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Full size 19thC violoncello labelled Jean Baptiste Vuillaume 3 Demais Terne Paris 1846, believed to be school of Derazey c1870. Length of back 76cm, full length 121cm, together with hard shell case and historic professional insurance valuations

Schwarz, Linda. Tintenfrass Suite III - Suiten für Violoncello Solo von J. S. Bach. Fotolithographie, Collagraph und Collage auf Sekischu-Japanpapier, unten in Bleistift signiert und bezeichnet "TT-Variationen III". 59 x 39 cm. Unter Glas in Holzleiste. 74 x 52 cm. 2000.Eines von 30 Unikat-Exemplaren. Die großformatige Arbeit erscheint zunächst als geometrische Abstraktion, entpuppt sich jedoch bei näherer Betrachtung als eine chiffrierte Interpretation einer Bach-Suite, deren musikalische Struktur in eine raffinierte, gegenwärtige Bildsprache überführt wurde.Im Zuge ihrer Leidenschaft für die Druckgraphik entwickelte Linda Schwarz (geb. 1963) komplexe neue Drucktechniken, wie in der vorliegenden Arbeit. Linda Schwarz studierte zunächst in Stuttgart, dann in Berlin Bildhauerei, Freie Kunst und Musikwissenschaften. In Berlin war sie Studentin bei Joachim Schmettau, Isa Genzken, Eva-Maria Schön und Christina Kubisch. Anschließend ging sie nach Minnesota/Minneapolis, wo sie sich auf Druckgraphik konzentrierte und Assistentin von Karl Bethke wurde. Sie war zudem als Mitarbeiterin der Universal Limited Art Editions tätig und kam dadurch in Kontakt mit Robert Rauschenberg und Jasper Johns. Ihre Arbeiten sind in zahlreichen internationalen Sammlungen und Museen vertreten, wie beispielsweise im Kupferstichkabinett der Staatlichen Museen zu Berlin und dem Museum of Fine Arts in Boston. - Einwandfrei (nicht ausgerahmt). Versand nur ohne Rahmen.

MONTBLANC, DONATION PEN, ARTURO TOSCANINI A SPECIAL EDITION FOUNTAIN PEN, 2008 Cap and Barrel: Black resin cap and barrel, the cap with a clip in the form of a tailpiece and strings of a violoncello, a cap band with facsimile signature and 1867 - 1957 Nib and Filling System: Medium white gold coloured nib, stamped 18K and 750, piston filling system, uninked Accessories: Original Arturo Toscanini box, Arturo Toscanini booklet, Arturo Toscanini medallion, service guide and white card packagingProvenance: A Single Owner Collection of Fine and Limited Edition Montblanc Pens and Accessories Condition Report: Like new conditionCondition Report Disclaimer

MONTBLANC, DONATION PEN, ARTURO TOSCANINI A SPECIAL EDITION BALLPOINT PEN, 2008 Cap and Barrel: Black resin barrel with a clip in the form of a tailpiece and strings of a violoncello, facsimile signature and 1867 - 1957 Accessories: Original Arturo Toscanini box, Arturo Toscanini booklet, Arturo Toscanini medallion, service guide and white card packagingProvenance: A Single Owner Collection of Fine and Limited Edition Montblanc Pens and Accessories 

CELLO FRANCOIS MÉDARD SCHULE UND CELLOBOGEN Frankreich, um 1690 oder später Einteilige Fichtendecke und zweiteilige Ahornboden, rotbräunlicher Lack, mit Hartschalenkoffer. 4/4 Cello, L. 124,5cm, Korpusl. 74,3 cm. Ungemarkt. Cellobogen, deutsch, 20. Jh. runde Stange, Pariser Auge, Wicklung, Daumenleder, Knochenkopfplatte, ungemarkter Cellobogen, part. best. und ber. Violoncello part. best. und ber., besch., Decken-, Boden- und Zargenrisse, alt rest.. Provenienz: Erworben beim Geigenbauer Hans Josef Thomas Aachen 20.11.1980, Original Rechnung, Privatsammlung Rheinland.

CELLO ITALIENISCHE SCHULE 'MONTINI' Wohl Rom, 1899 Zweiteilige Fichtendecke und geflammter Ahornboden, rotbräunlicher Lack, mit Tasche. 4/4 Violoncello, L. 127 cm, Korpusl. 76 cm. Cellozettel unleserlich bez. 'Montini Roma 1899'. Part. ber. und best., spielbereit. Provenienz: Privatsammlung Nordrhein Westfalen.

CELLO 19./20. Jh. zweiteilige Fichtenholzdecke und geflammter Ahornboden, dunkelbrauner Lack. 4/4 Violoncello, L. 127,5, Korpusl. 76 cm. Ungemarkt. Mit Tasche. Part. best. und ber., min. besch.

Französisches 4/4 Violoncello von Laberte 1919 geschweifter fein lackierter Korpus aus edle geflammtem Ahorn-und Fichten-Holz mit 2 f-Löchern, Korpus Länge 76,5 cm, obere Breite 36 cm, untere Breite 44,5 cm, Zargenhöhe 12,2 cm, Mensur 27,8/40,8 cm, mit teils handschriftlich vervollstänigtem Klebezettel *Marc Laberte Maitre Luthier Mirecourt 1919 (Vosges)*, Marc Laberte Sohn des Mitgründers Pierre Alexis Auguste Laberte der sich neben der Manufakturarbeit mit einer eigene Linie von Instrumenten gehobener Qualität, die von ausgewählten Meistern gefertigt wurde, etablierte und nach dem Zusammenschluss mit dem Geigenbauer Fourier Magnié in 1919 als *Laberte et Magnié* firmierte, Quelle Internet, Gesamtlänge ca. 133 cm, Bespannung komplett, mit Bogen, ungemarkt, ca. 79 Gramm, L ca. 71 cm, gepflegtes und spielbereites Violoncello

Cello Kasten schwarzer, leicht gemusterter Violoncello Kasten, blau gefüttert und mit 3 Schlössern sowie 2 Schlüssel und einem rückwärtigen Verschluß ausgeführt, 2 Tragegriffe, L ca. 134 cm, leicht Gebrauchssp.

W. M. Cahusac (Publishers) 'New Instructions for the Violoncello,' 'Containing the best & easiest method for learners to obtain a proficiency To which is added a favourite Collection of Songs, Minuetts, Marches, & Duetts....,' original publishers thin card wraps, string bound, Cornwall Record Office stamp to verso of frontis engraving, engraved calligraphic title page, fold out 'Scale for the Fingerboard' engraving, plate mark throughout, pp.29-32 with crease marks, vg, scarce, W. M. Cahusac, London, [n.d c.1800].The work measures 19.5cm x 29cm

Joseph Haydn A good collection of scores 'Three Sonatas for the Piano-Forte, with an accompaniment for the Violin & Violoncello. Composed & Dedicated to Mrs Batolozzi,' no wraps, string bound, contemporary ink signature to engraved calligraphic title page, Cornwall Record Office stamp, Printed & Sold by Preston, London, [c.1780]; Bound with two others; 'Haydn's celebrated Symphonies composed for and performed at Mr Salomon's and the Opera Concerts, adapted for the Piano-forte, with an Accompaniment for a violin & Violoncello ad libitum,' original publishers thin card wraps, string bound with six other symphonies, watermark to first symphony otherwise vg to fine, Printed & Sold by Richard Birchall at his Musical Circulating Library, London, [c.1780]; With one other sammelband of Haydn's Celebrated Symphonies' published by Richard Birchall and one Giuseppe Haydn. A very good collection in fantastic condition.

A late 19th-century French violoncello, labelled 'Copie de Franciscus Gobetti fecit Venitus Anno', total length 122 cm, with a cello bow, stamped Schicker, plain ebony and abalone frog, ebony and mother of pearl adjuster, 72 cm long, both in a Chenonceaux hard travel case.Ivory certification reference C3XMLGA5 Genreal wear throughout commensurate with use. No obvious damage.

Thomson (George, editor). A Select Collection of Original Scottish Airs for the Voice, with Introductory and Concluding Symphonies & Accompaniments for the Piano Forte, Violin and Violoncello by Pleyel, Kozeluch and Haydn [...] including upwards of One Hundred New Songs by Burns, London: T. Preston, [1797-1799], [First Volume], engraved frontispiece 'The Birks of Invermay' by Paton Thomson after Hamilton, title page with editor's signature to foot 'G Thomson' in ink, preface, indices, 100pp of engraved music and printed text, bound together with the Second Volume, [1801], engraved frontispiece by Paton Thomson after Allan 'John Anderson my Jo', title page with editor's signature at foot, indices, 100pp of engraved music and printed text, bearing printed Armorial bookplate of Thomas Fitzherbert Esq. (dated 1749) to front pastedown, some offsetting, and the Third and Fourth Volumes, circa early 19th-century, bound together, both with engraved frontispieces, title pages signed by the editor, bearing printed Armorial bookplate 'Fitzherbert of Swynnerton Park, Co. Stafford' to front pastedown, areas of offsetting, both volumes contemporary full calf with gilt owner's name to upper covers, gilt decorated spine, rubbed and some wear with joints cracked, folio QTY: (2)NOTE:Volume 1, RISM K 1404; Volume 2, RISM K 1405.Between 1792 and his death in 1796, the poet Robert Burns contributed (for little or no remuneration) over 100 songs to the project, including hallmark productions such as 'My Luve is like a Red Red Rose' and 'Is There for Honest Poverty'. Other 'librettists' in the original first volume include Allan Ramsay, Peter Pindar, Andrew Erskine, Earl Kellie, Richard Brinsley Sheridan, as well as traditional song.

Wolfgang Amadeus Mozart Adagio und Fuge Fuga per 2 violini, viola é violoncello composta dal Signore Wolfg. Amad. Mozart. Maestro die Cappella. Wien, Hoffmeister [Juni/Juli 1788]. • Erste Ausgabe • Vollständig mit den vier Einzelstimmen Adagio und Fuge in c-Moll für 2 Violinen, Viola und Baß. Selten, Haberkamp nennt nur 7 Exemplare in öffentlichen Bibliotheken. Auf den internationalen Auktionen der letzten 30 Jahre wurden lediglich 3 vollständige Exemplare angeboten. - Der titelgebende zweite Satz Fuga Allegro basiert auf der 1783 von Mozart komponierten Fuge in c-Moll für 2 Klaviere (KV 426), die Anfang 1788 bei Hoffmeister in Wien erschien; Mozart selbst schrieb wenige Monate später das Arrangement für Streichquartett oder Streichorchester, und stellte das neu komponierte Adagio als einleitenden 1. Satz voran. EINBAND: Eine lose Lage und 3 lose Bll. (unbeschnitten). 32 : 24 cm. - KOLLATION: [3], 2, 2, 2 S. mit gestochenem Titel und gestochenen Noten (Plattennr. 159). - ZUSTAND: Auf Anfrage. - PROVENIENZ: Titel unten mit hs. Besitzvermerk 'K. Zappe': evtl. Karl Josef Z., 1812-1871, Linzer Violinist und Domkapellmeister (also solcher zeitweise direkter Vorgesetzter von A. Bruckner), gründete 1842 mit seinem Streichquartett die Linzer öffentl. Kammermusikabende. - Zuletzt süddeutsche Privatsammlung. LITERATUR: KV 546. - Haberkamp S: 309. - RISM M 5551. First edition of Adagio and Fugue in c-minor (KV 546), an arrangement for strings by Mozart of his composition Fugue in c-minor for 2 pianos (KV 426), completed with a new original composition, the introductionary Adagio. Rare complete copy with all 4 parts; Haberkamp lists only 7 copies in public libraries, and there are only 3 complete copies to be found in international auctions for the last 30 years. - Loose sheets with engr. title and engr. notes (plate no. 159). - Margins foxed, recto in the upper corners with ms. numb. by an old hand, the part of the 1st violin (2 ll., incl. engr. title ) with some rodent damage to upper corner, with loss of paper and partly of the score. - Title at the bottom with ms. ownership entry 'K. Zappe', probably Karl Josef Z. (1812-1871), violinist, Domkapellmeister at Linz cathedral (and as such for some years supervisor of Anton Bruckner), 1842 founder of a string quartet. Dieses Objekt wird regel- oder differenzbesteuert angeboten.

A full size German violoncello with two-piece back, length 75cm, unlabelled, with a silver mounted cello bow stamped 'Albin Hums' and a nickel mounted bow (3).Condition Report: Some knocks to corners, age related wear but no major damage.

Mayseder,J.: Sammlung von 4 Erstausgaben. Wien, Steiner (2) bzw. Artaria (2) 1816. 4°. Musiknoten in Kupferst. (Stimmen). Jwls. ausgebunden. ╔Enthält:╗ Fünftes Quartett für zwey Violinen, Viole und Violoncello. Op. 9. Pl.-Nr. 2499. - Variations pour le Violon sur un theme Grec... Op. 4. Pl.-Nr. 2501. - Seconde Polonoise pour le Violon... Op. 11. Pl.-Nr. 2435. - Variations pour le Violon... Partant pour le Syrie. Op. 15. Pl.-Nr. 2473. - Gebrauchsspuren.

Vinyl - Classical - Dvorak, Anja Thauer – Konzert Für Violoncello. Original German ED 1 gold Stereo, Deutsche Grammophon – 139 392 SLPM. VG (non feelable marks)

Vinyl - Classical - Johannes Brahms, Jörg Demus, Ludwig Hoelscher – Sonate Fur Klavier Und Violoncello E-moll Op. 38 / Sonate Fur Klavier Und Violoncello F-dur Op. 99. Original German ED 1 gold Stereo, Deutsche Grammophon – SLPM 138 012. VG+ / VG (non feelable marks)

1804 A Select Collection of Original Scottish Airs for the Voice, with Introductory and Concluding Symphonics & Accompaniments for the Piano Forte, Violin & Violoncello by Pleyel Kozeluch & Haydn. Volume I entd. at Stationer's Halll. Printed & sold by T. Preston, also by G. Thomson the Editor & Proprietor, Edinburgh. Signed G. Thomson to base of title page by music publisher George Thomson. Including verses by Robert Burns, Allan Ramsay and others. Orig. full calf binding appearing rebacked to spine, edgewear to extremities & spine is loosening, rubbed at hinges and the odd mark to the boards. Binding generally firm, occ. offsetting to sheet music. Folio.

A violoncello ,back from button 76 cm . With applied paper label Andreas Guarnerius . ( violin cello) .

An Early 20th Century German Cello or Violoncello

Four contemporary violoncello bows (4)

Quantity of maple and spruce cut for violoncello fronts and backs; also a small quantity of rib wood and a block suitable for making a bass neck

German silver mounted violoncello bow by and stamped Alfred Knoll, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 80gm

Neuner & Hornsteiner violoncello circa 1890, the two piece back of plainish wood with similar wood to the sides and head, the table of a fine width grain and the varnish of a plum red colour on a golden ground, 29 1/4", 74.20cm, soft case

Good late Victorian mahogany violoncello chair, the pierced foliate back over a solid shield shaped upholstered seat supported upon an adjustable base with four cabriole legs united by stretchers

German gold mounted violoncello bow stamped Adolf C. Schuster, the stick octagonal, the ebony frog plain and the ebony adjuster with one mother of pearl band enclosed by two gold bands, 72gm

French silver mounted violoncello bow of the Bausch Workshop and stamped Bausch, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and the ebony adjuster with two silver bands, 78gm

Large quantity of new violoncello bridges (over one hundred)

19th century violoncello with scratched purfling on the table and inked purfling on the back, in need of restoration, with sound post cracks to the back and front, 29 1/2", 74.90cm, hard case

Old restored violoncello, 29 3/4", 75.60cm, hard case

Very large quantity of double bass, violoncello, viola and violin fittings, including pegs, tailpieces and end pins etc

Silver mounted violoncello bow stamped Baldi-Cremona, 67gm (without hair); also a modern Baroque style fluted violoncello bow, 70gm (without hair and lapping) (2)

Old unvarnished violoncello body in need of restoration, 29 1/2", 74.90cm

Interesting 19th century violoncello in need of further restoration, 29 1/4", 74.20cm, hard case

Good 19th century German violoncello labelled Antonius et Hieronimus Fr. Amati..., the two piece back of faint medium to fine curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a golden-brown colour, 29 3/8", 74.60cm, hard case

19th century three quarter size Saxon violoncello, unlabelled, 27 3/8", 69.60cm, hard case, bow

Four old violoncello scrolls and necks; also two double bass bridges

19th century Mittenwald violoncello in need of restoration, labelled Januarius Gagliano..., 29 1/4", 74.30cm, soft case

19th century violoncello, partially restored and with new replacement rib to the upper bass side bout, 29 1/2", 74.90cm, hard case

Early 20th century violoncello in need of restoration to the table, with bass bar and sound post cracks, 30", 76.20cm, hard case

German nickel mounted violoncello bow stamped Carl Fesch, the stick round, the frog inlaid with nickel rings enclosing pearl eyes and the ebony adjuster with two nickel bands, 82gm

Early 20th century violoncello in need of restoration, 30 1/4", 76.90cm, hard case

Early 20th century German three-quarter size violoncello, 27 3/4", 70.50cm, bow, soft case

Very interesting 18th century violoncello, unlabelled, the two piece back of faint medium curl with plainish wood to the sides and head, the table of a medium width grain and the varnish of a dark plum red colour on a golden ground, 27 3/4", 70.50cm, soft case

Two modern German Dragonetti style double bass bows; also a modern violoncello bow and a three-quarter modern violoncello bow, all unused (4)

German nickel mounted violoncello bow by and stamped A.R. Reichel, 82gm

Late 19th century Mittenwald violoncello, unlabelled, the two piece back of plainish wood with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 29 1/2", 74.90cm, bow

Interesting old silver mounted violoncello bow, unstamped, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 81gm (old repairs to the head)

18th & 19th Century Sheet Music. An extensive collection of musical scores for piano and violin, arranged & bound within six volumes as follows: 1. Eight Glees, Composed by W. B. Earle; The Celebrated Overture, and two others similar, by Haydn; Concerto III Pastorale, by Schobert; Six Sonatas, by Valentino Nicolai, London: Longman & Broderip, [c. 1780-1790]. 2. Pas de Trois, by G. Kiallmark; The Overture from Mozart's Marriage of Figaro, by D. Bruguier; The Prussian Rondo, Arabian Rondo, and Turkish Rondo, by John Parry; Flowers of Harmony, Duncan Gray and several Airs, by T. Valentine; L'Effort sans effort, by James Calkin; Jock o' Hazeldean, by L. Jansen, various London publishers, owner inscription of A. Whitson, Newington House, 1827. 3. Trois Sonates, two similar, by Leopoldo Kozeluch; A Sonata, by Adalbert Gyrowetz; Three Sonatas, by Joseph Mazzinghi; Twelve Grand Sonatas & Scotch Airs, and Three Sonatas similar, by Ignace Pleyel; Six Concerts, by C. F. Abel; Trois Sonates, by Joseph Haydn; Three Sonatas for HRH The Princess of Wales, by Joseph Mazzinghi; Three Sonatas, by Antonio Gallassi; Dussek's Grand Concerto, by the Author [Johann Ladislaus Dussek]; Three Grand Sonatas, by Ignace Pleyel; Six Sonatas, by J. S. Schroeter; Six Sonatas, by Mr [Jean-Frédéric] Edelmann, various London publishers, [c. 1780-1800]; 4. Six Fugues, by [Johann Georg] Albrechtsberger; Il Fugen, by Joseph Holzman; Sei Fughe e Preludie, by Giorgio Albrechtsberger; Sechs Fugen, by Hieronymus Payer; Fuga Sopra il Thema, by Albrechtsberger; Prelude, by F. Gebel; Fuga, by Albrechtsberger; Kurze Choralvorspiele, by I. Ch. Kittel; Une Fugue, and another similar, by Muzio Clementi; Deux Preludes, by Louis [Ludwig] van Beethoven; Ripieni Per Organo, by Francesco Pezzoli; Due Fughe, by Franc Basily; Toccata, by Pietro Lichtenthal; Fuga, by F. Kalkbrenner; Sonata con Fuga, by Scarlatti, various publishers, predominantly in Milan, [c. 1800-1850]. 5. Grand Trio for Piano Forte, Flute & Violoncello, Composed by C. G. Reissiger, London: R. Cocks & Co., [c. 1836], a single score with captioned paper-covered boards, detached. 6. A collection of 14 Victorian scores, a few with hand-coloured lithographic covers, worn half-morocco with detached boards, the cover bearing label for E. B. Overton. Condition varied, sold as one collection with all faults (6)

Tokens - Norwich halfpenny, 1794, Payable at J.Clarkes Market Place Norwich, No2 Gentlemans Walk, edge - plain (D&H Norfolk 22); Kent halfpenny, 1794, For Change Not Fraud, edge - Payable by I Gibbs Lamberhurst (D&H Kent 35); Middlesex halfpenny, 1795, Wm Forester Violin, Tenor & Violoncello Maker, No 348 Strand London, edge - plain (D&H Middlesex 302); Macclesfield halfpenny token, 1791, Charles Roe Established The Copper Works 1758, edge - Payable at Macclesfield Liverpool or Congleton (D&H Cheshire 36); London halfpenny, 1795, London Corresponding Society, United for a Reform of Parliment, edge - Payable at Dublin Cork or Belfast (D&H Middlesex 286b); Hoxne halfpenny, 1795, Pro Aris Et Focis, Hoxne & Hartsmere Suffolk Loyal Yeomanry Cavaly, Liberty Loyalty Property, edge - God Save The King and Constituation (D&H Suffolk 33a); Middlesex halfpenny, 1795, For Purifying Water, The Filtering Stone Ware-House, Coventry Street London, edge - plain (D&H Middlesex 292); Chichester halfpenny, 1794, Queen Elizabeth II, edge - plain (D&H Sussex 15); Coventry halfpenny, 1793, Pro Bono Publico, edge - Payable at Nuneaton Hinkley or Bedworth (D&H Warwickshire 238b) (9)

4/4-Cello Hans Trautner Ansbach 1924 geschweifter fein lackierter Korpus aus edle geflammtem Ahorn-und Fichten-Holz mit 2 f-Löchern, L ca. 75,5 cm, mit teils handschriftlich vervollstänigtem Klebezettel *Hans Trautner fecit Ansbach anno 1924 op. 243*, Hans Trautner (*1870 †1946) lebte und arbeitete in Ansbach, Quelle Internet, L gesamt ca. 129 cm, Bespannung komplett, gepflegtes Violoncello mit der Op.Nr. 243

4/4-Cello geschweifter fein lackierter Korpus aus edle geflammtem Ahorn-und Fichten-Holz mit 2 f-Löchern, L ca. 75,5 cm L gesamt ca. 129 cm, Bespannung komplett, gepflegtes 4/4 Violoncello

4/4-Cello geschweifter fein lackierter Korpus aus edle geflammtem Ahorn-und Fichten-Holz mit 2 f-Löchern, L ca. 74,5 cm L gesamt ca. 126 cm, Bespannung komplett, gepflegtes 4/4 Violoncello

4/4-Cello Georg Hornsteiner Mittenwald 1887 geschweifter fein lackierter Korpus aus edle geflammtem Ahorn-und Fichten-Holz mit 2 f-Löchern, L ca. 75,5 cm, mit handschriftlichem Klebezettel *Georg Hornsteiner Mittenwald a/Isar 1887*, L gesamt ca. 129 cm, Bespannung komplett, gepflegtes Violoncello mit Cello Bogen mit Silberkappen, Brandstempel E.M. Penzel, Emil Max Penzel (*1887 im Vogtland †1952 Erlbach/Vogtland) absolvierte seine Ausbildung bei Hermann Richard (H.R.) Pfretzschner und war ab 1908 in Erlbach/Vogtland selbständig, Quelle Internet, im Instrumentenkoffer

Coudrain, Brigitte: (1934 Paris). Kubistisch anmutende Komposition mit Kontrabass oder Violoncello u. Bogen. Öl auf Lwd. 1986. 35 x 35 cm. Unt. li. sign. u. dat. "8.86". Gerahmt. D

Very large quantity of violin and violoncello pegs, several bags of new rosin and a small quantity of other fittings

Nickel mounted violoncello bow, unstamped, 77gm; also a nickel mounted violin bow, unstamped, 60gm (2)

Nickel mounted violoncello bow; also six old nickel mounted violin bows (7)

Two carbon fibre nickel mounted violoncello bows, both stamped Carbondix *** (2)