Towle Lafayette Sterling Silver Flatware Service (130) items including (7) 9 3/4-inch dinner knives, (8) 8 7/8-inch luncheon knives, (16) 5 3/4-inch solid butter knives, (7) 7 3/4-inch dinner forks, (8) 7 1/4-inch luncheon forks, (8) 6 1/2-inch salad forks, (15) 6 1/4-inch teaspoons, (8) 7 3/4-inch tablespoons, (8) 5 1/4-inch 5-O'clock coffee spoons, (8) 8-inch iced tea spoons, (8) 5 3/4-inch grapefruit spoons, (4) fruit knives, (8) ice cream spoons and (17) serving utensils (all marked 'sterling') Property from: an Estate, Menasha, Wisconsin Length: 10 inches (longest serving utensil)Weight: .925 silver: 123.91 ozt. Condition: light wear on all, most monogrammed Category: Silver & Metalware > Sterling Silver Estimated Sale Time: 11:29 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3
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A set of sterling silver solid serving utensil; a three prong fork and spoon. Each handle is decorated in a palm and lotus leaves pattern. Marked Christofle and Sterling. Original Christofle bags included. Fork: 10"L x 1.25"W x 1"H; weight: 108g. Spoon: 10"L x 2.25"W x 1.5"H; weight: 134g. Dimensions: See DescriptionManufacturer: ChristofleCountry of Origin: FranceCondition: Age related wear. As is.
Each silver handle has an engraved design of flowers and scrolls attached to stainless steel utensil head. Lot includes - sawtooth knife 8.5", cheese server/spreader 6", serving spoon 8.25", cake server 9.5", pie server 9", boning scissors 10.25", pickle spear 7" and 5 tine serving fork 8". Sterling impressed mark. Largest piece - 10.25"L x 2"W. 576gms. Issued: 20th centuryDimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.
Native American Ceremonial Tomahawk. Antik.Wahrscheinlich Prima-Stamm. Ceremonialaxt. Tanz-Utensil. Aus einer alten deutschen Sammlung. Zustand siehe Fotos. Versand kann organisiert werden.Native American Ceremonial Tomahawk. Antik. Probably Prima stem. Ceremonial axe. Dance utensil. From an old German collection. See photos for condition. Shipping can be organised.
Konvolut Kleinbronzenwohl Indien, 19./20. Jh., sechs Stück, vollplastische Darstellung einer sitzenden Tara über Lotussockel, dazu ein einfaches sowie ein Doppelvajra, Miniaturöllampe, Glockengeläut mit Zierschnalle, des Weiteren ein ungedeutetes Utensil, unterschiedliche Maße und Erhaltungen, L max. 27 cm.
Außergewöhnliches Necessaire mit Spielwerkum 1920, Gehäuse in Eichenfurnier mit eingelegten Blütenranken aus Perlmutt, in Form eines Flügels gestaltet, das Innenleben mit herausnehmbarem Tableau in roter Samtbespannung, bestückt mit mehrteiligem Utensil, darunterliegendes kleines Spielwerk, dessen Stimmkamm intakt, Werk läuft, mit Schlüssel, insgesamt restaurierungsbedürftig, Maße 15 x 34 x 20 cm.
A COLLECTION OF CERAMIC AND METAL ITEMS, to include a metal milk urn no lid height 53cm (heavy signs of rust all over and to the bottom), painted green metal watering can decorative use only, bartenders tool set in chrome with bamboo handles, (some damage to the handle on the measure overall good condition), three tilted pitchers in a stone brown colour (heavy signs of grazing), tilted blue bottle (heavy signs of grazing), three utensil holders, two large jugs, three small jugs all finished in a French white glaze, lighthouse biscuit jar, (Condition Report: overall ok condition, see main description for more detailed damage of individual items, prices from previous owners may be present etc.), (17)
Ca. AD 100 - 300A Roman silver ladle with a long handle that ends in the head of a stylised animal, probably a duck. In ancient Rome, the ladle – called a simpulum or simpuvium – was used in the preparation and serving of ceremonial libations. It was also more generally just a utensil, depicted in paintings depicting banqueting scenes aiding in the distribution of wine into cups. The style of this example – with a round bowl and a handle ending in the head of an animal, especially a duck – was a very long-lasting tradition, extending from the Greeks and Etruscans to the Romans.Size: 75mm x 60mm; Weight: 45gProvenance: Property of an Oxfordshire art professional; previously in an old Canadian collection of F. N., Ontario, formed in the 1980s.
Ca. AD 100 - 300A Roman bronze ceremonial ladle with a long handle that ends in the head of an animal, probably a bird. Just before the ladle and the duck terminal, the long handle is also decorated with moulded circles. In ancient Rome, the ladle – called a simpulum or simpuvium – was used in the preparation and serving of ceremonial libations. It was also more generally just a utensil, depicted in paintings depicting banqueting scenes aiding in the distribution of wine into cups. Size: 290mm x 70mm; Weight: 175gProvenance: Property of an Oxfordshire art professional; previously in an old Canadian collection of F. N., Ontario, formed in the 1980s.
A GROUP OF VINTAGE CERAMICS, to include two Portmeirion Totem cobalt blue dinner plates (signs of moderate use), six TG Green 'Grey Sark' cups and saucers, a Sadler jug, and Hornsea Pottery items including two 'Cirrus' oil/vinegar bottles, two 'Tapestry' coffee cans and saucers, a green and burgundy mug with a fish design, a Heirloom utensil holder, height 19cm, and tea canister, a 'C Scroll' curry canister (chip on rim), a 'Contour milk jug, etc (29) (Condition Report: most pieces appear in good condition, specific obvious damage as stated, a little light crazing, signs of light use)
T.G.Green Cornish Kitchenware, eight unnamed lidded storage jars, largest 17cm high, eight jugs and two utensil holders, Green Church and Shield marks. Condition - poor, fair and goodPLEASE NOTE - POSTAGE IN-HOUSE WILL NOT BE POSSIBLE ON ANY OF THE T.G.GREEN KITCHENWARE, ALTERNATIVE PACKING AND COURIER ARRANGEMENTS WILL NEED TO BE MADE.
FIFTY EIGHT PIECES OF ROYAL WORCESTER EVESHAM DINNER WARE, comprising a crudité dish, two oval tureens (smallest missing cover), two different sized casserole dishes, two rectangular and two oval serving dishes, four flan dishes, a souffle dish, a pie dish, two single tier cake stands, two cake plates, two circular platters - one unmarked, seven ramekins in a holder, five avocado dishes, a flour dredger, a pestle and mortar, a utensil jar, a sauceboat and stand, two milk/water jugs, a sugar bowl, two egg coddlers, a mug, two coffee cups and saucers, a teacup and three saucers, a boxed cake slice, a plate warmer, a spare lid, and two giftware dishes, including two boxes for plates, most pieces are Evesham with an Arden cake plate and an Evesham 'M' flan dish (58 + 2 boxes) (Condition Report: pieces appear in good condition with signs of light use, some gilding wear, would benefit from a clean)
This fantastic grouping of porcelain includes a reticulated fruit basket (#11579, 10.25"L x 7.25"W x 3.5"H), a pipe marked Copenhagen with porcelain holder (#5077) and tobacco jar (#5024), a utensil rest (#135), two silver-plated timbals, a porcelain thimble pendant (#4802) on a 14K gold chain, two pickle plates (one leaf-shaped, #144, and one octagonal, #229), a small pitcher (#1038), and two small toothpick or match holders (#183 and #207). Royal Copenhagen backstamps. Issued: 20th centuryDimensions: See DescriptionManufacturer: Royal CopenhagenCountry of Origin: DenmarkCondition: Age related wear.
A collection of mixed studio pottery items, some signed or marked by artists, including; a handled jug in brown glaze with ribbed design, signed JL; a stoneware jar and cover, with mark of artist to side of base rim; two vases of globular shape, one with flared rim, other globular; a pair of Irish stoneware small candlesticks; a studio pottery mug with mixed blue glaze; a hand-made brush / utensil pot; a Scottish pottery stylish pot and cover; a triangular curved dish and a jug. (11)
Ca. AD 100 - 300 A Roman bronze ceremonial ladle with a deep round bowl and a long openwork handle that ends in the stylised head of a bird. The ladle - a simpulum or simpuvium - was used to make libations and to taste wines and liquors that were poured on the heads of sacrificial victims. It was also more generally used as a basic utensil, shown in banqueting scenes on Greek and Italian vases aiding in the distribution of wine into cups. Size: 280mm x 90mm; Weight: 390g Provenance: Private UK collection; Ex. German collection purchased in Munich before 1990s.
Two boxes of miscellaneous printed ephemera, early 20th c and later, including Pleasure Books for Children: The Cat and the Mouse, London: Sampson Low, Son & Co., n.d., chromolithograph plates, original pictorial wrappers, repaired at the inner-gutter, small 4to; 19th c and later cookery utensil and homeware letterpress patents, food and drink, recipe and cookery pamphlets, wine and spirits bottle labels, maps, mid-20th c photograph album of b/w snapshots of topography, advertising, maps, off-prints, breweriana, etc
A GROUP OF VINTAGE COUNTRY STYLE KITCHENWARE AND SUNDRIES, approximately twelve pieces, to include, four key storage plaques that can be hung one being enclosed, one that can also store letters and notes etc. vintage Bovril magnet board, two utensil plaques, kitchen roll holder, three decorative coat hangers etc. (qty) (Condition Report: some chips and wear on all pieces and would benefit from a clean, Bovril magnet board is bent on bottom corner, oven mitt very worn)
Konvolut Schreibutensilien und Bronzen: Victor Heinrich Seifert (1870 Döbling - Berlin 1953), Bronze: anmutige Frauenfigur in Jugendstil-Manier auf Sockel mit Blumendekor sowie Stein-Plinthe, signiert, Altersspuren, H. 17,5 cm. Klassizistisches Schreibzeug mit zentralem Tintenfass aus Messing auf Steinplatte, H. 21 cm; 17,5 x 31,5 cm (Platte); Messingbüste, H. 19 cm; Löschpapier-Roller, drei Brieföffner, alles mit Altersspuren. / Collection of writing utensils and bronzes: Victor Heinrich Seifert (1870 Döbling - Berlin 1953), bronze: graceful female figure in Art Nouveau style on a base with floral decoration and stone plinth, signed, signs of age, h. 17.5 cm. Classicist writing utensil with central brass inkwell on stone plate, h. 21 cm; 17.5 x 31.5 cm (plate); brass bust, h. 19 cm; blotting paper roller, three letter openers, all with traces of age.
A large Italian silver four light lamp. Pampaloni, Firenze, post-1968. The knopped stem raised on a lobed and stepped circular foot and designed with an elongated central rod to a bulbous mid-section supporting four short scroll branches, the lamp surmounted with a shell and scroll decorated loop handle and a rectangular shade suspended from a scrolling wire, the upper section suspending four chains, each variously connected to a utensil including snuffers and tweezers, approx. 70.5cm highPlease note that it is the buyer's responsibility to ensure that electrical items are professionally rewired for use. Roseberys does not guarantee the working order of electrical items. Condition Report: Total gross weight approx. 73ozt. The lamp is in good overall condition but has not been tested to see whether it is in working order. Some general nicking, scratching and pitting to the silver. Possibly lacking a supporting component for square fitting with chains dependent - this currently rests on the lampshade frame. Moderately heavy tarnish in places. No marks noted to chains or hanging utensils. Further images available to download via this link: https://we.tl/t-LxnCF7oBdW
***PLEASE NOTE NO INTERNET BIDDING IS AVAILABLE FOR THIS LOT, PLEASE REGISTER FOR A TELEPHONE BID ONLY. A DEPOSIT WILL BE REQUIRED.*** A PAIR OF GILT-BRONZE AND CLOISONNÉ ENAMEL 'WAN SHOU WU JIANG' BOWLS WITH BLUE ANG GILDING ENAMEL PAINTED FLOWER SHAPED STANDS 清乾隆 「子孫永寶」款 掐絲琺瑯萬壽無疆盤一對及透明宝藍琺瑯貼金花卉紋菊瓣形底座 China, Qianlong period (1736-1795) The bowls feature short rounded sides that rise from a splayed foot to a slightly flared rim. Its exterior is adorned with a cloisonné enamel turquoise-ground frieze, embellished with four roundels, each containing one of the characters wan shou wu jiang (Endless longevity without limit). These roundels are separated by meandering lotus sprays, while the rim is bordered with archaistic kui dragon scrolls and the foot with upright lappets. The interior, foot, and base are gilded, with the base incised with a four-character seal mark that reads zi sun yong bao (For eternal protection of sons and grandsons) within a double-square. The chrysanthemum flower shaped stand is decorated with translucent cobalt blue cloisonné enamel glaze. The gold foil flower patterns, underneath the enamel glaze, shimmer subtly, imbuing the piece with a hazy beauty. D.16.8cm – H(bowl).4.9cm H.(stand)6.1cm Provenance: A very important private collection from south of Ireland 出處:愛爾蘭南部重要私人收藏。 NOTE According to the Qing Palace Archives, During the Grand Banquet for Longevity, only Emperor Qianlong used a complete set of Jingdezhen blue-and-white enamel bowls and plates, while others used porcelain. Since then, this type of cloisonné enamel Longevity without Bounds bowl has almost become a symbol of Qianlong. Wherever there is Qianlong, this utensil is present; wherever this utensil is found, it is exclusively for the emperor's use. Therefore, several important imperial palaces including the Forbidden City, Shenyang Imperial Palace, and the Imperial Summer Resort have equipped such tableware as a symbol of the emperor's Longevity without Bounds. The Longevity without Bounds bowl, as the top-grade imperial dining utensil, is the most important object during Emperor Qianlong's Longevity Celebration and is regarded as the supreme object in a bowl. See a similar bowl in the collection of the National Palace museum, Taipei or in Liaoning provincial museum; also a set of ten bowls of deeper shape, decorated with this design, in the Palace Museum, Beijing, included in the Museum’s exhibition The Imperial Packing Art of the Qing Dynasty, Beijing, 2000, cat. no. 99 Transparent cloisonné, also known as shaolan燒藍, was introduced from Europe. This technique involves applying transparent enamel to a base of gold, silver, or copper, which is then fired at low temperatures. The process often involves engraving decorative patterns on the surface of the vessel, followed by the application of various enamel colors such as blue, green, purple, yellow, and white, as well as the addition of gold or silver foil. Through the transparent enamel, the finished piece exhibits a dazzling and magnificent effect, making it highly valued for its aesthetic appeal. During the Qing Dynasty, this technique was only produced in Guangzhou, hence its alternate name Guang cloisonné.. A transparent cloisonné basin in the Palace Museum collection(故00118395) 故宫藏透明珐琅八吉祥纹面盆(故00118395)
TEN BOXED ANNIE ROWE 'THE VILLAGE' NOVELTY TEAPOTS AND UTENSIL JAR, all af, comprising 'Provisions/Grocery' utensil jar (chipped and cracked), with teapots: Winter Cottage (cover cracked), Chemist (large chip on base, smaller chips/glaze chips on edges and corners), The Watermill restaurant (chipped and cracked at rim), Wine Merchant (chips and extensive cracks to cover, large chip on base and small glaze chips), Village Bank (no cover, chipped), Gift Shop (large chip/loss inside cover, chip on top of window, glazed over chip on base, small glaze chips), Antiques Shop (minor chips), Wine Merchant (large loss on one corner of base, small glaze chips) and Autumn Cottage (extensive hairline, chips) (10 + 10 boxes) (Condition Report: see description, boxes worn with damage, all a/f)
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893 item(s)/page