire. The hall was built c. 1590 by Robert Smythson of Judge Sir Francis Rodes (d. 1588), whose son was created a baronet and whose line became extinct in 1743 (albeit with a surviving branch in the US), but the family continued through three female lines, retaining the name de Rodes until inherited by Godfrey Locker-Lampson, MP. Since his death the house has been a Catholic prep school; Various – Smiles (Samuel, 1812-1904), Lives of the Engineers: Early Engineering, popular edition, London, John Murray, 1904, 8vo, xxxiv + 380pp, 6 plates and 49 line illus., Sir Cornelius Vermuyden, Sir Hugh Myddleton, Bt., Captain Perry, James Brindley with an appendix on Pierre-Paul Riquet, bound embossed red boards, gilt titles to spine; Smiles (Samuel, 1812-1904), Lives of the Engineers: Smeaton and Rennie: Harbours-Lighthouses-Bridges, popular edition, London, John Murray, 1904 12mo, 459pp, frontis of Smeaton, 7 plans 78 line illus., label to inside cover Evans, Fraser & Co. Bombay, library sticker inside rear board, red embossed boards, gilt embellishments, gilt spine titles, spine tearing at top; Smiles (Sameul 1812-1904), The Story of the Life of George Stephenson including a Memoir of his son, Robert Stephenson, revised edn., London, John Murray, 1864, 12mo, 380pp, engraved frontis., illustrations, bound embossed red boards, gilt titles and spine titles, spine tearing at top); Blackburn (Henry), Randolph Caldecott: A Personal Memoir of His Early Art Career, 1st edn., London, Sampson Low, 1886 8vo, xvi + 216pp, 172 illus., gilt edges, gilt and black printed green boards, gilt spine titles (4); Various – Aldin (Cecil 1870-1935) Old Inns, new impression, London, William Heinemann 1921, large 8vo, 149pp, 16 coloured plates and 12 monochrome, black boards, gilt titles and to spine; Cundall (H, M., ISO, FSA), Birket Foster RWS, London, A & C Black, 1st edition, 1906, 8vo, xx + 216pp, 73 colour illus., 78 monochrome, bound colour printed blue boards, gilt titles; Crane (Walter), Line and Form by Walter Crane, London, 1st edn., George Bell, 1900, 8vo, xvi + 282pp, profusely illustrated, pink and white printed endpapers, gilt titles and design on blue boards
Of Arts and Crafts and Lewis Foreman Day interest, a carved oak wall mirror, c.1913, by Philis Ford Day, the carved moulding with floral swags, centred with the 'Day' crest, in high and low relief,58cm wide 94.5cm high,a certificate from the 'School of Art Wood-Carving' to Philis Ford Day, signed by Walter Crane and others, in a gilt frame, 42 x 53cm, anda copy of 'Moot Points' by Lewis Foreman Day and Walter Crane, 1903 (3)Condition ReportBook - fair. Mirror good. Certificate - fair overall
An Aesthetic Movement walnut bracket clock, c.1870, the design attributed to Lewis Foreman Day (1845-1910), the case inset with painted ceramic panels in the manner of Walter Crane, the upper part of the case with a domed top, set with a dial painted with Arabic numerals, raised on column supports, the lower section with a central panel decorated with the Sphinx and the Pyramids at Giza opening to reveal the pendulum, with a half-dead-beat escapement movement, 32cm wide19.5cm deep49cm high Provenance: Sotheby's, April 30 1980;the Estate of Max Clendinning and Ralph Adron.Condition ReportWith a crack to the cornice. The dial has been restored. The tiles with some fading. With general scuffs and marks to the frame.
Morris (William) Alfred Linnell Killed in Trafalgar Square, November 20, 1887. A Death Song, 8pp., illustration by Walter Crane, light spotting, unbound, Sold for the Benefit of Linnell's Orphans, 1887; Art and Socialism: A Lecture delivered [January 23rd, 1884] before the Secular Society of Leicester, large paper, reprint for the Bijou Advertiser, Pickford Waller's copy with his bookplate, contemporary half morocco, by Truslove & Hanson, spine gilt, t.e.g., others uncut, original yellow wrappers printed in red bound in, 1884; The Socialist Ideal of Art, 12pp., stapled, 1891 [1896]; The Collected Letters, edited by Norman Kelvin, 4 vol. in 5, original cloth, dust-jackets, Princeton, NJ, 1984-96 § Morris & Company Ltd. Morris Wall-papers, trade catalogue, illustrations, with a bundle of letters & invoices to Pickford Waller from various booksellers concerning Kelmscott books loosely inserted, original printed wrappers with decorative border, [n.d.]; and c.30 others relating to Morris and a small bundle of ephemera, 8vo & 4to (sm. qty)*** The first commemorates the death of Alfred Linnell, a young clerk, on 2nd December 1887. On Sunday 13th November 10,000 people including William Morris and George Bernard Shaw had demonstrated in Trafalgar Square against repression in Ireland and unemployment. There were violent clashes and many were beaten by police with truncheons. This was the original "Bloody Sunday" and resulted in another protest against the police and army in Trafalgar Square the following week. During this Alfred Linnell was knocked down by a police horse and later died of his injuries, causing a mass outcry. People flocked to his funeral on 18th December and William Morris, as leader of the Socialist League, gave the main address and produced this pamphlet to raise money for Linnell's family.
Walter Crane (British, 1845-1915) Plymouth, circa 1866watercolour17 x 34cmProvenance:The collection of Denis Thomas, KentExhibited:Bromhead, Cutts & Co., Cork Street, London, Memorial Exhibition of the Works of Walter Crane, April-May 1920, No. 61Illustrated:Denis Thomas (Ed.), The Price Guide to English Watercolours, pub. Antique Collectors Club, 1971, p. 130The present watercolour was likely executed during the young artist's visit to Cawsand Bay in 1866, where he stayed from 28th July to 17th August.
A 19th Century 6 inch dust pressed tile hand painted with two ladies in classical dress seated to a balcony looking out to sea, hand painted monogram to the front and back, possibly a Doulton Lambeth artist, together with a W. T Copeland plastic clay example decorated with a transfer printed and painted nursery rhyme of Little Bo Peep in the manner of Walter Crane and a further Mintons China Works example decorated with a hunt scene. (3)
A collection of 19th Century 6 inch dust pressed figural tiles, including Minton Hollins & Co, painted decoration depicting girl reading on country path, a fiddler on an upturned barrel, a plastic clay nursery rhyme tile of Little Boy Blue and a later 20th Century transfer printed tile after Walter Crane 'Where Are You Going My Pretty Maid'. (5)
A collection of four 8 inch dust pressed tiles, to include a Maw & Co Ltd with a design by Walter Crane to accompany his set of Four Season tiles, a Minton's China Works example with a central portrait in profile and decorative floral motifs, part of a larger panel, a Minton's & Co terracotta tile with repeat fleur-de-lis pattern and a Minton's tile with an abstract floral motif, all with colour glaze finish. (4)
Three 19th Century 6 inch dust pressed tiles, including a Minton Hollins & Co example blue painted over white ground with a portrait of a lady with church tower, titled Architecture, together with two printed tiles, one in the manner of Walter Crane and tilted Phyllis is My Only Joy, and another titled Hermia from Shakespeare's Midsummer Night's Dream. (3)
Quantity of children's books to include: Caldecot picture books, 6 volumes; Ten Little Puppy dogs; and Ten Little Niggers, Lady Bird Books, Babys Opera by Walter Crane, and a collection of L M Montgomery novels in 5 volumes, to include Anne of Green Gables etc; A quantity of books by Arthur Ramsome: Pigeon Post, 1956,First; Coot Club,1934,First; Secret Water,1939,First; The Big Six,1940,First; We Didn't Mean to go to Sea,1937 3rd Impression; Swallowdale,1955,25th Impression; Swallows and Amazons,1955, 29th Impression.
A late 19th century autograph book, belonging to Hilda M. Cathie, dated 1891, some signatures cut from the bottom of letters, divided into sections, Royal Family, Eminent Men, Artists, Musicians, Authors, The Stage, Churchmen, Royal Family to include Duc d'Orleans, 2 Portman Square, Albert J...Monaco, a letter addressed to Hilda Cathie from St. James's Palace dated 1896 about Edward VII, '....there is not the slightest foundation in the reports which have been circulated about Prince Edward. He is a very fine boy and in full possession of his faculties', signed by a member of the household. Eminent Men to include Baden Powell, 28 Oct 1901, E.H.Shackleton, Artists, to include Walter Crane and J W. Waterhouse, Authors to include A Conan Doyle, dated June 21/94, J.M.Barrie, Stage to include, Ellen Terry.
Pogany (Willy, illustrator). The Tale of Lohengrin, Knight of the Swan, after the Drama of Richard Wagner by T.W.Rolleston, London: G. G. Harrap, [1913], 4 mounted colour plates, illustrations throughout, brown cloth with tooled and gilt decoration, spine with title etc. in gilt, 4to, together withRackham (Arthur, illustrator). Rip Van Winkle, by Washington Irving, Copenhagen: Peter Hansens Forlag, 1st Danish edition, 1905, 50 full colour tipped-in plates (including frontispiece), each with captioned tissue guards, limitation to verso of title-page 138/250 copies, Rackham's press-stamped signature below, toning to edge of title-page, top edge gilt, original green cloth with gilt decoration, spine with gilt, large 4to, plusRobinson (W. Heath). Bill the Minder, London: Constable & Co. Ltd, 1912, 16 mounted colour plates, with captioned tissue guards, letterpress illustrations, some full-page, original gilt decorated green cloth, colour illustration mounted to upper cover, spine faded, 4to, and two others comprising: The Child's Christmas, illustrated by Charles Robinson, and A Flower Wedding, illustrated by Walter Crane, both 4toQTY: (5)
Crane (Walter). A collection of 26 books illustrated by Walter Crane, Routledge's New Sixpenny Toy Books series, 1860s-70s, comprising Sing A Song of Sixpence; A Gaping-Wide-Mouth Waddling Frog; The Old Courtier; The Multiplication Table in Verse; Chattering Jack; How Jessie Was Lost; Grammar in Rhyme; Annie and Jack in London; 1. 2. Buckle My Shoe; The Fairy Ship; Adventures of Puffy; This Little Pig Went to Market; the Noah's Ark Alphabet; King Luckieboy's Party; Cinderella; The Forty Thieves; My Mother; The Three Bears; Valentine and Orson; Puss in Boots; Old Mother Hubbard; The Absurd A. B. C.; Bluebeard; Jack and the Beanstalk; Little Red Riding Hood; Baby's Own Alphabet, colour illustrations, occasional minor spotting, original wrappers, Baby's Own Alphabet lacking rear wrapper, contemporary manuscript list to front pastedown, all bound together in contemporary half morocco, covers detached, lacking spine, small 4toQTY: (1)NOTE:George Routledge published the New Sixpenny Toy Books series from 1867, of which 37 toy books were illustrated by Walter Crane. From 1873 they were re-issued as Walter Crane's Toy Books, with a uniform design for the printed wrappers, his final publication in the series was The Sleeping Beauty in the Wood, 1876.
Crane (Walter, illustrator). A Floral Fantasy in an Old English Garden, London: At the House of Harper and Brothers, 1899, colour illustrations throughout, page block split at gutter (with evidence of repair), decorative endpapers, original pictorial cloth boards, slight soiling, upper cover lower right corner rubbed, head and cap of spine slightly frayed, small closed tear to top left edge, slim 8vo, together withDulac (Edmund, illustrator). Stories from Hans Andersen, London: Hodder & Stoughton, 1911, 28 colour tipped in illustrations, including frontispiece with captionned tissue guard, decorative endpapers, some toning, split rear gutter, original gilt decorated green cloth, boards rubbed in some areas with loss of colour, lacking spine, large 8vo, plus another book illustrated by Dulac, Tanglewood Tales by Nathaniel Hawthorne, London: Hodder & Stoughton, [1918], fourteen tipped-in colour plates including frontispiece, decorative endpapers (free endpapers toned), presentation inscription to free front endpaper, original pictorial cloth, front gutter split, spine detached, 4to, and Idylls of the King Vivien Elhine Enid Guinevere by Alfred Tennyson with sixty original decorations by George Wooliscroft Rhead and Louis Rhead, New York: R.H. Russell, 1898, 4toQTY: (4)
Thomas De La Rue & Co. (publishers). A collection of 5 illustrated books, 1880s, comprising The Fairy Horn, by S. Theyre Smith, Clever Hans, by the Brothers Grimm, illustrated by J. Lawson, Rumpelstiltskin, by George R. Halkett, The Baby's "Debut.", by J. Smith, illustrated by G. A. Konstam, E. Casella, and N. Casella, The Maypole, illustrated by G. A. Konstam, E. Casella and N. Casella, colour illustrations, advertisements, occasional light offsetting, original wrappers, all bound in contemporary brown half morocco, rubbed and scuffed, small 4to, together with Caldecott (Randolph). The Fox Jumps over the Parson's Gate; Come Lasses and Lads; Ride A-Cock Horse to Banbury + A Farmer Went Trotting upon his Grey Mare; The Milkmaid; Hey Diddle Diddle and Baby Bunting; A Frog he Would A-Wooing Go; The Great Panjandrum Himself; An Elegy on the Glory of her Sex. Mrs Mary Blaize, R. Caldecott's Picture Books series, 1870s-80s, colour illustrations, occasional light spotting and offsetting, all bound in contemporary half morocco, rubbed and scuffed, oblong 4to, with others illustrated including 6 illustrated books mostly illustrated by W. J. Hodgson, 1880s, bound together, Baby's Own Aesop, by Walter Crane, 1887, Familiar Rhymes from Mother Goose, illustrated by Chester Loomis, Ernest Nister, 1888, Kate Greenaway's Book of Games, [1889], The Story of the Treasure Seekers, by E. Nesbit, 1899, The Adventures of Uncle Lubin, by W. Heath Robinson, 1902 (lacking front endpaper), Uncle Remus, illustrated by Rene Bull, circa 1906, the Red Book of Animal Stories, by Andrew Lang, 1st edition, 1899 (lower joint split), Driscoll, King of Scouts, by A. G. Hales, 1st edition, Bristol, 1901, Fairy Tales from Grimm, illustrated by Gordon Browne, 2nd edition, 1894, and The English Struwwelpeter or Pretty Stories and Funny Pictures, by Heinrich Hoffmann, George Routledge & Sons, circa 1910QTY: (17)
Wain (Louis). A Cat Alphabet and Picture-Book for Little Folk, London: Blackie and Son, circa 1914, colour illustrations, a few small stains, some toning to endpapers, juvenile previous owner signature and pencil scribbles to rear pastedown, rear hinge tender, original cloth, upper cover with inset colour illustrations, a little rubbed with some edge wear, 8vo, together with Greenaway (Kate, illustrator). A Day in a Child's Life, music by Myles B. Foster, London: George Routledge and Sons, [1881], colour illustrations, occasional minor marks, small presentation inscription, original cloth-backed boards, edges a little rubbed, 4to, plus Crane (Walter). Flora's Feast: A Masque of Flowers, London: Cassell and Company, 1889, colour illustrations, original cloth-backed pictorial boards, a little toned, 4to, with 6 others illustrated including Marigold Garden, by Kate Greenaway, circa 1885, Afternoon Tea, by J. G. Sowerby and H. H. Emmerson, circa 1883, The A.'s and the K.'s or Twice Three is Six, illustrated by N. Parker, circa 1914, and Von Sonne, Mond und Sternen, by Lis Wenger-Ruutz, Stuttgart, circa 1907 QTY: (9)
Walter Crane (1845-1915)a collection of books illustrated by Walter Crane, comprising Triplets (including The Baby's Opera), published by George Routledge & Sons, 1899 signed by Walter Crane, Beauty's Awakening, 1899, A Masque of Days, 1901, Pan Pipes, 1883, three versions of The Baby's Banquet, two copies of The Baby's Opera, and a modern almanac, A Flower Wedding, Cassell & Company, Legends for Lionel, 1887, and An Artist's Reminiscences by Walter Crane, 1907, and a letter from Edith Craig to Walter Crane, dated 1903 discussing the commission of Masque of Queens.(14) Catalogue notesEdith Craig was born in 1869, the daughter of E W Godwin and Ellen Terry. She was interested in the Suffrage movement from childhood and joined the Women's Social & Political Union in 1908. The letter to Walter Crane belongs with the signed copy of The Triplets and may indicate that the copy of The Triplets once belonged to him on Edith Craig.
Lang, Andrew Collection of works London: Longmans, Green, and Co., all 8vo unless otherwise stated.The Arabian Nights Entertainment, 1898, first edition, original blue pictorial cloth gilt, 33 plates, spine rolled, extremities slightly rubbed, inner hinges cracked with webbing exposed, ownership inscriptions to half-title and recto of frontispiece, half-title slightly marked, ink-stain to head of title-page and dedication leaf (with concomitant paper-erosion to latter);Old Friends among the Fairies. Puss in Boots and Other Stories, 1926. 4to, original green pictorial cloth, 4 tipped-in colour plates, dust jacket (with a few nicks);The Book of Princes and Princesses by Mrs Lang. Edited by Andrew Lang, 1908, first edition, original blue pictorial cloth gilt, all edges gilt, 8 colour plates, spine slightly rolled, light rubbing to extremities, tips bumped;Tales of Troy and Greece, 1907, first edition, original cloth, 18 plates;The Book of Romance, 1902, first edition, original blue pictorial cloth gilt, all edges gilt, 8 colour plates;The Red Romance Book, 1905, first edition, 8vo, original red pictorial cloth gilt, all edges gilt, 8 colour plates (plate facing p. 264 detached), spine faded, covers marked;Together with approx. 25 others including 6 other Andrew Lang titles, several Walter Crane titles, etc. (30+)
(1) L'automobile Vimar. Paris, Librairie du Figaro, ca. 1897. Gilt pictorial cl. Obl. (2) Les images en musique. Ill. by B. Rabier. Ibid., Vieu, 1908. Cloth-backed pictorial boards. (3) Dresses, E. A Masque of Days. Ill. by Walter Crane. London, Cassell, 1901. Cloth-backed pictorial boards. (4) Märchen von H. Chr. Andersen. Ill. by K. Reine. Volksvereins, 1926. Silhouette ills. Cloth-backed pictorial boards. Obl. (5) Rhode, I. The Pickletons. London, Dean & Son, ca. 1899. Cloth-backed pictorial boards. Obl. -and 6 others. All w. some signs of age and wear. (total 11)
Pilkington's Royal Lancastrian Sea Maiden vase, by Walter Crane and Richard Joyce, on an ivory ground, impressed mark 1905-1913, cyphers for Walter Crane and Richard Joyce, no 2472, H25.5cmCondition Report:Overall good condition, very minimal and light surface scratching, no noted restoration or repair
Pilkington's Royal Lancastrian Sea Maiden vase, by Walter Crane and William Slater Mycock, on a blue ground, impressed mark 1905-1913, cyphers for Walter Crane and William Slater Mycock, no 2472, H25.5cm (restored)Condition Report:The rim restored (see photographs), otherwise very light and minimal surface scratching
Rackham, Arthur (ills.) "The Vicar of Wakefield by Oliver Goldsmith" George G. Harrap & Company Limited 1929, frontis., half title, col plates, ills throughout, pictorial endpapers, original publisher's green cloth with gilt titles, corners bruised, t.e.g., Robinson, W. Heath " A Song of the English by Rudyard Kipling" Hodder and Stoughton, n,d, col frontis tipped with lettered tissue guard, col plates tipped in, one plate loose, hinges cracked, pictorial boards, ills throughout text, Standish Nichols, Rose "English Pleasure Gardens" The MacMillan Company 1902, photographic frontis with lettered tissue guard, plates, ills, pictorial boards, Livingstone, David "A Popular Account of Missionary Travels and Researches in South Africa", John Murray 1875, folding frontis, plates, dark green cloth, illustration of gilt bee front board, gilt titles to backstrip Crane, Walter "The Decorative Illustration of Books", George Bell & Sons 1905, foxing throughout, inked name inside front board dated 1905 Barrett, Reginald (ills) " Venice ..." Chatto and Windus 1908, no 91 of three hundred and ten copies signed by the artist, col plates with lettered tissue guards, recased, paper vellum over boards, gilt titles , boards soiled, and other volumes (13)
Wilde (Oscar), Henry James, Walter Crane, John Ruskin and others.- The Shakespeare Birthday Book, with signatures of many authors and artists, including: Austin Dobson, John Ruskin, George Meredith, Mortimer Menpes, George Du Maurier, Robert Barrett Browning, Edward Poynter, Andrew Lang, William Holman Hunt, Henry James, Lawrence Alma-Tadema, Thomas Hardy, R.D. Blackmore, John Everett Millais, Anne Thackeray Ritchie, W.L. Wyllie, Charles Keene, Walter Crane (with sketch), Edward Burne-Jones, Edmund Gosse, Helen Allingham, Oscar Wilde and W.B. Richmond, original cloth, embroidered "dust-jacket", 12mo, 1875.*** A pencil inscription reads "This book belonged to A.C. Swinburne poet, later it went to Gerald W. Henderson Librarian of St. Paul's Cathedral..."
-
1653 item(s)/page