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A Royal Worcester vase, decorated fruit, 13 cm high, a similar cabinet cup, decorated roses, a blue and white plate, a Royal Doulton jug, and assorted other ceramics and glass (box)pottery jug has a piece missing from it's base, chips and losses to blue and white plates, some rubbing to guilt on Royal Worcester vase, cup and saucer, the saucer having a crack.
A Chinese Blanc De Chine figure, 15 cm high, and a similar vase decorated a crab, 16 cm high (2)Blanc de Chine figure - chips to the top of the flower, a crack at the top of the base, and firing faultsCrab vase - One of the petals on the flower is missing, both of the flowers have losses, another loss below the crabs leg, and firing faults
1st half of the 19th century | height: 21 cm | country: France | provenance: private pharmacy museum | Albarello faience pottery | This jar dates from the early 1800s and is made in the Empire style, an art movement that was popular during the reign of Napoleon I and characterized by a return to antique patterns and symmetry. A jar labeled "Ongt Populeum" was used to store an ointment known as unguentum populeum, which was popular for its healing properties in alleviating pain and inflammation. This ointment contained extracts from poplar buds. The jar is elegantly decorated with a simple laurel wreath, a typical Empire style motif, inspired by ancient Rome. The shape of the jar, reminiscent of an antique vase on a leg, is also characteristic of Empire design, which emphasized clean lines and classic form. This example of faience ceramics from the early 19th century served not only practical purposes in pharmaceutical interiors, but also contributed to the aesthetics of the pharmacy environment, which often reflected the influence of Empire elegance and classicist artefacts of the time. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1kf7nsuvm_-ch-CuzoLc0YqtOec4ZTttM?usp=sharing
18th century | height: 28 cm | region: West Europe | provenance: private pharmacy museum | Albarello faience pottery | The albarello inscribed "Pvlchamo" dates from the 18th century and is an excellent example of apothecary faience from this period. The vase is permeated with elegant blue decorations in combination with a coat of arms on the front, a typical sign for apothecary jars from southern Europe, specifically Spain or Italy. The expressive hand-painted blue-white glaze and the finely shaped body of the vase testify to the masterful work of the ceramic workshops of the time. These jars were used to store medicinal mixtures and herbs, thus reflecting the rich history of medicine and pharmacy. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condition report:https://drive.google.com/drive/folders/1rqikAoS2vfneIn1FKDvR_RYHtLh9uMpp?usp=sharing
20th century | height: 49 cm | region: Savona | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | Large majolica vase inscribed "Charitas" and "S.P.A.", Savona or Liguria, Italy, 17th-18th century century. The vase is richly decorated with the typical blue and white motifs of Italian faience, including architectural and landscape scenes, which are elaborated to the smallest detail. The distinctive handles of the vase, formed by complex curves, testify to the high skill of the ceramicists of this region. jars of this type were often used in apothecaries or monasteries, and their decoration indicates a connection with religious or charitable institutions. An exceptional collector's artefact of Italian ceramics. | condition: good | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.
A Chinese blue and white porcelain drum form cricket pot, 20th century painted ith Oriels browsing fruiting shrubs, bearing an apocryphal six-character mark for Hsuan Te, 10 cm overall height x 14 cm diameter, together with a Sung Dynasty style Qingbai glazed bottle vase with underglaze incised decoration of phoenix in flight amongst scudding clouds over a roulette bottom portion, 20th century. 26 cm overall height.
A Chinese sang de boeuf glazed porcelain bottle vase, 20th century, with streaked and pooled glaze, 21 cm high x 10 cm diameter, together with a sang de boeuf glazed cache pot of segmented form bearing an apocryphal six-character mark for Xuande, 11.5 cm high x 15 cm diameter.No restoration or damage.
A Meissen part tea set, outside decorated in pink with a bird perched on flowering branches, gilt highlighted, comprising a lobed dish, sixteen saucers and fifteen teacups, together with a shaped oval small dish, similarly decorated, blue cross marks to base, with cancellation mark.Spill vase has been damaged and broken during viewingThe saucers are all in good order without chips or cracks and all have cancellation marksThe cups are all in good order without chips and cracks but slight rubbing to the peaks of the wavey edge, all have cancellation marksThe cake plate is in good order without chips or cracks and has cancellation marksThe small pin dish is in good condition and is not cancelledI couldn't see any crazing, the glaze and paste seemed bright and clear.
A Chinese yellow ground circular porcelain lotus bowl, bearing an indistinct Zhuanshu mark, probably late Qing, late 19th century, painted flowering shrubs on an incised "Karakusa" ground, 8 cm overall height, 17 cm diameter, together with a Chinese coral red glaze pill vase with resist rush decoration, and two late 19th century Chinese porcelain models of pumpkins/squashes.Qty: 4Some enamel loss to all items, but no chips or cracks evident.
A Chinese yellow ground "Canton Enamelled" Gu-shaped vase of square section, 20th century, painted in Famille Rose enamels with scenes of Western figures in 18th-century costume, bearing an apocryphal four character mark for Qainlong. 12 cm wide x 27 cm overall height.A small chip to the lower section of the skirt foot
A large Chinese Famille Verte baluster vase, Qing Dynasty, late19th century, painted with a pair of peacocks in a rock garden with flowering prunus and chrysanthemum within swastika-filled diaper borders, bearing a vacant double ring mark to the underside. 45.5 cm overall height.A private estateProfessionally restored at the rim.
A pearlware figural stem vase, modelled as Atlas, circa 1795, 28 cm high.The figure has a small chip on the middle toe of the back foot. the globe has a few tiny firing cracks around the globe where it joins the head of AtlasNo signs of restoration, other than the above the figure is in good order.
A Chinese Famille Rose export porcelain porter mug, Qing Dynasty, Qianlong, the perpendicular body with a dragon handle, painted with courtiers in attendance of a Mandarin admiring flowers on a verandah, 14 cm overall height, together with a large Famille Rose circular punch bowl, 26 cm diameter, two smaller Famille Rose circular rice bowls, a small late Qing Dynasty blue and white vase, small yellow ground baluster vase painted with a red dragon, and a collection of 18th century coffee cups, tea bowls, side plates,, and saucersA private estateMug intact, punch bowl restored, rice bowls restored, some damage in the remaining collection.
A large Chinese Famille Rose Porcelain baluster vase, late Qing Dynasty, with kylin handles and applied salamanders to the neck painted with warring armies on horseback, on an incised pink enamel ground, 36 cm overall height, together with a a small square section conical pickle dish bearing a poem and a scen of a sage and attendant,8.5 cm wide, Apair of Japanese blue ground ginbari cloisonne teabowls and shaped saucers, a Chinese Qing Dynasty two handled cloisonne censer with pierced wooden cover, a Chinese blue and white porcelain stem cup painted in the Yuan style with a rampaging dragon, 13 cm diameter. (8)A private estate.The stem cup has a slight shell chip to the outer lip.The sole of the cup has some glaze cracks.The pink vase has chip to the underside of the petal edge.two of the salamanders have small glaze chips to the ridges of their backs.The bottom portion of the vase has had a hole drilled.
A Chinese Famille Rose porcelain baluster vase, late Qing Dynasty probably Guangxu,but bearing an apocryphal zhuanshu mark for Qianlong, painted with pheonix beneath a paper bark maple in a peony strewn rock garden, bearing mark in seal to the base, mounted as a lamp but undrilled, 16 cm diameter x 32 cm height of vase, together with a Chinese Famiile Rose porcelain Gu shaped vase painted with cranes, Lady Amhurst pheasants below a gnarled tree trunk, 20 cm diameter x 40 cm height of vase, mounted as a lamp but undrilled.The baluster vase has a wooden bung glued into the mouth but is in good order without chips or cracks or holesThe Gu shaped vase is damaged and glued back together at the rim, but it is un drilled.
A Chinese cloisonne two-handled mallet form vase, decorated with palmettes and vines on a copper blue ground, the handles chased and pierced as dragons, on a conical base with "Greek Key" foot rim and collar, bearing a four character enamel mark to the base for Qianlong, comes in own fitted case,11 cm wide x 29.5 cm high.No damage or repair to report
A Chinese Yixing teapot and cover with incised script, blue and white porcelain rectangular tea caddy, Qing Dynasty with "Islimi" and lotus decoration with hardwood stand and cap, 13 cm high x 8.5 cm the caddy, A Chinese blue and white circular spice box and cover,, late Qing Dynasty, 19th-century Japanese porcelain figure of Kannon, a large Chinese blue and white "Thousand Boy" circular charger, a Famille Rose spill vase, bisque vase decorated with peonies. Ying and Yang circular dishBlue and white tea caddy base, cover missing, but with wooden stand and cover, no cracks or splitsCircular lidded box with slight chips around the handleLarge blue and white tea bowl OKSmall blue and white saucer surface scratchesKanon has a long crack running the length of her body.Pen rest OKSmall celadon vase okLarge charger OKFamille Rose spill vase OKYing Yang dish OKWhite prunus vase slight crack to the neck.Teapot has small internal chip to the rim under cover.
A rare Rococo gold, enamel and chalcedony scent bottle/fob seal pendant, mid 18th century, modelled as a baluster vase in gold chased with abstract scrollwork, applied with floral festoons and lappets in multicoloured enamels, to a screw lid with suspension hoop, the base with a white chalcedony intaglio depicting a bearded warrior in profile, possibly Achilles, height 4.4cmCf.: two comparable Rococo scent bottles with carnelian intaglio bases, circa 1740-60, in the collection of the Victoria and Albert Museum, collection nos. 182-1864 and M.173&PART-1941
Lucie Rie (1902-1995, Austrian/British) Stoneware composite vase (circa 1979) Of compressed globular form, with tall neck and flared rim, in a spiralling olive green and beige pitted glaze, LR seal mark, 25.5cm high From the collection of the late Maurice Costley Lucie Rie (1902-1995) was born in Vienna and developed an interest in the decorative arts from a young age, studying under the Head of Ceramics, Michael Powolny, at the Vienna Kunstgewerbeschule. She later opened her own studio, to great acclaim, becoming a much sought-after ceramicist, exhibiting at the Paris International Exhibition in 1925 and wining a gold medal at the Brussels International Exhibition in 1935. Rie fled the approaching Nazi occupation, establishing herself as a Jewish émigré in London in 1938. She initially created glass and ceramic buttons for the Orplid Glass Studio, although she is most well-known for her collaborations with Hans Coper (1920-1981), a German émigré, whom she hired as a studio assistant in 1946. The partnership was a fruitful one; Coper was a huge inspiration for Rie, championing her experimentation and love of modernism. She continued to experiment with glazes, enamel colours and forms throughout her long career. Provenance Acquired from Peter Dingley Gallery, Stratford-upon-Avon, United Kingdom, with paper label. Condition ReportOverall in good order. The upper rim is undulating and the globular shape is somewhat uneven in potting. There are some remnants of what is probably glaze to the underside of the foot, visible under UV, although the footrim surface is solid and does not appear to have been restored. The provenance label is faded and worn.
Norman Clark glass vase, flattened oval with abstract design, iridescent blue on red and yellow mottled ground, etched signature to edge of footrim, with Peter Dingley Gallery label verso, 17cm high From the collection of the late Maurice Costley Condition ReportOverall in good order, very minor surface wear.
Richard Godfrey (1949-2014) A white earthenware studio pottery vase with geometric and spot decoration on red/purple sprayed polychrome ground, three applied hoops to one side and lime green glazed interior, signed at base, height 20.5cmCondition ReportThere is overall glaze crazing inside and out. The edge has some rough places to the rim (see additional photos).
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679291 item(s)/page