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A collection of Commemorative Coronation silver, silvered and bronze medals, including the Coronation of HM King George VI and HM Queen Elizabeth, Edward VII Crowned 1902, Edward VII and Queen Alexandria (2), Koninklike Besoek Royal Visit 1947, King George and Queen Mary County Borough of Tynemouth 1911, Kroning Coronation 1937 Unie Van Suid Afrika Union of South Africa, all in fitted boxes. (8)
Ca. 400 - 300 BC. A fine wheel-thrown pair of lekanides, each with a shallow basin, a pedestal foot, and a decorated lid. The imagery is done via the red-figure technique with two Ladies of Fashion, each adorned with fugitive white pigment creating elegant ornamentation. The ladies are each dressed in beaded saccoi over an upswept coiffure and a beaded necklace. These ancient visages are separated by stylised palmettes. A series of vertical stripes adorn the outer periphery of the rim, meeting the black-painted body below. The large knob atop the lid displays a sunburst design on its depression. For similar see: The Metropolitan Museum of Art, Accession Number: 2021.40.31a, b. Size: 100-110mm x 90-95mm; Weight: 355g Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Dutch art market; Frederik Van Driel, Maastricht 1993.
Ca. 350 - 300 BC. A red-figure pottery olpe with a bulbous body and a short, splayed foot. The neck is funnel-shaped and has a flanged mouth. The two vertical handles serve the purpose of lifting the vessel when filled with water, while a vertical handle at the back facilitates pouring and holding the vase. Beneath the vertical handles, a large fan-shaped palmette is flanked by stylised plant scrolls on each side. There is a floral motif on the neck. Side A of the olpe is decorated with a scene presenting a seated crowned Nike holding a large wreath in the right hand. Side B of the olpe depicts a Maenad in a long tunic with her hair gathered in a topknot. She also wears a beaded necklace and bracelets on both wrists. Her left hand holds a mirror, while her right is outstretched, holding a large wreath. For similar see: Christie's, Live Auction 19992, Antiquities, Lot 20. Size: 290mm x 165mm; Weight: 975g Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Dutch art market; Frederik Van Driel, Maastricht 1993. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Ca. 350 - 300 BC. A black-glazed pottery guttus (or guttos, oil-lamp filler) bearing the feminine face of a gorgon atop the tondo representative of Medusa. The vessel exhibits a spool-shaped foot, a wheel-form body with dozens of vertical incisions around the periphery, a protruding ring handle, and a cylindrical spout with an everted rim, all enveloped in lustrous black glaze. For similar see: MET Museum Accession Number: 41.162.56 Size: 130mm x 120mm; Weight: 290g Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Dutch art market; Frederik Van Driel, Maastricht 1993.
Ca. 350 - 300 BC. An attractive set of three kylikes, each presenting a classic form and a beautiful decorative program arrived at via fugitive peachy-pink pigment. The first has a floral pattern; the second a geometric motif and the third a running pattern. The interior exhibits a remarkable rainbow iridescence. Size: 95-110mm x 25-30mm; Weight: 85g Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Belgian art market; Peter van der Elst, Liege, 1987.
Ca. 600 - 500 BC. A set of polychrome kyathoi, crafted in a style similar to the pieces found at the Herdonia site of Ordona in Italy. The handles are adorned with geometric decorative passages, and the rim and exterior walls are decorated with linear bands and intricate geometric motifs of black and red set against a cream background. The bases feature a stylised square divided into four parts, with the third kyathoi having a round depression on the centre of the base. For similar see: The Metropolitan Museum of Art, Accession Number: 65.11.8. Size: 120-170mm x 110-140mm; Weight: 770g Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Dutch art market; Frederik Van Driel, Maastricht 1993.
Ca. 350 - 300 BC. A black-glazed pottery guttus bearing the feminine face of a gorgon atop the tondo, perhaps representative of Medusa. The vessel exhibits a spool-shaped foot, a wheel-form body, a protruding ring handle, and a cylindrical spout with an everted rim, all enveloped in lustrous black glaze. The gorgon's visage is distinctly female, with piercing eyes and a tapered jawline, and the coiffure is styled into individual cords which distinctly resemble the gorgon's notable serpentine hair. For similar see: MET Museum Accession Number: 06.1021.269 (shape). Size: 130mm x 110mm; Weight: 305g Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Dutch art market; Frederik Van Driel, Maastricht 1993.
Ca. 350 - 300 BC. A delightful terracotta squat lekythos featuring a globular body on a flat base and a vertical handle, adorned with geometric and foliate motifs in white on a black ground around a bust of a lady of fashion facing left. The face is made in a naturalistic manner. The vessel displays lustrous areas of silvery iridescence that enhance its elegant form. Size: 70mm x 60mm; Weight: 90g Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Dutch art market; Frederik Van Driel, Maastricht 1993.
Ca. 350 - 320 BC. A red-figure pottery bell krater with a large body, short splayed foot, a flanged mouth and two well-preserved horizontal handles. The krater features traditional patterns, such as the geometric motif under the lip and a wave pattern along the bottom of the body. Side A is decorated with a standing maenad holding a large pixys in her right hand and a wreath in her left. Side B is decorated with a lady of fashion facing left wearing a large sakkos embellished with pearls and a necklace. Completely black beneath the handles. For similar see: Christie's, Live Auction 2056, Antiquities, 9 December 2008; Trendall, 1983, Plate XVIII, n. 4 and 6. Size: 270mm x 255mm; Weight: 1.38kg Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Dutch art market; Frederik Van Driel, Maastricht 1993. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Ca. 400 - 300 BC. A set of three elegant blackware kylikes. The first kylix, on the left, has a carinated and deep body. The vessel has two horizontal handles and is seated on a high pedestal. The second kylix has a deep carinated body with curved walls and a slightly recessed centre. The vessel has a pair of handles and sits upon a tiered foot. The third has short flat base, a carinated body and horizontal handles. For similar see: The Metropolitan Museum of Art, Accession Number: 41.162.223. Size: 185-215mm x 50-70mm; Weight: 550g Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Dutch art market; Frederik Van Driel, Maastricht 1993.
Ca. 340 - 310 BC. A red-figure pottery bell krater with a large body, short splayed foot, a flanged mouth and two well-preserved horizontal handles. The krater features traditional patterns such as a laurel wreath under the lip and a wave pattern along the bottom of the body. Side A is decorated with a standing Nike with outstretched wings with natural details. whio is wearing a himation on her left arm and holding a trident in her right hand. Side B is decorated with a standing lady of fashion wearing a long cloak and himation and a large and high diadem. The handles are surrounded by a large palmette motif. The vessel is probably made by a member of the Menzies Painter Group. Size: 295mm x 285mm; Weight: 2.7kg Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Belgian art market; Peter van der Elst, Liege, 1987. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy. This item has been precisely dated using a thermoluminescence analysis carried out by Ralf Kotalla. The report will accompany the lot.
Ca. 350 - 300 BC. An Apulian red-figure skyphos of a classic form probably of from the circle of the Chevron Group, presenting two ladies of fashion, each wearing saccos, stephane and a necklace. The main subject is between the palmette motif beneath the handles and under a wave motif on the rim. For similar see: Trendall, Plate 243, Collezione Chini (22/65). Size: 140mm x 65mm; Weight: 100g Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Dutch art market; Frederik Van Driel, Maastricht 1993.
Ca. 400 - 300 BC. A group of Xenon ware vessels. The first vessel, on the left, is a petite krater with an elegant body and a ringed foot. The vessel features a conical body leading to a short tubular neck. The surface displays a decorative register adorning the upper body. The second vessel is a globular krater with a discoidal foot and two vertical handles, adorned with a wave motif on the main part of the body. The third vessel is a small, stylised oinochoe with a globular body seated on a discoid foot, with a handle connecting the body to the trefoil rim. For similar see: The Metropolitan Museum of Art, Accession Number: 1971.11.14. Size: 50-70mm x 50-60mm; Weight: 140g Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Belgian art market; Peter van der Elst, Liege, 1987.
Ca. 350 - 300 BC. A group of Xenon ware vessels. The first vessel, on the left, is a petite chalice with an elegant body and a ringed foot. The vessel features a conical body leading to a short tubular neck. The surface displays a decorative register adorning the body with meanders. The second vessel is a stylised trozella with a discoidal foot and two vertical handles, adorned with a wave motif on the main part of the body. The third vessel is a small, stylised chalice with a globular body seated on a discoid foot, with a handle connecting the body to the trefoil rim. For similar see: The Metropolitan Museum of Art, Accession Number: 1971.11.14. Size: 40-50mm x 60-75mm; Weight: 125g Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Belgian art market; Peter van der Elst, Liege, 1987.
Ca. 350 - 300 BC. A red-figure pottery bell krater with a large body, short splayed foot, a flanged mouth and two well-preserved horizontal handles. The krater features traditional patterns, such as the laurel wreath under the lip, and the meander pattern along the bottom of the body. Side A is decorated with a standing naked Nike resting on top of a column with ionic capital, with outstretched wings, embellished with pearls and holding a large mirror in her right hand. In front of her, a seated noblewoman wearing a long chiton, holding in her left a large case. Side B is decorated with two standing men around a column-shaped altar decorated on the top. They each wear a long cloak and a diadem. The handles are surrounded by a large palmette motif. Size: 325mm x 310mm; Weight: 2.49kg Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Belgian art market; Peter van der Elst, Liege, 1987. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Ca. 18th - 19th century AD. A group of metalwork comprising a silver Ottoman pen holder of typical form with an attached inkwell, decorated with embossed and incised motifs, featuring two silver stamps above and below, with hinged lids. Included is a Mamluk Revival brass casket with silver inlay, of coffered shape, with a lid inlaid with silver calligraphy surrounded by six calligraphic panels; three sides adorned with geometric and floral designs, and the front panel inlaid in silver with five fantastical winged animals. Also in the group is a small steel hexagonal box, decorated with applied gold floral designs on each of the six sides, equipped with two rotating handles, hinged on one side and latched on the opposite side. Completing the set is a Toledo steel cane or umbrella handle with gold inlay, featuring three lozenges with depictions of fantasy birds amidst foliage, framed by matching panels on either side and three gold bands below.two rotating handles, hinged on one side and latched on the opposite side. Iran, Timurid period. Provenance: Henri René d’Allemagne Collection. 1979. Acquired by Ahuan U.K Ltd. from M. Roderick d’Allemagne, grandson of Henri René d’Allemagne. (1836 - 1950).Toledo Steel Cane or Umbrella Handle with Gold Inlay. The handle decorated with three lozenges containing fantasy birds in foliage with matching panels to either side, with three gold stripes below. Spain, 19th Century. Size: 9.3 cm x 10 cm. Size: 50mm-240mm, 20mm-80mm; Weight: 932g Provenance: Previous property of an Islamic art professional. Previosuly acquired by Ahuan U.K. Ltd. 19 February 1981 from E. Van Vleedenburgh. Provenance: Henri René d’Allemagne Collection. 1979. Acquired by Ahuan U.K Ltd.from M. Roderick d’Allemagne, grandson of Henri René d’Allemagne (1836 - 1950).
Vinyl - Rock / Psyche LPs to include Brian Eno, Grateful Dead, Blue Cheer x 2, Henry Cow, Led Zeppelin x 2 (inc US pressing), Jimi Hendrix x 3 (German pressings), The Who x 2 (1 German press), Deep Purple x 3, Kraftwerk, Wigwam, Van Der Graaf Generator x 2, Jade Warrior, Iron Butterfly (US pressing), Tonto's Expanding Head Band (plum Atlantic labels), Vanilla Fudge (US pressing) and more. At least Vg overall
Vinyl - 30 Rock & Pop LPs, 1 box set and 9 7" to include The Doors, Lou Reed, Van Morrison x 2, Velvet Underground x 3, Fleetwood Mac, Lynyrd Skynyrd, The Who x 2, Peter Green, Jack Bruce, Ian Dury x 2, Bruce Springsteen, John Coltrane, Concert For Bangladesh, Sex Pistols (7"), The Beatles (5 7" and 1 EP). Vg overall
Vinyl - Over 70 Rock & Pop LPs to include Caravan, Angelic Upstarts, Eloy, Malo, Modern Eon, Van Morrison, Agnetha Faltskog, Janet Jackson, David Lee Roth, The Waterboys, Bad Company, The Searchers, The Beach Boys, Dire Straits, Steeleye Span, Carly Simon, Billy Bragg, Alex Harvey, Bee Gees and more. Vg overall
Vinyl - Jazz - Wayne Shorter – Juju LP on Blue Note Records BLP 4182. Original US 1st mono pressing, Plastylite "P" and "Van Gelder" stamped in the run out, label reads New York USA, back cover reads 43 West 61st St, New York 23. VG- (splits on edges), Vinyl : Side 1: VG, Side 2: VG- (non feelable marks)
Vinyl - 60 Northern Soul / Soul / Funk / R&B US pressing 7” singles from the 1960’s and 1970s including demos promos and small labels, to include: The Fantastic Johnny C, Rudy West, The Five Stairsteps, Eddie Floyd, The Friendly People, Frederick II, Hollis Floyd, Mark III Trio, Toussaint McCall, Cash McCall, Maurice & Mac, Barbara Mason, The Meters, The Mighty Hannibal, Tommy Hunt, Norma Jenkins, The J.B.’s, Jesse James, Van McCoy and many others. Condition VG overall.
Vinyl - Over 80 Rock & Pop LPs to include David Bowie x 3, Jethro Tull x 3 (inc pink Island), John Mayall x 7 (inc original pressings), Grace Jones x 5, JJ Cale x 6, T-Rex x 2, Travelling Wilburys x 2, UB40 x 3, U2 x 2, Van Morrison x 10, Jeff Beck x 4, Medicine Head x 2, Gram Parsons, Meatloaf, Grace Slick x 4. Ex overall
Vinyl - Over 70 Soul / Funk / Disco LPs to include Millie Jackson, Aretha Franklin, Isaac Hayes, Otis Redding, The Controllers, Sly & The Family Stones, Linda Lewis, Gil Scott Heron, Soul II Soul, Lee Dorsey, Mini Riperton, Van McCoy, The Friends Of Distinction, Johnny Ace, Curtis Mayfield, Marvin Gaye, Peaches & Herb, Al Green, various compilations and more. Vg overall
Vinyl - Over 60 Rock & Pop LPs to include Van Der Graaf Generator, Groundhogs, Genesis x 6 (inc first album with insert), The Beatles x 2, Art Tatum, John Martyn, Barclay James Harvest, The Enid x 9, Jethro Tull x 2, John Mayall, String Driven Thing, Al Stewart, T-Rex, Ian Dury x 2, Bob Dylan x 2, Fairport Convention, Michael Jackson, Elvis Presley and more. Vg overall
Vinyl - 2 Van Der Graaf Generator UK pressing albums on Charisma Records to include: The Least We Can Do Is Wave To Each Other (CAS 1007, 3rd pressing pink scroll labels, A-3U / B-3U matrices) VG++ / EX, H To He Who Am The Only One (CAS 1027 UK 1st pressing pink scroll labels, A-1U / B-1U matrices) VG+
Vinyl - Over 60 Rock & Pop LPs to include Frank Zappa x 2, Deep Purple, Genesis, Roxy Music x 2, The Enid, Kate Bush, The Beatles, Madonna, Jeff Beck, Camel x 4, Grace Jones, Procul Harum, Jan Akkerman, Dave Greenslade, Charlie x 2, Stomu Yamashtas, Bill Wyman, Ry Cooder, Thijs Van Leer, Cream, Quincy Jones and more. At least Vg+ overall
Vinyl - 28 Reggae / Roots / Dub 12" singles featuring Jamaican pressings to include U Roy, Vin Gordon, SUS Band, Eek A Mouse, Debbie Gee, Wailing Souls, Rico, Ram & Tam, Gregory Isaacs, Lee Van Cliff, Winston Fergus, Dennis Pinnock, Earl Sixteen, Jimmy Lindsay, Cornell Campbell, Linval Thompson, Dennis Brown, Don Carlos and more. Vg overall
Verger Frères pour Van Cleef &, Arpels, Cadenas, montre-bracelet en or 750 sertie de rubis, années 1930-1940Mouvement: cal. 354, mécanique,17 rubisBoîtier: n°1530, larg. 26 mmBracelet: n°1530/657Signature Van Cleef &, Arpels: boîtierSignature Verger Frère: boîtierSignature Cyma: mouvementPoids: 69g
Original hardcover folio book Fine Bird Books 1700-1900 by Sacheverell Sitwell. This original edition is bound in half orange buckram over marbled boards and includes 38 full-page plates, 16 of which are in color. Publisher: Collins & Van Nostrand London & New York. Issued: 1953Dimensions: 14"L x 1.50"W x 19.50"HCountry of Origin: England & United StatesCondition: Age related wear. Minor foxing on first page.
ATTRIBUTED TO GEORGIUS JACOBUS JOHANNES VAN OS (DUTCH 1782 - 1861), STILL LIFE oil on board, signed and dated 1846framedimage size 27cm x 21.5cm , overall size 45cm x 39.5cmLabel verso: Kunsthandel M. L. De Boer, Amsterdam.Note: He was born in The Hague and taught by his father, Jan van Os, one of the great Dutch flower painters. He worked in Paris and Haarlem. He was a flower and landscape painter.
BERNARD DE HOOG (DUTCH 1867 - 1943), COTTAGE INTERIOR oil on canvas, signedframed and under glassimage size 49cm x 39cm, overall size 76cm x 66cmNote: Dutch artist, Bernard De Hoog, produced a rich oeuvre of gentle interior scenes, which celebrated the everyday moments within family - particularly between mothers and their children. Newborns are cradled within their mother's arms while siblings read in rustic kitchens. In many respects, De Hoog’s work is comparable to the great Dutch painter, Jozef Israëls (1924-1911) and ultimately rooted within the traditions of the Dutch masters. During his time studying under the eminent Jan van Essen, he produced numerous copies of old masters while honing histechnique. It’s said that his career began through chance when working in an office for a merchant. Rather than figures in a ledger, the merchant discovered various sketches and drawings and was so impressed that he asked the young De Hoog to paint his wife. This, in turn, led to the artist’s tutelage under a drawing master and later, an academy. When we look back across his body of work, the consistent thread is a celebration of simple family life and the instinctive love between a mother and child. Misty sentimentalism majestically described with an impressionistic touch. In 1939, De Hoog’s work was shown in an exhibition at the Rijksmuseum, Amsterdam.
PATRICK DOWNIE RSW (SCOTTISH 1854 - 1945), SHIP DISTANT watercolour on paper, signedmounted, framed and under glassimage size 36cm x 53cm, overall size 57cm x 73cm Note: Born in Greenock in 1854, Patrick Downie started his working life as a van man and later a postman, before devoting himself and his life to art, embarking on a period of intense study first in this country and then in Paris. Despite early setbacks in his artistic career, Downie was an early contributor to the principal art exhibitions, including those of the Royal Scottish Academy, the Royal Glasgow Institute and the Royal Scottish Watercolour Society. He also showed at exhibitions in Paris, Venice and elsewhere on the continent, being elected a member of the Royal Scottish Society of Painters in Water Colour in 1905 . The first man from his home town to have a painting exhibited in the Royal Academy, Downie went on to win a gold medal at the Paris Salon in 1901. He exhibited 16 works at the Royal Academy, 54 at the Royal Scottish Academy, 126 at the Royal Scottish Society of Artists in Water Colour, 133 at the Glasgow Institute and elsewhere. He died in 1945 aged 91 years.
VAN CLEEF & ARPELS REF. 9065 IN ORO, 90S Case: signed Piaget, n. 102159, in 18K gold, snap on caseback. Bracelet/Strap: signed 18K gold buckle. Dial: signed, black, stamped indexes. Movement: signed Piaget, manual-winding caliber 9P2, n. 775363, 18 jewels, adjusted for temperature and five positions. Accessories: – Diameter Ø: 30 mm Note: running at the time of cataloguing.
VAN CLEEF & ARPELS REF. 45602, 90S Case: signed, n. 8112, in stainless steel, snap on caseback. Bracelet/Strap: signed, leather strap and buckle in stainless steel. Dial: signed, silvered, Roman numerals. Movement: signed, quartz caliber. Accessories: a second leather strap. Diameter Ø: 25 mm Note: running at the time of cataloguing.
Stern, F C "A Study of the Genus Paeonia", illustrations in colour and drawings by Lillian Snelling and Stella Ross-Craig, The London Horticultural Society 1946, colour plates and other illustrations, blue cloth with gilt titles and decorations Van Hisum, Jacob "The Twelve Months of Flowers" from the Collection of Major the Hon Henry Rogers Broughton of Bakeham House, Norwich, with a commentary by Colonel Morris Harold Grant, F Lewis Publishers 1950, colour plates tipped in, blue buckram, gilt titles Hall, Sir A Daniel "Genus Tulipa", 40 illustrations in colour by H C Osterstock, The Royal Agricultural Society 1940, signed and dedicated by the author on ffep, grey cloth, front hinge cracked, illustrations Halda, Josef J and Waddick, James W "The Genus Paeonia" with botanical illustrations by Jarmila Haldova, Timber Press with the Hartland Peony Society 2004, colour plates and other illustrations throughout, erata slip, dark blue buckram, d-w Moreton, C Oscar "Old Carnations and Pinks", introduction by Sacheverell Sitwell and eight colour plates by Rory McEwen, George Rainbird in association with Collins 1955, no.99/100 numbered copies signed by both the author and artist, colour plates, half-morocco with pictorial boards within a green slip case Cameron, Elizabeth (ills) "A Book of White Flowers", published K D Duval, Frenich, Perthshire, forward by Christoper Lloyd, colour plates, pictorial boards, within a slip case Gunthart, Lotte "The Glory of the Rose", Harrap, pictorial boards within a slip case (7)
Urquhart, Beryl Leslie "The Camellia", with three reproductions from paintings by Raymond Boothe and 17 reproductions from paintings by Paul Jones, the Leslie Urquhart Press 1956, colour plates with lettered guards, quarter cloth with green patterned boards, d-w, vol 1 and vol 2 published in 1960, d-w, grey boards "The Rhododendron", vols 1 and 2, the Leslie Urquhart Press 1958, colour plates with lettered guards and other illustrations, salmon pink buckram, cartograph ep, d-w, vol 2 1962 with green buckram, d-w Von Riefel, Carlos "A Folio of Fruit", the Ariel Press 1957, full colour plates, grey buckram with gilt titles, d-w Redoute, Pierre-Joseph "Fruits and Flowers", the Ariel Press 1935, colour plates, limp cover with d-w which is rather stained and slightly chipped Redoute, Pierre-Joseph "Roses and Roses 2", the Ariel Press 1954 and 1956, both limp covers Van Spaendonck, Gerard "Flowers Drawn From Nature", the Leslie Urquhart Press 1957, colour plates throughout, full coloured boards with gilt decorative pastedown to front board and d-w (9)
Wilfred Blunt , George Dynossis ' Ehret ' Charles W Trailon publisher 1963, folio with plates [Prevost, Jean Luis] "Bouquets", MacDonald, London 1960, numerous colour plates with lettered guards, dust wrapper Farrer, Ann (ills) "Flowers of the Endangered Rainforests - a collection of six limited edition prints commissioned from original paintings by Ann Farrer of one Kew's Most Outstanding Artists", produced by Spink & Son, green folder with six prints numbered out of 2,500 and signed by the artist in pencil Grant, M H Col "Jan Van Huysum 1682-1749 which includes a catalogue raisonne of the artist's fruit and flower paintings ...", F Lewis publishers 1954, this is no.494 of an edition deluxe limited to 500 copies which has blue buckram, d-w not price clipped (9)
DINKY TOYS; a collection of boxed model vehicles and wagons including two Dublo Austin lorries, 064, Dublo Morris Pick-Up, 065, Telephone Service Van, 261, Petrol Pump Station 'Esso', 781, Mersey Tunnel Police Van, 255, Bedford 10-CWT Van 'Kodak', boxed Volkswagen, 181, Caravan, Hay Rake and a Bedford Flat Truck, numbered 066 (11).
DINKY TOYS; a collection of boxed model vehicles including Comet Wagon with hinged tailboard, 932, Centurion Tank, 651, Recovery Tractor, 661, Elevator Loader, 564, Pullmore Car Transport, 582, Pressure Refueller, 642, 10-Ton Lorry-Mounted Crane 'Coles', 972, 10-Ton Army Truck, 622, Guy Van, 917, etc (12).
Henry Hobson Richardson and His Works (1888) by Mrs Schuyler van Rensselaer with a Portrait and Illustrations of the Architect's Designs. First (limited) edition, 341/500. Published by Houghton, Mifflin and Company, Boston and New York. Printed by The Riverside Press, Cambridge.Henry Hobson Richardson was an American architect (1838-1886), best known for his work in a style that became known as Richardsonian Romanesque. Along with Louis Sullivan and Frank Lloyd Wright, Richardson is one of the recognized trinity of American architecture.
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146038 item(s)/page