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Attributed to Frans Snyders' workshop (Antwerp 1579 - 1657)‘Hunting Scene'Oil on canvas. Relined. 203 x 216 cm.In the past, as the family informs us, the canvas was unfortunately cut to size on the right side in order to fit it in a new location. It is possible that the author's signature was in the lower right-hand corner, but it was lost when the canvas was cut to size. Amberes, 1579 - Amberes, 1657En 1593 entró en el taller de Pieter Brueghel el Joven, siendo también aprendiz de Hendrick van Balen. En 1602 ingresó como maestro en el Gremio de San Lucas y, poco después, realizó un viaje a Roma y a Milán, donde trabajó para el cardenal Federico Borromeo gracias a las recomendaciones de Jan Brueghel el Joven. De regreso a Amberes, en 1610, casó con Margarita de Vos, hermana del pintor Cornelis

Snuff box in silver. Attributed to Louis - Nicolas Van Blarenberghe (Lille, 1716 - Fontainebleau, 1794). Beautiful box, with scenes of lively village life on all sides. The most important one, on the lid, recreates the launching of the first Montgolfier balloon, which took place in 1783 in France. 4 x 9 x 7 cm. 

Luis Egidio Meléndez (Naples, 1716 – Madrid, 1780)"Still Life with Pears, Peaches, Grapes, and Melon"Oil on canvas. Relined.44 x 63 cm.This painting is an analogous version to the one kept in the Prado Museum, dated 1771 and of almost identical dimensions, 42 x 62 cm (Catalogue No. P000931).As stated in the Prado Museum biography of the artist: "A Spanish painter, born in Italy to a Spanish family of Asturian origin, he was the son of Francisco Antonio, the miniaturist, and nephew of Miguel Jacinto, the portraitist. He began his education in Madrid alongside his father, then attended classes at the Preparatory Board of the Academy of San Fernando and was a pupil of Louis-Michel van Loo, mastering portrait technique, as demonstrated by his magnificent Self-Portrait (Musée du Louvre). His father’s expulsion from the board, and a probable conflict with Van Loo as a result, led to his dismissal from academic studies. He travelled to Italy and later returned to Spain, where he initially worked as a miniaturist, but his most significant contribution was in still life painting, becoming one of the most distinguished still-life painters in the history of the genre. His career belongs to the second half of the 18th century, a period when the century entered a decisive phase, gradually shaped during the reign of Philip V, both by the presence of foreigners at court and by the travels of Spaniards to Italy, along with projects to reorganise artistic education, an era that would reach its peak with Goya. Meléndez's paintings are generally characterised by great sobriety, executed with a solid sense of drawing and perfectionist realism, down to the smallest details. His ordered and clear compositions, with a taste for contrasts of light and shadow, possess an intensity that recalls the best achievements of Sánchez Cotán or Zurbarán."Reference bibliography:https://dbe.rah.es/biografias/16867/luis-egidio-melendez-de-riberahttps://www.museodelprado.es/aprende/enciclopedia/voz/melendez-luis-egidio/e99ecaad-8a11-4614-932f-960df1f833e4https://www.museobbaa.com/obra/bodegon-de-cocina/

A 35mm Film Reel Entitled 'University Hospital Nottingham 30-8-96 590 Hoddle, George' The film appears to be a motion picture, 4 perf horizontal, detailing surgery, possibly via an Xray series of images or video, in metal can, G-VG condition, on core, George Hoddle appears to be the patient, details to outer can approx 200ft?, also with a BBC film strip entitled 'BBC Radio Vision - Vincent Van Gough', short length, not motion picture, also with a can labelled 'Lith Film' with dark bag inside containing unknow film,

LANGUAGE: Dutch | DIMENSIONS: 270 x 196 mm | THE FULL TITLE OF THE WORK: Des Cruydeboecks. Dat es van der cruyden gheslacht. Dat vijffte deel | NOTE: illustrations | CONDITION: inscriptions | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.

LANGUAGE: Dutch | DIMENSIONS: 270 x 196 mm | THE FULL TITLE OF THE WORK: Des Cruydeboecks. Dat es van der cruyden gheslacht. Dat tweede deel | NOTE: illustrations | CONDITION: % | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.

LANGUAGE: Dutch | DIMENSIONS: 270 x 196 mm | THE FULL TITLE OF THE WORK: Des Cruydeboecks. Dat es van der cruyden gheslacht. Dat vierde deel | NOTE: illustrations | CONDITION: % | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.

LANGUAGE: Dutch | DIMENSIONS: 270 x 196 mm | THE FULL TITLE OF THE WORK: Des Cruydeboecks. Dat es van der cruyden gheslacht. Dat derde deel | NOTE: illustrations | CONDITION: % | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.

Van Cleef & Arpels, a gold and diamond necklace, centring on a geometric motif set with brilliant-cut diamonds, to a double strand curb link chain necklace, mounted in gold, length 38.5cm, signed VCA, numbered K62.2, stamped 18K Italy, gross weight 75 grams

Van Cleef & Arpels, a pair of sapphire and diamond earrings, 1960s, designed as two stylised intertwining leaves, set with circular-cut sapphires and diamonds respectively in fluted yellow gold setting, folding post and clip fittings, signed Van Cleef et Arpels, French control marks and maker's lozenge, stamped D and numbered 71809, length 1.9cm, in chamoix pouch stamped Van Cleef & Arpels

Van Cleef and Arpels, an emerald and diamond demi-parure, comprising an abstract yellow ring set with graduated circular-cut emeralds and diamonds, signed Van Cleef & Arpels 6500 C.S with French control marks and maker's lozenge, size L, with a pair of similar emerald and diamond earrings in textured yellow gold, signed, with maker's lozenge and French control marks and London import marks for 1960, post and clip fittings, length 3.2cm, gross weight 41g

Van Cleef & Arpels, a white gold necklace, designed as a collar of snake linking in white gold, length 41cm, signed VCA, numbered B4999 D25, French assay mark for 18ct gold, French maker's mark for Péry & Fils, gross weight 42 grams, pouch stamped Van Cleef & Arpels

Van Cleef & Arpels, a pair of diamond earrings, 2000s, each of hoop design, the front sections pavé set with brilliant-cut diamonds, mounted in white gold, length 1.5cm each, clip and post fittings, signed VCA, numbered BL6334, French assay marks, indistinct French maker's marks

Van Cleef & Arpels, a lady's gold and diamond 'Cadenas' wristwatch, mid 20th century, of padlock design, the rectangular silvered dial with gold indicators and blue steel hands, to a double snake chain bracelet, mounted in gold, the case and clasp set with brilliant-cut diamonds, bracelet length 16cm, signed VCA NY, numbered 19385, manual winding movement

Asprey & Co., a ruby and diamond demi-parure, circa 1977, comprising: a necklace and bracelet, each composed of oval linking, set with oval rubies and brilliant-cut diamonds, mounted in 18ct gold, necklace length 36.5cm, bracelet length 17.5cm, each with French assay marks and British import hallmarks for 18ct gold, sponsor's mark A&Co. Ltd for Asprey & Co., date letter for 1977, French maker's marks for Pierre Brun, combined gross weight 99 grams, caseThe workshop of Pierre Brun was established in 1935 and for much of the 20th century was one of the leading manufacturers of high jewellery in Paris, who made for Cartier, Van Cleef & Arpels and Boucheron amongst others, before being bought by Cartier in 2000.

An unusual gold, enamel and pearl mourning pendant, America, late 19th century, designed as a cross, centring on a concentric arrangement of black enamels and half pearls, the arms and smaller rays of the cross intricately engraved with floral motifs, to a similar bail, the reverse inscribed with the names 'CH.AUG.APTHORPE VAN DEN HEUVEL' and 'W.W.ASTOR', and dated 1795-1888, the reverse with an empty glazed compartment intended for a lock of hair, length 8.1cm, caseWhile the precise significance of the dates on this pendant remains unclear, the names on this pendant likely refer to two members of New York's most prominent land owning dynasties - Charlotte Augusta Van den Heuvel (née Apthorpe, 1770-1824) and William Waldorf Astor (1848-1919).

in gold thread, set with rubies, emeralds, and amethysts, and a green stone signed ‘Van Cleef and Arpels’ (on interior) 23.5 x 12.5 cm

Foekje Fleur van Duin (Dutch, contemporary) of recent manufacture, a collection of six porcelain bottle vases, in tones of pink, blue, orange and green, signed, the largest 28cm high (6)Condition ReportAll in a good condition, with their original boxes.

[Maps of GIBRALTAR]- 1- Husson, P: Aftekening van Gibraltar. / Plan de la Ville de Gibraltar, c.1709. Hand coloured (50 x 43cm); 2- Homann, JB: Accurate Vorstellung der berühmten Meers-Enge bey Gibraltar mit denen herumliegenden See-Haefen und Vestungen so wohl in Prospecten als Grundrissen, c.1740. Hand-coloured (58 x 48cm) (2)

[Maps of ENGLISH CHANNEL]- 1- Rapin/Tindal: A correct Chart of the English Channel, c.1745 (48 x 37cm); 2- Collins (Captain Greenville): Plymouth & The East Coast of England, c.1700. Hand coloured (56 x 44cm), on thick paper, vg; 3- Collins (Captain Greenville): Holy Island Staples and Barwick, c.1723. Hand coloured (56 x 44cm), on thick paper, vg; 4- Jacobsz (Theunis, 'Lootsman'). Pascaerte van Engelant vant Voorland tot aen Blakeney (chart of the east coast of England, inset map of the River Thames), Amsterdam,c.1668. (53 x 43). (4)

SPORTS (SIGNED): Laker, Jim: 1- Spinning round the world. 1957, 1st. Edn. Dw. Inscribed, dated & signed, vg; 2- Over to me. 1960, 1st. Edn. Dw. Inscribed, dated & signed. Vg; 3- Cricket contrasts, 1st. Edn. Dw. Inscribed & signed. Vg; 4- A Spell from Laker. 1st. Edn. Dw. Signed; Gover, Alf: How To Play Cricket. 1st. Edn. Soft covers- Signed by author. Vg; Pocock & Collins: Percy The Perspicacious Memoirs of a Cricketing Man. 1st. Edn. Dw. Signed by Collins; Howat, G: Len Hutton. 1st. Edn. Dw. Signed by Hutton. Fine; John Virgo: Say Goodnight; + Amazing Snooker Trick Shots: Both Signed by Virgo; Mills, Freddie (SIGNED): Twenty Years. 1950, 1st. Edn. DW. Two Signed copies; Van den Bergh, Tony: Who Killed Freddie Mills? 1st. Inscribed & Signed. (11)

ART/LITERATURE- SIGNED: 1- Kay Williams: Just - Richmal The Life and Work of Richmal Crompton Lamburn, limited edition numbered 19/100 copies and signed by Kay Williams, Roy Williams, Michael Palin and Derek Taylor pub. Genesis Publications Limited, 1986, Original leather backed boards & slipcase. Fine; 2- HUGHES, Frieda (SIGNED): Sylvia Plath: Her Drawings. The Mayor Gallery, Exhibition Catalogue. 2011, 1st. Edn. Limited to 1000 copies, this INSCRIBED, SIGNED & DATED BY FRIEDA HUGHES. FINE; 3- BARKER, Clive (SIGNED): PORTRAITS Exhibition of Drawings and Sculpture. 1987, 1st. INSCRIBED & SIGNED. FINE; 4- Crossroads (13 Nov-11 Dec 2015), 1st. INSCRIBED & SIGNED TWICE. FINE; 5- Dan van der Vat & Michele Whitby: Eel Pie Island. 1st. Edn. Dw. SIGNED BY Michael Whitby. Fine (5)

Fußhocker "Barcelona", Entw. Mies van derRohe f. Fa. Knoll International 1929, Ausführung 1970er Jahre Verchromtes x-förmiges Metallgestell. Polsterauflage m. cognacfarbenem Lederbezug, durch Gurte befestigt. H 37, B 61 cm, T 54 cm. Gebrauchsspuren, Metall angelaufen. Prov.: Sammlung Ingeborg Schäffler-Wolf, Heilbronn.

Freischwinger "Brno", Entw. LudwigMies van der Rohe u. Lilly Reich 1930 für Fa. Knoll International. Ausführung 1960/70er Jahre. Verchromtes Fußgestell. Sitz u. Rückenlehne gepolstert. Armlehnen m. Polstereinsatz. Schwarzer Lederbezug. Gebrauchsspuren, Gestell berieben. Prov.: Sammlung Ingeborg Schäffler-Wolf, Heilbronn.

Kohlezeichnung Béla Kádár1877 Budapest - 1956 Budapest "Familie" 23,5 x 30 cm Provenienz: Auktionshaus Van Ham, Köln; Privatsammlung Wiesbaden. Lit.: AKL

Tagesbett "Barcelona", Entw. Ludwig Miesvan der Rohe 1929 für Fa. Knoll International. Ausführung 1960/70er Jahre. Stahlrahmen aus poliertem Chrom. Hartholzrahmen aus Buche in Walnuss gebeizt. Auflage-Ledermatratze m. Taschen u. Lederknöpfen. Mit Lederriemen befestigt. Rollkissen. Cognacfarbenes Leder. Unterseitig Etikett "Modello Depositato KiGA SpA Knoll International". Ca. H 49, L 194, B 85 cm. Gebrauchsspuren. Prov.: Sammlung Ingeborg Schäffler-Wolf, Heilbronn.

Freischwinger "Brno", Entw. LudwigMies van der Rohe u. Lilly Reich 1930 für Fa. Knoll International. Ausführung 1960/70er Jahre. Verchromtes Fußgestell. Sitz u. Rückenlehne gepolstert. Armlehnen m. Polstereinsatz. Brauner Lederbezug. Starke Gebrauchsspuren, Lederbezug fleckig u. berieben, Gestell m. kl. Defekten. Prov.: Sammlung Ingeborg Schäffler-Wolf, Heilbronn.

A mixed lot of model vehicles, to include Corgi Eddie Stobart LTD - Ford Cargo Box Van, Eddie Stobart Express Delivery, Maisto Special Edition Mini Cooper and G Gate VW Beetle

AFTER LUDWIG MIES VAN DER ROHE (1886-1969): A 'BARCELONA' TYPE CHAIR AND FOOT STOOL, each with button back black leather upholstery, on chromed x-form supports, the chair 75cm wide x 77cm deep x 76cm high (2)

*DIABLO (aka Bob Cosford) 'Buy Me And Stop One - Drone Attack', signed limited edition of 75, blind stamped and with certificate of authenticity, giclee print on 301gsm German etching paper, the image 42cm x 59.5cm, Framed dimensions: 63.5cm x 78cmProvenance: The Bob Cosford Collection of Contemporary and Street Art.Note: DIABLO is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art. 'Buy Me And Stop One' art uses unique socio-political narratives and ironic references to mainstream entertainment all based around an ice cream van. 'Buy Me And Stop One' also references the easy days of condom advertising. Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"

*DIABLO (aka Bob Cosford) 'Buy Me And Stop One - Riot', signed limited edition of 75, blind stamped and with certificate of authenticity, giclee print on 301gsm German etching paper, the image 52cm x 69.5cm,Framed dimensions: 63.5cm x 78cmProvenance: The Bob Cosford Collection of Contemporary and Street Art.Note: DIABLO is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art. 'Buy Me And Stop One' art uses unique socio-political narratives and ironic references to mainstream entertainment all based around an ice cream van. 'Buy Me And Stop One' also references the easy days of condom advertising. Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"

*AURELIO DE FELICE (1915-1996) 'Battaglia di Ragazzi', (Battle of the Boys), 1941, bas-relief panel, bronze, 100cm x 160cm, Note: This work is represented in the permanent collection of the Museo Aurelio De Felice, Terni, Umbria, Italy.De Felice was born in Torre Orsina, a small town on the hills around Terni. Of humble origins, he began his studies in contrast with his family at the Scuola Romana in the 1930s. He earned a degree at the Academy of Fine Arts of Rome, becoming a professor there. De Felice alternated lessons and artistic activity with many personal exhibitions. The most important in that period was the one in the Gallery of Rome, introduced by Renato Guttuso.At the end of the Second World War, De Felice started to travel across Europe. In those years he exhibited in Switzerland, Germany and France, where he created, in Paris, on behalf of the Italian Ministry of Foreign Affairs, the School of Italian Art. There he met Pablo Picasso, Fernand Léger, Jean Cocteau, Kees van Dongen, Ossip Zadkine, Mark Tobey and Constantin Brâncuși. He did not allow himself to be involved in the big debate between realism and formalism in the 1950s, continuing on his own road.In 1961 De Felice created the Institute of Arts in Terni. In those years he continued to exhibit all over Europe (Italy, Germany, Switzerland, France). In 1967 he was in charge of the Italian Institute of Culture in Hamburg and the Center of Italian Studies in Zurich.In 1977 he was invited to the National Museum of Modern Art, Tokyo, for a conference on Orneore Metelli, a "painter-shoemaker" from Terni, and father of the Naïve Italian movement, whose art had become famous thanks to De Felice's work.His last exhibition took place in 1982; after that, disease forced the sculptor to limit his activity. He spent the last years of his life in the quiet of his house on the hills of Torre Orsina, where he died on June 14, 1996.The celebrated Italian artist and politician Renato Guttuso (1911-1987) commented on the impact of the work offered here, in a letter to De Felice, remarking "I remember a work of yours from that time, a relief, which was your contribution to the approach of the two directions of research. The relief represents a battle. But a battle of boys. You had found the only possible poetic key (not heroic) to depict a battle! Even today, after twenty years, thirty years, reviewing your work, following its path, observing the changes, I find the same emotion in looking at your sculptures".

In the manner of Ate van Apeldoorn, a set of four mahogany framed elbow chairs, circa 1970, each with pivoting black vinyl back rest and cushion76 x 60 x 44cmIn generally good condition,a few scuffs and marks from use, a slightly more notable scuff to the front corner of one arm, a small hole to seat od one at front corner.

Manner of Jan van HuysumStill life - a vase of mixed flowers on a marble ledge with snail alongside, oil on canvas, 70 x 59.5cm

AN IMPORTANT VIENNA (DU PAQUIER) TWO-HANDLED OVAL TUREEN AND COVER circa 1740, from the Liechtenstein service, painted in Schwarzlot and lightly enriched with gilding, the tureen of ogee form with moulded scroll handle, the sides painted with game birds on a strapwork border, centred by shells and enriched with gilding, the interior with a bird in flight, flowers and a spider, the domed cover with game birds and dogs beneath similar strapwork around the cone finial, within a quatrefoil and lozenge border, 20cm high x 35cm wideProvenance: A. Lewis, New York, June 1950, $900,Collection of Frederick J. And Antoinette H. Van Slyke, Baltimore, U.S.A,Sotheby's New York, 26th September 1989,Christie's, 12th May 2010, lot 167,Roy Byrnes Children's Trust,The collection of the late Anthony du Boulay FSA (1929-2022),and thence by descent.Exhibited: The Baltimore Museum of Art, loan, 30th March 1964 - 2nd October 1969.

AFTER SIR ANTHONY VAN DYCK (1599-1641) A portrait of a lady looking back over her shoulder, wearing a pearl necklace and earrings, oil on canvas, 64cm x 53cmProvenance: The Digby family.

λ&nbspSIR JACOB EPSTEIN (BRITISH 1880-1959) RISEN CHRIST (HANDS ONLY) Bronze with a dark brown patina 43 x 39cm (16¾ x 15¼ in.) (including base) Conceived 1917-1919. Provenance: Sale, Sotheby's, London, 9 July 1969, lot 101 Agnew's Gallery, London From a Private Collection Literature: Evelyn Silber, The Sculpture of Epstein, Oxford, 1986, relating to no. 97 The other version of this work is held in Walsall, Garman-Ryan Collection.The present lot was part of a study intended for a large scale sculpture measuring 218cm tall depicting the sick Bernard van Dieren during 1917. Artists Jacob Kramer and Cecil Gray, the musician posed for the unfinished sections when Epstein returned to the work in 1918/1919. Condition Report: The black base may benefit from a clean and there is evidence of surface scratches most notable around the base of the largest hand. There is a light overall layer of surface dirt that is most notable in the crevasses of the work. Overall in good original condition. Condition Report Disclaimer

World Travel & Other Subjects to include: Petavius (D.) Rationarium temporum in partes duas, Libros tredecim, distributum, Leiden: Peter Van der Aa, 1710, 8vo, contemporary blind stamped vellum, three folding maps, lacking other plates and maps, title in red and black, device to title; The New and Complete Book of Martyrs ... being Fox's Book of Martyrs, London: for Alex Hogg, n.d., folio, frontispiece and multiple further plates full calf, poor condition and not collated; together with various volumes on antique collecting

Felix van den Eycken (19th Century)Interior with Terrier and a RabbitPortrait of a Dog on a Red Cushiona pairoil on panel16.5cm x 20.5cm (2) Generally good condition overall. Picture surfaces are stable, with some unevenness to the picture surfaces in places, indicating restoration,along with additional surface scratches consistent with age. Extensive wear and loss to the frames. Both pictures have been examined under UV, revealing some potential areas of restoration.

Studio of Michiel Jansz. van Mierevelt (1567-1641)Portrait of a Non-Conformist (Puritan) Ministerthree-quarter length, wearing a cap and a lace collaroil on canvas108cm x 82cm Framed. The painting has been relined and restored extensively. Picture surface is stable.

A Loetz cobalt 'Papillon' iridescent glass and pewter-mounted vase, the mount by Van Houten, the glass of tapering form with a quatrefoil neck, with iridescent spotting to a cobalt-blue ground, stamped marks and numbered '1668',25cm highCondition ReportSome visible minor fritting to the foot rim visible through the mount and likely due to mounting rather than accidental damage. One pewter leg detached from the collar to the foot. See additional pictures.

Follower of Jean-Baptiste van Loo (1684-1745)Portrait of King Louis XV of France (1710-1774)Oil on canvas88x68 cm

Anthonie Van Blocklandt (1534-1583) workshopSinging figuresOil on panel(wear and losses to polychrome layer)54x68 cm

A Monumental Italian Cabinet with StandIn ebony and ebonized wood, featuring an architectural-inspired structure, pietra dura inlays, and gilt bronze mounts. The front of the cabinet presents a symmetrical arrangement with a central niche, flanked by two rows of six drawers richly adorned with pietra dura panels, including various semi-precious stones and different types of marble, such as lapis lazuli, agate, jasper, brocatello rosso, rosso antico, alabaster, cipollino, and porphyry, arranged in geometric patterns. The central niche, also lined with pietra dura panels depicting shell-shaped cartouches, is decorated with architectural elements, including lapis lazuli columns and a portico with a triangular pediment supported by two gilt bronze Atlas figures. The ceiling of the niche is painted in trompe l'oeil, and the base is adorned with parquetry work. The sides of the cabinet, with pietra dura panels, replicate the composition of the central panel, framed by the portico. The top, with a row of five drawers decorated with red porphyry panels, is surmounted by four putti playing musical instruments. The base, with four drawers and a small central drawer, features a carved apron decorated with carved volutes. The original construction of this cabinet dates back to the 17th century, showing evidence of alterations, possibly during the 19th century, with the addition of decorative elements and structural modifications. The stand, of later construction, with four drawers and volute-shaped front legs, maintains decorative consistency with the cabinet, featuring the same type of panels with pietra dura inlays. A small drawer at the base of the cabinet has an interior label reading 'Ant.(?) Burg(...)rgasse.Graz,' with a handwritten note in French stating: "Furniture from the imp(?) Palace of Burg(?)... brought here by Archduchess Maria of Bavaria 1571-1616, with all her luxury objects from Munich." Although uncertain, this reference seems to suggest a connection between the cabinet and Maria Anna of Bavaria (1574-1616), daughter of William V, Duke of Bavaria, and wife of Ferdinand II (1578-1637). The piece also bears two other inscriptions: one in black ink at the bottom of the left drawer of the cabinet base — "Stockholm(...) 18/8 - 1947/ H HALKJAER./ Dansk" and "HÖRN 1955-1965/ CORMÉRY"; and another handwritten in pencil in Swedish, at the bottom of the left drawer of the stand — "The cabinet was bought in the 1940s from Consul General Jean Jahnsson, formerly at the Van Der Nootska Palace, when we moved to Östermalmsgatan 21 Stockholm/ A big move when Stensund and Van der Nootska were left./ Eugène CORMERY/ Strangnäs July 1996." (minor losses and defects)193x204.5x62 cmNote: The pietra dura technique has its origins in the Florentine Renaissance, reaching its peak at the end of the 16th century. This technique is characterized by the meticulous use of semi-precious stones, such as lapis lazuli, jasper, agate, and porphyry, carefully cut and arranged to create intricate decorative patterns. The development of pietra dura as an art form was strongly promoted by the Medici family in Florence, culminating in the foundation of the Galleria dei Lavori in 1588, which became a center of excellence for the refinement and dissemination of this technique. In the context of the cabinet now presented for auction, the presence of pietra dura panels is a testament to the mastery of this technique, highly valued by the European aristocracy of the 17th and 18th centuries. This cabinet shares similarities with a distinct group of pieces produced in Rome in the 17th century. Notably, a particularly significant cabinet was sold by Sotheby's in London on 6 July 2011 for £668,450. Other comparable cabinets are part of renowned collections, such as that of the Duke of Hamilton, the Demidoff Cabinet (sold by Sotheby's in 1992), and an impressive example in the Kunsthistorisches Museum in Vienna. The central niche of the cabinet, with lapis lazuli columns and shell-shaped cartouches—likely an addition or later alteration—as well as elements like the central arched panel, its pediment, and the design and decoration of the side drawers, remain faithful to the style of the aforementioned cabinets, making it a monumental example of the extraordinary decorative craftsmanship developed in pietra dura furniture. Robert de Balkany Collection Carlucci Gallerie Antiquarie, Rome Jean Jahnssen Collection, Van der Nootska Palace, Stockholm

The Dutch School, 18th centuryPortrait of Jean de Montfort after the original by Anthony van DyckOil on canvas62x48 cm

A VAN CLEEF & ARPELS braceletIvory frames of gold 750/000 finialsLion heads chiselled decoration of ruby set eyesFrance, 20th century (1960s/1970s)Assay warrantee mark and goldsmith's mark Van Cleef & Arpels(signs of wear)6x7 cm43,6 g (total)

"Anne Marie Louise d'Orléans, Duchess of Montpensier"Print on paperAfter the original by Gilbert de Sève (1618-1698), engraved by Pierre Louis van Schuppen (1627-1702)34x27 cm

After Vincent Van Gogh, 20th century oil on board after “Wheatfeild with Cypresses”. Overall including frame 47.5x57cm.

Anton Van Anrooy (1870-1932) watercolour - Dutch Courtyard, signed, 36cm x 24cm, in glazed frame

Circle of Jan Van Balen (Flemish 1611-1654): Farmer Resting in Belgian Landscape, oil on canvas attributed on the mount 22cm x 27cm

Signed Colour Print Legends Series Limited 195/500 Ruud Van Nistelrooy Manchester United 59 x 42cm

Selection of Bolton Wanderers match programmes in various tournaments to include Sherpa Van Trophy 1988/89 Wrexham (h), Preston NE (h), Bury (a), Preston NE (a), Crewe Alexandra (a) semi-final, Blackpool (h) Final, Blackpool (a) Final; Leyland DAF Cup 1989/90 Lincoln City (h), Rotherham Utd (h), Crewe Alexandra (h), Wigan Athletic (a), Tranmere Rovers (Northern semi-final), (autographs to cover) (a), 1990/91 Tranmere Rovers (h), Blackpool (a); Autoglass Trophy 1991/92 Rochdale (h), Crewe Alexandra (a), Preston NE (a), 1992/93 Bury (h), Rochdale (a), Huddersfield Town (a), Darlington (a); Freight Rover Trophy 1984/85 Crewe Alexandra (h), Darlington (h), Mansfield Town FR s/f) (h), Crewe Alexandra (a), Rochdale (a), 1985/86 Crewe Alexandra (h), Tranmere Rovers (h), Wigan Athletic (h) (FR Northern final), Stockport County (a), Darlington (a) (FR area s/f), Wigan Athletic (FR Northern final), Bristol City (FR Trophy final at Wembley); 1986/87 Chester City (h), Burnley (h), Blackpool (h), Burnley (a), 1987/88 Preston NE (h), Stockport County (a), Bury (a); Play-off divisional matches 1987 Aldershot (a), 1990 Notts. County (h), Notts County (a), 1991 Bury (h) s/f, Bury (a) s/f, 1991 Play off final programme Bolton Wanderers v Tranmere Rovers at Wembley, 1995 Wolves (h) s/f, Wolves (a) s/f; Group Cup competition 1981 Shrewsbury Town (h) single sheet, 1981 Chester (a); also 1989 Sherpa Van Trophy final at Wembley Bolton Wanderers v Torquay Utd plus 1987 Littlewoods League Cup final Arsenal v Liverpool; fair/good condition. (A lot as per list)

Pieter VAN SOMPEL (c.1600 - c.1650). Matthias I, Kaiser von ÖsterreichCirca 44,6 cm x 36,1 cm. Bezeichnet: "P. Soutman Invenit Effigianit et Excud. Cum Privil". Mittig unten datiert und bezeichnet: "P. Van Sompel Sculp. 1644".

11 Schreibgeräte: Darunter 6 Kugelschreiber, 4 Bleistifte, 1x Füllfederhalter mit 14 Karat Goldfeder (l. verbogen). Dabei Marken Dupont, Parker. Druckbleistift "Van Dyke" 606S von Eberhard Faber. Dazu eine Packung "Pitt Kreide-Minen" Nr. 2933, komplett, sowie kleines Döschen Minen.

Halcyon Days rectangular box decorated with 'Peach Trees in Colour' after Van Gogh, the interior decorated with Guy Reed's racing colours 8.5cm x 6.5cm and an oval enamel box by Toye, Kenning & Spencer with a racing finish on York racecourse, interior inscribed 'Celebrating 25 years Timeform Charity Day' (2)

Royal Doulton Four Tinies, another damaged, Rip Van Winkie, 6cm high, eleven other similar size:- One Tray (17)

Postcards - Edwardian 'Fry's Milk Chocolate, 'Unitarian Mission Van', 'The Fatel Wedding', S.S Scotia Dining Salon Wakefield Amateurs 1906, Bootham School Gymnasium, Katharine Gassaway. Photogaphic - High St Beighton, Sibsey Railway, cow milking, train derailment, Darrington Hall, embroidered, etc approximately 140. Stevens bookmark. London illustrated News Funeral of Queen Victoria.

Royal Doulton Character Jugs, 'RIP Van Winkle', 'D' Artagnan' (2nd quality), 'Athos' (chipped), plus 'Aramis' (4).

After Gerard Van Spaendonck (1746-1822), 20th Century SchoolStill life of flowers in a basket on a marble pedestaloil on canvas, unsigned29¼ x 23¼in (74.3 x 59cm), foliate gilt frame

A collection of approximately 50 vinyl LP records, mostly Rock and Pop - some recent reissues, including Cream (x2); The Dickies (Parannoyed, limited edition private pressing, Nasty Records 002); Hawkwind; Lou Reed; John Mayall (x5); Van Morrison (x6); Derek and the Dominos; Peter Hammill (x4); Roxy Music (x6); Sparks (x3); etc, condition mostly VG+.